Fleadh Forum Webinars 2020
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
About Endgame
IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. -
For Immediate Release Tribeca Film Festival® Announces
FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL® ANNOUNCES FEATURE FILM LINE UP FOR THE COMPETITION, SPOTLIGHT, VIEWPOINTS AND MIDNIGHT SECTIONS OF THE 16TH ANNUAL FESTIVAL APRIL 19-30 ProgrAm Includes Artistic Gems, Comedies, Complex Artistic PortrAits, And PoliticAl And Social Action Films that will Engage, Inspire and Entertain New York, NY [MArch 2, 2017] – An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor Company, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, supported by EFFEN® Vodka, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. After receiving a record number of entries, the Festival’s seasoned team of programmers, led by Cara Cusumano in her new role as Director of Programming and Artistic Director Frédéric Boyer, carefully curated an edgy, entertaining and provocative program. The 16th Annual Tribeca Film Festival takes place April 19 – 30. Today’s announcement includes 82 of the 98 feature-length titles in the Festival. In a year of record high submissions, the Festival’s curators chose to reduce the size of the overall program by 20%, making this the most selective and focused festival slate yet. The Competition section features 32 films: 12 documentaries, 10 U.S. narratives and 10 international narratives. -
Dublin Oldschool
Bord Scannán na hÉireann/The Irish Film Board present a MDV / Warrior Films production in association with Element Pictures, Windmill Lane Pictures and Filmbase Dublin Oldschool Directed by Dave Tynan Starring Emmet Kirwan, Ian Lloyd Anderson, Sarah Greene, Seána Kerslake, Liam Heslin, Ciaran Grace, Stephen Jones, Mark O’Halloran, Leah Minto Ireland – 94 mins - 2018 Publicity Nell Roddy +353 1 6185032 [email protected] TABLE OF CONTENTS 3 Logline & Synopsis 4 Synopsis (Long) 5 Key Crew & Principal Cast List 6 Director & Co-Writer: Dave Tynan 7 Co-Writer & Lead Actor: Emmet Kirwan 8 Selected Filmography: Dave Tynan 9 The Producers 10 Key Crew Biographies 14 Dublin Oldschool - The Play 15 Adapting Dublin Oldschool For Screen 16 The Cast of Dublin Oldschool 17 Shooting Style 18 Music 19 Dublin 21 Cast Biographies 25 Company Profiles 27 Credits 2 Logline Over a drug-fuelled weekend in Dublin, Jason reconnects with his estranged brother, a recovering addict living on the streets. Synopsis Join Jason, a wannabe DJ, on a drug-fuelled trip through the streets of Dublin as he stumbles from one session to another. Somewhere between the DJs, decks, and drug busts he stumbles across a familiar face from the past, his brother Daniel. Daniel, an educated heroin addict, is living on the streets of Dublin. The brothers haven’t seen or spoken to each other in years but over a lost weekend they reconnect and reminisce over raves, tunes and their troubled past. Two brothers living very different lives might have more in common than they think. 3 Synopsis (Long) Dublin Oldschool tells the story of Jason, a wannabe DJ, who’s trying to play a set over a lost bank holiday weekend in Dublin. -
NA Current Resume
Nicole Arbusto Casting Director Representative projects: French Exit Sony Pictures Classics/Elevation Pictures Closing Night, NY Film Festival 2020 Producers: Christina Piovesan, Christine Haebler, Noah Segal, Katie Holly, Olivier Glaas Writer: Patrick DeWitt Director: Azazel Jacobs Cast includes: Michelle Pfeiffer, Lucas Hedges, Imogen Poots, Danielle Macdonald, Tracy Letts Room 104 Duplass Brothers Prods/HBO Seasons 1 — 4 Executive Producers: Mark Duplass, Jay Duplass, 1/2 hour anthology series Sydney Fleischmann Clementine Oscilloscope/High Pony Pictures Tribeca Film Festival 2019 Producers: Aimee Lynn Barneburg, Davis BendFilm Festival 2019 Priestley, Kim Bailey Best Narrative Feature Writer/Director: Lara Jean Gallagher Cast includes: Sydney Sweeney, Otmara Marrero, Will Brittain, Sonya Walger Animals. Duplass Brothers Prods/HBO 1/2 hour animated series Producers: Mark & Jay Duplass, Jen Roskind Season 1— 3 Writers: Phil Matarese & Mike Luciano * Society of Voice Arts Award for Best Animated Casting The Lovers A24 Tribeca Film Festival 2017 Producers: Ben LeClair, Chris Stinson Spirit Award Nom. Best Screenplay Writer/Director: Azazel Jacobs Cast includes: Debra Winger, Tracy Letts, Melora Walters, Aidan Gillen DRIB Bacon Pictures/Gravitas Ventures CPH:DOX 2017 Producers: Steak House, Magne Lyngner, Riina SXSW 2017 Sporring Zachariassen Writer/Director: Kristoffer Borgli Cast includes: Amir Asgharnejad, Brett Gelman, Adam Pearson, Annie Hamilton 31 Bow and Arrow Entertainment Sundance Film Festival 2016 Producers: Mike Elliott, Andy -
Annual Report Ráitis Airgeadais
Annual Report Ráitis Airgeadais FOILSITHE AG/PUBLISHED BY Bord Scannán na hÉireann/the Irish Film Board Queensgate, 23 Dock Road, Galway, Ireland Contents/Ábhair Tel +353 91 561 398, Fax +353 91 561 405 [email protected] www.irishfilmboard.ie AN PRÍOMHFHEIDHMEANNACH/ CHIEF EXECUTIVE JAMES HICKEY CHAIRPERSON’S REPORT 2016 ................................................................... 02 AN PRÍOMHFHEIDHMEANNACH/ TUARASCÁIL AN CHATHAOIRLIGH 2016 ................................................... 03 DEPUTY CHIEF EXECUTIVE TERESA McGRANE ANNUAL REPORT OF BORD SCANNÁN NA hÉIREANN .................... 06 BUSINESS AFFAIRS/CHÚRSAÍ GHNÓ Rialtóir Airgeadais/Financial Controller CELINE FORDE Bainisteoir Chúrsaí Gnó/Business Affairs Manager BORD SCANNÁN NA hÉIREANN’S CIAN McELHONE OBJECTIVES AND POLICIES .......................................................................... 07 01 Feidhmeannach Chúrsaí Gnó/Business Affairs Executive AILEEN McCAULEY Cúntóir Feidhmeannach Gnó/ Business Executive Assistant JADE MURPHY FINANCE .................................................................................................................... 08 STATEMENT OF BOARD RESPONSIBILITIES ................................................................ 08 LÉIRIÚCHÁIN, FORBARTHA 7 DÁILIÚCHÁIN/ PRODUCTION, DEVELOPMENT & DISTRIBUTION STATEMENT OF INTERNAL FINANCIAL CONTROLS ................................................... 09 Bainisteoirí Tionscadail/Project Managers REPORT OF THE COMPTROLLER AND AUDITOR GENERAL ...................................... -
IRISH FILM and TELEVISION - 2015 the Year in Review
Estudios Irlandeses, Number 11, 2016, pp. 275-320 ____________________________________________________________________________________________ AEDEI IRISH FILM AND TELEVISION - 2015 The Year in Review Roddy Flynn, Tony Tracy (eds.) Copyright (c) 2015 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. The Irish Are Coming: Irish Film and Television in 2015 Roddy Flynn and Tony Tracy ............................................................................................ 276 The Canal (Ivan Kavanagh 2014) Ciara Barrett ....................................................................................................................... 282 Brooklyn (John Crowley 2015) Pat Brereton ........................................................................................................................ 285 Swan Song: Lamenting Ireland’s Traditional Past in Song of the Sea (Tomm Moore 2014) Liam Burke ......................................................................................................................... 288 The Making of a Western in Conamara: An Klondike (Dathai Keane 2015) Sean Crosson ...................................................................................................................... 292 Sentimentality and “Difficult” Art in Room (Lenny Abrahamson 2015) Eileen Culloty .................................................................................................................... -
Bord Scannán Na Héireann/ Irish Film Board Strategic Plan 2016 — 2020 — Building on Success 1 Contents —
Bord Scannán na hÉireann/ Irish Film Board Strategic Plan 2016 — 2020 — Building on Success 1 Contents — Executive Summary 03 Foreword from the Chairperson 04 Introduction and Message from the Chief Executive 05 Who We Are and What We Do 07 Strategic Context 09 Listening to our Stakeholders 11 Mission 12 Vision and Values 13 Key Challenges 14 Strategic Objectives 15 Measuring Our Success 34 Making it Happen 35 2 01 Executive Summary — Welcome to the Bord Scannán na hÉireann / Key Challenges Strategic Objectives Irish Film Board (IFB) Five-Year Strategy, 8 Academy Award covering the period 2016 to 2020. We — Positioning the sector as a strategically As part of this strategy, we have identified prepared this strategy after extensive important contributor to the cultural core strategic objectives which, when taken consultation with stakeholders in Irish film and economic life of the country as a whole, will strengthen the IFB and help and the screen content production sector as us build on the industry’s success: Nominations for well as detailed contributions from our staff. — Identifying, nurturing and developing It sets out our mission statement and vision, creative talent and building a film Vision for 2020 as well as emphasising the core values culture in Ireland 1. Vision and Leadership which we hold strongly. 2. Gender Equality and Diversity IFB-Supported Films — Embracing diversity and gender 3. Building Audiences Building on Success equality in all its forms and ensuring the participation and representation of the Building on our Core Strengths In 2015 and 2016, we witnessed the most full range of diverse voices in Ireland 4. -
Hair's N O Te
Production Catalogue Production 1 Chair’s Note Chair’s Telling Irish stories on screen and supporting Irish creative talent telling these stories has always been a key focus of Bord Scannán na hÉireann/the Irish Film Board (IFB). Over the past year we have shown that these stories are enjoyed by audiences both at home and globally and have again proven what we believe to be the strength of Irish creative talent on screen. We are working on two major initiatives in 2016: the launch of a five year strategy for the IFB and a joint IFB/BAI Strategy on Training. We expect to publish both of these reports in the spring of 2016. They will then form the basis of future planning and development across the sector in the coming years. In 2015, the IFB acknowledged the underrepresentation of women in the Irish film industry. This is an issue which cannot be ignored. Actions are needed to address the gender inequality issue and the IFB is concerned enough to act and take a lead on this matter. We have outlined the measures we will be taking to address the problem and we are eager to implement them in 2016 and beyond. I took the role of Acting Chair of the IFB this year after the sudden passing of our esteemed Chairman Bill O’Herlihy. In his two years as Chairman of the IFB, Bill was a tireless advocate of the Irish film industry and his hands-on approach to the role was a clear indicator of his enthusiasm. We at the IFB were proud to call him a colleague and a friend and he is greatly missed. -
Tobias Datum Director of Photography
TOBIAS DATUM DIRECTOR OF PHOTOGRAPHY www.tobiasdatum.com FEATURES FRENCH EXIT Sony Pictures Prod: Christina Piovesan, Thorsten Schumacher Dir: Azazel Jacobs FATHERHOOD Sony Pictures Prod: Kevin Hart, John Cheng, Marty Bowen Dir: Paul Weitz BEL CANTO Depth of Field Prod: Caroline Baron, Andrew Miano, Sean Fogel Dir: Paul Weitz THE LOVERS A24 Films Prod: Jeanie Igoe, Ben LeClair, Chris Stinson Dir: Azazel Jacobs DIXIELAND Deerjen Films Prod: Jen Gatien Dir: Hand Bedford BARE Indion Entertainment Prod: Chad Burris, Alexandra Roxo Dir: Natalia Leite GRANDMA Depth of Field/Sony Prod: Andrew Miano, Chris Weitz Dir: Paul Weitz *Official Selection - Sundance Film Festival 2015 *Official Selection - Tribeca Film Festival 2015 FRANK & CINDY Independent Prod: Bill Perkins, John Pierce Dir: G.J. Echternkamp MOTHER I LOVE YOU Studio Tanaka Prod: Alise Gelze, Gatis Smits Dir: Janis Nords *Academy Awards Submission - Latvia *Winner, Dramatic Competition - LA Film Fest 2013 Winner Berlinale 2013, Generation K-Plus SMASHED Sony Pictures Classics Prod: Jonathan Scwartz, Andrea Sperling Dir: James Ponsoldt *Mary Elizabeth Winstead, Aaron Paul *US Dramatic Competition – Sundance 2012 KISS OF THE DAMNED Magnet Releasing Prod: Jen Gatien, Alex Orlovsky, Milo Ventimiglia Dir: Alexandra Cassavetes Anna Mouglalis, Roxanne Mesquita TERRI Alison Dickey/ATO Films Prod: Alex Orlovsky, Lynette Howell Dir: Azazel Jacobs *US Dramatic Competition – Sundance Film Festival 2011 John C. Reilly, Jacob Wysocki PEEP WORLD Occupant Films/IFC Films Prod: Joe Neurauter, Felipe -
Ghost Developments on Film: an Experimental Ethnographic Exploration of Place and Space in Post -Celtic Tiger Ireland
Ghost Developments on Film: An experimental ethnographic exploration of place and space in post -Celtic Tiger Ireland Patrick Baxter A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy MIRIAD Manchester School of Art Manchester Metropolitan University 2017 Contents ii. Abstract iii. Acknowledgements 1. Introduction: Longford as Place, Ghost Developments as Space 2. Prologue 11. Chapter 1: A Lesser Written History of Longford 13. Economics, Estates, Geographies & Demographics 16. Placing Longford’s Historical Identity 19. The Celtic Tiger Years and Local Media 24. Chapter 2: Living among Ghost Developments 25. An Exemplary Ghost 28. The Ghost Estate Narrative 34. Art, Aesthetics and Ghost Spaces 45. The Aesthetics of Ruination 45. Ghost Developments as Sensual, Affective Space 50. Chapter 3: Place, Space & Identity: an ethnography of post-Celtic Tiger Longford 52. An Urban or a Rural Place? 61. The Changing Social Dynamics of post-Celtic Tiger Longford 78. Uses of Space: People & Practices 87. Chapter 4: ‘A Place Where Ghosts Dwell’ 88. Film & Representing ‘Irishness’ 93. A Space between Ethnographic Film & the Essay-film 101. Reading ‘A Place Where Ghosts Dwell’ 112. Conclusion: Fade Out in a Ghost Development 114. Epilogue 117. Bibliography 125. Filmography 126. Useful Web Resources i Abstract Figure 1 Speculation (Patrick Baxter) How can film and social research be used to interrogate the relationship between a marginalized place and its vacant spaces - what I refer to as Ghost Developments? This research project investigated aspects of the post-Celtic Tiger Ireland newly built environment through the production of an experimental ethnographic documentary film and an accompanying scholarly text. -
Republic of Ireland Box Office Top 10 2010 – 2018
Republic of Ireland Box Office Top 10 2010 – 2018 All Films 2018 Irish Films 2018 Rank Title Distributor Rank Title Distributor 1 Mamma Mia: Here We Go Again! Universal 1 Black 47 Wildcard 2 Star Is Born, A Warner 2 Damo & Ivor Wildcard 3 Avengers: Infinity War Disney 3 Dublin Old School Element 4 Incredibles 2 Disney 4 Michael Inside Wildcard 5 Bohemian Rhapsody 20th Fox 5 Little Stranger Pathé 6 Jurassic World: Fallen Kingdom Universal 6 Rosie Element 7 Peter Rabbit Sony 7 Katie Taylor Wildcard 8 Grinch, The Universal 8 Breadwinner Element 9 Black Panther Disney 9 The Camino Voyage Direct Distribution Three Billboards Outside Ebbing, 10 Missouri 20th Fox 10 I, Dolours Element Source: Comscore All Films Irish Films 2017 Title Distributor 2017 Title Distributor 1 Beauty And The Beast Disney 1 Maze Lionsgate 2 Star Wars: The Last Jedi Disney 2 Cardboard Gangsters Wildcard 3 Despicable Me 3 Universal 3 Notorious Universal 4 Dunkirk Warner 4 The Killing Of A Sacred Deer Curzon Art Eye 5 Sing Universal 5 Handsome Devil Icon 6 Paddington 2 Studiocanal 6 The Secret Scripture Wildcard 7 Boss Baby, The 20th Fox 7 The Farthest Wildcard 8 It Warner 8 The Drummer And The Keeper Element 9 Guardians Of The Galaxy Vol. 2 Disney 9 Maudie Sony 10 LEGO Batman Movie, The Warner 10 Halal Daddy Element Source: Comscore Republic of Ireland Box Office Top 10 2010 - 2017 All Films Irish Films 2016 Title Distributor 2016 Title Distributor 1 Bridget Jones's Baby Universal Pictures 1 Room Studio Canal 2 Finding Dory Walt Disney 2 The Young Offenders Wildcard Distribution -
Cinema Distribution.Pdf
BOX OFFICE TOP TEN UK & IRELAND TOP TEN IRISH FILMS 2016 Title Distributor 2016 Title Distributor 1 Bridget Jones's Baby Universal Pictures 1 Room Studio Canal 2 Finding Dory Walt Disney 2 The Young Offenders Wildcard Distribution 3 The Secret Life of Pets Universal Pictures 3 Sing Street Lionsgate 4 The Jungle Book Walt Disney 4 Brooklyn Lionsgate 5 Fantastic Beasts and Where to Find Them Warner Bros 5 A Date For Mad Mary Element Pictures 6 Batman V Superman: Dawn Of Justice Warner Bros 6 Love And Friendship Lionsgate 7 Suicide Squad Warner Bros 7 Bobby Sands: 66 Days Wildcard Distribution 8 Rogue One: A Star Wars Story Walt Disney 8 Norm of the North Signature 9 Deadpool 20th Century Fox 9 Viva Element Pictures 10 Captain America: Civil War Walt Disney 10 Wild Goose Lodge Independent 2015 Title Distributor 2015 Title Distributor 1 Star Wars: The Force Awakens Walt Disney 1 Brooklyn Lionsgate 2 SPECTRE Sony 2 Two By Two eOne Films 3 Minions Universal Pictures 3 Song of The Sea Element Pictures 4 Jurassic World Universal Pictures 4 The Lobster Element Pictures 5 Inside Out Walt Disney 5 Older Than Ireland Element Pictures 6 The Avengers: Age of Ultron Walt Disney 6 The Queen of Ireland Universal 7 Fast & Furious 7 Universal Pictures 7 Glassland Element Pictures 8 Fifty Shades of Grey Universal Pictures 8 Partick's Day Wildcard Distribution 9 Brooklyn Lionsgate 9 A Doctor's Sword Wildcard Distribution 10 Hotel Transylvania 2 SONY 10 Ghosthunters Wildcard Distribution 2014 Title Distributor 2014 Title Distributor 1 Mrs.