Ráitis Ráitis Report Annual Annual Airgeadais

FOILSITHE AG/PUBLISHED BY Bord Scannán na hÉireann/the Irish Film Board Queensgate, 23 Dock Road, Galway, Ireland Contents/Ábhair Tel +353 91 561 398, Fax +353 91 561 405 [email protected] www.irishfilmboard.ie

AN PRÍOMHFHEIDHMEANNACH/ CHIEF EXECUTIVE JAMES HICKEY CHAIRPERSON’S REPORT 2016...... 02 AN PRÍOMHFHEIDHMEANNACH/ TUARASCÁIL AN CHATHAOIRLIGH 2016...... 03 DEPUTY CHIEF EXECUTIVE TERESA McGRANE ANNUAL REPORT OF BORD SCANNÁN NA hÉIREANN...... 06 BUSINESS AFFAIRS/CHÚRSAÍ GHNÓ Rialtóir Airgeadais/Financial Controller CELINE FORDE Bainisteoir Chúrsaí Gnó/Business Affairs Manager BORD SCANNÁN NA hÉIREANN’S CIAN McELHONE OBJECTIVES AND POLICIES...... 07 01 Feidhmeannach Chúrsaí Gnó/Business Affairs Executive AILEEN McCAULEY Cúntóir Feidhmeannach Gnó/ Business Executive Assistant JADE MURPHY FINANCE ...... 08 STATEMENT OF BOARD RESPONSIBILITIES...... 08 LÉIRIÚCHÁIN, FORBARTHA 7 DÁILIÚCHÁIN/ PRODUCTION, DEVELOPMENT & DISTRIBUTION STATEMENT OF INTERNAL FINANCIAL CONTROLS...... 09 Bainisteoirí Tionscadail/Project Managers REPORT OF THE COMPTROLLER AND AUDITOR GENERAL...... 10 LESLEY McKIMM CELINE HADDAD FINANCIAL STATEMENTS OF BORD SCANNÁN NA hÉIREANN/ DEARBHLA REGAN THE IRISH FILM BOARD YEAR ENDED 31 DECEMBER 2016...... 12 Bainisteoir Léiriúcháin agus Dáiliúcháin/ Production & Distribution Manager NOTES TO THE FINANCIAL STATEMENTS...... 16 EMMA SCOTT Feidhmeannach Léiriúcháin agus Forbartha/ Production & Development Executive APPENDICES SARAH DILLON Comhordaitheoir Scéimeanna agus Iarratas/ 1. COMMITMENTS 2016...... 29 Schemes & Applications Executive 2. OUTSTANDING COMMITMENTS 2016...... 33 JILL McGREGOR Cúntóir Léiriúcháin agus Forbartha/ 3. DETAILS OF LOAN CONDITIONS...... 37 Production & Development Assistant 4. PRINCIPLES & CRITERIA...... 38 JENNIFER SMYTH

LÉIRIÚCHÁIN ISTEACH/ INWARD PRODUCTION BORD SCANNÁN NA hÉIREANN RÁITIS AIRGEADAIS...... 42 Bainisteoir Léiriúcháin Isteach/Inward Production Manager STEVEN DAVENPORT Cúntóir Léiriúcháin Isteach/Inward Production Assistant CUSPÓIRÍ AGUS BEARTAIS BORD SCANNÁN NA hÉIREANN...... 43 GRÁINNE KERNAN

MARGAÍOCHTA/MARKETING Bainisteoir Margaíochta agus Cumarsáide/ AIRGEADAS...... 44 Marketing and Communications Manager RÁITEAS I dTACA LE FREAGRACHTAÍ CHOMHALTAÍ BOIRD...... 44 LOUISE RYAN Feidhmeannach Margaíochta/Marketing Executive RÁITEAS I dTACA LE RIALÚ INMHEÁNACH AIRGEADAIS...... 45 MAGS O’SULLIVAN TUAIRISC AN ARD-REACHTAIRE CUNTAS AGUS CISTE...... 46

RIARACHÁN/ADMINISTRATION RÁITIS AIRGEADAIS BORD SCANNÁN NA hÉIREANN Cúntóir Feidhmiúcháin /Executive Assistant DON BHLIAIN DAR CHRÍOCH 31 NOLLAIG 2016...... 48 NIAMH O’REILLY NÓTAÍ AG GABHBÁIL LEIS NA RÁITIS AIRGEADAIS...... 52 OILIÚINT/TRAINING Feidhmeannach Oiliúna: Cruthaitheacht 7 Cruthaitheacht Comhoibriú/Training Executive: AGUISÍNÍ Creativity & Creative Collaboration 1. CEANGALTAIS 2016...... 66 GRÁINNE BENNETT 2. CEANGALTAIS GAN ÍOC 2016...... 69 Feidhmeannach Oiliúna: Léiriúcháin agus Teicniúil/ Training Executive: Production and Technical 3. SONRAÍ NA gCOINNÍOLLACHA IASACHTA...... 73 SORCHA LOUGHNANE 4. PRIONSABAIL & CRITÉIR...... 74 Comhordaitheoir Oiliúna/Training Co-Ordinator EMER MacAVIN Feidhmeannach Airgeadais/Finance Executive SUSANNE CASSELLS FEATURE FILMS/FADSCANNÁIN 1993 - 2016...... 77 Feidhmeannach Cumarsáid/ Communications Executive CRÍONA SEXTON THE YOUNG OFFENDERS SONG OF GRANITE

02 03 Chairperson’s Report 2016 Tuarascáil an Chathaoirligh 2016 Building on the phenomenal success of 2015, 2016 proved ANIMATION GROWTH Ag cur leis an tsár-rath a bhí ann sa bhliain 2015, bliain a bhí MÉADÚ NA SCANNÁN BEOCHANA to be a blockbuster year for the Irish film, TV drama and rathúil as cuimse ab ea 2016 do thionscal na scannán, do animation industry. As Irish films such asRoom and Brooklyn 2016 was a special year for the Irish animation industry with the thionscal na drámaíochta teilifíse agus don tionscal beochana in Bliain ar leith a bhí sa bhliain 2016 do thionscal na scannán excelled on the international stage, receiving global critical and launch of Lighthouse Studios, and Irish animation companies Éirinn. De réir mar a d’éirigh thar barr le scannáin Éireannacha beochana in Éirinn toisc gur lainseáladh Lighthouse Studios, commercial acclaim, home-grown titles such as Peter Foott’s such as Brown Bag Films and Jam Media producing screen ar nós Room agus Brooklyn ar an stáitse idirnáisiúnta agus agus gur chuir comhlachtaí beochana Éireannacha ar nós The Young Offenders and Darren Thornton’s A Date for Mad content for major international channels such as Disney and ardmholadh criticiúil agus trachtála domhanda á fháil acu, bhí Brown Bag Films agus Jam Media ábhar scáileáin ar fáil do Mary told uniquely Irish stories that became major box offices the BBC. Cartoon Forum — one of the world’s leading pitching teidil ón tír seo ar nós The Young Offenders le Peter Foott agus mhórchainéil idirnáisiúnta ar nós Disney agus an BBC. Leag hits with local audiences. The unparalleled success of 2016 is and co-pro forum for animation — placed a special focus on A Date for Mad Mary le Darren Thornton a d’inis scéalta uathúla Cartoon Forum – ceann de na príomhfhóraim dhomhanda le the result of years of investment and support in Irish creative Ireland in 2016, reinforcing the high regard which is placed on Éireannacha a raibh an-ráchairt leo sna pictiúrlanna do lucht haghaidh pitseáil agus comhléiriúchán – fócas speisialta ar filmmaking talent. the Irish animation sector by the international industry. Boulder féachana áitiúla. Is mar thoradh ar na blianta infheistíochta agus Éirinn sa bhliain 2016, rud a chuir leis an ard-mheas a léiríonn Media is also set for growth having been purchased by major tacaíochta do thalann cruthaitheach scannánaíochta Éireannach an tionscal idirnáisiúnta d’earnáil na beochana in Éirinn. Tá a thagann an rath seo nár tharla ariamh go dtí seo. AWARDS AND ACHIEVEMENTS international company Hasbro this year. méadú i ndán freisin do Boulder Media ó cheannaigh an mhórchomhlacht idirnáisiúnta, Hasbró, an gnó i rith na bliana. 2016 began with a total of nine Academy Award® nominations RECORD BREAKING PRODUCTION ACTIVITY GRADAIM AGUS ÉACHTAÍ for Irish film and the Best Picture category saw not one but GNÍOMHAÍOCHT LÉIRIÚCHÁIN two Irish films Room( and Brooklyn) competing for the coveted In 2016, the IFB funded fifteen feature films, six creative Thosaigh an bhliain 2016 le iomlán de naoi ainmniúchán NÍOS FEARR NÁ RIAMH accolade, with Benjamin Cleary taking home the Oscar for Best co-productions, seven TV animation projects and eleven do Ghradaim Academy® do scannáin Éireannacha agus Short Film for Stutterer. IFB-funded films such as The Lobster feature documentaries. sa chatagóir don Scannán is Fearr bhí ní díreach scannán Le linn 2016 thug BSÉ/IFB maoiniú do chúig príomhscannán and Love & Friendship soared to the top of the US Indies box amháin ó Éirinn ach dhá cheann (Room agus Brooklyn) san déag, sé chomhléiriúchán cruthaitheach, seacht dtionscnamh Ireland experienced a record breaking €250 million production office charts and no less than eight Irish titles competed at the iomaíocht don ghradam inmhianaithe sin, agus Duais Oscar beochana agus aon phríomhscannán faisnéise déag. spend in 2016 in film, animation and TV drama, with Toronto International Film Festival. Irish documentaries It’s Not don Ghearrscannán is Fearr buaite ag Benjamin Cleary don production spread across the whole of Ireland with filming Bhí caiteachas thar na bearta de €250 milliún ar chúrsaí Yet Dark and In Loco Parentis (now called School Life) were scannán Stutterer. Bhain scannáin a raibh maoiniú acu ó BSÉ/ taking place in Cork (Maze and Michael Inside), Louth (Kissing léiriúcháin in Éirinn in earnáil na scannán, na beochana agus also both selected for the Sundance Film Festival. IFB ar nós The Lobster agus Love and Friendship buaicphointí Candice), Galway (Black ’47 and Song of Granite), Sligo (Halal i ndrámaíocht teilifíse, agus léiriúcháin scaipthe ar fud na amach i gcairteacha Indie na Stát Aontaithe agus bhí móriomlán In a year in which the country witnessed Ruth Negga’s Daddy), Donegal (Aithrí/Penance) and Wexford (The Lodgers). hÉireann le scannánaíocht ag tarlú i gCorcaigh (Maze agus d’ocht dteideal Éireannach san iomaíocht ag Féile Idirnáisiúnta ascent into global stardom with her performance in Loving, Michael Inside), i gCondae Lú (Kissing Candice), i nGaillimh With the international demand for film, TV and animation Scannán Toronto. Roghnaíodhna scannáin faisnéise Éireannacha 2016 ended with four Golden Globe nominations for Irish (Black ’47 agus Song of Granite), Sligeach (Halal Daddy), Dún na growing exponentially worldwide, there is significant potential It’s Not Yet Dark agus In Loco Parentis (a bhfuil teideal nua talent, including a Best Actress nod for Negga, a Best Actor nGall (Aithrí/Penance) agus Loch Garman (The Lodgers). for further growth. Major international films, co-production School Life anois aige) d’Fhéile Scannán Sundance. nomination for Colin Farrell in The Lobster and a nomination for and TV series which chose Ireland as a film location in the Agus an t-éileamh idirnáisiúnta ar scannán, teilifís agus beochan John Carney’s Sing Street in the Best Motion Picture, Comedy/ Bliain a bhí ann ina bhfaca an tír dul chun cinn Ruth Negga last year include Star Wars: The Last Jedi, and The Man ag méadú as cuimse ar fud an domhain, tá acmhainneacht Musical category. go bheith ina réalt domhanda lena taispeántas sa scannán Who Invented Christmas, Vikings and Into the Badlands. suntasach ann do mhéadú breise. I measc na scannán, na Loving agus chríochnaigh an bhliain le ceithre ainmniúchán do The combination of Ireland’s attractive tax incentive for film comhléiriúchán agus sraitheanna teilifíse a roghnaigh Éire ghradaim Golden Globe, ina measc ainmniúchán i gcomhair and television and the variety of rural, urban and period mar shuíomh scannán i rith nab liana seo caite bhí Star Wars: Ban-Aisteoir is Fearr do Negga, ainmniúchán i gcomhair landscapes continues to strengthen our status as a leading The Last Jedi, The Man Who Invented Christmas, Vikings agus Aisteoir is Fearr do Colin Farrell sa scannán The Lobster agus global filming location. Into the Badlands. De bharr an mheascáin den spreagadh ainmniúchán le haghaidh scannán John Carney, Sing Street, sa mealltach cánach do chúrsaí scannán agus teilifíse agus an líon chatagóir Scannan is Fearr, Coiméide/Ceoldráma. tírdhreachanna tuaithe, uirbeach agus seanré tá ár stádas mar shuíomh domhanda scannánaíochta ag dul ó neart go neart. STRANGE OCCURANCES IN A SMALL IRISH VILLAGE A DATE FOR MAD MARY

04 05 INTERNATIONAL AUDIENCES Since 2016, we have launched a series of groundbreaking LUCHT FÉACHANA Ó 2016 i leith chuireamar tús le sraith tionscnamh maoiniúchán funding initiatives to incentivise and support female creative ceannródaíoch chun tallann cruthaitheach ban a spreagadh 2016 was another strong year for the domestic box office for filmmaking talent — further strengthening our commitment to Dea-bhliain ab ea 2016 arís maidir le díolachán ticéad in Éirinn agus chun tacaíócht a thabhairt dó sin – rud a neartaíonn ár Irish films.Room grossed a healthy €1.3 million while local hit, achieving gender parity, as laid out in Building on Success. do scannáin Éireannacha. Ghnóthaigh Room móriomlán fónta de dtiomantas comhionannas inscne a bhaint amach, mar atá leagtha amach sa phlean Building on Success. The Young Offenders, grossed over €1.2 million and Brooklyn As we welcomed the launch of Creative Ireland — a series of €3 milliún, ghnóthaigh The Young Offenders, a raibh an-tóir air

finished its successful Irish run at over €3.1 million. initiatives placing creativity at the centre of public policy — we go háitiuil, breis is €1.2 milliún agus chríochnaigh Brooklyn a rith rathúil in Éirinn le breis is €3.1 milliún. Agus sin nag fáiltiú roimh seoladh Creative Ireland – sraith Irish audiences also enjoyed IFB projects on television such were particularly pleased to see that under Pillar Four (Ireland tionscnamh a chuireann an chrithaitheacht i gcroílár chúrsaí as documentaries, Older than Ireland, Atlantic and Strange as a Centre of Excellence for Media Production), the film, TV Bhain lucht féachana in Éirinn taitneamh freisin as tionscadail beartais poiblí – chuir sé áthas faoi leith orainn a fheiceáil de Occurrences in a Small Irish Village; proving that Irish audiences and animation industry would receive a major boost. Under de chuid BSÉ/IFB ar an teilifís ar nós na scannáin faisnéise, réir an Cheathrú Colúin ( Ireland as a Centre of Excellence for want to see Irish stories. 2016 also saw a significant number of this government-led initiative, a salient focus will be placed Older than Ireland, Atlantic agus Strange Occurrences in a Small Media Production), go bhfaigheadh tionscal na scannán, na projects being picked up by Amazon and Netflix both by way of be placed on elevating Ireland’s screen industries with a goal Irish Village; rud a chrúthaíonn go bhfuil dúil ag lucht féachana teilifíse agus na beochana mórneartú. De réir an tionscnaimh acquisitions and commissions. to developing Ireland as a global leader within the sector. If in Éirinn scéalta Éireannacha a fheiceáil. Le linn 2016 freisin sin atá faoi stiúir an rialtais, díreofar go suntasach ar thionscail creativity is already at the hub of Irish life, it is encouraging roghnaigh Amazon agus Netflix líon suntasach de thionscadail trí scáileáin in Éirinn a mhéadú agus í mar sprioc Éire a fhorbairt and promising to see this transposed into the centre of Irish iad a fháil nó iad a choimisiúnú. THE FUTURE mar cheannasaí domhanda laistigh den earnáil. Más amhlaidh policymaking. Creativity is the lifeblood of our industry and go bhfuil an chruthaitheacht ag croílár an tsaoil in Éirinn, tá sé we need to continue and strengthen this support and In 2016 we set out our five-year Strategic Plan, entitledBuilding AMACH ANSEO spreagúil agus is ábhar dóchais é go bhfuil an chruthaitheacht investment to enable our filmmakers’ stories to be played on Success, to capitalise on the current success our industry sin á chur isteach i gceartlár an phróisis chun beartais a out on a global scale. is experiencing. In the Plan, we seek to drive sustainable Le linn 2016 leagamar amach ár bplean straitéiseach cúig bliana, cheapadh in Éirinn. Tá an chruthaitheacht mar chuisle ag ár development in the sector by increasing investment in Irish dar teideal Building on Success, leis an chuid is mó a dhéanamh dtionscal agus mar sin is gá dúinn leanúint ar aghaidh ag treisiú Dr Annie Doona creative talent, supporting increased regional production den rath reatha atá ar ár dtionscal. Sa Phlean, tá ár ndicheall na tacaíochta agus na hinfheistíochta sin ionas go gcuirfear ar Chair activity, increasing inward production, and a continued á dhéanamh againn forbairt inmharthanach a bhrú chun cinn chumas ár gcuid déantóirí scannán a gcuid scéalta a a chur os Bord Scannán na hÉireann/the Irish Film Board (IFB) investment in training. san earnáil trí mheadú a dhéanamh ar infheistíocht i dtallann comhair an domhain mhóir. 12 December 2017 cruthaitheach Éireannach, trí thacaíocht mhéadaithe a thabhairt We also took steps to address gender imbalances within the do ghníomhaíocht léiriúcháin áitiúil, trí tairgiúlacht isteach a Dr Annie Doona industry, making a commitment to achieve 50/50 gender parity mhéadú agus trí infheistíocht leanúnach san oiliúint. Cathaoirleach within three years, as we recognised the vital importance of Bord Scannán na hÉireann/the Irish Film Board (IFB) equal representation both in front of and behind the camera. Ghlacamar céimeanna freisin chun aghaidh a thabhairt ar 12 Nollaig 2017 Through increased engagement with production companies mhíchothromaíocht laistigh den tionscal. Rinneamar gealltanas and continuing our training and mentorship programmes, we ionannas 50/50 a bhaint amach laistigh de thrí bhliana, toisc gur are striving to embed gender and diversity into the funding aithníomar an tábhacht a bhaineann leh ionadaíocht chothrom process of all publicly funded film and screen content. os comhair agus lastiar den cheamara. Trí theagmháil breise a dhéanamh le comhlachtaí leiriúcháin agus tríd ár gcláir oiliúna agus meantóireachta, tá ár ndícheall á dhéanamh againn ilchineálachas agus inscne a chur i gceartlár an phróiséis maoiniúcháin i gcás gach lánas scannáin agus scáileáin a fhaigheann maoiniú poiblí. THE BREADWINNER THE DRUMMER AND THE KEEPER

06 07 Annual Report of Bord Scannán na hÉireann’s Bord Scannán na hÉireann Objectives and Policies

BOARD MEMBERS BOARD MEETINGS AND ATTENDANCE BORD SCANNÁN NA hÉIREANN THE BOARD OFFERS FUNDING TO THE IS ESTABLISHED: DEVELOPMENT AND PRODUCTION OF The members of Bord Scannán na hÉireann/the Irish Film Board The Board held 8 meetings in 2016 and each Board Member PROJECTS AS FOLLOWS: in 2016 were: Seamus Deasy, Dr. Annie Doona (Acting Chair), attended the following number of board meetings in the year. • To promote the creative and commercial elements of Irish Katie Holly, Kate O’Toole, John Rice and Maurice Sweeney. filmmaking and film culture for a home and international i) Development loans (repayable on the first day of principal Seamus Deasy 4 meetings audience. The Board supports film projects through the photography) to a limit of €100,000 per project, as research, Dr. Annie Doona 8 meetings provision of development funding and also provides development and feasibility loans. Any funding above STAFF Katie Holly 6 meetings production finance by way of debt/equity investment. €50,000 to any one project must be matched by funding Kate O’Toole 5 meetings from other sources The staff of Bord Scannán na hÉireann/the Irish Film John Rice 5 meetings • To encourage the development and training of technical, ii) Production loans for projects with budgets: Board at 31st December 2016 were: James Hickey, CEO; Maurice Sweeney 5 meetings artistic and production personnel as a means of improving • In excess of €100,000 and not more than €1.5M, Teresa McGrane, Head of Business Affairs (Deputy CEO); the overall skills proficiency within the industry. BSÉ/IFB can provide up to 65% of the production budget, Celine Forde, Financial Controller; Emma Scott, Production capped at €550,000. and Distribution Manager; Louise Ryan, Marketing and OFFICES • To assist the production and marketing of Irish films within • In excess of €1.5M and not more than €4M, BSÉ/IFB can Communications Manager; Mags O’Sullivan, Marketing Ireland and abroad as a means of stimulating an interest in provide up to 40% of the budget, capped at €650,000. Bord Scannán na hÉireann/the Irish Film Board’s head office is Executive; Vacant, Legal & Business Executive; Ireland, Irish culture and Irish films. • in excess of €4M, BSÉ/IFB can provide up to 20% of the based in Galway city: Aileen McCauley, Business and Legal Affairs Co-ordinator; budget capped at €750,000. Queensgate, 23 Dock Road, Galway, Ireland. Sarah Dillon, Production and Development Executive; • To promote Ireland as a film location internationally. Tel +353 91 561398, Fax +353 91 561405 Jill McGregor, Applications and Schemes Co-ordinator; BOTH DEVELOPMENT AND PRODUCTION Email [email protected], www.irishfilmboard.ie Jade Murphy, Production & Development Executive Assistant; LOANS ARE ASSESSED BY A NUMBER OF Niamh O’Reilly, Executive Assistant. CRITERIA: The Board’s office in Dublin is located at: i Making Cinema SCREEN TRAINING IRELAND: 14-16 Lord Edward Street, Dublin 2. ii Accessing Audiences Gráinne Bennett, Sorcha Loughnane, Helen McMahon, iii Originality Training Exectives; Críona Sexton, Communcations iv Additionality Executive; Susanne Cassells, Finance Executive; Emer v Developing Talent, Cultural & Industrial Priorities MacAvin, Training Co-ordinator. vi Further Considerations (See appendix 4, page 38.) GILBERT & SADIE IN THE NAME OF PEACE: JOHN HUME IN AMERICA

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STATEMENT ON INTERNAL • Setting short and long term targets for each Unit within Finance FINANCIAL CONTROLS the Board and reviewing progress against same. • Establishing and enforcing standard procedures under On behalf of Bord Scannán na hÉireann/the Irish Film Board, I which financial assistance may be made available to STATEMENT OF BOARD MEMBERS’ RESPONSIBILITIES acknowledge our responsibility for ensuring that an effective projects and reviewing these procedures where necessary. system of internal financial control is maintained and operated. Section 20 (1) of the Irish Film Board Act 1980, places responsibility on the members to keep, in such form as may be approved by the Minister for Culture, Heritage and the Gaeltacht with the consent of the Minister for Public The Board reviewed its business risks in 2016 and is currently The system can only provide reasonable and not absolute Expenditure and Reform, all proper and usual accounts of money received and expended by it. addressing any identified weaknesses. assurance that assets are safeguarded, transactions authorised and properly recorded, and that material errors or irregularities The system of financial controls is based on a framework of In preparing those Financial Statements, the Board is required to: are either prevented or would be detected in a timely period. regular management information, administrative procedures including segregation of duties, authorisation, and a system of • Select suitable policies and then apply them consistently. KEY CONTROL PROCEDURES: delegation and accountability. In particular it includes: • Make judgements and estimates that are reasonable and prudent. The Board has put in place the following key internal • Prepare the financial statements on the going concern basis unless it is inappropriate to presume • A comprehensive budgeting system with an annual financial control procedures to ensure an appropriate that Bord Scannán na hÉireann/the Irish Film Board will continue in business. budget which is reviewed and agreed by the Board. control environment exists: • State whether applicable accounting standards have been followed subject to any material departures • Regular reviews of periodic and annual financial disclosed and explained in the financial statements. • An organisation plan exists which defines and allocates reports which indicate expenditure against forecasts. responsibilities to staff and identifies lines of reporting • Setting targets to measure financial and The Board is responsible for keeping adequate accounting records which disclose, with reasonable accuracy at any for all aspects of the Board’s operations. other performances. time, its financial position which enables it to ensure that the financial statements comply with Section 20 (1) of the • Procedure and security measures exist to ensure the The Board has also established an Audit Committee which Irish Film Board Act 1980. The Board is also responsible for safeguarding its assets and hence for taking reasonable safe custody of the board’s assets and assurance consists of representatives of the Board and the Executive with steps for the prevention and detection of fraud and other irregularities. against unauthorised use or disposition. a view to furtherance of internal controls. • A strong culture of openness and accountability is encouraged throughout the organisation. REVIEW OF INTERNAL FINANCIAL CONTROL: Dr Annie Doona Katie Holly The Board has also established processes to identify and The Board carried out a review of its internal financial controls Chair Board Member evaluate business risks: for 2016 in June 2017 (the review was delayed as no Board was in place until April 2017). The Board is committed to conducting 12 December 2017 • Identifying the nature, extent and financial implication of the review in a more timely way going forward. risk facing the body including the extent which it regards as acceptable in different functions. On behalf of the Board • Assessing the likelihood of identified risks occurring and assessing the Board’s ability to manage and mitigate the risks that do occur. ______• Carrying out regular reviews of the Board’s strategic Dr Annie Doona plans to ensure that these plans address the current Chair business environment. 12 December 2017 THE SILVER BRANCH PILGRIMAGE

10 11 REPORT OF THE COMPTROLLER AND RESPONSIBILITIES OF THE COMPTROLLER SCOPE OF AUDIT OF THE FINANCIAL STATEMENTS In my opinion, the accounting records of the Board were AUDITOR GENERAL FOR PRESENTATION TO AND AUDITOR GENERAL An audit involves obtaining evidence about the amounts sufficient to permit the financial statements to be readily and THE HOUSES OF THE OIREACHTAS My responsibility is to audit the financial statements and to and disclosures in the financial statements, sufficient to give properly audited. The financial statements are in agreement report on them in accordance with applicable law. reasonable assurance that the financial statements are free from with the books of account. BORD SCANNÁN NA hÉIREANN/ material misstatement, whether caused by fraud or error. This THE IRISH FILM BOARD My audit is conducted by reference to the special includes an assessment of: MATTERS ON WHICH I REPORT BY EXCEPTION I have audited the financial statements of the Irish Film Board considerations which attach to State bodies in relation to their • Whether the accounting policies are appropriate to the I report by exception if I have not received all the information for the year ended 31 December 2016 under the Irish Film management and operation. Board’s circumstances, and have been consistently applied and explanations I required for my audit, or if I find Board Act 1980. The financial statements comprise the and adequately disclosed • Any material instance where money has not been applied statement of income and expenditure and retained revenue My audit is carried out in accordance with the International • The reasonableness of significant accounting estimates for the purposes intended or where the translations did not reserves, the statement of comprehensive income, the Standards on Auditing (UK and Ireland) and in compliance with made in preparation for the financial statements, and conform to the authorities governing them, or statement of financial position, the statement of cash flows and the Auditing Practices Board’s Ethical Standards for Auditors. • The overall presentation of the financial statements • The information given in the Board’s annual report is not the related notes. The financial statements have been prepared consistent with the related financial statements or with the in the form prescribed under Section 20 of the Act, and in I also seek to obtain evidence about the regularity of financial knowledge acquired by me in the course of performing accordance with generally accepted accounting practice. transactions in the course of the audit. the audit, or • The statement of internal fInancial control does not reflect RESPONSIBILITIES OF THE MEMBERS OF THE BOARD In addition, I read the Board’s annual report to identify material the Board’s compliance with the Code of Practice for the The Irish Film Board is responsible for the preparation of the inconsistencies with the audited financial statements and to Governance of State Bodies, or financial statements, for ensuring that they give a true and fair identify any information that is apparently materially incorrect • There are other material matters relating to the manner view and for ensuring the regularity of transactions. based on, or materially inconsistent with, the knowledge in which public business has been conducted. acquired by me in the course of performing the audit. If I become aware of any apparent material misstatements or I have nothing to report in regard to those matters upon which inconsistencies, I consider the implications for my report. reporting is by exception.

OPINION ON THE FINANCIAL STATEMENTS In my opinion, the financial statements • Give a true and fair view of the assets, liabilities and financial ______position of the Board as at 31 December 2016 and of its Patricia Sheehan income and expenditure for 2016; and For and on behalf of the Comptroller and Auditor General • Have been properly prepared in accordance with the 20 December 2017 generally accepted accounting practice OLDER THAN IRELAND ATLANTIC

FINANCIAL STATEMENTS OF BORD SCANNÁN NA hÉIREANN/THE IRISH FILM BOARD STATEMENT OF COMPREHENSIVE INCOME FOR THE YEAR ENDED 31 DECEMBER 2016 For the year ended 31 December 2016 Notes 2016 2015 I I Retained Surplus/(Deficit) 666,723 178,239 Experience Gains on Retirement Benefit Obligations 12d ( 48,732 ) 186,736 12 13 STATEMENT OF INCOME AND EXPENDITURE AND RETAINED REVENUE RESERVES Change in Assumptions Underlying the Present Value of Retirement Benefit Obligations ( 437,741 ) 923,357 For the year ended 31 December 2016 Total Actuarial Gain/Loss in the Year ( 486,473 ) 1,110,093 Notes Capital Administration Total Total Adjustment to Deferred Retirement Benefits Funding 12b 486,473 ( 1,110,093 ) 2016 2015 Income I I Other Comprehensive Income for the year 666,723 178,239 Oireachtas Grant 2 12,302,000 3,224,846 15,526,846 14,465,326 Own Resources 3 1,920,222 - 1,920,222 983,278 The Statement of Cash Flows and Notes 1-23 form part of these financial statements. Other Income 61,142 51,206 112,348 148,879 Training Income 4 372,757 - 372,757 454,133 Net Deferred Funding for Retirement obligations 12C - 439,260 439,260 455,793 On behalf of the Board of Bord Scannán na hÉireann: Transfer (To)/From Capital Reserve 17 - 13,973 13,973 32,631

Total Income 14,656,121 3,729,285 18,385,406 16,540,040

Dr Annie Doona Katie Holly Expenditure Chair Board Member Training 20 851,369 - 851,369 890,881 Production Loans 18 10,662,554 - 10,662,554 9,208,758 12 December 2017 Development Loans 18 1,774,957 - 1,774,957 1,946,063 Other Capital Payments 7 767,762 - 767,762 1,125,175 Administration 8 - 2,289,615 2,289,615 2,198,646 Organisations, Subscriptions and Research 9 - 451,942 451,942 33,553 Marketing Costs 10 - 413,488 413,488 439,531 Screen Training Ireland 21 - 105,895 105,895 104,080 Retirement Benefit Costs 12A - 401,101 401,101 415,114

Total Expenditure 14,056,642 3,662,041 17,718,683 16,361,801

Surplus/(Deficit) for the year 599,479 67,244 666,723 178,239 Balance brought Forward at 1 January 2016 7,789,655 87,126 7,876,781 7,698,542 Balance Carried Forward at 31 December 2016 8,389,134 154,370 8,543,504 7,876,781

The Statement of Cash Flows and Notes 1-23 form part of these financial statements.

On behalf of the Board of Bord Scannán na hÉireann:

Dr Annie Doona Katie Holly Chair Board Member

12 December 2017

LOVE AND FRIENDSHIP THE SECRET SCRIPTURE

STATEMENT OF FINANCIAL POSITION STATEMENT OF CASH FLOWS For the year ended 31 December 2016 For the year ended 31 December 2016

Notes 2016 2015 2016 2015 Fixed Assets I I Cash Flows from Operating Activities I I Excess Income over Expenditure 666,723 178,239 Property, Plant and Equipment 13 18,204 32,177 14 Bank Interest Received ( 9,967 ) ( 19,109 ) 15 Financial Assets 6 1,001,041 934,086 Transfer to/(from) Administration Income and Expenditure Account ( 13,973 ) ( 32,631 ) Total Fixed Assets 1,019,245 966,263 Depreciation 21,027 46,557 (Increase)/Decrease in Receivables ( 105,026 ) 23,366 Increase/(Decrease) in Payables 439,488 ( 239,951 ) Current Assets Increase/(Decrease) in Deferred Income ( 84,000 ) - Cash and Cash Equivalents 9,269,192 8,352,007 Receivables 16 250,865 145,839 Net Cash Flows from Operating activities 914,272 ( 43,529 )

9,520,057 8,497,846 Current Liabilities (Amounts falling due within one year) Cash Flows from Investing Activities Payments to Acquire Property, Plant & Equipment ( 7,054 ) ( 13,926 ) Payables 14 ( 871,551 ) ( 432,063 ) Deferred Income 15 ( 105,000 ) ( 189,000 ) Net Cash Flows from Investing Activities ( 7,054 ) ( 13,926 )

Net Current Assets 8,543,506 7,876,783 Cash Flows from Financing Activities Bank Interest Received 9,967 19,109 Total Assets Less Current Liabilities before Pensions 9,562,751 8,843,046 Deferred Pension Funding Asset 12c 7,067,880 6,142,147 Net Cash Flows from Financing Activities 9,967 19,109 Pension Liabilities 12b ( 7,067,880 ) ( 6,142,147 )

Total Net Assets 9,562,751 8,843,046 Net Increase/(Decrease) in Cash and Cash Equivalents 91 7,1 85 ( 38,346 )

Cash and cash equivalents at 1 January 8,352,007 8,390,353 Representing: Retained Revenue Reserves 8,543,504 7,876,781 Cash and cash equivalents at 31 December 9,269,192 8,352,007 Capital Account 17 1,019,247 966,265

9,562,751 8,843,046 The Statement of Cash Flows and Notes 1-23 form part of these financial statements.

The Statement of Cash Flows and Notes 1-23 form part of these financial statements. On behalf of the Board of Bord Scannán na hÉireann:

On behalf of the Board of Bord Scannán na hÉireann:

Dr Annie Doona Katie Holly Chair Board Member

Dr Annie Doona Katie Holly Chair Board Member 12 December 2017

12 December 2017

BLACK ’47 THE DAY HENRY MET

16 NOTES TO THE FINANCIAL STATEMENTS FOR THE YEAR ENDED 31 DECEMBER 2016 (e) Property, Plant & Equipment (g) Employee Benefits 17 Property, Plant & Equipment are stated at cost less Short-term Benefits 1. ACCOUNTING POLICIES (c) Basis of Preparation accumulated depreciation, adjusted for any provision for Short term benefits such as holiday pay are recognised as an The financial statements have been prepared under the impairment. Depreciation is provided on Property, Plant & expense in the year, and benefits that are accrued at year- The basis of accounting and significant accounting policies historical cost convention, except for certain assets and Equipment at rates estimated to write off the cost less the end are included in the Payables figure in the Statement of adopted by Bord Scannán na hÉireann/Irish Film Board are set liabilities that are measured at fair values as explained in the estimated residual value of each asset on a straight line basis Financial Position. out below. They have all been applied consistently throughout accounting policies below. The financial statements are in the over their estimated useful lives as follows: the year and for the preceding year. Retirement Benefits form approved by the Minister for Culture, Heritage and the (i) Fixtures and Fittings 20% per annum Bord Scannán na hÉireann previously established its own a) General Information Gaeltacht with the concurrence of the Minister for Finance (ii) Computers 33% per annum defined benefit pension scheme, funded annually on a pay under the Irish Film Board Act 1980. The following accounting as you go basis from monies provided by the Department Residual value represents the estimated amount which Bord Scannán na hÉireann was set up under the Irish Film policies have been applied consistently in dealing with items of Arts, Heritage and the Gaeltacht and from contributions would currently be obtained from disposal of an asset, after Board Act 1980 with a head office at Queensgate, 23 Dock which are considered material in relation to Bord Scannán na deducted from staff and members’ salaries. Bord Scannán deducting estimated costs of disposal, if the asset were Road, Galway. hÉireann’s financial statements. na hÉireann also operates the Single Public Services Pension already of an age and in the condition expected at the end of Scheme (“Single Scheme”), which is a defined benefit Bord Scannán na hÉireann’s primary objectives as set out in Expenditure recognised in the Income and Expenditure and its useful life. Section 4 of the Irish Film Board Act are as follows: Retained Revenue Reserves account is split between capital scheme for pensionable public servants appointed on or after and administration on the following basis. The capital element If there is objective evidence of impairment of the value of an 1 January 2013. To assist and encourage by any means it considers appropriate records the disbursement of the Board’s development and asset, an impairment loss is recognised in the Statement of the making of films in the State and the development of an Single Scheme members’ contributions are paid over to the production loans and other capital payments. It also records Income and Expenditure and Retained Revenue Reserves in industry in the State for the makings of films, and may engage Department of Public Expenditure and Reform (DPER). the payments made by Screen Training Ireland in relation to the year. in any other activity (including the establishment of a national training and development for the Irish screen sectors. The Pension costs reflect pension benefits earned by employees film archive) which it is empowered by the Act to engage in. administration element records the administrative transactions (f) Financial Assets and are shown net of staff pension contributions which in respect of the Board and Screen Training Ireland. are remitted to the Department of Arts Heritage and the In so far as it considers it appropriate, the Board shall have Financial Assets comprising investment in films are Gaeltacht. An amount corresponding to the pension charge regard to the need for the expression of national culture measured at fair value with the valuation based upon the is recognised as income to the extent that it is recoverable through the medium of film making. (d) Revenue historical performance of the Board’s loanbook. A provision is and offset by grants received in the year to discharge made based on the likely percentage of loans which will The Board shall have power to participate and promote Oireachtas Grants pension payments. participation in international collaborative projects in Oireachtas Grants are recognised on a cash receipts basis. be repaid and this provision is accounted for through the accordance with any of its functions under this Act and, Capital Reserve. Actuarial gains or losses arising on scheme liabilities are Repayments of Loans reflected in the Statement of Comprehensive Income and where appropriate, to enter into agreements with comparable Repayments and returns on production loans are Repayments of loans arising from the commercial exploitation a corresponding adjustment is recognised in the amount bodies outside the State, subject to the consent of the Minister dependent on the commercial success of the related films of the Board’s films are recognised on a cash receipts basis. recoverable from the Department of Arts, Heritage and and the Minister for Finance and, where appropriate, in and all repayments are in accordance with the terms of the the Gaeltacht. consultation with the Minister for Foreign Affairs. Interest Income loan agreements. These loans are not normally subject to Interest income is recognised on an accruals basis using the Bord Scannán na hÉíreann is a Public Benefit Entity. interest charges, but include measures for recoupment and The financial statements reflect at fair value the assets and effective interest rate method. profit participation. liabilities arising from Bord Scannán na hÉireann’s pension obligations and any related funding, and recognises the costs (b) Statement of Compliance Deferred Income Development Loans become repayable on the first day Income is recognised as deferred where income has been of providing pension benefits in the accounting periods in The financial statements of Bord Scannán na hÉireann for of principal photography in accordance with the terms received at the balance sheet date but relates to the following which they are earned by employees. Retirement benefit the year ended 31st December 2016 have been prepared in of the loan agreements. These loans are not subject to year. Income received from the Commission of Europe is scheme liabilities are measured on an actuarial basis using accordance with FRS 102, the financial reporting standard interest charges. treated in this way where monies are received for training the projected unit credit method. applicable in the UK and Ireland issued by the Financial courses which are to be delivered in the following year by Reporting Council (FRC), as promulgated by Chartered Screen Training Ireland. Accountants Ireland. Other Income All other income is recognised on an accruals basis.

SECOND TO NONE OUTSIDE THE FACTORY

18 (h) Operating Leases Depreciation and Residual Values 2. OIREACHTAS GRANTS 19 The Board has reviewed the asset lives and associated Rental expenditure under operating leases is recognised in residual values of all fixed asset classes and in particular, the Statement of Income and Expenditure and Retained The Oireachtas Grants voted to Bord Scannán na hÉireann from the Department of Culture, Heritage and the Gaeltacht as shown in the the useful economic life and residual values of fixtures and financial statements consist of: Revenue Reserves over the life of the lease. Expenditure is fittings, and have concluded that asset lives and residual recognised on a straight line basis over the lease period, 2016 2015 values are appropriate. Current Purposes I I except where there are rental increases linked to the Grants for Current Expenditure 3,269,000 2,760,00 expected rate of inflation, in which case these increases Retirement Benefit Obligation Less: Net Superannuation Contributions Repayable 44,154 46,674 are recognised when incurred. Any lease incentives The assumptions underlying the actuarial valuations for Total 3,224,846 2,760,000 received are recognised over the life of the lease. which the amounts recognised in the financial statements are

determined (including discount rates, rates of increase in future Capital Purposes (i) Critical Accounting Judgements and Estimates compensation levels, mortality rates and healthcare cost trend Grants for Capital Expenditure 12,302,000 11,752,000 The preparation of the financial statements requires rates) are updated annually on current economic conditions, management to make judgements, estimates and assumptions and for any relevant changes to the terms and conditions of the that affect the amounts reported for assets and liabilities as pension and post-retirement plans. 3. OWN RESOURCES at the balance sheet date and the amounts reported for The assumptions can be affected by: revenues and expenses during the year. However, the nature (i) the discount rate, changes in the rate of return of high- 2016 2015 of estimation means that actual outcomes could differ from quality corporate bonds I I those estimates. The following judgements have had the (ii) future compensation levels, future labour market conditions Repayments of Loans 1,909,272 974,972 most significant effect on amounts recognised in the (iii) health care cost trends, the rate of medical cost inflation in Pre-Production Finance Charges 10,950 8,306 financial statements. the relevant regions Total 1,920,222 983,278 Provisions Bord Scannán na hÉireann makes provisions for legal and constructive obligations, which it knows to be outstanding at 4. TRAINING INCOME the period end date. These provisions are generally made based on historical or other pertinent information, adjusted for recent 2016 2015 I I trends where relevant. However, they are estimates of the Media Income 215,176 231,648 financial costs of events that may not occur for some years. Training Course Fee Income 86,873 104,713 As a result of this and the level of uncertainty attaching to Co-Funders 70,000 75,000 the final outcomes, the actual out-turn may differ significantly Sponsorship 708 42,772 from that estimated. Total Training Income 372,757 454,133

5. LIMITATION OF MONIES PROVIDED BY THE BOARD

Under Section 10 of the Irish Film Board Act, 1980 as amended, the maximum amount of any investments, loans, grants and guarantees (less recoveries) shall not exceed €300,000,000. At the 31st December 2016, an amount of €266,658,150 had been provided (At 31/12/2015, €254,446,333 had been provided). GEIST MAUDIE

6. INVESTMENT IN FILMS 8. ADMINISTRATION

2016 2015 Production Development I I Loans Loans TOTAL I I I Remuneration and Other Pay Costs 1,244,808 1,294,375 Advanced During the Year 10,662,554 1,774,957 12,437,511 Recruitment Costs 6,382 443 20 Recoupment During the Year ( 1,333,422 ) ( 575,850 ) ( 1,909,272 ) Rent and Service Charges 243,020 271,212 21 Insurance 9,508 8,644 Provision for Year ( 9,236,794 ) ( 1,224,490 ) (10,461,284 ) Light/Heat 11,902 14,642 Movement in the Year 92,338 ( 25,383 ) 66,955 Telephone/Fax 28,465 38,986 Balance as at 01/01/16 791,531 142,555 934,086 Postage/Couriers 12,106 13,672 Office Stationery/Printing 12,124 9,972 Balance as at 31/12/16 883,869 117,172 1,001,041 Repairs/Maintenance 78,706 55,430 Bank Interest and Charges 1,989 3,565 Board Meetings and Expenses 3,339 4,239 Legal Fees 4,788 14,304 7. OTHER CAPITAL PAYMENTS Audit Fees 16,000 16,500 Sundry 12,664 12,981 In addition to the payments made to Production and Development loans, the Board made the following other capital payments Depreciation 21,027 46,557 in the year. Consultancy 582,787 393,124 2016 2015 Total 2,289,615 2,198,646 European Organisations I I Creative Europe Desk Dublin 32,500 32,500 2016 2015 Creative Europe Desk Galway 10,000 10,000 (a) Remuneration and Other Pay costs I I Eurimages - 388,097 Staff Salaries (including CEO) 1,015,266 1,073,528 European Film Promotion 5,750 12,950 Employer’s Contribution to Social Welfare 96,851 98,105 European Observatory 16,099 15,957 Staff Training and Development 8,921 11,108 International Staff Travel 75,304 68,566 Industry Guilds Domestic Staff Travel 45,870 40,239 Irish Playwrights & Screenwriters Guild 70,000 65,000 Entertainment Expenses 2,597 2,829 Screen Directors Guild 77,000 65,000 Total 1,244,808 1,294,375 Screen Producers Ireland 30,000 30,000 Animation Ireland 38,000 30,000

Film Market/Industry Events (b) Employee Benefits breakdown NUMBER OF EMPLOYEES Cork Film Festival 18,000 4,500 From 2016 2015 Digital Biscuit - 7,500 €60,000 - €69,999 2 2 Talent Market Event 5,000 - €70,000 - €79,999 - 1 Dingle Film Festival 10,000 10,000 €80,000 - €89,999 1 1 Dublin International Film Festival 30,000 30,000 €90,000 - €99,999 - 1 European Film Market Support 61,360 42,716 €100,000- €109,999 1 - Galway Film Fair 55,000 55,000 Guth Gafa Film Festival 7,500 7,500 The average number (WTE) of employees in 2016 was 19. Others 16,000 13,305 IFI Documentary Festival - 7,500 The CEO’s remuneration package for 2016 was made up as follows: Annual basic salary: €100,977. The CEO’s pension entitlements do not

extend beyond the standard entitlements in the public sector defined benefit superannuation scheme. Others Irish Film Archive 98,850 97,050 Young Irish Film Makers 15,000 15,000 Cinemobile 50,000 49,280 (c) Board Members’ Emoluments All Meetings IFTA 75,000 30,000 Board Member Expenses Attended Scouting/Travel Grants - 60,284 I Script readers 44,591 41,200 Dr Annie Doona (Acting Chair) 2,041 8 Talent Development 2,112 4,836 John Rice - 5 Total 767,762 1,125,175 Kate O’Toole 494 5 Katie Holly 420 6 Maurice Sweeney 210 5 Seamus Deasy - 4 Total 3,165

No Board Members were paid fees in 2016. THE LAST KING THE FARTHEST

9. ORGANISATIONS, SUBSCRIPTIONS AND RESEARCH 12. SUPERANNUATION

2016 2015 2016 2015 2014 2013 2012 I I a. Analysis of Total Pension Costs Charged to Expenditure I I I I I IBEC 4,448 4,339 Current service cost 297,915 332,656 277,716 322,357 311,231 Subscriptions to Publications 7,089 8,155 Past Service cost* - - - 1,314,174 - 22 Creative Europe Desk 3,026 5,486 Interest on Pension Scheme Liabilities 147,340 129,132 168,441 158,858 105,711 23 Sponsorship 12,650 15,573 Employee Contributions ( 44,154 ) ( 46,674 ) ( 46,480 ) ( 45,963 ) ( 40,452 ) Eurimages* 424,729 - Total 401,101 415,114 399,677 1,749,426 376,490 Total 451,942 33,553 * Relates to new entrants from Solas in January 2013. Prior service credited on a knock for knock basis. * In 2015 it was paid from capital as it should give rise to production investment. In 2016 it was treated as a subscription to facilitate greater flexibility in capital amounts available for investment. 2016 2015 2014 2013 2012 b. Movement in Net Pension Liability During the Financial Year I I I I I Net Pension Liability at 1 January 6,142,147 6,796,446 4,676,739 3,491,960 2,684,217 Current Service Cost* 297,915 332,656 277,716 322,357 311,231 10. MARKETING Interest Cost 147,340 129,132 168,441 158,858 105,711 Past Service Cost - - - 1,314,174 - 2016 2015 Actuarial Loss/(Gains) 486,473 ( 1,110,093 ) 1,679,545 ( 604,615 ) 396,796 I I Pensions Paid in the Year ( 5,995 ) ( 5,995 ) ( 5,995 ) ( 5,995 ) ( 5,995 ) Festival Promotion 193,543 184,107 Advertising 42,863 69,969 Net Pension Liability at 31 December 7,067,880 6,142,147 6,796,446 4,676,739 3,491,960 Events/PR 36,028 118,181 * The Current Service Cost includes employee contributions totalling €44,154 in 2016. Publications 39,544 31,589 Marketing Materials 38,641 12,222 Web Site/Online Promotion 25,589 5,553 Locations Services 707 6,620 c. Deferred Funding for Pensions Scouting 23,653 - The Board recognises these amounts as an asset corresponding to the unfunded deferred liability for pensions on the basis of the set International Promotion 12,920 11,290 of assumptions described above and a number of past events. These events include the statutory backing for the establishment of the Total 413,488 439,531 pension scheme, and the policy and practice in relation to funding public service pensions including contributions by employees and the annual estimates process. The Board has no evidence that this funding policy will not continue to meet such sums in accordance with current practice. The Net Deferred Funding for Pensions recognised in Income and Expenditure Account was as follows. 11. LEASE COMMITMENTS 2016 2015 2014 2013 2012 I I I I I The Board has commitments until April 2018 in respect of its office in Galway at Queensgate, 23 Dock Road. The annual cost of Funding Recoverable in Respect of Current Year Pension Costs 445,255 461,788 446,157 1,795,389 416,942 this lease is €35,000 plus VAT. The Board completed negotiations on a new lease in respect of its offices at 14-16 Lord Edward St in Pensions Paid in the Year ( 5,995 ) 5,995) ( 5,995 ) ( 5,995 ) ( 5,995 ) December 2016. The original lease which was due to expire on 31st October 2017 was surrendered and a new lease was entered into to State Grant Applied to Pay Pensioners 439,260 455,793 440,162 1,789,394 410,947 include the lower ground floor of the building also. The annual cost of the new ten year lease is €141,417.50 plus VAT. The Board also has commitments until May 2017 in respect of Screen Training Ireland’s offices at Callaghan House, 13-16 Dame St, Dublin 2 at an annual The deferred funding asset for pensions as at 31 December 2016 amounted to €7,067,880 (€6,142,147 in 2015). cost of €21,000.

2016 2015 2014 2013 2012 At 31 December 2016 Bord Scannán na hÉireann had the following minimum lease payments under non-cancellable operating leases for d. History of Defined Benefit Obligations I I I I I each of the following periods: Defined Benefit Obligations 7,067,880 6,142,446 6,796,446 4,676,739 3,491,960 2016 2016 I I Experience (Gains)/Losses on Scheme Liabilities 48,732 ( 186,736 ) ( 173,035 ) ( 178,597 ) ( 158,205 ) Payable within One Year 213,176 187,158 Percentage of Scheme Liabilities 1% -3% -3% -4% -5% Payable within Two to Five Years 706,537 126,775 Payable after Five Years 862,470 -

Operating lease payments recognised as an expense were €198,478 (2015:€257,590). e. General Description of the Scheme The pension scheme is a defined benefit final salary pension arrangement with benefits and contributions defined by reference to current “model” public sector scheme regulations. The scheme provides a pension (eightieths per year of service), a gratuity or lump sum (three eightieths per year of service) and spouse’s and children’s pensions. Normal retirement age is a member’s 65th birthday, and pre 2004 members have an entitlement to retire without actuarial reduction from age 60. Pensions in payment (and deferment) normally increase in line with general public sector salary inflation.

The valuation used for FRS102 (Revised) Disclosures has been based on a full actuarial valuation at each date performed by an independent qualified actuary to take account of the requirements of FRS102 in order to assess the scheme liabilities at 31 December 2016. THE QUEEN OF IRELAND LOST IN FRANCE

The principal actuarial assumptions were as follows: 31/12/2016 31/12/2015 31/12/2014 31/12/2013 31/12/2012 14. PAYABLES Rate of Increase in Salaries 3% 3.0% 3.0% 3.5% 3.5% Rate of Increase in Pension Payment 3% 3.0% 3.0% 3.5% 3.5% 2016 2015 I I Discount Rate 2.10% 2.4% 1.9% 3.2% 3.2% PAYE/PRSI 24,330 28,040 Inflation 1.75% 1.5% 1.5% 2.0% 2.0% Other Accruals 185,732 316,331 24 25 The mortality basis adopted allows for improvements in life expectancy over time, so that life expectancy at retirement will depend on Withholding Tax 34,086 16,559 the year in which a member attains retirement age (age 65). Pension Contribution 6,923 7,531 Trade Creditors 620,480 63,602 Life Expectancy for Male aged 65 22.3 years Total 871,551 432,063 Life Expectancy for Female aged 65 23.8 years Life Expectancy for Male aged 45 now (from 65) 24.6 years Life Expectancy for Female aged 45 now (from 65) 25.7 years

15. DEFERRED INCOME 13. PROPERTY, PLANT & EQUIPMENT 2016 2015 I I Furniture Computers Total Cost I I I Creative Europe Media Training Fund 105,000 189,000 At 1 January 2016 415,108 263,208 678,316 Total 105,000 189,000 Additions 1,893 5,161 7,054 STI Additions - - - Disposals - - -

At 31 December 2016 417,001 268,369 685,370 16. RECEIVABLES Depreciation As at 1 January 2016 400,936 245,203 646,139 2016 2015 Charge for Year 7,039 12,826 19,865 I I STI Charge 1,069 93 1,162 Debtors* 155,050 5,174 Disposals - - - Prepayments 68,895 97,940 At 31 December 2016 409,044 258,122 667,166 Accrued Income 26,920 42,725 Total 250,865 145,839 Net Book Value * Included in debtors is a pre-production loan to the value of €150,000 which was repaid in January 2017 As at 31 December 2016 7,957 10,247 18,204 As at 31 December 2015 14,172 18,005 32,177 Movement ( 6,215 ) ( 7,758 ) ( 13,973 ) 17. CAPITAL RESERVE

2016 2015 I I Furniture Computers Total Cost I I I Balance at 01/01/16 966,265 1,025,729 At 1 January 2015 415,108 288,909 704,017 Investment in Films 66,955 ( 26,833 ) Additions - 13,926 13,926 Movement in Fixed Asset Funding (13,973 ) ( 32,631 ) STI Additions - - - Balance at 31/12/16 1,019,247 966,265 Disposals - ( 39,627 ) ( 39,627 ) At 31 December 2015 415,108 263,208 678,316 The Movement in Fixed Asset Funding is Comprised as Follows: Income Allocated for Capital Purposes 7,054 13,926 Depreciation Amortisation (21,027 ) (46,557) As at 1 January 2015 393,292 245,917 639,209 Loss on Disposal of Assets - - Charge for Year 6,575 28,613 35,188 Total (13,973 ) (32,631) STI Charge 1,069 10,300 11,369 Disposals - ( 39,627 ) ( 39,627 )

At 31 December 2015 400,936 245,203 646,139

Net Book Value As at 31 December 2015 14,172 18,005 32,177

As at 31 December 2014 21,816 42,992 64,808 Movement ( 7,644 ) ( 24,987 ) ( 32,631 ) ROCKY ROS MUC CRASH AND BURN

18. COMMITMENTS 20. TRAINING COSTS

Feature Documentary Animation Distribution Screen Training Ireland (STI) is the national training and development resource specifically created for Ireland’s film and television Production* Production Production Loans Schemes Total industry. As part of the Irish Film Board, STI works to identify, design and deliver training for Irish professionals across the whole of the I I I I I I Production Loans screen sector. Training programmes are offered to practitioners and companies to enhance their expertise in Film, Television, Animation Commitments @ 01/01/16 2,046,970 769,705 507,499 218,909 322,067 3,865,150 and interactive screen content. Commitments in 2016 8,629,735 710,500 475,000 625,968 467,000 10,908,203 Commitments Expired 2016 ( 88,317) - - - - ( 88,317 ) 2016 2015 26 I I 27 Total Commitments 10,588,388 1,480,205 982,499 844,877 789,067 14,685,036 Bursaries 38,159 42,864 Payments in 2016 ( 8,217,326 ) ( 913,069 ) ( 641,500 ) ( 579,577 ) ( 311,082 ) (10,662,554) Business and Enterprise 105,067 28,669 Creative and Creative Collaboration 179,050 217,923 Commitments at 31/12/16 2,371,062 567,136 340,999 265,300 477,985 4,022,482 Media Programs 219,808 331,292 Other European Programs 30,824 48,974 The breakdown of commitments is given in Appendix One. Production and Technical Skills 278,461 221,159 Included in both the commitment and payment figure for Feature Production is an amount of €103,435 in respect of project related expenses and Total 851,369 890,881 production legal costs. Animation Feature Documentary Development Development Development Total Development Loans I I I I Commitments @ 01/01/16 129,895 1,042,934 69,682 1,242,511 Commitments in 2016 465,900 1,293,711 132,500 1,892,111 Commitments Expired 2016 - ( 210,023 ) - ( 210,023 ) 21. SCREEN TRAINING IRELAND

Total Commitments 595,795 2,126,622 202,182 2,924,599 2016 2015 I I Payments in 2016 ( 374,000 ) ( 1,259,959 ) ( 140,998 ) ( 1,774,957 ) Cleaning and Refuse 7,789 6,124 Commitments at 31/12/16 221,795 866,663 61,184 1,149,642 IT Maintenance 3,830 6,506 Light and Heat 4,246 4,370 Marketing Costs 22,520 15,982 Office Equipment 2,484 4,680 Office Refurbishment 944 691 Office Rent and Rates 34,865 34,538 Office Stationery and Printing 3,309 5,803 19. PROVISIONAL OFFERS OF ASSISTANCE TO FILM PROJECTS Other Office Overhead 1,890 9,733 Professional Fees 2,257 - In addition to the contracted commitments outstanding at year-end of €5,172,124 disclosed an additional €1,754,244 in respect Staff Costs 11,951 4,684 of provisional offers of assistance was outstanding. The major portion of such commitments, €1,373,144 is in respect of feature Subscriptions to Publications 2,242 4,579 productions where offers are subject to certain terms and conditions which include the procurement of finance. They remain valid for Telephones 7,568 6,390 a period of up to three months at which stage they are subject to review. These offers are also conditional on the availability of Board’s Total 105,895 104,080 funds. The Board also had unquantified offers of assistance to a further seven feature productions at the year end. THE BELLY OF THE WHALE I’M A FISH

28 29 22. RELATED PARTY TRANSACTIONS Appendix 1 Appendices 1 to 4 are for information and do not form part of the accounts from pages 6 to 28. Bord Scannán na hÉireann adopts procedures in accordance with the guidelines issued by the Department of Public Expenditure and Reform covering the personal interests of Board members. In the normal course of business, Bord Scannán na hÉireann may approve grants or enter into other contractual arrangements with entities in which Bord Scannán na hÉireann Board Members are employed or COMMITMENTS 2016 are otherwise interested.

In cases of potential conflict of interest, Board members do not receive Board documentation or otherwise participate in or attend PRODUCTION LOAN FEATURES DOCUMENTARY PRODUCTION discussions regarding these transactions. A register is maintained and available on request of all such instances. Committed I Committed I In 2016 the following loans were approved in which a Board Member was employed or had an interest: Forever Pure Roads Entertainment 43,000 Halal Daddy Florin/Deadpan 550,000 Strange Occurences in a Maze Mammoth Films 673,800 Small Irish Village Underground Films 30,000 Name Company Project Amount Total The Flag Treasure Entertainment 567,500 Mattress Man (Additional) El Zorerro 25,000 Song of Granite Roads Entertainment 475,000 Outside the Factory FSE Films 100,000 Seamus Deasy Praxis Pictures Condemned to Remember Up to €100,000 €100,000 Good Favour SP Films 500,000 The Boy Who Changed America Fine Point Films 90,000 Athrí DeFacto Films 150,000 Annie Doona IADT Young Irish Filmmakers €15,000 €15,000 In Loco Parentis Soilsiu Films 30,000 Kissing Candice (Catalyst) Venom 285,000 Condemned to Remember Praxis Pictures 100,000 The Lodgers Tailored Films 600,000 Katie Holly Blinder Films Extraordinary €25,000 John Hume in America Creeney Films 72,500 Michael Inside Subotica/ The Lesson €13,900 Kevin Roche: Living Architect Wavelength Pictures 80,000 Write Direction Films 450,000 Rose Buds €9,400 Haunted New Decade Film 100,000 Belly of the Whale Fastnet Films 550,000 Travelling Companion €14,000 Butterfly City Planet Korda Pictures 40,000 The Third Wave Tilted Pictures 650,000 Love and Friendship (Distribution) up to €14,500 The Delinquent Season Parallel Films 650,000 Total 710,500 A Mother Brings her son to be shot up to €100,000 Black 47 Fastnet Films 900,000 Snapshot Productions Moscow Never Sleeps (Distribution) €15,000 Cellar Door Samson Films 450,000 Blinder Films also received an unquantified offer of production funding for Extraordinary. Expiry (88,317 ) DISTRIBUTION SUPPORT Blinder Films also received an extension of an unquantified offer of production funding Total 7,362,983 to the project La Domestique which subsequently expired. €192,300 11 Minutes Wildcard Distribution 5,000 John Rice Jam Media Peckles up to €50,000 The Truth Commissioner Wildcard Distribution 6,000 King Dom €20,000 Love and Friendship Wildcard Distribution 14,500 CO-PRODUCTION FUND Dingle Animation Festival Grant €8,000 €78,000 Strangerland Wildcard Distribution 17,000 66 Days Wildcard Distribution 18,000 Maurice Sweeney Screen Directors Guild Grant €82,000 €82,000 A Storm in the Stars Parallel Film Productions 250,000 Mattress Men Element Distribution 20,000 Kate O’Toole Galway Film Fair Grant €55,000 €55,000 Montauk SP Films 200,000 Dare to be Wild Wildcard Distribution 22,500 POV Fantastic Films 50,000 Viva Element Distribution 24,000 Grand Total €521,800 The Killing of a Sacred Deer Element Pictures 200,000 Mom and Me Element Distribution 25,000 Muse Fantastic Films 200,000 My Name is Emily Eclipse Distribution 30,500 The Man Who Invented Christmas Parallel Films 175,000 A Date for Mad Mary Element Distribution 35,000 Total 1,075,000 The Flag Element Distribution 37,500 Traders Element Distribution 40,000 The Young Offenders Wildcard Distribution 70,000 23. BOARD APPROVAL Room Element Distribution 75,000 ANIMATION PRODUCTION Song of the Sea Element Distribution 75,000 The financial statements were approved by the Board on the 12th December 2017. Crash and Burn Wildcard Distribution 15,000 Kiva Khan Do Kavaleer Productions 70,000 Land Of The Enlightened Wildcard Distribution 5,000 The Day Henry Met Wiggleywoo 130,000 Last Day On Mars Universal Pictures 25,000 The Red Herring Ink & Light 30,000 Total 560,000 Brewster The Rooster Salty Dog Pictures 150,000 I’m a Fish Monster Entertainment 95,000 Total 475,000 MYAGO HAUNTED — ONE WOMAN’S STORY OF LIFE AND DEATH IN THE IRA

30 31

DIRECT DISTRIBUTION FRAMEWORKS DEVELOPMENT LOANS FEATURES

Committed I Committed I Committed I Committed I The Price of Desire EG Film Productions 15,000 Departure Pink Kong Studios 46,000 A Day In The Life Andrew Meehan 12,000 Sarajevo Calling Vico Films 14,000 Atlantic Scannáin Inbhear 15,000 Late Afternoon Cartoon Saloon 46,000 A Day In The Life Cosmos Films 14,650 Sea Fever (415) Fantastic Films 8,500 Strange Occurences in a Macarooned Whirligig 35,000 A Girl from Mogadishu EG Film Productions 34,750 Sea Horse Shashi Rami 8,000 Small Irish Village Underground Films 10,000 Total 127,000 Airlock SP Films 13,950 Sidelined Parallel Film Productions 18,500 Moscow Never Sleeps Snapshot Productions 15,000 Alone it Stands Lunar Pictures 5,000 Somebody’s Wife Fastnet Films 5,000 In a House that Ceased to Be Atlantic Film Alliance 1,500 Antigone Janey Pictures 17,000 Stolen Epos Films 12,500 Total 56,500 Ava Fantastic Films 17,500 Tank Man David McSavage 5,000 SHORT STORIES Baby Cakes Media Factory 5,000 The Black Eyed Blonde Parallel Film Productions 32,000 Backwater Spencer St Productions 11,800 The Boy that Never Was Subotica 7,600 Bags & Trev Black Sheep Productions 4,500 The Boys Of Summer Mixed Bag Media 12,900 Bellwether Against the Grain Productions 20,000 Barking Love Grand Pictures 13,200 The Boys Of Summer Mixed Bag Media 13,100 REAL SHORTS A Different Kind of Day Mermaid Productions 20,000 Bird Underground Films 16,200 The Bright Side Storytoys 8,000 Deposits Eskimo Productions 20,000 Mother and Baby Ishka Films 20,000 Blackbird Michael Kinirons 12,000 The Dead Spit of Kelly Grand Pictures 10,500 Nice Night for It Jumper Productions 20,000 Hey Ronnie Reagan Marmalade Films 20,000 Bolt Treasure Entertainment 23,500 The Gee Gees Element Pictures 10,000 Neon 925 Productions 20,000 The Swimmer Red Rage Films 20,000 Closer than this Parallel Film Productions 16,500 The Hole In The Ground Rank Outsider Productions 28,950 Smithy and Dickie Boy Savage Productions 10,000 Total 100,000 Clowns Without Borders Fastnet Films 14,750 The Indecents Kennedy Films 10,300 Bordalo II Pull The Trigger 20,000 Come Monday We Kill Them All Fastnet Films 31,000 The Last Right Aoife Crehan 12,000 Total 90,000 Corkscrewed Colm Cafferky 5,000 The Lesson Blinder Films 13,900 Dark Lies The Island (715) Grand Pictures 23,000 The Loud Man Treasure Entertainment 20,000 Diamond Shitter Antonia Campbell Hughes 5,000 The Master David P Kelly Films 15,000 Diamond Shitter Antonia Campbell Hughes 7,000 The Midnight Choir Fastnet Films 10,200 Doing Two Jobs Badly Blue Ink Films 14,900 The Mystery of Love Andrew Meehan 12,000 FOCUS SHORTS Epilogue (aka Fly) Blue Ink Films 7,200 The Perfect Ending Element Pictures 22,800 Extraordinary Blinder Films 25,400 The Priest Hunter De Facto Films 6,175 The Tattoo Rocket Science Productions 50,000 Faith Savage Productions 13,500 The Road to Reckoning Equation Pictures 20,800 Take Me Swimming Feenish Productions 50,000 Famine Blinder Films 9,400 The Superluminal Communicator Roads Entertainment 15,000 Tomato Can Fastnet Docs 50,000 Fat Whites Go Home Screenworks 15,000 The Superluminal Communicator Roads Entertainment 6,750 Total 150,000 Freight Samson Films 9,750 The Trainer Filspin 23,500 Goliath Lovely Productions 20,000 The Undertaking Blank Page Productions 27,400 Grace Malcolm Campbell 12,000 The Voyage of the Triton Crusader Will Collins 12,000 Grimes and Blake at Your Service Fantastic Films 16,400 The Welfare of Thomas O’Hallissy Fastnet Films 15,000 Here are the Young Men Five Knight Films 7,700 The White Room Ripple World 10,000 Incognita Calico Pictures 16,000 The Yes Express Samson Films 9,400 Joyrider Peter Foott 12,000 Throwdown Fastnet Films 6,500 Kelley Subotica 16,836 Travelling Companion Blinder Films 14,000 Killbook Blue Ink Films 28,500 Tyger Tyger Savage Productions 10,700 Metal Heart Treasure Entertainment 12,800 UVA Fastnet Films 30,550 Miss Emily Element Pictures 26,500 Vivarium Lovely Productions 11,000 My Hands Highly Stimulating Productions 16,000 What we know about men Peter Murphy/ Nightcrawler Geraldine Creed 8,000 Rachael Moriarty 16,000 Owned Claire Dunne 8,000 When Love Defies Fail Safe Films 6,500 Papi Chulo Treasure Entertainment 40,800 Winter Lake Tailored Films 15,600 Piper Damien O’Donnell 12,000 Witch Fever Samson Films 9,400 Ramblers Stephen Shields 12,000 Woken Fantastic Films 14,000 Ritual Pierce Ryan 12,000 Writ in Water Samson Films 9,300 Rose Buds (aka Bloom) Blinder Films 9,600 Expiries (210,023 ) RPG Subotica 7,800 Total 1,083,688 HALAL DADDY BUTTERFLY CITY

32 33 DOCUMENTARY DEVELOPMENT ANIMATION DEVELOPMENT Appendix 2 Committed I Committed I Step By Step Atlantic Films 10,000 Heart Of Darkness Telegael 12,000 OUTSTANDING COMMITMENTS 2016 Under the Clock Snackbox Films 15,000 Hunted Monster Entertainment 19,000 With God in My Corner John Kelleher Media 15,000 Jelly Pixies Timpson Macrae Ltd 20,000 One Million New Yorkers Fine Point Films 12,500 Alva and the Trolls Kavaleer Productions 20,000 PRODUCTION LOAN FEATURES ANIMATION PRODUCTION Shooting The Mafia Lunar Pictures 15,000 Wolfe and Robin Brown Bag Films 20,000 Asylum Patrick Hodgins 5,000 Dreamer Mutiny Mutiny 20,000 Pending I Pending I Mother of Africa Bang Bang Teo 15,000 Leonas Warriors Dancing Girl Productions 20,000 Pre 2016 Commitments 555,686 Pre 2016 Commitments 134,999 Emmett Grogan - This is Somebody Poolbeg Productions 15,000 I’ve got a time travelling monkey Treehouse Republic 20,000 Halal Daddy Florin/Deadpan 55,000 Kiva Khan Do Kavaleer Productions 35,000 Screamers Roads Entertainment 15,000 The Mooneys Salty Dog Pictures 20,000 Maze Mammoth Films 65,000 The Day Henry Met Wiggleywoo 39,000 12 Miles Roads Entertainment 15,000 Peek Zoo Igloo Productions 20,000 The Flag Treasure Entertainment 72,500 The Red Herring Ink & Light 3,000 Total 132,500 Spooklies Mooshku 20,000 Song of Granite Roads Entertainment 40,000 Brewster the Rooster Salty Dog Pictures 62,500 Dorg Vandargo Cartoon Saloon 20,000 Good Favour SP Films 125,000 I’m a Fish Monster Entertainment 66,500 Creepers Giant Creative 20,000 Athrí DeFacto Films 16,000 Total 340,999 King Dom Jam Media 20,000 Kissing Candice (Catalyst) Venom 11,693 Snoozeville Jam Media 20,000 The Lodgers Tailored Films 60,000 Meddlers Jam Media 20,000 Michael Inside Subotica/ Bobs Jobs Zink 19,900 Write Direction Films 45,000 Wolf Walkers Cartoon Saloon 50,000 Belly of the Whale Fastnet Films 165,000 DOCUMENTARY PRODUCTION Max and the Monster Piranha Bar 15,000 The Third Wave Tilted Pictures 325,000 Pre 2016 Commitments 360,586 Two by Two - TV Series Moetion Films 20,000 The Delinquent Season Parallel Films 325,000 Forever Pure Roads Entertainment 4,300 Oops 2 Moetion Films 50,000 Cellar Door Samson Films 315,000 Outside the Factory FSE Films 50,000 Expiry Room (88,317 ) Total 465,900 The Boy Who Changed America Fine Point Films 37,000 Total 2,087,562 In Loco Parentis Soilsiu Films 15,000 Condemned to Remember Praxis Pictures 10,000 John Hume in America Creeney Films 7,250 Kevin Roche: Living Architect Wavelength Pictures 24,000 CO-PRODUCTION FUND Haunted New Decade Film 50,000 Butterfly City Planet Korda Pictures 9,000 Pre 2016 Commitments 91,000 Total 567,136 A Storm in the Stars Parallel Film Productions 12,500 Montauk SP Films 40,000 The Killing of a Sacred Deer Element Pictures 60,000 Muse Fantastic Films 80,000 Total 283,500

Publicity Support 9,468

Legal and Project Expenses 103,435

Total Commitments 12,501,974 GRACE JONES: THE MUSICAL OF MY LIFE ST. PATRICK’S DAY

34 35 DISTRIBUTION SUPPORT AFTER 16 DEVELOPMENT LOANS FEATURES

Pending I Pending I Pending I Total 6,000 Pre 2016 Commitments 51,637 Pre 2016 Commitments 660,761 Sea Horse Shashi Rami 3,000 11 Minutes Wildcard Distribution 2,500 A Day In The Life Cosmos Films 7,325 Sidelined Parallel Film Productions 4,000 The Truth Commissioner Wildcard Distribution 600 FRAMEWORKS Airlock SP Films 1,250 Somebody’s Wife Fastnet Films 2,500 Love and Friendship Wildcard Distribution 7,250 Antigone Janey Pictures 4,000 Stolen Epos Films 6,250 Strangerland Wildcard Distribution 5,100 Ava Fantastic Films 5,500 Tank Man David McSavage 2,000 Pre 2016 Commitments 82,198 66 Days Wildcard Distribution 1,800 Baby Cakes Media Factory 2,000 The Black Eyed Blonde Parallel Film Productions 16,000 Departure Pink Kong Studios 18,400 Mattress Men Element Distribution 10,000 Backwater Spencer St Productions 5,900 The Boy that Never Was Subotica 500 Late Afternoon Cartoon Saloon 27,600 Dare to be Wild Wildcard Distribution 2,250 Blackbird Michael Kinirons 4,000 The Boys Of Summer Mixed Bag Media 6,550 Macarooned Whirligig 21,000 Viva Element Distribution 12,000 Closer than this Parallel Film Productions 8,250 The Dead Spit of Kelly Grand Pictures 5,000 Mom and Me Element Distribution 3,733 Total 149,198 Clowns Without Borders Fastnet Films 7,375 The Hole In The Ground Rank Outsider Productions 9,250 A Date for Mad Mary Element Distribution 17,500 Come Monday We Kill Them All Fastnet Films 15,500 The Indecents Kennedy Films 5,150 The Flag Element Distribution 18,750 Corkscrewed Colm Cafferky 1,500 The Loud Man Treasure Entertainment 10,000

Traders Element Distribution 20,000 SIGNATURES Dark Lies The Island (715) Grand Pictures 4,000 The Master David P Kelly Films 5,000 The Young Offenders Wildcard Distribution 21,000 Diamond Shitter Antonia Campbell Hughes 3,500 The Midnight Choir Fastnet Films 5,100 Room Element Distribution 37,500 Total 24,700 Doing Two Jobs Badly Blue Ink Films 7,450 The Mystery of Love Andrew Meehan 4,000 Crash and Burn Wildcard Distribution 7,500 Extraordinary Blinder Films 10,000 The Perfect Ending Element Pictures 4,800 Land Of The Enlightened Wildcard Distribution 500 Faith Savage Productions 6,750 The Priest Hunter De Facto Films 3,088 Last Days on Mars Universal Pictures 12,500 REAL SHORTS Famine Blinder Films 4,700 The Road to Reckoning Equation Pictures 10,400 Total 232,120 Fat Whites Go Home Screenworks 5,000 The Superluminal Communicator Roads Entertainment 3,375 Mother and Baby Ishka Films 18,000 Freight Samson Films 4,875 The Trainer Filspin 8,500 Hey Ronnie Reagan Marmalade Films 18,000 Goliath Lovely Productions 10,000 The Undertaking Blank Page Productions 13,700 The Swimmer Red Rage Films 18,000 Grimes and Blake at Your Service Fantastic Films 8,200 The Voyage of the Triton Crusader Will Collins 4,000 Smithy and Dickie Boy Savage Productions 9,000 DIRECT DISTRIBUTION Here are the Young Men Five Knight Films 3,850 The Welfare of Thomas O’Hallissy Fastnet Films 7,000 Bordalo II Pull The Trigger 18,000 Incognita Calico Pictures 8,000 The White Room Ripple World 5,000 Joyrider Peter Foott 4,000 The Yes Express Samson Films 4,700 Pre 2016 Commitments 30,180 Total 81,000 Kelley Subotica 7,187 Throwdown Fastnet Films 1,000 Atlantic Scannáin Inbhear 1,500 Killbook Blue Ink Films 7,250 Tyger Tyger Savage Productions 5,350 Moscow Never Sleeps Snapshot Productions 1,500 FOCUS SHORTS Metal Heart Treasure Entertainment 6,400 UVA Fastnet Films 15,300 Total 33,180 Miss Emily Element Pictures 13,250 Vivarium Lovely Productions 2,200 The Tattoo Rocket Science Productions 45,000 My Hands Highly Stimulating Productions 4,000 What we know about men Peter Murphy/Rachael Moriarty 6,000 Take Me Swimming Feenish Productions 45,000 Piper Damien O’Donnell 4,000 Winter Lake Tailored Films 7,800 Tomato Can Fastnet Docs 45,000 Ramblers Stephen Shields 4,000 Witch Fever Samson Films 4,700 Total 135,000 Ritual Pierce Ryan 4,000 Woken Fantastic Films 7,000 Rose Buds (aka Bloom) Blinder Films 4,900 Writ in Water Samson Films 4,650 RPG Subotica 3,900 Expiries (210,023 ) SHORT STORIES Sarajevo Calling Vico Films 7,000 Total 866,663 Sea Fever (415) Fantastic Films 4,250 Bellwether Against the Grain Productions 18,000 A Different Kind of Day Mermaid Productions 18,000 Deposits Eskimo Productions 6,000 Nice Night for It Jumper Productions 18,000 Neon 925 Productions 18,000 Total 78,000

Pre 2016 Schemes 4,087 KISSING CANDICE GOOD FAVOUR

36 37 DOCUMENTARY DEVELOPMENT ANIMATION DEVELOPMENT Appendix 3 Pending I Pending I Pre 2016 Commitments 33,184 Pre 2016 Commitments 119,894 DETAILS OF LOAN CONDITIONS Step By Step Atlantic Films 2,500 Hunted Monster Entertainment 4,000 With God in My Corner John Kelleher Media 3,000 Wolfe and Robin Brown Bag Films 5,000 Shooting The Mafia Lunar Pictures 5,000 Leonas Warriors Dancing Girl Productions 5,000 (a) DEVELOPMENT FUNDS Asylum Patrick Hodgins 1,500 The Mooneys Salty Dog Pictures 5,000 Development Loans are advanced on a phased payment basis with approximately 50-60% paid on satisfactory Mother of Africa Bang Bang Teo 3,000 Peek Zoo Igloo Productions 5,000 Emmett Grogan - This is Somebody Poolbeg Productions 3,000 Spooklies Mooshku 5,000 execution of Development Loan contracts between the Board and the Producer, the balance being paid upon Screamers Roads Entertainment 5,000 Dorg Vandargo Cartoon Saloon 5,000 compliance with specific conditions outlined by the Board. 12 Miles Roads Entertainment 5,000 Creepers Giant Creative 5,000

Total 61,184 King Dom Jam Media 5,000 Snoozeville Jam Media 5,000 Loans for development are up to a maximum of €100,000, €50,000 at any one time. Teams or individuals (producer/ Meddlers Jam Media 5,000 director/script-writer) may apply. The Producer is obliged to repay the Advance to the Board on the first day of Bobs Jobs Zink 4,900 Wolf Walkers Cartoon Saloon 20,000 principal photography. Max and the Monster Piranha Bar 3,000 Two by Two - TV Series Moetion Films 5,000 These should be seen as development/ feasibility loans; the Board makes every effort to track these monies and Oops 2 Moetion Films 15,000 Total 221,794 provides information and support for independent producers seeking other potential production partners. Some of the projects receiving development loans from the Board will not proceed into production and may eventually have to be written off.

However, all projects which are successfully brought to fruition, are closely monitored by the Board and collection of monies due is actively pursued.

(b) PRODUCTION LOANS The Board’s involvement takes the form of investment in the production and in its sales for cinema, television, video and ancillary markets (cable, satellite, home box-office etc.) both in Ireland and worldwide. The investment is not subject to interest; rigorous measures for recoupment and profit participation are applied. All offers of investment are ‘in principle’ and subject to contract.

Total Contracted Commitments at 31/12/2016 5,172,124 THE TRUTH COMMISSIONER

Particular emphasis will be paid to a project’s potential Serious attention will also be paid to submissions which: to engage its intended audience as well as the planned • Propose a strongly Irish project (in terms of setting, approach and scale of the project. characters,etc.) that is to be directed by a non-Irish talent, NAILS where BSÉ/IFB regards the director’s track record as an 38 3. ORIGINALITY assurance of quality 39 Appendix 4 BSÉ/IFB funding will be directed to supporting projects that • Involve an Irish producer as minority co-producer of a are original and of high quality, and that bring to cinema, film, documentary or drama television programme or PRINCIPLES & CRITERIA though the talents of Irish writers, directors, producers series, where: and other Irish personnel, a different and distinctly Irish (a) BSÉ/IFB is convinced of the quality of the project and In addition to focusing on the editorial and creative merits of documentaries. Besides BSÉ/IFB’s commitment to cinema, talent-driven cultural experience. Funding decisions will (b) The amount of BSÉ/IFB’s investment corresponds to the a project, BSÉ/IFB’s funding programmes are guided by some this approach is also designed to respond to the manifest favour those Irish writers and directors, producers and other level of involvement of Irish personnel, elements and fundamental principles which form the basis of the decision- increase in theatrical audiences’ desire to see documentaries. personnel who bring to film a distinctive voice and a strongly facilities in the project. individual view of the world, and who create works that give a making process. These principles are: Animation feature films and television series will be provided Submissions on behalf of works to be made wholly or new and/or reinvigorated sensation to that experience. 1. Making Cinema with funding in recognition of the importance of Irish work predominantly in the Irish language will continue to be 2. Accessing Audiences in this field, the narrowness of the theatrical market that particularly welcomed by BSÉ/IFB. 3. Originality exists for animated features and the very limited funding These requirements do not mean that existing forms or genres of film will be avoided, but instead that the Irish 4. Additionality from broadcasters for animated television series. Preference BSÉ/IFB will always be vigilant in ensuring that films and writers, directors and producers supported will bring a fresh 5. Developing Talent, Cultural & Industrial Priorities will be given to original work from Irish talent that appears high-quality drama and animation television programmes and approach and new thinking to these forms or genres of films. 6. Further Considerations to be sufficiently inventive and striking to measure up to the series in which it invests entail a high volume of expenditure Given the limited capacity for market and other funding of big-screen format and/or international television and other on Irish personnel and in the Irish industry, and this aspect film in Ireland, Irish talent will need to be able to work with These are explained in more detail below. Some further distribution. of a submission is likely to play a material part in a positive talent from other countries on projects being funded by considerations that may influence a decision in favour of one decision. It will not be a decisive factor in itself, however, BSÉ/IFB, and originality will continue to be factored in as project over another are also set out below. Television drama, whether singles or series, will be rigorously where BSÉ/IFB is not convinced by the quality of a project part of the assessment of the combined talents of all parties assessed and may be funded for its inherent quality, but or where the project does not comply with any of the other involved. 1. MAKING CINEMA other factors will also come into play. Strong emphasis priorities set out above. This is dealt with in more detail under Because it is the only source of public funding for feature will be placed on backing directors, writers and producers Further Considerations below. films directed towards a cinema release, Bord Scannán whose careers to date clearly demonstrate an ability to make 4. DEVELOPING TALENT, CULTURAL & INDUSTRIAL PRIORITIES na hÉireann/the Irish Film Board’s primary objective is to dramatic works or who, in the view of BSÉ/IFB, are headed 5. ADDITIONALITY Consistent with its government remit and responding to the encourage, sustain and promote work in Ireland that is made for a career in feature-film or high-quality television drama An essential rationale for making public money available to present perceived needs of the Irish audiovisual production to be shown on the big screen. In addition, BSÉ/IFB also has production. Furthermore, BSÉ/IFB will need to be convinced an industry is that it should create activity that would not industry, BSÉ/IFB considers that certain projects, in terms as part of its aims and objectives the support of certain other that its financial involvement is crucial to the realisation otherwise occur, i.e. that the market, left to itself, would not of their content, provenance or benefit to the industry, high-quality audiovisual works. of the programme or series and that the contribution from engender. It follows that audiovisual works backed by BSÉ/ represent clear priorities for its funding. the broadcaster is commensurate with the seat of editorial IFB should be those that would not be made, or would not be In addition to continuing its commitment to live-action control. BSÉ/IFB will also expect to contribute editorially to made with the same level of benefit to Ireland, unless enabled Strong preference will be given to submissions on behalf of feature films, this means: the development of this content. to do so with the support of the BSÉ/IFB. Such audiovisual projects which: Documentaries will be rigorously assessed in terms of their works and the benefits that flow from them represent potential to achieve theatrical release, stimulate interest from 2. ACCESSING AUDIENCES ‘additional’ economic activity. international film festivals or engage on new and emerging BSÉ/IFB is increasingly focused on ensuring that funding • Are of Irish initiation in a creative sense; that is, conceived, written, produced and/or to be directed by Irish talents platforms. Preference will be given to visual, cinematic decisions will favour projects that are clearly targeted at This does not mean that BSÉ/IFB is interested only in • Entail new and emerging Irish talent in key creative roles, ‘feature documentaries’; films aimed at a one-hour TV slot or the appropriate audience. This does not mean that BSÉ/IFB supporting material with limited commercial prospects. i.e. director, writer, producer, composer, principal actor shorter, with little or no international appeal, are unlikely to is only interested in supporting material with commercial There is a wealth of evidence in our audiovisual history to • Tell Irish stories, drawing on and depicting Ireland’s culture, be supported. Emphasis will be placed on backing directors, prospects, but instead that it is open to considering projects show that the successes are frequently ground-breaking history, way of life, view of the world and of itself writers and producers whose careers to date clearly that may appeal to a wide spectrum of viewers, be they films. BSÉ/IFB will give energetic backing to producers who demonstrate a strong commitment to making cinematic commercial, arthouse, festival-going or on television etc. MATRESS MEN

display an ambition to achieve market success and to projects Sales and Distribution that display an awareness of the market while at the same • Is an international sales agent attached to the sale of the time providing a challenge to existing perceptions of what the film or television programme or series? marketplace expects. • Does the film have an Irish distributor? 40 • Are any sales agents, distributors or broadcasters 6. FURTHER CONSIDERATIONS providing production finance? The guiding principles described above should give applicants an insight into the way in which BSÉ/IFB’s Financial Structure executives and advisors assess a project from the point • Are the proposed co-financiers of the film or television of view of its content and the creative team involved. In programme reliable? assessing production funding applications, other factors • Will the proposed financing arrangements allow BSÉ/IFB may come into play concerning the economic effects of the to negotiate a reasonable recoupment position? project, the financial arrangements and the prospects of • Will there be reasonable transparency of accounting with reaching audiences. regard to sales revenues, e.g. by use of a collection agent? Where BSÉ/IFB does not consider that a project adheres to any of the guiding principles, these other factors will not, in It should be emphasised that for a project to be offered themselves, be sufficient to secure an offer of funding. But in production funding, it is not necessary for all of these the case of a project where the content and creative team are questions to be answered affirmatively. But negative answers seen as persuasive, the following considerations may affect to a high proportion of them could undermine a strongly the outcome between BSÉ/IFB and the producers as to the positive disposition on the part of BSÉ/IFB towards the level of BSÉ/IFB’s investment and the way in which the work creative aspects of a project. At the very least, a mix of will be financed, produced and distributed: affirmative and negative answers will provoke discussion as to the extent and manner of BSÉ/IFB’s commitment. Track Record of the Producer • Has the producer managed and delivered audiovisual Cinema Distribution works in a professional and efficient manner before? Some BSÉ/IFB funding programmes have specific criteria • Has BSÉ/IFB had good previous experience of dealing with of their own and are not necessarily governed by all of the the producer and the creative team? principles set out above. Distribution Support is provided to • In a co-production, do any of the non-Irish producers Irish distributors of BSÉ/IFB-backed films who demonstrate involved have good professional track records? that funding from BSÉ/IFB will enhance the promotion of a film in the Irish market. Direct Distribution/Exhibition Irish Employment Support is provided to Irish producers to help defray the • Are the key creative and technical positions to be filled by cost of a limited theatrical release in Ireland (including Irish personnel? Northern Ireland) for feature films already in receipt of BSÉ/ • In a co-production, is the proportion of these appropriate? IFB production funding that have been unable to secure • Will the production offer employment to Irish personnel suitable theatrical distribution by a bona fide Irish distribution across all possible grades? company but that still have clear potential to reach and engage an Irish audience. Ráitis Spend in the Irish Economy • Will the work be made in Ireland? Airgeadais • Will the project make extensive use of Irish production and post-production facilities? • Will the project attract inward investment into the Irish economy? MAZE THE MAN WHO INVENTED CHRISTMAS 42 Bord Scannán na hÉireann Cuspóirí agus Beartais 43 Ráitis Airgeadais Bord Scannán na hÉireann COMHALTAÍ CRUINNITHE BOIRD AGUS TINREAMH BUNAÍODH BORD SCANNÁN NA hÉIREANN/THE IRISH FILM BOARD D’FHONN: ii I gcás iasachtaí léiriúchain do scannáin a bhfuil buiséid B’iad comhaltaí Bord Scannán na hÉireann i 2016 ná: Thionól an Bord 8 gcruinniú le linn 2016 agus d’fhreastail gach acu atá: Seamus Deasy, Uasal; Dr. Annie Doona, Uasal Comhalta Boird ar an líon seo a leanas de chruinnithe boird i Na gnéithe cruthaitheacha agus na gnéithe tráchtála a • De bhreis ar €100,000 agus gan a bheith níos mó ná (Cathaoirleach Gníomhach); Katie Holly, Uasal; Kate O’Toole, rith na bliana. ghabhann le scannánaíocht agus le cultúr scannán na hÉireann €1.5M, is féidir le BSÉ/IFB suas go dtí 65% den bhuiséad Uasal; John Rice, Uasal agus Maurice Sweeney, Uasal. a chur chun cinn ar mhaithe le lucht féachana na tíre agus ar léiriúcháin a sholáthar, gan dul thar €550,000. Seamus Deasy 4 gcruinniú mhaithe le lucht féachana idirnáisiúnta. Tacaíonn an Bord le • De bhreis ar €1.5M ach gan a bheith níos mó ná €4M, is FOIREANN Dr. Annie Doona 8 gcruinniú tionscadail scannánaíochta trí mhaoiniú forbartha a sholáthar féidir le BSÉ/IFB suas go dtí 40% den bhuisead a Katie Holly 6 gcruinniú agus cuirtear airgeadas léiriúcháin ar fáil chomh maith trí B’íad foireann Bord Scannán na hÉireann ar 31ú Mí na Nollag sholáthar, gan dul thar €650,000. Kate O’Toole 5 chruinniú infheistíocht fhiachais/ chothromais. 2016 ná: James Hickey, Príomhoifigeach Feidhmiúcháin; Teresa • De bhreis ar €4M, is féidir le BSÉ/IFB suas go dtí 20% John Rice 5 gcruinniú McGrane, Ceannasaí Chúrsaí Gnó/Leas POF; Celine Forde, den bhuiséad a sholáthar, gan dul thar €750,000. Maurice Sweeney 5 gcruinniú Forbairt agus oiliúint phearsanra theicniúil, ealaíne agus Rialtóir Airgeadais; Emma Scott, Bainisteoir Léiriúcháin agus léiriúcháin a spreagadh mar shlí le feabhas a chur ar inniúlacht Dáileacháin; Louise Ryan, Bainisteoir Margaíochta agus fhoriomlán scileanna laistigh den tionscal. Cumarsáide; Mags O’Sullivan, Feidhmeannach Margaíochta; DÉANTAR IASACHTAÍ FORBARTHA AGUS Folúntas, Feidhmeannach Dlí agus Gnó; Aileen McCauley, IASACHTAÍ LÉIRIÚCHÁIN A MHEASÚNÚ DE RÉIR OIFIG Cúnamh a thabhairt chun scannáin Éireannacha a dhéanamh Comhordatheoir Chursaí Gnó agus Dlí; Sarah Dillon, ROINNT CRITÉAR: agus le margaíocht a dhéanamh orthu laistigh de thír na Feidhmeannach Léiriúcháin agus Forbartha; Jill McGregor, Tá ceannáras Bord Scannán na hÉireann le fáil i gcathair hÉireann agus thar lear mar bhealach le spéis a spreagadh i dtír i Déanamh Cineama Comhordaitheoir Iarratas agus Scéimeanna; Jade Murphy, na Gaillimhe: na hÉireann, i gcultúr na hÉireann agus i scannáin Éireannacha. ii Rochtain a fháil ar Lucht Féachana Cúntóir Feidhmeannach Léiriúcháin agus Forbartha; Niamh Queensgate, 23 Bóthar na nDuganna, Gaillimh, Éire. iii Úrnuacht O’Reilly, Cúntóir Feidhmiúcháin . Éire a chur chun cinn go hidirnáisiúnta mar shuíomh iv Breisíocht Teil +353 91 561398, Faics +353 91 561405 scannánaíochta. v Talann a Fhorbairt, Tosaíochtaí Cultúir agus Tionscail SCREEN TRAINING IRELAND: R-phost [email protected], www.irishfilmboard.ie vi Cúrsaí Eile (Féach Aguisín 4, Leathanach 74) Grainne Bennett, Sorcha Loughnane, Helen McMahon, TAIRGÍONN AN BORD MAOINIÚ CHUN Tá oifig Bord Scannán na hÉireann i mBaile Átha Cliath Feidhmeannaigh Oiliúna; Críona Sexton, Feidhmeannach TIONSCADAIL A FHORBAIRT AGUS A LÉIRIÚ le fáil ag: 14-16 Lord Edward Street, Dublin 2 Cumarsáide; Susanne Cassells, Feidhmeannach Airgeadais; MAR SEO A LEANAS: Emer MacAvin, Comhardaitheoir Oiliúna. i Iasachtaí forbartha (inaisíoctha ar an gcéad lá phríomhscannánaíochta) suas go dtí teorainn de €100,000 in aghaidh an tionscadail, mar iasachtaí taighde, forbartha agus féidearthachta. Ní mór ionannú a dhéanamh ó fhoinsí eile i gcás aon mhaoiníucháin atá sa bhreis ar €50,000 d’aon tionscadal amháin.

DELINQUENT SEASON RETURN TO MONTAUK

44 RÁITEAS I dTACA LE RIALÚ a dhéanamh ar dhul chun cinn maidir leis na spriocanna sin. 45 Airgeadas INMHEÁNACH AIRGEADAIS • Nósanna imeachta caighdeánacha a bhunú agus a chur i bhfeidhm faoinar féidir cúnamh airgeadais a chur ar fail do Admhaímse leis seo, thar ceann Bhord Scannán na hÉireann/ thionscnaimh agus athbhreithniú a dhéanamh ar na nósanna the Irish Film Board, go bhfuil freagracht orainn a chinntiú go RÁITEAS I dTACA LE FREAGRACHTAÍ CHOMHALTAÍ BOIRD imeacghta sin de réir mar is gá. gcoinnítear agus go bhfeidhmítear córas éifeachtach i dtaca le De réir Ailt 20 (1) den Acht um Bord Scannán na hÉireann 1980, tá dualgas ar chomhaltaí cuntais maidir leis an airgead rialú inmheánach airgeadais. Rinne an Bord athbhreithniú ar a chuid rioscaí gnó le linn ar fad a caitheadh nó a fuarthas, i bhfoirm a d’fhéadfadh an tAire Cultúir, Oidhreachta agus Gaeltachta a cheadú, le 2016 agus tá aghaidh á thabhairt aige faoi láthair ar aon laigí Ní féidir leis an gcóras ach deimhniú réasúnta agus ní dearbh- toiliú ón Aire Airgeadais, a choimeád. a aithníodh. dheimhniú iomlán a thabhairt go gcosnaítear sócmhainní, go Nuair a bheidh na Ráitis Airgeadais sin á n-ullmhú aige, tá ceanglas ar Bhord Scannán na hÉireann: mbíonn idirbhearta údaraithe agus taifeadta mar is cuí, agus Tá an córas rialaithe airgeadais bunaithe ar chreat rialta • Beartais oiriúnacha a roghnú agus ansin iad a chur i bhfeidhm go comhsheasmhach. go gcuirfear cosc le hearráidí nó mírialtachtaí ábhartha nó go faisnéise bainistíochta, ar nósanna imeachta riaracháin ina • Breithiúnais agus meastacháin a dhéanamh atá réasúnach agus stuama. n-aimseofar iad go tráthúil. measc scarúint dualgas, údarású, agus córas tarmligin agus freagrachta • Na Ráitis Airgeadais a ullmhú ar bhonn gnóthais leantaigh ach amháin i gcás nach bhfuil sé cuí glacadh leis go NA PRÍOMHNÓSANNA IMEACHTA I dTACA LE RIALÚ: leanfaidh an Bord ag feidhmiú. Tá na príomhnósanna imeachta seo a leanas maidir le rialú Is cuid de sin, go háirithe: • A chur in iúl gur cloíodh le caighdeáin chuntasaíochta infheidhme faoi réir aon difríochtaí ábhartha a nochtadh agus inmheánach airgeadais curtha i bhfeidhm ag an mBord chun • Córas cuimsitheach buiséidithe le buiséad bliantúil a a míníodh sna ráitis airgeadais. timpeallacht chuí a chinntiú i dtaca le rialú: dhéanann an Bord é a athbhreithniú agus a chomhaontú. • Tá plean eagraíochta i bhfeidhm a shainmhíníonn agus a • Athbhreithnithe rialta ar thuarascálacha tráthrialta agus Tá an Bord freagrach as leabhair chearta cuntasaíochta a choinneáil a nochtaíonn le cruinneas réasúnta ag am ar bith, leithdháileann freagrachtaí ar an bhfoireann agus bliantúla a thugann léargas ar chaiteachas i gcomparáid a staid airgeadais, rud a chuireann ar a chumas a chinntiú go gcomhlíonann na ráitis airgeadais Alt 20 (1) den Acht a aithníonn línte maidir le tuairisciú i dtaobh gach gné le réamhaisnéis. um Bord Scannán na hÉireann 1980. Tá an Bord freagrach chomh maith as sócmhainní Bhord Scannán na hÉireann a d’oibríochtaí an Bhoird. • Spriocanna a leagadh síos chun feidhmíocht airgeadais chosaint agus as céimeanna reasúnacha a ghlacadh le calaois agus mírialtachtaí eile a chosc agus a aimsiú. • Tá nósanna imeachta agus bearta slándála i bhfeidhm lena agus eile a thomhas. chinntiú go gcosnaítear sócmhainní an Bhoird agus Tá Coiste Iniúchta bunaithe freisin ag an mBord ar a bhfuil le dearbh-dheimhniú in aghaidh úsáid nó diúscairt Thar ceann Bhord Boird Scannán na hÉireann: comhaltaí Boird d’fhonn rialuithe inmheánacha a chur neamhúdaraithe a chinntiú. chun cinn. • Moltar cultúr láidir follasachta agus freagrachta ar fud na heagraíochta. ATHBHREITHNIÚ I dTACA LE RIALÚ INMHEÁNACH AIRGEADAIS: Dr Annie Doona Katie Holly Tá próisis bunaithe ag an mBord chomh maith chun rioscaí gnó Rinne an Bord athbhreithniú ar a chuid rialúchán inmheánach Cathaoirleach Gníomhach Comhalta Boird a aithint agus meastóireacht a dhéanamh orthu trí: airgeadais don bhliain 2016 i mí Meithimh 2017 (cuireadh moill • Nádúr, méid agus impleachtaí airgeadais an riosca atá roimh ar an athbhreithniú toisc nach raibh aon Bhord ag feidhmiú go 12 Nollaig 2017 an gcomhlacht a aithint, lena n-áirítear an méid a cheaptar dtí Aibreán 2017). Tá an Bord tiomanta don athbhreithniú sin a

a bheith inghlactha maidir le feidhmeanna éagsúla. dhéanamh ar bhealach níos tráthúla amach anseo. • Measúnú a dhéanamh ar an ndóchúlacht go dtarlóidh rioscaí aitheanta agus measúnú a dhéanamh ar chumas an Bhoird Thar ceann Bhord Boird Scannán na hÉireann: na rioscaí a tharlaíonn a bhainistiú agus a mhaolú. • Athbhreithnithe rialta a dhéanamh ar phleananna ______straitéiseacha an Bhoird lena chinntiú go dtugann na Dr Annie Doona pleananna sin aghaidh ar an dtimpeallacht reatha gnó. Cathaoirleach Gníomhach, Bord Scannán na hÉireann • Spriocanna fadthéarmacha agus gearrthéarmacha do 12 Nollaig 2017 gach Aonad laistigh den Bhord a shocrú agus athbhreithniú AITHRÍ/PENANCE THE KILLING OF A SACRED DEER

46 47 ARD-REACHTAIRE CUNTAS AGUS CISTE FREAGRACHTAÍ AN ARD-REACHTAIRE SCÓIP AN INIÚCHTA AR RÁITIS AIRGEADAIS TUAIRIM FAOI NA RÁITIS AIRGEADAIS TUARASCÁIL LE CUR FAOI BHRÁID TITHE CUNTAS AGUS CISTE Is éard atá i gceist le hiniúchadh ná faisnéis a fháil maidir leis Is é mo thuairim, tugann na ráitis airgeadais: AN OIREACHTAIS Is é mo fhreagrachtsa na ráitis airgeadais a iniúchadh agus na suimeanna agus na nochtuithe sna ráitis airgeadais, ar leor • Léargas fíor agus cothrom maidir leis na sócmhainní, na tuairisciú a dhéanamh orthu i gcomhréir leis an dlí a bhaineann. iad chun urrús réasúnta a thabhairt go bhfuil na ráitis airgeadais dliteanais agus seasamh airgeadais an Bhoird mar a bhí ar BORD SCANNÁN NA hÉIREANN saor ó mhí-ráiteas ábhartha cibé calaois nó earráid is cúis leis an 31 Nollaig 2016; agus Tá ráitis airgeadais Bhord Scannán na hÉireann/The Irish Film Déantar m’iniúchadh faoi réir na gcúrsaí speisialta a bhaineann sin. Clúdaíonn sé seo measúnú faoi • Ullmhaíodh iad de réir an chleachtais cuntasaíochta a Board don bhliain dar críoch 31 Nollaig 2016 iniúchta agam de le comhlachtaí Stáit ó thaobh a mbainistiú agus a bhfeidhmiú de. • Cibé an bhfuil na beartais chuntasaíochta cuí do chúinsí an ghlactar leis go forleathan réir an Achta um Bord Scannán na hÉireann 1980.Tá na ráitis Bhoird agus gur cuireadh i bhfeidhm iad go seasmhach agus airgeadais comhdhéanta den ráiteas ioncaim agus caiteachais Déantar m’iniúchadh i gcomhréir le Caighdeáin Chuntasaíochta gur nochtaíodh iad go leormhaith I mo thuairim, bhí taifid chuntasaíochta an Bhoird agus cúlchistí ioncain choinnithe, an ráiteas maidir le ioncam Idirnáisiúnta (Ríocht Aontaithe agus Éire) agus de réir Caighdeán • Cé chomh réasúnta is a bhí na meastacháin chuntasaíochta leordhóthanach le hiniúchadh tráthúil agus cuí a dhéanamh. cuimsitheach, an ráiteas i dtaca le sreabhanna airgid agus na Eiticiúla d’Iniúchóirí de chuid an Bhoird um Chleachtais shuntasacha a rinneadh agus na ráitis airgeadais á n-ullmhú, Tá na ráitis airgeadais in aontas leis na taifid chuntasaíochta. nótaí a bhaineann. Ullmhaíodh na ráitis airgeadais sa bhfoirm Iniúchóireachta. agus atá molta de réir Ailt 20 den Acht agus de réir an chleachtais • Thíolachadh foriomlán na ráiteas airgeadais. NITHE A TUAIRISCÍM LE hEISCEACHT cuntasaíochta a ghlactar leis go forleathan. Tuairiscím le heisceacht i gcás nach bhfuair mé an fhaisnéis agus na mínithe go léir a bhí de dhíth orm le haghaidh m’iniúchta, nó i FREAGRACHTAÍ CHOMHALTAÍ AN BHOIRD Déanaim iarracht freisin fianaise a fháil le linn an iniúchta gcás go dtagaim ar Tá an Bord freagrach as na ráitis airgeadais a ullmhú, as a maidir le rialtacht na n-idirbhearta airgeadais. Ina theannta sin, • Son chúinse ábhartha nár úsáideadh suimeanna airgid chun chinntiú go dtugann siad léargas fíor agus cothrom agus as léim tuarascáil bhliantúil an Bhoird chun aon neamhréireacht na feidhmeanna a bhí beartaithe dóibh nó nach ndearnadh rialtacht a n-idirbhearta a chinntiú. ábhartha leis na ráitis airgeadais iniúchta a aithint agus chun aon fhaisnéis a aithint atá go suntasach mícheart nó ar na hidirbhearta de réir na n-údarás a rialaíonn iad, nó neamhréir bunaithe ar an bhfaisnéis a fuair mé agus an • Nach bhfuil an fhaisnéis a tugadh i dTuarascáil Bhliantúil an t-iniúchadh á dhéanamh agam. Má thugaim aon ráitis nó Bhoird i gcomhréir leis na ráitis airgeadais nó leis a t-eolas mírialtachtaí suntasacha faoi deara, measaim na himpleachtaí tá faighte agam le linn dom m’iniúchadh a dhéanamh, nó do mo thuarascáil. • Nach léiríonn an Ráiteas um Rialú Inmheánach Airgeadais go gcomhlíonann an Bord an Cód Cleachtais maidir le Rialachas ar Chomhlachtaí Stáit, nó • Má tá cúrsaí ábhartha eile ann a bhaineann leis an gcaoi inar cuireadh gnó poiblí i gcrích.

Níl aon ní le tuairisciú agam maidir leis na cúrsaí sin faoina ndéantar tuairisc le heisceacht.

______Patricia Sheehan Ar son agus thar ceann an Ard-Reachtaire Cuntas agus Ciste 20 Nollaig 2017 TOMATO RED THE CHERISHING

RÁITIS AIRGEADAIS BORD SCANNÁN NA hÉIREANN RÁITEAS MAIDIR LE HIONCAM CUIMSITHEACH DON BHLIAIN DAR CHRÍOCH 31 NOLLAIG 2016 Don bhliain dar chríoch 31 Nollaig 2016

Nótaí 2016 2015 I I BBarrachas/(Easnamh) Coinnithe 666,723 178,239 48 RÁITEAS MAIDIR LE IONCAM AGUS CAITEACHAS AGUS CÚLCHISTÍ IONCAIM CHOINNITHE Gnóthachain ó Thaithí ar Oibligeáidí maidir le Sochar Scoir 12d ( 48,732 ) 186,736 49 Don bhliain dar chríoch 31 Nollaig 2016 Athruithe ar na bunbhoinn tuisceana maidir le luach oibligeáidí sochar scoir faoi láthair ( 437,741 ) 923,357 Nótaí Caipiteal Riarachán Iomlán Iomlán 2016 2015 Gnóthachan/caillteanas iomlán achtúireachta i rith na bliana ( 486,473 ) 1,110,093 Ioncam I I Coigeartú ar mhaoiniú iarchurtha sochar scoir 12b 486,473 ( 1,110,093 ) Deontas an Oireachtais 2 12,302,000 3,224,846 15,526,846 14,465,326 Ioncam Cuimsitheach eile don bhliain 666,723 178,239 Acmhainní Dílse 3 1,920,222 - 1,920,222 983,278 Ioncam Eile 61,142 51,206 112,348 148,879 Ioncam ó Oiliúint 4 372,757 - 372,757 454,133 Is cuid de na Ráitis Airgeadais iad an Ráiteas maidir le Sreabhadh Airgid agus na nótaí 1-23. Maoiniú Glan Iarchurtha le haghaidh Oibligeáidí Scoir 12C - 439,260 439,260 455,793 Aistriú (chuig)/Ón gCúlchiste Caipitil 17 - 13,973 13,973 32,631 Thar ceann Bhord Boird Scannán na hÉireann: Ioncam Iomlán 14,656,121 3,729,285 18,385,406 16,540,040

Caiteachas Oiliúint 20 851,369 - 851,369 890,881 Dr Annie Doona Katie Holly Iasachtaí Léiriúcháin 18 10,662,554 - 10,662,554 9,208,758 Cathaoirleach Gníomhach Comhalta Boird Iasachtaí Forbartha 18 1,774,957 - 1,774,957 1,946,063 Íocaíochtaí Caipitil Eile 7 767,762 - 767,762 1,125,175 12 Nollaig 2017 Riarachán 8 - 2,289,615 2,289,615 2,198,646 Eagraíochtaí, Síntiúis agus Taighde 9 - 451,942 451,942 33,553 Costais Margaíochta 10 - 413,488 413,488 439,531 Screen Training Ireland 21 - 105,895 105,895 104,080 Costais Sochar Scoir 12A - 401,101 401,101 415,114

Caiteachas Iomlán 14,056,642 3,662,041 17,718,683 16,361,801

Barrachas/(Easnamh) don bhliain 599,479 67,244 666,723 178,239 Iarmhéid tugtha ar aghaidh ar an 1 Eanáir 2016 7,789,655 87,126 7,876,781 7,698,542 Iarmhéid tugtha ar aghaidh ar an 31 Nollaig 2016 8,389,134 154,370 8,543,504 7,876,781

Is cuid de na Ráitis Airgeadais iad an Ráiteas maidir le Sreabhadh Airgid agus na nótaí 1-23.

Thar ceann Bhord Boird Scannán na hÉireann:

Dr Annie Doona Katie Holly Cathaoirleach Gníomhach Comhalta Boird

12 Nollaig 2017 IT TOLLS FOR THEE THEY SHOOT PEOPLE

RÁITEAS I dTACA LE STAID AIRGEADAIS RÁITEAS MAIDIR LE SREABHADH AIRGID Don bhliain dar chríoch 31 Nollaig 2016 Mar a bhí ar an 31 Nollaig 2016

Nótaí 2016 2015 2016 2015 Sócmhainní Seasta I I Sreabhanna Airgid ó Ghníomhaíochtaí Oibriúcháin I I Barrachas Ioncaim thar Chaiteachas 666,723 178,239 Maoin, Gléasra agus Trealamh 13 18,204 32,177 50 Ús Bainc Faighte ( 9,967 ) ( 19,109 ) 51 Sócmhainní Airgeadais 6 1,001,041 934,086 Aistriú chuig/(ó) Chuntas Ioncam agus Caiteachas Riaracháin ( 13,973 ) ( 32,631 ) Iomlán Sócmhainní Seasta 1,019,245 966,263 Dímheas 21,027 46,557 (Méadú)/Laghdú ar Shuimeanna Infhaighte ( 105,026 ) 23,366 Méadú/(Laghdú) ar Shuimeanna Iníoctha 439,488 ( 239,951 ) Sócmhainní Reatha Méadú/(Laghdú) ar Ioncam Iarchurtha ( 84,000 ) - Airgead agus Comhluachanna in Airgead Tirim 9,269,192 8,352,007 Infháltais 15 250,865 145,839 Glansreabhanna Airgid ó Ghníomhaíochtaí Oibriúcháin 914,272 ( 43,529 )

9,520,057 8,497,846 Dliteanais Reatha (Suimeanna dlite laistigh de bhliain amháin) Sreabhanna Airgid ó Ghníomhaíochtaí Infheistíochta Íocaíochtaí le Maoin, Gléasra agus Trealamh a fháil ( 7,054 ) ( 13,926 ) Suimeanna Iníoctha 14 ( 871,551 ) ( 432,063 ) Ioncam Iarchurtha 15 ( 105,000 ) ( 189,000 ) Glansreabhanna Airgid ó Ghníomhaíochtaí Infheistíochta ( 7,054 ) ( 13,926 )

Glansócmhainní Reatha 8,543,506 7,876,783 Sreabhanna Airgid ó Ghníomhaíochtaí Maoinithe Ús bainc faighte 9,967 19,109 Iomlán Sócmhainní Lúide Dliteanais Reatha roimh Pinsin 9,562,751 8,843,046 Sócmhainn Iarchurtha le haghaidh Maoiniú Pinsin 12c 7,067,880 6,142,147 Glansreabhanna Airgid ó Ghníomhaíochtaí Maoinithe 9,967 19,109 Dliteanais Phinsin 12b ( 7,067,880 ) ( 6,142,147 )

Iomlán Glansócmhainní 9,562,751 8,843,046 Méadú/(Laghdú) glan ar Airgead agus ar Chomhluachanna in Airgead Tirim 91 7,1 85 ( 38,346 )

Airgead Agus Comhluachanna in Airgead Tirim ar an 1 Eanáir 8,352,007 8,390,353 In Ionannanas le: Cúlchistí Airgid Coinnithe 8,543,504 7,876,781 Airgead agus Comhluachanna in Airgead Tirim ar an 31 Nollaig 9,269,192 8,352,007 Cuntas Caipitil 17 1,019,247 966,265 9,562,751 8,843,046 Is cuid de na Ráitis Airgeadais iad an Ráiteas maidir le Sreabhadh Airgid agus na nótaí 1-23.

Is cuid de na Ráitis Airgeadais iad an Ráiteas maidir le Sreabhadh Airgid agus na nótaí 1-23. Thar ceann Bhord Boird Scannán na hÉireann:

Thar ceann Bhord Boird Scannán na hÉireann:

Dr Annie Doona Katie Holly Cathaoirleach Gníomhach Comhalta Boird

Dr Annie Doona Katie Holly Cathaoirleach Gníomhach Comhalta Boird 12 Nollaig 2017

12 Nollaig 2017 THE FLAG BECCA’S BUNCH

52 53 NÓTAÍ LEIS NA RÁITIS AIRGEADAIS DON BHLIAIN DAR CHRÍOCH 31 NOLLAIG 2016

1. BUNÚS NA CUNTASAÍOCHTA (c) Bunús an Ullmhaithe (e) Maoin, Gléasra agus Trealamh (g) Leasa Fostaithe Ullmhaíodh na ráitis airgeadais de réir choinbhinsiún an chostais Luaitear Maoin, Gléasra agus Trealamh mar an méid a chosain Leasa Gearrthéarma Leagtar thíos faoi seo bunús na cuntasaíochta agus na beartais stairiúil, ach amháin sócmhainní agus dliteanais áirithe atá siad lúide dímheas carnaithe, coigeartaithe le haghaidh aon Aithnítear leasa gearrthéarma ar nós pá saoire mar chostas i rith suntasacha cuntasaíochta atá i bhfeidhm ag Bord Scannán tomhasta ag luachanna córa mar a mhínítear sna beartais soláthar i dtaobh lagú. Soláthraítear dímheas i gcás Maoine, na bliana, agus áirítear leasa fabhraithe ag deireadh na bliana sa na hÉireann/Irish Film Board. Cuireadh i bhfeidhm iad go cuntasaíochta thíos. Tá na ráitis airgeadais i bhfoirm atá faofa ag Gléasra agus Trealaimh ar rátaí a meastar a dhéanfaidh an suim Iníoctha sa Ráiteas Maidir le Seasamh Airgeadais. comhsheasmhach i rith na bliana seo agus i rith na bliana a an Aire Cultúir, Oidhreachta agus Gaeltachta le haontú ón Aire costas lúide an luach iarmharach measta a dhíscríobh ar bhonn Leasa Scoir chuaigh roimhe. Airgeadais de réir an Achta um Bord Scannán na hÉireann 1980. líne díreach le linn a saoil úsáidí mar seo a leanas: Roimhe seo, bhunaigh Bord Scannán na hÉireann a scéim Cuireadh na beartais cuntasaíochta seo a leanas i bhfeidhm go (i) Daingneáin agus Feisteas 20% per annum pinsin le sochar sainithe féin, a maoiníodh go bliantúil ar bhonn (a) Eolas Ginearálta comhsheasmhach agus plé á dhéanamh le míreanna a meastar (ii) Ríomhairí 33% per annum íoc mar a úsáidtear le hairgid a bhí curtha ar fáil ag an Roinn iad a bheith ábhartha i dtaca le ráitis airgeadais Bhord Scannán Bunaíodh Bord Scannán na hÉireann de réir an Achta um Bord Ealaíón, Oidhreachta agus Gaeltachta agus ó ranníocaíochtaí na hÉireann. Léiríonn luach iarmharach an suim measta a bhfaighfí dá Scannán na hÉireann lena cheannoifig ag Queensgate, 23 a asbaineadh ó thuarastail foirne agus ball. Oibríonn Bord ndéanfaí sócmhainn a dhiúscairt, tar éis costais mheasta na Bóthar na nDuganna, Gaillimh. Déanann an Cuntas Ioncaim agus Caiteachas Caipitil taifead Scannán na hÉireann Scéim Aonair Pinsin na Seirbhísí Poiblí (“An diúscartha sin a bhaint as, dá mbeadh an sócmhainn sin ag aois ar eisíocaíochtaí iasachtaí forbartha agus léiriúcháin an Bhoird Scéim Aonair”), scéim sochair sainithe d’fhostaithe inphinsin sa Is mar seo a leanas atá príomhchuspóirí Bhord Scannán na agus sa riocht a mbeifí ag súil leis ag deireadh a shaoil úsáidí. hÉireann mar atá leagtha amach de réir Alt 4 den Acht um Bord agus íocaíochtaí caipitil eile. Déanann sé taifead freisin ar na tseirbhís phoiblí a ceapadh ar nó tar éis 1 Eanáir 2013. Scannán na hÉireann: híocaíochtaí a rinne Screen Training Ireland i dtaobh oiliúna I gcás go bhfuil fianaise oibiachtúil gur tháinig lagú ar luach Íoctar ranníocaíochtaí ball na Scéime Aonair leis an Roinn agus forbartha le haghaidh earnálacha scáileáin na hÉireann. sócmhainne, aithnítear cailllteanas mar gheall ar lagú sa Ráiteas Caiteachais Phoiblí agus Athchóirithe (DPER). Cabhair agus spreagadh a thabhairt do dhéanamh scannán maidir le Ioncam agus Caiteachas agus Cúlchistí Ioncaim Déanann an Cuntas Riaracháin agus Caiteachais taifead ar na Tugann costais phinsin léargas ar na sochair phinsin a thuilleann sa Stát ar aon slí a shíleann sé a bheith oiriúnach agus chun Choinnithe don bhliain. tionscal a fhorbairt sa Stát le scannáin a dhéanamh, agus is hidirbhearta riaracháin i dtaobh an bhoird agus i dtaobh Screen fostaithe agus taispeántar iad tar éis ranníocaíochtaí pinsin Training Ireland. foirne a dhéantar iad a chur ar ais go dtí an Roinn Cultúir, féidir leis gabháíl le haon ghníomhaíochtaí eile (ina measc (f) Sócmhainní Airgeadais cartlann náisiúnta scannan a bhunú) a bhfuil sé údaraithe ag an Oidhreachta agus Gaeltachta. Aithnítear suim gurb ionann í Acht iad a dhéanamh. (d) Ioncam Meastar Sócmhainní Airgeadais a chuimsíonn infheistíocht agus an muirear pinsin a mhéid is go bhfuil sí in-aisghabháilte scannán ar luach cóir bunaithe ar fheidhmíocht starúil leabhar agus fritháirithe ag deontais a fhaightear iad i rith na bliana le Deontais an Oireachtais An fhad is a mheasann sé é a bheith cuí, beidh aird ag an iasachta an Bhoird. Déantar foráil bunaithe ar an gcéatadán híocaíochtaí pinsin a ghlanadh. Aithnítear deontais an Oireachtais ar bhonn fáltais airgid. mBord ar an riachtanas cultúr an náisiúin a léiriú trí mheán na dóchúil a dhéanfar iad a aisíoc agus déantar cuntas ina leith sin Léirítear gnóthachain nó caillteanais achtúireacha a éiríonn as scannánaíochta. Aisíocaíocht Iasachtaí tríd an gCúlchiste Caipitil. athruithe ar thoimhdí achtúireachta agus as gnóthachain agus Aithnítear aisíocaíochtaí iasachtaí a eascraíonn as saothrú Beidh an chumhacht ag an mBord rannpháirtíocht a bheith Braitheann aisíocaíochtaí agus brabús ar rath tráchtála na caillteanais ó thaithí sa Ráiteas Maidir le hIoncam Cuimsitheach tráchtála ar scannain an Bhoird ar bhonn fáltais airgid. aige agus rannpháirtíocht a chur chun cinn i dtionscadail scannán lena mbaineann siad agus déantar gach aisíocaíocht agus aithnítear coigeartú dá réir maidir leis an méid idirnáisiúnta comhoibríocha de réir aon chuid dá fheidhmeanna Ioncam Úis de réir théarmaí na gcomhaontuithe iasachta. Go hiondúil, ní inaisghabháilte ón Roinn Cultúir, Oidhreachta agus Gaeltachta. de réir an Achta seo, agus, mar is cuí, comhaontuithe a Aithnítear ioncam úis ar bhonn fabhraithe agus feidhm á baint bhíonn na hiasachtaí sin faoi réir tháillí úis, ach bíonn bearta san Léiríonn na ráitis airgeadais sócmhainní agus dliteanais a dhéanamh le comhlachtaí comparáideacha lasmuigh den Stát, as an modh glanráta úis. áireamh le haghaidh aisghabháil agus rannpháirtíocht brabúis. faoi réir toiliú an Aire agus an Aire Airgeadais, agus, mar is cuí, i éiríonn as oibligeáidí pinsin Bhord Scannán na hÉireann agus gcomhairle leis an Aire Gnóthaí Eachtracha. Ioncam Iarchurtha Bíonn Iasachtaí Forbartha inaisíoctha ar an gcéad lá as aon mhaoiniú coibhneasach, agus aithníonn siad Aithnítear ioncam mar ioncam iarchurtha sa chás go bhfuarthas príomhscannánaíochta de réir théarmaí na gcomhaontuithe na costais a bhaineann le sochair phinsin a sholáthar sna Eintiteas Leasa Poiblí is ea Bord Scannán na hÉíreann. ioncam ag dáta an chláir comhordaithe ach go mbaineann iasachta. Níl na hiasachtaí sin faoi réir tháillí úis. tréimhsí cuntasaíochta ina dtuilleann na fostaithe iad. sé leis an bhliain dar gcionn. Pléitear le hioncam a fuarthas Ríomhtar dliteanais sochair na scéime pinsin ar bhonn (b) Ráiteas maidir le Comhlíontacht ó Choimisiún na hEorpa ar an gcaoi sin i gcás go bhfuarthas achtúireachta agus feidhm á bhaint as modh na n-aonad airgead le haghaidh cúrsaí oiliúna atá le seachadadh sa bhliain réamh-mheasta creidmheasa. Ullmhaíodh ráitis airgeadais Bhord Scannan na hÉireann don dar gcionn ag Screen Training Ireland. bhliain dar chríoch 31 Nollaig 2016 de réir FRS 102, an caighdeán maidir le tuairisciú airgeadais atá i bhfeidhm sa R.A. agus in Éirinn a d’eisigh an Financial Reporting Council (FRC), mar atá Ioncam Eile fógartha ag Chartered Accountants Ireland. Aithnítear gach ioncam eile ar bhonn fabhraithe. ELIÁN THE WELFARE OF TOMÁS Ó HALLISSY

54 55 (h) Léasanna Oibriúcháin Dímheas agus Luachanna Iarmharacha 2. DEONTAIS AN OIREACHTAIS Tá athbhreithniú déanta ag an mBord ar réanna agus luachanna Aithnítear caiteachas cíosa faoi léasanna oibriúchain sa Ráiteas iarmharacha gaolmhara na sócmhainní i ngach aicme de Is mar seo a leanas a léirítear na Deontais Oireachtais a vótáil an Roinn Cultúir, Oidhreachta agus Gaeltachta do Bhord Scannán na maidir le hIoncam agus Caiteachas agus Cúlchistí Ioncaim shócmhainní seasta agus go háirithe ar shaol úsáideach hÉireann mar a thaispeántar iad sna Ráitis Airgeadais: Choinnithe le linn ré an léasa. Aithnítear caiteachas de réir eacnamaíochta daingneán agus feisteas, agus tá sé den tuairim méid chothroim le linn tréimhse an léasa, ach amháin i gcás go 2016 2015 go bhfuil na luachanna cuí ag gabháil le ré na sócmhainní agus Cuspóirí Reatha I I dtarlaíonn méaduithe a bhaineann leis an ráta dóchúil boilscithe leis na luachanna inmharthana. Deontais do chaiteachas reatha 3,269,000 2,760,000 agus sa chás sin aithnítear na méaduithe sin nuair a thabhaítear Lúide: Glan-ranníocaíochtaí aoisliúntais inaisíoctha 44,154 46,674 siad. Aithnítear aon dreasachtaí leasa a fhaightear iad le linn ré Oibligeáid Sochar Scoir Iomlán 3,224,846 2,713,326 an léasa. Déantar na boinn tuisceana bunúsacha a bhaineann leis na luachálacha achtúireachta lena chinntítear na suimeanna Cuspóirí Caipitil (i) Breithiúnais agus Meastacháin a aithnítear iad sna ráitis airgeadais (lena n-áirítear rátaí Ríthábhachtacha Cuntasaíochta lascaine, rátaí méadaithe sna leibhéil chúitimh amach anseo, Deontais do chaiteachas caipitil 12,302,000 11,752,000 rátaí básmhaireachta agus rátaí a bhaineann le treochtaí Éilíonn ullmhú ráiteas airgeadais ar an mbainistíocht costas cúraim sláinte) a nuashonrú ar bhonn bliantúil de réir breithiúnais, meastacháin agus boinn tuisceana a dhéanamh a coinníollacha reatha eacnamaíochta, agus de réir aon athruithe 3. ACMHAINNÍ DÍLSE mbíonn tionchar acu ar na suimeanna a dtuairiscítear iad mar ábhartha ar théarmaí agus coinníollacha na bpleananna pinsin shócmhainní agus dliteanais ar dháta an chláir chomhordaithe agus iar-scoir. 2016 2015 agus ar na suimeanna a dtuairiscítear iad mar ioncam agus I I costais i rith na bliana. Ciallaíonn nádúr an mheastacháin, áfach, Is féidir leis na nithe seo a leanas tionchar a bheith acu ar na Aisíocaíochtaí ar Iasachtaí 1,909,272 974,972 go bhféadfadh go mbeadh difríochtaí idir na fíor-thorthaí agus boinn tuisceana: Muirir Airgeadais Réamh-Léiriúcháin 10,950 8,306 na meastacháin sin. Is iad seo a leanas na breithiúnais a raibh an (i) an ráta lascaine, athruithe ar ráta na dtorthaí ar bhannaí Iomlán 1,920,222 983,278 tionchar ba mhó acu ar na suimeanna a aithnítear iad sna ráitis corparáideacha ardcháilíochta airgeadais. (ii) leibhéil chúitimh amach anseo, coinníollacha an mhargaidh saothair sa todhchaí Soláthairtí (iii) treochtaí i gcostais chúraim sláinte, ráta boilscithe ar 4. IONCAM OILIÚNA Déanann Bord Scannán na hÉireann soláthairtí le haghaidh chostais leighis sna réigiúin ábhartha oibligeáidí dlí agus inchiallaithe, a bhfuil a fhios aige go bhfuil 2016 2015 I I siad gan íoc ag dáta deiridh na tréimhse. Go hiondúil déantar IIoncam ó na Meáin 215,176 231,648 na soláthairtí sin bunaithe ar fhaisnéis eile starúil nó cuí, Ioncam ó Tháillí ar Chúrsaí Oiliúna 86,873 104,713 coigeartaithe le haghaidh treochtaí nua-aimseartha mar atá Comh-Mhaoinitheoirí 70,000 75,000 ábhartha. Is meastacháin iad sin, áfach, go mb’fhéidir nach Urraíocht 708 42,772 dtarlóidh siad go ceann roinnt blianta eile. Dá bharr sin, agus Iomlán an Ioncaim Oiliúna 372,757 454,133 de bharr an leibhéil éiginnteachta a bhaineann leis na torthaí deiridh, d’fhéadfadh go mbeadh difríocht suntasach idir an fíor-thoradh agus na torthaí a measadh a bheadh i gceist. 5. TEORANNÚ AR AIRGEAD A SHOLÁTHRAÍONN AN BORD

De réir Alt 10 den Acht um Bord Scannán na hÉireann 1980, mar atá leasaithe, ní rachaidh uasmhéid aon infheistíochtaí, iasachtaí, deontais agus barántais (lúide aisghabhálacha) sa bhreis ar €300,000,000. Ar an 31 Nollaig 2015, bhí suim de €266,658,150 curtha ar fáil (ar an 31 Nollaig 2014 bhí €254,446,333 curtha ar fáil). THE 4th ACT WITHOUT NAME

6. INFHEISTÍOCHT SCANNÁN 8. RIARACHÁN

2016 2015 Iasachtaí Iasachtaí I I Léiriúcháin Forbartha IOMLÁN I I I Luach saothair agus costais pá eile 1,244,808 1,294,375 Réamhíocaíochtaí i rith na bliana 10,662,554 1,774,957 12,437,511 Costais Earcaíochta 6,382 443 56 Aisghabháil i rith na bliana ( 1,333,422 ) ( 575,850 ) ( 1,909,272 ) Muirir Cíosa agus Seirbhíse 243,020 271,212 57 Árachas 9,508 8,644 Soláthar don bhliain ( 9,236,794 ) ( 1,224,490 ) (10,461,284 ) Solas/Teas 11,902 14,642 Gluaiseacht i rith na bliana 92,338 ( 25,383 ) 66,955 Teileafón/Faics 28,465 38,986 Iarmhéid ar an 01/01/16 791,531 142,555 934,086 Postas/Teachtairí 12,106 13,672 Páipéarachas Oifige/Clódóireacht 12,124 9,972 Iarmhéid ar an 31/12/16 883,869 117,172 1,001,041 Deisiúcháin/Cothabháil 78,706 55,430 Ús agus Muirir Bainc 1,989 3,565 Cruinnithe agus Costais Boird 3,339 4,239 Taillí Dlí 4,788 14,304 7. IOCAÍOCHTAÍ CAIPITIL EILE Táillí Iniúchóireachta 16,000 16,500 Ilghnéitheach 12,664 12,981 I dteannta na n-íocaíochtaí a rinneadh le haghaidh Iasachtaí Léiriucháin agus Forbartha, rinne an Bord na híocaíochtaí caipitil eile seo a Dímheas 21,027 46,557 leanas i rith na bliana. Comhairliúchán 582,787 393,124 2016 2015 Iomlán 2,289,615 2,198,646 Eagraíochtaí Eorpacha I I Creative Europe Desk Dublin 32,500 32,500 2016 2015 Creative Europe Desk Galway 10,000 10,000 (a) Luach Saothair agus Costais Pá Eile I I Eurimages - 388,097 Tuarastail Foirne (Príomhfheidhmeannach san áireamh) 1,015,266 1,073,528 European Film Promotion 5,750 12,950 Ranníocaíocht Leasa Shóisialaigh an Fhostóra 96,851 98,105 European Observatory 16,099 15,957 Oiliúint agus Forbairt Foirne 8,921 11,108 Taisteal Idirnáisiúnta Foirne 75,304 68,566

Cuallachtaí Tionscail Taisteal Intíre Foirne 45,870 40,239 Irish Playwrights & Screenwriters Guild 70,000 65,000 Costais Féilteachais 2,597 2,829 Cuallacht Stiúrthóirí Scáileáin na hÉireann 77,000 65,000 Iomlán 1,244,808 1,294,375 Screen Producers Ireland 30,000 30,000 Animation Ireland 38,000 30,000

(b) Miondealú Sochar Fostaithe LÍON NA bhFOSTAITHE Margadh na Scánnán/Ócáidí Tionscail Ó 2016 2015 Féile Scannán Chorcaí 18,000 4,500 €60,000 - €69,999 2 2 Digital Biscuit - 7,500 €70,000 - €79,999 - 1 Ócáid Mhargaíocht Tallainne 5,000 - €80,000 - €89,999 1 1 Féile Scannán an Daingin 10,000 10,000 €90,000 - €99,999 - 1 Féile Scannán Idirnáisiúnta Bhaile Átha Cliath 30,000 30,000 €100,000- €109,999 1 - Tacaíocht do Mhargadh Scannán na hEorpa 61,360 42,716 Aonach Scannán na Gaillimhe 55,000 55,000 I rith 2016 ba é 19 meánlíon (WTE) na bhfostaithe. Féile Scannán Guth Gafa 7,500 7,500 Eile 16,000 13,305 Is mar seo a leanas a ríomhadh pacáiste tuarastail an phríomhfheidhmeannaigh don bhliain 2016: Buntuarastal bliantúil: €100,977.Ní Féile Scannán Faisnéise an IFI - 7,500 théann teidlíochtaí pinsin an Phríomhfheidhmeannaigh níos faide ná na teidtíochtaí caighdeánacha le scéim aoisliúntais sochar sainithe na hearnála poiblí.

Eile Cartlann Scannán na hÉireann 98,850 97,050 Young Irish Film Makers 15,000 15,000 (c) Sochair Oifige Chomhaltaí Boird Gach Freastal ar Cinemobile 50,000 49,280 Comhalta Boird Costas Chruinnithe IFTA 75,000 30,000 I Deontais i dtaca le Scabhtáil/Taisteal - 60,284 Dr Annie Doona (Cathaoirleach Gníomhach) 2,041 8 Léitheoirí Scripte 44,591 41,200 John Rice - 5 Forbairt Talainne 2,112 4,836 Kate O’Toole 494 5 Iomlán 767,762 1,125,175 Katie Holly 420 6 Maurice Sweeney 210 5 Seamus Deasy - 4 Iomlán 3,165

Níor Iocadh Aon Táillí le Comhaltaí Boird le linn 2016. MOON DOGS UNLESS

9. EAGRAÍOCHTAÍ, SÍNTIÚIS AGUS TAIGHDE 12. AOISLIÚNTAS

2016 2015 a. Anailís ar na Costais Iomlána Pinsean 2016 2015 2014 2013 2012 I I Muirearaithe ar Chaiteachas I I I I I IBEC 4,448 4,339 Costas reatha ar sheirbhísiú 297,915 332,656 277,716 322,357 311,231 Síntiúis le Foilseacháin 7,089 8,155 Costas ar sheirbhísiú don am atá thart* - - - 1,314,174 - 58 Creative Europe Desk 3,026 5,486 Ús ar Dhliteanais na Scéime Pinsin 147,340 129,132 168,441 158,858 105,711 59 Urraíocht 12,650 15,573 Ranníocaíochtaí Fostaithe ( 44,154 ) ( 46,674 ) ( 46,480 ) ( 45,963 ) ( 40,452 ) Eurimages 424,729 - Iomlán 401,101 415,114 399,677 1,749,426 376,490 Iomlán 451,942 33,553 * Baineann sé seo le hiontrálaithe nua ó Solas i Mí Eanáir 2013. Meastar sochar ar sheirbhísiú roimhe seo ar bhonn bhuille ar bhuille.

b. Gluaiseacht i nDliteanais Pinsin Glan 2016 2015 2014 2013 2012 i Rith na Bliana Airgeadais I I I I I Dliteanas Glan Pinsin ar an 1 Eanáir 6,142,147 6,796,446 4,676,739 3,491,960 2,684,217 10. MARGAÍOCHT Costas Reatha ar Sheirbhísiú* 297,915 332,656 277,716 322,357 311,231 Costas Úis 147,340 129,132 168,441 158,858 105,711 2016 2015 I I Costas ar Sheirbhísiú don am atá thart - - - 1,314,174 - Cur Chun Cinn Féilte 193,543 184,107 Caillteanas /(Gnóthachain) Achtúireachta 486,473 ( 1,110,093 ) 1,679,545 ( 604,615 ) 396,796 Fógraíocht 42,863 69,969 Pinsin a íocadh i rith na bliana ( 5,995 ) ( 5,995 ) ( 5,995 ) ( 5,995 ) ( 5,995 ) Ócáidí/Caidreamh Poiblí 36,028 118,181 Dliteanas Glan Pinsin ar an 31 Nollaig 7,067,880 6,142,147 6,796,446 4,676,739 3,491,960 Foilseacháin 39,544 31,589 * Cuireann an Costas Reatha ar Sheirbhísiú ranníocaíochtaí fostaithe ar iomlán de €44,154 sa bhliain 2016 san áireamh. Ábhair Margaíochta 38,641 12,222 Láithreán Gréasáin/Cur Chun Cinn Ar Líne 25,589 5,553 Seirbhísí Suíomhanna 707 6,620 Scabhtáil 23,653 - c. Sócmhainn Maoiniúcháin Iarchurtha do Phinsin Cur Chun Cinn Idirnáisiúnta 12,920 11,290 Aithníonn an Bord na suimeanna seo mar shócmhainn gurb ionann í agus an dliteanas iarchurtha neamh-mhaoinithe i dtaca le pinsin Iomlán 413,488 439,531 bunaithe ar an réimse bonn tuisceana a bhfuil cur síos déanta orthu thuas agus ar líon áirithe ócáidí a tharla roimhe seo. I measc na n-ócáidí sin tá an tacaíocht reachtúil do bhunú na scéime pinsin, agus an polasaí agus an cleachtas maidir le pinsin seirbhíse poiblí a mhaoiniú lena n-áirítear ranníocaíochtaí na bhfostaithe agus an próiséas bliantúil meastacháin. Níl aon fhianaise ag an mBord nach leanfaidh an polasaí sin ar aghaidh ag comhlíonadh na suimeanna sin de réir an chleachtais reatha.

Is mar seo a leanas a bhí an Maoiniú Iarchurtha le haghaidh Pinsean aitheanta sa Chuntas Ioncaim agus Caiteachais: 11. LEASE COMMITMENTS 2016 2015 2014 2013 2012 I I I I I Tá ceangaltais ar an mBord go dtí Aibreán 2018 i dtaca lena oifig i nGaillimh ag Queensgate, 23 Bóthar na nDuganna. Tá costas bliantúil de Maoiniú Inghnóthaithe i dtaca le costais pinsean na bliana reatha 445,255 461,788 446,157 1,795,389 416,942 €€35,000 móide CBL ar an léas sin. Tá idirbheartaíocht críochnaithe ag an mBord maidir leis an oifig ag Queensgate, 23 Br. na nDuganna Pinsin a íocadh i rith na bliana ( 5,995 ) ( 5,995) ( 5,995 ) ( 5,995 ) ( 5,995 ) agus tá léas dhá bhliain eile déanta aige ar chostas €35,000 sa bhliain móide CBL. Chuir an Bord idirbheartaíocht maidir le leas nua i dtaca lena chuid oifigí ag 14-16 Sráid an Tiarna Éadbhard i gcrích le linn Mí na Nollag 2016. Tugadh suas an bunléas a bhí le dul as feidhm ar an Deontas Stáit i bhfeidhm le pinsinéirí a íoc 439,260 455,793 440,162 1,789,394 410,947 31 Deireadh Fómhair 2017 agus rinneadh comhaontú maidir le leas nua ina mbeadh bunurlár íochtarach an fhoirgnimh san áireamh chomh Is é to €7,067,880 an méid a bhí sa sócmhainn mhaoinithe iarchurtha do phinsin an 31 Nollaig 2016 (€6,142,147 sa bhliain 2015). maith. Is é €141,417.50 móide CBL costas bliantúil na léasa nua. Tá ceangaltais ar an mBord freisin i dtaca le hoifigí Screen Training Ireland ag Callaghan House, 13-16 Sraid an Dáma, Baile Átha Cliath 2 go dtí Bealtaine 2017 ar chostas bliantúil de €21,000. 2016 2015 2014 2013 I I I I Ar an 31 Nollaig 2016 bhí na híos-íocaíochtaí léasa seo a leanas de réir léasa neamh-inchealaithe oibriúcháin d. Stair na n-Oibligeaidí Sochair Sainithe 2016 2016 Oibligeáidí sochair sainithe 7,067,880 6,142,446 6,796,446 4,676,739 3,491,960 ag Bord Scannán na hÉireann i dtaobh gach ceann de na tréimhsí seo a leanas: I I (Gnóthachain)/caillteanais ó thaithí ar dhliteanais na scéime 48,732 ( 186,736 ) ( 173,035 ) ( 178,597 ) ( 158,205 ) Iníoctha laistigh de bhliain amháin 213,176 187,158 Céatadán de Dhliteanais na Scéime 1% -3% -3% -4% -5% Iníoctha laistigh de dhá bhliain go cúig bliana 706,537 126,775 Iníoctha tar éis cúig bliana 862,470 -

Rinneadh íocaíochtaí de €198,478 (2015: €257,590) maidir le léasanna oibriúcháin a aithníodh mar chostas. e. General Description of the Scheme Socrú pinsean tuarastail dheiridh sochar sainithe is ea an scéim pinsean le sochair agus ranníocaíochtaí a sainmhínítear iad trí thagairt a dhéanamh do na rialúcháin reatha i dtaca le scéimeanna ‘eiseamláracha’ don earnáil phoiblí. Soláthraíonn an scéim pinsean (ochtóidí do gach bliain seirbhíse), aisce nó cnapshuim (trí ochtóidí do gach bliain seirbhíse) agus pinsin do chéilí agus do leanaí. Go hiondúil is é an 65ú breithlá dáta scoir an bhaill agus tá teidlíocht ag baill a bhí sa scéim roimh 2004 scor ó aois 60 gan aon laghdú achtúireachta. Go hiondúil meadaíonn pinsin atá á n-íoc agus pinsin iarchurtha de réir boilsciú tuarastal ginearálta san earnáil phoiblí.

Bunaíodh an luacháil a úsáideadh le haghaidh faisnéisithe FRS102 (leasaithe) ar luacháil iomlán achtúireach a chuir achtúire neamhspleách i gcríoch ag cur riachtanas FRS102 san áireamh chun measúnú a dhéanamh ar dhliteanais na scéime ar an 31 Nollaig 2016.

SANCTUARY JANUARY HYMN

Is mar seo a leanas a bhí na príomh-bhoinn tuisceana achtúireachta: 14. SUIMEANNA INÍOCTHA 31/12/2016 31/12/2015 31/12/2014 31/12/2013 31/12/2012 Ráta méadaithe tuarastal 3% 3.0% 3.0% 3.5% 3.5% 2016 2015 Ráta méadaithe pinsean á n-íoc 3% 3.0% 3.0% 3.5% 3.5% I I Ráta Lascaine 2.10% 2.4% 1.9% 3.2% 3.2% IMAT/ÁSPC 24,330 28,040 Boilsciú 1.75% 1.5% 1.5% 2.0% 2.0% Fabhruithe Eile 185,732 316,331 61 60 Cáin Shiarchoinneálach 34,086 16,559 Ceadaíonn an bonn básmhaireachta a glacadh do fheabhsuithe maidir le hionchas saoil le linn tréimhse ama, ionas go mbeidh an Ranníocaíocht Pinsean 6,923 7,531 t-ionchas saoil ag an am scoir ag braith ar an mbliain ina bhainfidh an ball amach an an aois scoir (65 bliana d’aois). Creidiúnaithe Trádála 620,480 63,602 Iomlán 871,551 432,063 Ionchas Saoil d’Fhear atá 65 bliana d’aois 22.3 Bliain Ionchas Saoil do bhean atá 65 bliana d’aois 23.8 Bliain Ionchas Saoil d’fhear atá 45 bliana d’aois faoi láthair (ó aois 65) 24.6 Bliain Ionchas Saoil do bhean atá 45 bliana d’aois faoi láthair (ó aois 65) 25.7 Bliain 15. IONCAM IARCHURTHA 13. MAOIN, GLÉASRA AGUS TREALAMH 2016 2015 Troscán Ríomhairí Iomlán I I I I I Costas Creative Europe Media Training Fund 105,000 189,000 Ar an 1 Eanáir 2016 415,108 263,208 678,316 Breiseanna 1,893 5,161 7,054 Iomlán 105,000 189,000 Breiseanna STI - - - Diúscairtí - - -

Ar an 31 Nollaig 2016 417,001 268,369 685,370

Dímheas 16. SUIMEANNA INFHAIGHTE Ar an 1 Eanáir 2016 400,936 245,203 646,139 Muirear don bhliain 7,039 12,826 19,865 2016 2015 I I Muirear STI 1,069 93 1,162 Fiachóirí 155,050 5,174 Disposals - - - Réamhíocaíochtaí 68,895 97,940 Ar an 31 Nolliag 2016 409,044 258,122 667,166 Ioncam Fabhraithe 26,920 42,725

Iomlán 250,865 145,839 Glanluach de réir na Leabhar (NBV) Amhail ar an 31 Nollaig 2016 7,957 10,247 18,204 Amhail ar an 31 Nollaig 2015 14,172 18,005 32,177 Gluaiseacht ( 6,215 ) ( 7,758 ) ( 13,973 ) 17. CÚLCHISTE CAIPITIL

Troscán Ríomhairí Iomlán 2016 2015 Costas I I I I I Ar an 1 Eanáir 2016 415,108 288,909 704,017 Iarmhéid ar an 01/01/16 966,265 1,025,729 Breiseanna - 13,926 13,926 Infheistíocht Scannán 66,955 ( 26,833 ) Breiseanna STI - - - Gluaiseacht sa Mhaoiniú ar Shócmhainní Seasta ( 13,973 ) ( 32,631 ) Diúscairtí - ( 39,627 ) ( 39,627 ) Iarmhéid ar an 31/12/16 1,019,247 966,265 Ar an 31 Nollaig 2016 415,108 263,208 678,316 Tá an Ghluaiseacht sa Mhaoiniúchán Sócmhainní Seasta Comhdhéanta Mar Seo a Leanas: Dímheas Ioncam Leithroinnte do Chuspóirí Caipitil 7,054 13,926 Ar an 1 Eanáir 2016 393,292 245,917 639,209 Amúchadh ( 21,027 ) ( 46,557 ) Muirear don bhliain 6,575 28,613 35,188 Caillteanas ar Dhiúscairt Sócmhainní - - Muirear STI 1,069 10,300 11,369 Iomlán (13,973) (32,631) Disposals - ( 39,627 ) ( 39,627 )

Ar an 31 Nolliag 2016 400,936 245,203 646,139

Glanluach de réir na Leabhar (NBV) Amhail ar an 31 Nollaig 2016 14,172 18,005 32,177 Amhail ar an 31 Nollaig 2015 21,816 42,992 64,808 Gluaiseacht ( 7,644 ) ( 24,987 ) ( 32,631 ) IT IS NOT YET DARK HOW WAS YOUR DAY

18. CEANGALTAIS 20. COSTAIS OILIÚNA

Léiriú Léiriú Is é Screen Training Ireland (STI) an acmhainn náisiúnta oiliúna agus forbartha a cruthaíodh go sonrach do tionscal scannán agus Léiriú Scannán Scannán teilifíse na hÉireann. Mar chuid de Bhord Scannán na hÉireann, feidhmíonn STI le hoiliúint do dhaoine gairmiúla ar fud earnáil na Príomhscannán* Faisnéise Beochana Dáileachán Scéimeanna Iomlán Iasachtaí Léiriúchain I I I I I I scáileán a aithint, a dhearadh agus a sheachadadh. Tairiscítear cláir oiliúna do chleachtóirí agus do chuideachtaí lena n-oilteacht maidir 62 Ceangaltais @ 01/01/16 2,046,970 769,705 507,499 218,909 322,067 3,865,150 le Scannán, Teilifís, Beochan agus inneachar idirghníomhach scáileáin a fheabhsú. 63 Ceangaltais le linn 2016 8,629,735 710,500 475,000 625,968 467,000 10,908,203 2016 2015 Ceangaltais in éag 2016 (88,317) - - - - ( 88,317 ) I I Sparánachtaí 38,159 42,864 Iomlán na gCeangaltas 10,588,388 1,480,205 982,499 844,877 789,067 14,685,036 Cúrsaí Gnó agus Fiontair 105,067 28,669 Íocaíochtaí le linn 2016 ( 8,217,326 ) ( 913,069 ) ( 641,500 ) ( 579,577 ) ( 311,082 ) (10,662,554) Cruthaitheach agus Comhoibriú Cruthaitheach 179,050 217,923 Ceangaltais ar an 31/12/16 2,371,062 567,136 340,999 265,300 477,985 4,022,482 Cláir ar na Meáin 219,808 331,292 Cláir Eorpacha Eile 30,824 48,974 Tugann Aguisín a hAon miondealú maidir leis na ceangaltais. Scileanna Léiriúcháin agus Teicniúla 278,461 221,159 Iomlán 851,369 890,881 Ináirithe sa bhfigiúr i dtaca le ceangaltais agus le híocaíocht i dtaobh Léiriú Príomhscannán tá suim de €103,435 i dtaobh costas a bhaineann le costais an tionscnaimh agus costais dlí an léiriúcháin.

Scannán 21. SCREEN TRAINING IRELAND Beochan Príomhscannán Faisnéise Iomlán Iasachtaí Forbartha I I I I 2016 2015 Ceangaltais @ 01/01/16 129,895 1,042,934 69,682 1,242,511 I I Ceangaltais le linn 2016 465,900 1,293,711 132,500 1,892,111 Glanadh agus Dramhaoil 7,789 6,124 Ceangaltais in éag 2016 - ( 210,023 ) - ( 210,023 ) Cothabháil IT 3,830 6,506 Iomlán na gCeangaltas 595,795 2,126,622 202,182 2,924,599 Solas agus Teas 4,246 4,370 Costais Margaíochta 22,520 15,982 Íocaíochtaí le linn 2016 ( 374,000 ) ( 1,259,959 ) ( 140,998 ) ( 1,774,957 ) Trealamh Oifige 2,484 4,680 Ceangaltais ar an 31/12/16 221,795 866,663 61,184 1,149,642 Athchóiriú Oifige 944 691 Cíos agus Rátaí Oifige 34,865 34,538 Páipéarachas agus Clódóireacht Oifige 3,309 5,803 Forchostais Eile Oifige 1,890 9,733 Táillí Gairmiúla 2,257 - 19. TAIRISCINTÍ SEALADACHA CÚNAIMH DO THIONSCADAIL SCANNÁN Costais Foirne 11,951 4,684 Síntiúis le Foilseacháin 2,242 4,579 De bhreis ar na gealltanais conartha atá gan íoc ag deireadh na bliana de €5,172,124 a nochtadh bhí €1,754,244 sa bhreis gan íoc i dtaca Teileafóin 7,568 6,390 le tairiscintí sealadacha ar chúnamh. Tá an chuid is mó de na gealltanais sin, €1,373,144, i dtaca le léiriúcháin príomhscannán ina bhfuil tairiscintí faoi réir théarmaí agus coinníollacha áirithe lena n-áirítear airgeadas a aimsiú. Fanann siad bailí ar feadh tréimhse de suas go dtí Iomlán 105,895 104,080 trí mhí agus ag an bpointe sin tá siad faoi réir athbhreithnithe. Tá na tairiscintí sin coinníollach ar chistí an bhoird a bheith ar fáil. Bhí sé thairiscint neamhcainníochtaithe ar chúnamh ag an mBord i dtaca le seacht léiriúchán príomhscannán eile ag deireadh na bliana MICHAEL INSIDE KEVIN ROCHE: THE QUIET ARCHITECT

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22. IDIRBHEARTA PÁIRTITHE GAOLMHARA Aguisín 1 Tá aguisíní 1 go 4 ann mar thagairt eolais agus ní mar chuid de na cuntais ar leathanaigh 44 go 64. Tá nósanna imeachta i bhfeidhm ag Bord Scannán na hÉireann atá de réir na dtreoirlínte atá eisithe ag an Roinn Caiteachais Phoiblí agus Athchóirithe a chlúdaíonn leasa pearsanta chomhaltaí Boird. Le linn a ghnáth-ghnó, tá sé incheadaithe do Bhord Scannán na hÉireann CEANGALTAIS 2016 deontais a fhaobhú nó socruithe conartha eile a dhéanamh le heintitis ina bhfuil Comhaltaí Boird Bhord Scannán na hÉireann fostaithe nó a bhfuil leasa eile acu iontu. IASACHTAÍ LÉIRIÚCHÁIN DO PHRÍOMHSCANNÁIN LÉIRIÚ SCANNÁN FAISNÉISE

I gcás coimhlintí leasa ionchasacha, ní fhaigheann comhaltaí Boird cáipéisíocht maidir le na hidirbhearta sin nó ní fhreastalaíonn nó ní Geallta I Geallta I bhíonn rannpháirtíocht acu in aon phlé a bhaineann leis na hidirbhearta sin. Coimeádtar clár de gach cás den chineál sin agus tá sé ar Halal Daddy Florin/Deadpan 550,000 Forever Pure Roads Entertainment 43,000 fáil ach iarratas a dhéanamh. Maze Mammoth Films 673,800 Strange Occurences in a The Flag Treasure Entertainment 567,500 Small Irish Village Underground Films 30,000 Le linn 2016 faomhadh na hiasachtaí seo a leanas do thionscadail ina raibh comhalta Boird fostaithe nó a raibh leas ag comhalta Boird Song of Granite Roads Entertainment 475,000 Mattress Man (Additional) El Zorerro 25,000 iontú. Good Favour SP Films 500,000 Outside the Factory FSE Films 100,000

Ainm Cuideachta Tionscadal Suim I Iomlán I Athrí DeFacto Films 150,000 The Boy Who Changed America Fine Point Films 90,000 Kissing Candice (Catalyst) Venom 285,000 In Loco Parentis Soilsiu Films 30,000 Seamus Deasy Praxis Pictures Condemned to Remember Up to €100,000 €100,000 The Lodgers Tailored Films 600,000 Condemned to Remember Praxis Pictures 100,000 Michael Inside Subotica/ John Hume in America Creeney Films 72,500 Annie Doona IADT Young Irish Filmmakers €15,000 €15,000 Write Direction Films 450,000 Kevin Roche: Living Architect Wavelength Pictures 80,000 Belly of the Whale Fastnet Films 550,000 Haunted New Decade Film 100,000 Katie Holly Blinder Films Extraordinary €25,000 The Third Wave Tilted Pictures 650,000 Butterfly City Planet Korda Pictures 40,000 The Lesson €13,900 The Delinquent Season Parallel Films 650,000 Rose Buds €9,400 Iomlán 710,500 Black 47 Fastnet Films 900,000 Travelling Companion €14,000 Cellar Door Samson Films 450,000 Love and Friendship (Distribution) up to €14,500 Dul in éag (88,317 ) A Mother Brings her son to be shot up to €100,000 Iomlán 7,362,983 Snapshot Productions Moscow Never Sleeps (Distribution) €15,000 TACAÍOCHT DÁILEACHÁIN

Fuair Blinder Films tairiscint neamhchainníochtaithe ar mhaoiniú léiriúcháin don 11 Minutes Wildcard Distribution 5,000 scannán Extraordinary. Fuair Blinder Films síneadh ar an dtairiscint ar mhaoiniú The Truth Commissioner Wildcard Distribution 6,000 léiriúcháin don tionscadal La Domestique a chuaig in éag ina dhiaidh sin. €192,300 CISTE COMHLÉIRIÚCHÁIN Love and Friendship Wildcard Distribution 14,500 John Rice Jam Media Peckles up to €50,000 Strangerland Wildcard Distribution 17,000 King Dom €20,000 A Storm in the Stars Parallel Film Productions 250,000 66 Days Wildcard Distribution 18,000 Montauk SP Films 200,000 Mattress Men Element Distribution 20,000 Dingle Animation Festival Grant €8,000 €78,000 POV Fantastic Films 50,000 Dare to be Wild Wildcard Distribution 22,500 Maurice Sweeney Screen Directors Guild Grant €82,000 €82,000 The Killing of a Sacred Deer Element Pictures 200,000 Viva Element Distribution 24,000 Muse Fantastic Films 200,000 Mom and Me Element Distribution 25,000 Kate O’Toole Galway Film Fair Grant €55,000 €55,000 The Man who Invented Christmas Parallel Films 175,000 My Name is Emily Eclipse Distribution 30,500 Móriomlán €521,800 Iomlán 1,075,000 A Date for Mad Mary Element Distribution 35,000 The Flag Element Distribution 37,500 Traders Element Distribution 40,000 The Young Offenders Wildcard Distribution 70,000 Room Element Distribution 75,000 LÉIRIÚ SCANNÁN BEOCHANA Song of the Sea Element Distribution 75,000 Crash and Burn Wildcard Distribution 15,000 Kiva Khan Do Kavaleer Productions 70,000 Land Of The Enlightened Wildcard Distribution 5,000 23. FAOMHADH AN BHOIRD The Day Henry Met Wiggleywoo 130,000 Last Day On Mars Universal Pictures 25,000 The Red Herring Ink & Light 30,000 Fuair na Ráitis Airgeadais faomhadh an Bhoird ar an 12ú Nollaig 2017. Brewster The Rooster Salty Dog Pictures 150,000 Iomlán 560,000 I’m a Fish Monster Entertainment 95,000 Iomlán 475,000 BREWSTER THE ROOSTER CEAUSESCU & I

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DÁILEACHÁN DÍREACH FRAMEWORKS FORBAIRT

Geallta I Committed I Geallta I Geallta I The Price of Desire EG Film Productions 15,000 Departure Pink Kong Studios 46,000 A Day In The Life Andrew Meehan 12,000 Sarajevo Calling Vico Films 14,000 Atlantic Scannáin Inbhear 15,000 Late Afternoon Cartoon Saloon 46,000 A Day In The Life Cosmos Films 14,650 Sea Fever (415) Fantastic Films 8,500 Strange Occurences in a Macarooned Whirligig 35,000 A Girl from Mogadishu EG Film Productions 34,750 Sea Horse Shashi Rami 8,000 Small Irish Village Underground Films 10,000 Iomlán 127,000 Airlock SP Films 13,950 Sidelined Parallel Film Productions 18,500 Moscow Never Sleeps Snapshot Productions 15,000 Alone it Stands Lunar Pictures 5,000 Somebody’s Wife Fastnet Films 5,000 In a House that Ceased to Be Atlantic Film Alliance 1,500 Antigone Janey Pictures 17,000 Stolen Epos Films 12,500 Iomlán 56,500 Ava Fantastic Films 17,500 Tank Man David McSavage 5,000 SHORT STORIES Baby Cakes Media Factory 5,000 The Black Eyed Blonde Parallel Film Productions 32,000 Backwater Spencer St Productions 11,800 The Boy that Never Was Subotica 7,600 Bags & Trev Black Sheep Productions 4,500 The Boys Of Summer Mixed Bag Media 12,900 Bellwether Against the Grain Productions 20,000 Barking Love Grand Pictures 13,200 The Boys Of Summer Mixed Bag Media 13,100 REAL SHORTS A Different Kind of Day Mermaid Productions 20,000 Bird Underground Films 16,200 The Bright Side Storytoys 8,000 Deposits Eskimo Productions 20,000 Mother and Baby Ishka Films 20,000 Blackbird Michael Kinirons 12,000 The Dead Spit of Kelly Grand Pictures 10,500 Nice Night for It Jumper Productions 20,000 Hey Ronnie Reagan Marmalade Films 20,000 Bolt Treasure Entertainment 23,500 The Gee Gees Element Pictures 10,000 Neon 925 Productions 20,000 The Swimmer Red Rage Films 20,000 Closer than this Parallel Film Productions 16,500 The Hole In The Ground Rank Outsider Productions 28,950 Smithy and Dickie Boy Savage Productions 10,000 Iomlán 100,000 Clowns Without Borders Fastnet Films 14,750 The Indecents Kennedy Films 10,300 Bordalo II Pull The Trigger 20,000 Come Monday We Kill Them All Fastnet Films 31,000 The Last Right Aoife Crehan 12,000 Iomlán 90,000 Corkscrewed Colm Cafferky 5,000 The Lesson Blinder Films 13,900 Dark Lies The Island (715) Grand Pictures 23,000 The Loud Man Treasure Entertainment 20,000 Diamond Shitter Antonia Campbell Hughes 5,000 The Master David P Kelly Films 15,000 Diamond Shitter Antonia Campbell Hughes 7,000 The Midnight Choir Fastnet Films 10,200 Doing Two Jobs Badly Blue Ink Films 14,900 The Mystery of Love Andrew Meehan 12,000 FOCUS SHORTS Epilogue (aka Fly) Blue Ink Films 7,200 The Perfect Ending Element Pictures 22,800 Extraordinary Blinder Films 25,400 The Priest Hunter De Facto Films 6,175 The Tattoo Rocket Science Productions 50,000 Faith Savage Productions 13,500 The Road to Reckoning Equation Pictures 20,800 Take Me Swimming Feenish Productions 50,000 Famine Blinder Films 9,400 The Superluminal Communicator Roads Entertainment 15,000 Tomato Can Fastnet Docs 50,000 Fat Whites Go Home Screenworks 15,000 The Superluminal Communicator Roads Entertainment 6,750 Iomlán 150,000 Freight Samson Films 9,750 The Trainer Filspin 23,500 Goliath Lovely Productions 20,000 The Undertaking Blank Page Productions 27,400 Grace Malcolm Campbell 12,000 The Voyage of the Triton Crusader Will Collins 12,000 Grimes and Blake at Your Service Fantastic Films 16,400 The Welfare of Thomas O’Hallissy Fastnet Films 15,000 Here are the Young Men Five Knight Films 7,700 The White Room Ripple World 10,000 Incognita Calico Pictures 16,000 The Yes Express Samson Films 9,400 Joyrider Peter Foott 12,000 Throwdown Fastnet Films 6,500 Kelley Subotica 16,836 Travelling Companion Blinder Films 14,000 Killbook Blue Ink Films 28,500 Tyger Tyger Savage Productions 10,700 Metal Heart Treasure Entertainment 12,800 UVA Fastnet Films 30,550 Miss Emily Element Pictures 26,500 Vivarium Lovely Productions 11,000 My Hands Highly Stimulating Productions 16,000 What we know about men Peter Murphy/ Nightcrawler Geraldine Creed 8,000 Rachael Moriarty 16,000 Owned Claire Dunne 8,000 When Love Defies Fail Safe Films 6,500 Papi Chulo Treasure Entertainment 40,800 Winter Lake Tailored Films 15,600 Piper Damien O’Donnell 12,000 Witch Fever Samson Films 9,400 Ramblers Stephen Shields 12,000 Woken Fantastic Films 14,000 Ritual Pierce Ryan 12,000 Writ in Water Samson Films 9,300 Rose Buds (aka Bloom) Blinder Films 9,600 Dul in éag (210,023 ) RPG Subotica 7,800 Iomlán 1,083,688 MUSE THE LOST LETTER 68 Aguisín 2 69

CEANGALTAIS GAN ÍOC 2016

FORBAIRT SCANNÁN FAISNÉISE FORBAIRT SCANNÁN BEOCHANA IASACHTAÍ LÉIRIÚCHÁIN DO PHRÍOMHSCANNÁIN LÉIRIÚ SCANNÁN BEOCHANA

Geallta I Geallta I Ar feitheamh I Ar feitheamh I Step By Step Atlantic Films 10,000 Heart Of Darkness Telegael 12,000 Ceangaltais Roimh 2016 555,686 Ceangaltais Roimh 2016 134,999 Under the Clock Snackbox Films 15,000 Hunted Monster Entertainment 19,000 Halal Daddy Florin/Deadpan 55,000 Kiva Khan Do Kavaleer Productions 35,000 With God in My Corner John Kelleher Media 15,000 Jelly Pixies Timpson Macrae Ltd 20,000 Maze Mammoth Films 65,000 The Day Henry Met Wiggleywoo 39,000 One Million New Yorkers Fine Point Films 12,500 Alva and the Trolls Kavaleer Productions 20,000 The Flag Treasure Entertainment 72,500 The Red Herring Ink & Light 3,000 Shooting The Mafia Lunar Pictures 15,000 Wolfe and Robin Brown Bag Films 20,000 Song of Granite Roads Entertainment 40,000 Brewster the Rooster Salty Dog Pictures 62,500 Asylum Patrick Hodgins 5,000 Dreamer Mutiny Mutiny 20,000 Good Favour SP Films 125,000 I’m a Fish Monster Entertainment 66,500 Mother of Africa Bang Bang Teo 15,000 Leonas Warriors Dancing Girl Productions 20,000 Athrí DeFacto Films 16,000 Iomlán 340,999 Emmett Grogan - This is Somebody Poolbeg Productions 15,000 I’ve got a time travelling monkey Treehouse Republic 20,000 Kissing Candice (Catalyst) Venom 11,693 Screamers Roads Entertainment 15,000 The Mooneys Salty Dog Pictures 20,000 The Lodgers Tailored Films 60,000 12 Miles Roads Entertainment 15,000 Peek Zoo Igloo Productions 20,000 Michael Inside Subotica/ Iomlán 132,500 Spooklies Mooshku 20,000 Write Direction Films 45,000 Dorg Vandargo Cartoon Saloon 20,000 Belly of the Whale Fastnet Films 165,000 LÉIRIÚ SCANNÁN FAISNÉISE Creepers Giant Creative 20,000 The Third Wave Tilted Pictures 325,000 Ceangaltais Roimh 2016 360,586 King Dom Jam Media 20,000 The Delinquent Season Parallel Films 325,000 Forever Pure Roads Entertainment 4,300 Snoozeville Jam Media 20,000 Cellar Door Samson Films 315,000 Outside the Factory FSE Films 50,000 Meddlers Jam Media 20,000 Dul in éag Room (88,317 ) Bobs Jobs Zink 19,900 The Boy Who Changed America Fine Point Films 37,000 Iomlán 2,087,562 Wolf Walkers Cartoon Saloon 50,000 In Loco Parentis Soilsiu Films 15,000 Max and the Monster Piranha Bar 15,000 Condemned to Remember Praxis Pictures 10,000 Two by Two - TV Series Moetion Films 20,000 John Hume in America Creeney Films 7,250 Oops 2 Moetion Films 50,000 Kevin Roche: Living Architect Wavelength Pictures 24,000 CISTE COMHLÉIRIUCHÁIN Haunted New Decade Film 50,000 Iomlán 465,900 Butterfly City Planet Korda Pictures 9,000 Ceangaltais Roimh 2016 91,000 Iomlán 567,136 A Storm in the Stars Parallel Film Productions 12,500 Montauk SP Films 40,000 The Killing of a Sacred Deer Element Pictures 60,000 Muse Fantastic Films 80,000 Iomlán 283,500

Tacaíocht do Phoiblíocht 9,468

Costais Dlí agus Tionscadail 103,435

Iomlán 12,501,974 CONDEMNED TO REMEMBER HARRY & BIP

70 TACAÍOCHT DO DHÁILEACHÁN AFTER 16 FORBAIRT 71

Ar feitheamh I Ar feitheamh I Ar feitheamh I Iomlán 6,000 Ceangaltais Roimh 2016 51,637 Ceangaltais Roimh 2016 660,761 Sea Horse Shashi Rami 3,000 11 Minutes Wildcard Distribution 2,500 A Day In The Life Cosmos Films 7,325 Sidelined Parallel Film Productions 4,000 The Truth Commissioner Wildcard Distribution 600 FRAMEWORKS Airlock SP Films 1,250 Somebody’s Wife Fastnet Films 2,500 Love and Friendship Wildcard Distribution 7,250 Antigone Janey Pictures 4,000 Stolen Epos Films 6,250 Strangerland Wildcard Distribution 5,100 Ava Fantastic Films 5,500 Tank Man David McSavage 2,000 Pre 2016 Commitments 82,198 66 Days Wildcard Distribution 1,800 Baby Cakes Media Factory 2,000 The Black Eyed Blonde Parallel Film Productions 16,000 Departure Pink Kong Studios 18,400 Mattress Men Element Distribution 10,000 Backwater Spencer St Productions 5,900 The Boy that Never Was Subotica 500 Late Afternoon Cartoon Saloon 27,600 Dare to be Wild Wildcard Distribution 2,250 Blackbird Michael Kinirons 4,000 The Boys Of Summer Mixed Bag Media 6,550 Macarooned Whirligig 21,000 Viva Element Distribution 12,000 Closer than this Parallel Film Productions 8,250 The Dead Spit of Kelly Grand Pictures 5,000 Mom and Me Element Distribution 3,733 Total 149,198 Clowns Without Borders Fastnet Films 7,375 The Hole In The Ground Rank Outsider Productions 9,250 A Date for Mad Mary Element Distribution 17,500 Come Monday We Kill Them All Fastnet Films 15,500 The Indecents Kennedy Films 5,150 The Flag Element Distribution 18,750 Corkscrewed Colm Cafferky 1,500 The Loud Man Treasure Entertainment 10,000

Traders Element Distribution 20,000 SIGNATURES Dark Lies The Island (715) Grand Pictures 4,000 The Master David P Kelly Films 5,000 The Young Offenders Wildcard Distribution 21,000 Diamond Shitter Antonia Campbell Hughes 3,500 The Midnight Choir Fastnet Films 5,100 Room Element Distribution 37,500 Iomlán 24,700 Doing Two Jobs Badly Blue Ink Films 7,450 The Mystery of Love Andrew Meehan 4,000 Crash and Burn Wildcard Distribution 7,500 Extraordinary Blinder Films 10,000 The Perfect Ending Element Pictures 4,800 Land Of The Enlightened Wildcard Distribution 500 Faith Savage Productions 6,750 The Priest Hunter De Facto Films 3,088 Last Days on Mars Universal Pictures 12,500 REAL SHORTS Famine Blinder Films 4,700 The Road to Reckoning Equation Pictures 10,400 Iomlán 232,120 Fat Whites Go Home Screenworks 5,000 The Superluminal Communicator Roads Entertainment 3,375 Mother and Baby Ishka Films 18,000 Freight Samson Films 4,875 The Trainer Filspin 8,500 Hey Ronnie Reagan Marmalade Films 18,000 Goliath Lovely Productions 10,000 The Undertaking Blank Page Productions 13,700 The Swimmer Red Rage Films 18,000 Grimes and Blake at Your Service Fantastic Films 8,200 The Voyage of the Triton Crusader Will Collins 4,000 Smithy and Dickie Boy Savage Productions 9,000 DÁILEACHÁN DÍREACH Here are the Young Men Five Knight Films 3,850 The Welfare of Thomas O’Hallissy Fastnet Films 7,000 Bordalo II Pull The Trigger 18,000 Incognita Calico Pictures 8,000 The White Room Ripple World 5,000 Joyrider Peter Foott 4,000 The Yes Express Samson Films 4,700 Ceangaltais Roimh 2016 30,180 Iomlán 81,000 Kelley Subotica 7,187 Throwdown Fastnet Films 1,000 Atlantic Scannáin Inbhear 1,500 Killbook Blue Ink Films 7,250 Tyger Tyger Savage Productions 5,350 Moscow Never Sleeps Snapshot Productions 1,500 FOCUS SHORTS Metal Heart Treasure Entertainment 6,400 UVA Fastnet Films 15,300 Iomlán 33,180 Miss Emily Element Pictures 13,250 Vivarium Lovely Productions 2,200 The Tattoo Rocket Science Productions 45,000 My Hands Highly Stimulating Productions 4,000 What we know about men Peter Murphy/Rachael Moriarty 6,000 Take Me Swimming Feenish Productions 45,000 Piper Damien O’Donnell 4,000 Winter Lake Tailored Films 7,800 Tomato Can Fastnet Docs 45,000 Ramblers Stephen Shields 4,000 Witch Fever Samson Films 4,700 Iomlán 135,000 Ritual Pierce Ryan 4,000 Woken Fantastic Films 7,000 Rose Buds (aka Bloom) Blinder Films 4,900 Writ in Water Samson Films 4,650 RPG Subotica 3,900 Dul in éag (210,023 ) SHORT STORIES Sarajevo Calling Vico Films 7,000 Iomlán 866,663 Sea Fever (415) Fantastic Films 4,250 Bellwether Against the Grain Productions 18,000 A Different Kind of Day Mermaid Productions 18,000 Deposits Eskimo Productions 6,000 Nice Night for It Jumper Productions 18,000 Neon 925 Productions 18,000 Iomlán 78,000

Scéimeanna Roimh 2016 4,087 THE LODGERS THE CURED

72 73 DOCUMENTARY DEVELOPMENT ANIMATION DEVELOPMENT Aguisín 3 Ar feitheamh I Ar feitheamh I Ceangaltais Roimh 2016 33,184 Ceangaltais Roimh 2016 119,894 Step By Step Atlantic Films 2,500 Hunted Monster Entertainment 4,000 SONRAÍ MAIDIR LE COINNÍOLLACHA IASACHTAÍ With God in My Corner John Kelleher Media 3,000 Wolfe and Robin Brown Bag Films 5,000 Shooting The Mafia Lunar Pictures 5,000 Leonas Warriors Dancing Girl Productions 5,000 Asylum Patrick Hodgins 1,500 The Mooneys Salty Dog Pictures 5,000 (a) IASACHTAÍ FORBARTHA Mother of Africa Bang Bang Teo 3,000 Peek Zoo Igloo Productions 5,000 Emmett Grogan - This is Somebody Poolbeg Productions 3,000 Spooklies Mooshku 5,000 Airleactar Iasachtaí Forbartha ar bhonn íocaíochtaí céimithe agus íoctar tuairim is 50-60% nuair a chuirtear conarthaí Screamers Roads Entertainment 5,000 Dorg Vandargo Cartoon Saloon 5,000 Iasachta Forbartha idir an Bord agus an Léiritheoir i gcríoch go sásúil, agus íoctar an iarmhéid nuair a chomhlíontar 12 Miles Roads Entertainment 5,000 Creepers Giant Creative 5,000 coinníollacha sonracha a mbeidh leagtha amach ag an mBord. Iomlán 61,184 King Dom Jam Media 5,000 Snoozeville Jam Media 5,000 Meddlers Jam Media 5,000 Is fiú suas go dtí uasmhéid de €100,000 iad iasachtaí forbartha, ar féidir suas go dtí €50,000 a íoc ag aon am áirithe faoi Bobs Jobs Zink 4,900 Wolf Walkers Cartoon Saloon 20,000 leith. Is féidir le foirne nó le daoine aonair (léiritheoir/stiúrthóir/scríbhneoir scripte) iarratas a dhéanamh.Tá oibligeáid ar Max and the Monster Piranha Bar 3,000 an léiritheoir an t-airgead a airleacadh a aisíoc ar an gcéad lá príomhscannánaíochta. Two by Two - TV Series Moetion Films 5,000 Oops 2 Moetion Films 15,000 Ba chóir go bhfeicfí iad seo mar iasachtaí forbartha/indéantachta; Déanann an Bord gach iarracht rianadh a dhéanamh Iomlán 221,794 ar an t-airgead agus soláthraíonn sé faisnéis agus tacaíocht do léiritheoirí neamhspleácha a bhfuil comhpháirtithe ionchais léiriúcháin á lorg acu. Ní éireoidh le cuid de na tionscadail a gheobhaidh tacaíocht ón mBord leanúint ar aghaidh go dtí céim an léiriúcháin agus d’fhéadfadh sé tarlú i ndeireadh na dála go gcaithfear iad a dhíscríobh.

Déanann an Borddian- monatóireacht, áfach, ar na tionscadail a dtugtar chun críche go rathúil iad agus éilítear go gníomhach aon airgead atá dlite.

(b) IASACHTAÍ LÉIRIÚCHÁIN

Tagann rannpháirtíocht an Bhoird i bhfoirm infheistíochta sa léiriúchán agus ina chuid díolacháin do mhargaidh cineama, teilifíse, físeáin agus margaidh coimhdeacha (cábla, saitilít, scannán baile etc.) in Éirinn agus ar fud an domhain. Níl an infheistíocht faoi réir úis; cuirtear dian-bhearta i dtaca le haisghabháil agus rannpháirtíocht i mbrabús i bhfeidhm. Tá gach tairiscint ar infheistíocht ‘i bprionsabal‘ agus faoi réir conartha.

Iomlán na gCeangaltas ar Conradh ar 31/12/2016 5,172,124 chun críche agus go bhfuil an ranníocaíocht ón gcraoltóir in oiriúint dá sheasamh ó thaobh rialú eagarthóireachta • A tionscnaíodh in Éirinn ó thaobh na cruthaitheachta de. Beidh BSÉ/IFB ag súil freisin go mbeidh ionchur de; is é sin le rá gur cheap agus gur scríobh tallanna eagarthóireachta aige maidir leis an lánas sin a fhorbairt. Éireannacha iad agus go stiúróidh tallanna Éireannacha iad 2. AIMSIÚ LUCHT FÉACHANA • A bhfuil sé i gceist leo go mbeidh tallann nua Níos mó is níos mó tá BSÉ/IFB dírithe ar a chinntiú go Éireannach agus tallann Éireannach atá ag teacht ndéanfar cinntí maoiniúchain atá ar son na dtionscadal chun cinn sna príomhróil chruthaitheacha sin a bhfuil an lucht féachana cuí mar sprioc acu. Ní i.e. stiúrthóir, scríbhneoir, léiritheoir, cumadóir, chiallaíonn sé sin nach bhfuil spéis ag BSÉ/IFB ach i príomhaisteoir dtacaíocht a thabhairt d’ábhar a bhfuil ionchas tráchtála • A insíonn scéalta Éireannacha, a tharraingíonn as acu, ach ina ionad sin go bhfuil sé sásta tionscadail a agus a léiríonn cultúr, stair agus modh maireachtála na mbeadh tarraingteach do réimse leathan lucht féachana hÉireann agus an chaoi a fhéachann muintir na MARY SHELLEY a bhreithniú, bídís sin ina dtionscadail tráchtála, ealaíne, hÉireann ar an saol agus orthu féin dírithe ar lucht freastal féilte, teilifíse etc. Cuirfear béim 74 Tabharfar aird dáiríre ar iarratais: 75 faoi leith ar acmhainn an tionscadail dul i bhfeidhm ar an • A mholann tionscadal atá go soiléir Éireannach Aguisín 4 sprioclucht féachana chomh maith leis an gcur chuige (ó thaobh suímh, carachtar, etc. de) ach a bheidh á atá beartaithe agus scála an tionscadail. PRIONSABAIL AGUS CRITÉIR stiúradh ag talann nach as Éireann é, i gcás go bhfuil BSÉ/IFB den tuairim go gcinntíonn teist an stiúrthóra 3. ÚRNUACHT go dtí seo go mbeidh ardchaighdeán ann I dteannta díriú ar na buanna eagarthóireachta faisnéise’; i gcás scannán atá dírithe ar shliotán teilifíse Díreofar maoiniú BSÉ/IFB ar thacaíocht a thabhairt do • A mbíonn léiritheoir Éireannach i gceist mar agus cruthaitheacha a bhaineann le tionscadal, tá atá uair an chloig nó níos giorra ar fhad agus nach bhfuil thionscadail atá úrnua agus ar ardchaighdeán, agus chomhléiritheoir mionlaigh scannáin, scannán roinnt bunphrionsabal atá mar bhonn ag an gcritéir aon tarraingt nó nach bhfuil ach tarraingt an-bheag acu, a thugann chun cineama, trí chumas scríbhneoirí, faisnéise nó clár nó sraith drámaíochta teilifíse i gcás cinnteoireachta a threoraíonn cláir chistíochta BSÉ/IFB. Is ní dócha go dtabharfar tacaíocht dóibh ach amháin i gcás stiúrthóiri, léiritheoirí agus pearsanra Éireannach eile, (a) Go bhfuil BSÉ/IFB iomlán sásta maidir le caighdeán iad na prionsabail sin: go meastar go bhfuil caighdeán do-shéanta acu. I dteannta taithí cultúrtha atá difriúil agus go tiomáinta go sonrach béim BSÉ/IFB ar chúrsaí cineama, ceapadh an cur chuige an tionscadail 1. Cineama a Dhéanamh ag talann Éireannach. Déanfar cinntí maoiniúcháin ar son seo chun freagairt don mhéadú follasach ar an mian atá (b) Go bhfuil an méid infheistíochta ar chomhchéim 2. Aimsiú Lucht Féachana na scríbhneoirí agus na stiúrthóirí agus pearsanra eile i measc lucht féachana pictiúrlainne scannáin faisnéise a leis an leibhéal rannpháirtíochta a bheidh ag 3. Úrnuacht Éireannach a dhéanann scannáin a bhfuil guth faoi leith fheiceáil. pearsanra, gnéithe agus saoráidí Éireannacha 4. Breisíocht acu agus dearcadh ar an domhan atá go láidir aonarach, sa dtionscadal 5. Talann a Fhorbairt, Tosaíochtaí Cultúir agus Tionscail Go dtabharfar maoiniú do phríomhscannáin agus do agus a chruthaíonn saothair a spreagann mothú nua 6. Cúinsí Eile shraitheanna teilifíse beochana mar aitheantas ar an agus/nó athnuaite sa dtaithí sin. Leanfaidh BSÉ/IFB ar aghaidh ag cur fáilte faoi leith i tábhacht a bhaineann le saothair Éireannacha sa réimse gcónaí roimh iarratais ar son scannán a bhfuil sé i gceist Tugtar míniúcháin níos mionsonraithe orthu sin thíos. Ní chiallaíonn na riachtanais sin go seachnófar sin, ar chúinge an mhargaidh pictiúrlainne pictiúrlainne atá iad a dhéanamh go príomha nó go hiomlán trí mheán na Leagtar amach freisin thíos cuid de na cúinsí eile a cineálacha nó séanraí atá ann cheana féin, ach ina ionad ann do phríomhscannáin bheochana agus an maoiniú an- Gaeilge. d’fhéadfadh go mbeadh tionchar acu ar chinneadh ar son sin go dtabharfaidh na scríbhneoirí, na stiúrthóirí agus theoranta atá ar fáil ó chraoltóirí do shraitheanna teilifíse thionscadail amháin seachas ceann eile. na léiritheoirí a dtabharfar tacaíocht dóibhcur chuige Beidh BSÉ/IFB airdeallach i gcónaí lena chinntiú i gcás beochana. tabharfar tús áite do shaothar cruthaitheach úr agus smaointeoireacht nua do na cineálacha nó na scannán a dhéanann sé infheistíocht iontu go ndéantar ó thallanna Éireannacha a bhfuil an cuma air go bhfuil 1. CINEAMA A DHÉANAMH séanraí scannán sin. De bharr na hacmhainne teoranta cuid mhór dá gcaiteachas ar phearsanra Éireannach agus sé cruthaitheach agus suntasach a dhóthain lena chur Toisc gurb é an t-aon fhoinse amháin de mhaoiniú poiblí atá in Éirinn maidir le maoiniú margaidh agus maoiniú sa dtionscal in Éirinn, agus tá sé dóchúil go mbeidh an in oiriúint d’fhormáid an mhórscáileáin agus/nó do do phríomhscannáin atá dírithe ar eisiúint cineama, is é an eile ar scannán in Éirinn, beidh sé riachtanach do thalann gné sin den iarratas an-thábhachtach maidir le cinneadh dháileachán teilifíse idirnáisiúnta agus do dháileachán eile. príomhchuspóir atá ag Bord Scannán na hÉireann/the Irish Éireannach a bheith in ann oibriú le talann ó thíórtha eile dearfach a dhéanamh. Ann féin, áfach, ní bheidh sé ina Film Board saothar in Éirinn atá déanta lena thaispeáint ar Go ndéanfar dian-mheasúnú ar dhráma teilifíse, bídís ina ar thionscadail atá á maoiníu ag BSÉ/IFB, agus leanfar thoisc chinntitheach, i gcás nach bhfuil BSÉ/IFB cinnte an mórscáileán a spreagadh, a chothú agus a chur chun sraitheanna nó ina n-aonair agus d’fhéadfadh maoiniú ar aghaidh ag cur úrnuachta san áireamh mar chuid den dearfach maidir le caighdeán tionscadail, nó i gcás nach cinn. Ina theannta sin, tá mar chuid dá chuid aidhmeanna a bheith curtha ar fáil mar gheall ar a chaighdeán mheasúnú ar thalainn chumasctha na bpáirtithe ar fad comhlíonann an tionscadal aon cheann de na tosaíochtaí agus cuspóirí ag BSÉ/IFB tacaíocht a thabhairt do bhunúsach, ach cuirfear tosca eile san áireamh. Leagfar atá i gceist. leagtha amach thuas ar bhealaí eile. Tugtar níos mó shaothair chlosamhairc áirithe eile atá ar ardchaighdeán. béim láidir ar thacaíocht a thabhairt do stiúrthóirí, sonraí i dtaca leis an gceist sin faoi na Cúinsí Eile thíos. scríbhneoirí agus léiritheoirí a léiríonn a dtaifid ghairme 4. FORBAIRT TALLAINNE, TOSAÍOCHTAÍ I dteannta leanúint ar aghaidh lena ghealltanas maidir le go dtí seo go soiléir go bhfuil an cumas acu saothair CULTÚIR AGUS TIONSCAIL 5. BREISÍOCHT príomhscannáin bheoghníomhaíochta, ciallaíonn sé sin: drámaíochta a dhéanamh nó a bhfuil, i dtuairim BSÉ/IFB, De réir a chuid téarmaí tagartha ón Rialtas, agus Réasúnaíocht riachtanach í nuair a chuirtear airgead Go ndéanfar dianmheasúnú ar scannáin faisnéise ó thaobh chun gairm bheatha a bhaint amach dóibh féin i réimse ag freagairt do na riachtanais a mbraitear atá ag an poiblí ar fáil do thionscal is ea gur chóir go gcruthódh na hacmhainne atá acu eisiúint pictiúrlainne a bhaint na bpríomhscannán nó i léiriúchán drámaíocht teilifíse ar dtionscal léiriúchán closamhairc in Éirinn faoi láthair, sé gníomhaíocht nach dtarlódh seachas sin i.e. nach amach nó spéis ó fhéilte idirnáisiúnta scannán a spreagadh ardchaighdeán. Thairis sin, beidh sé riachtanach cur ina luí tá BSÉ/IFB den tuairim go léiríonn tionscadail áirithe, nginfeadh an margadh as a stuaim féin é. Dá réir sin nó taispeáint a fháil ar léibhinn nua agus léibhinn atá ag ar BSÉ/IFB go bhfuil a rannpháirtíocht ó thaobh airgeadais ó thaobh a n-ábhar, a bhfoinse nó a leas don tionscal, ciallaíonn sé gur chóir gur scannáin iad nach ndéanfaí iad teacht chun cinn. Tabharfar tús áite do ‘phríomhscannáin de ríthábhachtach chun an clár nó an tsraith a thabhairt tosaíochtaí soiléire dá chuid maoiniúcháin. nó scannáin nach mbeadh an sochar céanna ag baint leo ó thaobh na hÉireann de, ach amháin i gcás go gcuirfí Tabharfar tosaíocht láidir d’iarratais ar son tionscadal: ar a gcumas é sin a dhéanamh le tacaíocht t ó BSÉ/IFB. • An dtairgeoidh an léiriúchán fostaíocht do phearsanra Feature Films/Fadscannáin Léireoidh scannáin den tsaghas sin, agus na sochair a Éireannach i ngach grád is féidir? eascróidh uathu, gníomhaíocht eacnamaíochta ‘breise’. Caiteachas i ngeilleagar na hÉireann 1993-2016 Ní chiallaíonn sé sin nach bhfuil spéis ag BSÉ/IFB ach • An ndéanfar an saothar in Éirinn? 11 Minutes 2015 / Director/Script Jerzy Agnes Browne 1999 / Director Anjelica As If I Am Not Here 2010 / Director/ i dtacaíócht a thabhairt d’ábhar ‘neamhthráchtála’. A • An mbainfidh an léiriúchán feidhm fhorleathan as Skolimowski Producers Jerzy Huston Producers Jim Sheridan, Arthur Script Juanita Wilson Producers Natalie mhalairt ar fad atá fíor, tá raidhse fianaise ann i stair saoráidí léiriúcháin agus iar-léiriúcháin in Éirinn? Skolimowski, Ewa Piaskowska, Andrew Lappin, Greg Smith, Anjelica Huston Lichtenthaler, James Flynn Production na scannán a léiríonn gur minic gur ábhar iontais, • An meallfaidh an tionscadal infheistiócht isteach Lowe, Ed Guiney Production Companies Script Brendan O’Carroll, John Goldsmith Company Octogon Films Element Pictures, Skopia Film Production Company Hell’s Kitchen ceannródaíochta agus imeallacha iad na móréachtaí i ngeilleagar na hÉireann? Ailsa 1993 / Director Paddy Breathnach A Thousand Times Goodnight 2013 / cineama. Is cosúil go mbíonn athnuachan rialta de dhíth 32A 2007 / Director/Script Marian Quinn Producer Ed Guiney Script Joe O’Connor Director Erik Poppe Script Harald Rosenløw Díolachán agus Dáileachán Producers Tommy Weir, Roshanak Production Company Temple Films Eeg, Erik Poppe, with additional material by ar an margadh. Tabharfaidh BSÉ/IFB tacaíocht fhuinniúil • An bhfuil baint ag gníomhaire díolacháin idirnáisiúnta Behesht Nedjad Production Company Kirsten Sheridan Producers Finn Gjerdrum, do léiritheoirí a thaispeánann go bhfuil uaillmhian acu Janey Pictures A Kiss for Jed 2010 / Director Maurice Stein B. Kvae Production Companies le díol an scannáin, nó an chláir nó an sraith teilifíse? rath a bhaint amach sa mhargadh – le tionscadail a Linnane Producer Tim Palmer Script Newgrange Pictures, Paradox Rettigheter • An bhfuil dáileoir Éireannach ag an scannán? 48 Angels 2006 / Director Marion Comer Barry Devlin, Maurice Linnane Production AS, Zentropa International Sweden léiríonn feasacht maidir leis an margadh ach ag an am • An bhfuil airgeadas léiriúcháin á sholáthar ag aon Writers Marion Comer, Craig Holland Company Ignition Film Productions gcéanna a thugann dúshlán don aireachtáil atá ann Producers John McDonnell, Robert ghníomhairí díolacháin, dáileoirí nó craoltóirí? Medema, Marion Comer Production Alarm 2008 / Director/Script Gerard 76 maidir leis an méid a bhfuil súil ag an margadh leis. B 77 Company Reflected Light Pictures Stembridge Producers Anna Devlin, Struchtúr Airgeadais Marina Hughes Production Company Babygirl 2011 / Director/Script Macdara Vallely Producers David Collins, Paul Miller, • An bhfuil na comh-airgeadaithe atá á moladh don Venus Productions 6. CÚRSAÍ EILE A Gigi Dement Production Companies Ba chóir go dtabharfadh na treoirphrionsabail atá scannán iontaofa? Albert Nobbs 2011 / Director Rodrigo Samson Films, Escape Pictures About Adam 1999 / Director Gerard leagtha amach thuas léargas d’iarratasóirí ar an gcaoi • An gcuirfidh na socruithe airgeadais atá á moladh ar Garcia Producers Alan Moloney, Glenn Stembridge Producers Anna Devlin, Beckett on Film 2000 / Act Without chumas BSÉ/IFB idirbheartaíocht a dhéanamh i dtaca Close, Bonnie Curtis, Julie Lynn Script a dhéanfaidh feidhmeannaigh agus comhairleoirí BSÉ/ Marina Hughes Script Gerard John Banville, Glenn Close, Gabriella Words I, Director Karel Reisz Act Without IFB measúnú ar thionscadal ó thaobh ábhair de agus ó le seasamh réasúnach aisghabhála? Stembridge Production Company Prekop Production Company Parallel Words II, Director Enda Hughes A Piece Venus Film & Television Film Productions of Monologue, Director Robin Lefevre thaobh na foirne cruthaithigh a bhaineann leis. Agus • An mbeidh follasacht reasúnach cuntasaíochta i Breath, Director Damien Hirst Catastrophe, measúnú á dhéanamh ar iarratais ar mhaoiniú léiriúcháin, gceist maidir le hioncam díolacháin, e.g. trí Absolution 2015 / Director Petri Kotwica All Good Children 2010 / Director Alicia Director David Mamet Come and Go, Script Johanna Hartikainen, Petri Director John Crowley Endgame, Director d’fhéadfaí tosca eile a chur san áireamh, a bhaineann le ghníomhaire bailiúcháin a úsáid? DuffyProducers Ed Guiney, Andrew Lowe, Kotwica Producers Minna Virtanen, Jonathan Cavendish, Tom Dercourt, Conor McPherson Footfalls, Director Walter héifeachtaí eacnamaíochta an tionscadail, na socruithe Ba chóir a chur in iúl go soiléir nach bhfuil sé riachtanach Jackie Larkin, Lesley McKimm Production Patrick Quinet Production Company Aasmus Happy Days, Director Patricia airgeadais, agus an t-ionchas go n-aimseofar lucht Companies Vertigo Production Finland, Element Pictures Rozema Krapp’s Last Tape, Director Atom freagraí dearfacha a thabhairt ar na ceisteanna sin ar fad Newgrange Pictures Egoyan Not I, Director Neil Jordan Ohio féachana. le go dtairgeofaí maoiniú léiriúcháin do thionscadal. Ach All Is By My Side 2013 / Director/Script Impromptu, Director Charles Surridge Accelerator 1999 / Director Vinny Murphy Play, Director Anthony Minghella Rockaby, I gcás nach mbíonn BSÉ/IFB den tuairim go gcloíonn d’fhéadfadh sé tarlú go bhféadfadh coibheas ard freagraí John Ridley Producers Tristan Orpen Producer Michael Garland Script Mark Lynch, Nigel Thomas, Charlotte Walls, Director Richard Eyre Rough for Theatre tionscadal le haon cheann de na treoirphrionsabail, diúltacha an bonn a bhaint de dhearcadh a bheadh Stewart, Vinny Murphy Production Sean McKittrick, Jeff CullotaProduction I, Director Kieron J. Walsh Rough for Company Two For the Show Theatre II, Director Katie Mitchell That ní bheidh a ndóthain sna tosca eile sin le tairiscint go láidir dearfach ó thaobh BSÉ/IFB maidir le gnéithe Companies Subotica, Watchtower Film Time, Director Hales Garrad Waiting for cruthaitheacha den tionscadal, seachas sin. Ar a laghad Productions, Darko Entertainment, maoiniúcháin a bhaint amach. Ach i gcás tionscadail The Actors 2003 / Director/Script Matador Pictures Godot, Director Michael Lindsay-Hogg ina meastar go bhfuil an t-ábhar agus an fhoireann ar fad, spreagfaidh meascán de fhreagraí dearfacha Conor McPherson Story by Neil Jordan What Where, Director Damien O’Donnell, Producers Neil Jordan, Redmond Morris, Producers Alan Moloney, Michael Colgan chruthaitheach áititheach, is féidir leis na cúinsí seo a agus diúltacha díospóireacht maidir le méid agus modh All Soul’s Day 1997 / Writer/Director Alan Stephen Woolley Production Company Gilsenan Producer David McLoughlin Production Company Blue Angel Films. leanas tionchar a bheith acu ar idirbheartaíochtaí idir cheangaltas BSÉ/IFB. Company of Wolves Production Company Yellow Asylum Films Becoming Jane 2007 / Director Julian BSÉ/IFB agus lucht déanta an scannáin maidir le leibhéal Dáileadh Pictiúrlainne Adam & Paul 2004 / Director Lenny All Things Bright and Beautiful 1993 Jarrold Producers Robert Bernstein, Douglas infheistíochta BSÉ/IFB agus ar an gcaoi a dhéanfar an Tá critéir sainiúla dá gcuid féin ag cuid de chláir Abrahamson Producer Jonny Speers / Director Barry Devlin Producer Katy Rae, Graham Broadbent, James Flynn, Executive Producers Andrew Lowe, Ed Morgan O’Sullivan Script Kevin Hood, Sarah scannán a mhaoiniú, a léiriú agus a dháileadh: maoiniúcháin BSÉ/IFB agus ní gá go rialódh na McGuinness Script Barry Devlin Guiney Script Mark O’Halloran Production Production Company The Good Film Co. Williams Production Companies Ecosse Teist gairme an léiritheora go dtí seo prionsabail ar fad atá leagtha amach thuas iad. Cuirtear Company Porridge Pictures Films, Blueprint Films, Octagon Films • An ndearna an léiritheoir bainistiú agus seachadadh Tacaíocht Dáileacháin ar fáil do dháileoirí Éireannacha A Love Divided 1998 / Director Syd A Dark Song 2016 / Director/Script Macartney Producers Tim Palmer Between The Canals 2010 / Director/Script proifisiúnta agus éifeachtúil ar scannáin roimhe seo? scannán a bhfuil tacaíocht acu ó BSÉ/IFB agus a léiríonn Liam Gavin Producers David Collins, Alan Moloney, Gerry Gregg Script Mark O’Connor Producer Deirdre Barry Tim Dennison, Cormac Fox Production Production Company Avalon Films • An bhfuil dea-thaithí ag BSÉ/IFB roimhe seo maidir le go bhfeabhsóidh maoiniú ó BSÉ/IFB cur chun cinn Stuart Hepburn Production Company Company Samson Films Parallel Films plé a dhéanamh leis an léiritheoir agus leis an scannáin sa mhargadh Éireannach. Cuirtear Tacaíocht Between the Canals 2010 / Director/Script bhfoireann chruthaitheach? Díreach/Tacaíocht Taispeántais ar fáil do léiritheoirí A Date for Mad Mary 2015 / Director A Man of No Importance 1993 / Director Mark O’Connor Producer Deirdre Barry Darren Thornton Script Darren Thornton, Production Company Avalon Films • I gcás comhléiriúcháin, an bhfuil dea-theisteanna Éireannacha chun cabhrú leo an costas a bhaineann Suri Krishnama Producer Jonathan Colin Thornton Producers Ed Guiney, Cavendish Script Barry Devlin Production gairme proifisiúnta go dtí seo ag léiritheoiri nach le eisiúint teoranta pictiúrlainne in Éirinn (Tuaisceart Juliette Bonass Production Company Company Little Bird Black Day at Black Rock 2000 / Director/ Element Pictures Script Gerard Stembridge Producers léiritheoirí Éireannacha iad a bhfuil baint acu leis Éireann san áireamh) i gcás príomhscannán a bhfuil An Gobán Saor 1994 / Writers/Directors Anna Devlin, Marina Hughes Production an dtionscadal? maoiniú léiriúcháin á fháil acu cheana féin ó BSÉ/IFB A Film With Me In It 2008 / Director Ian Company Venus Films Nuala Ní Dhomhnaill, Liadh Ní Riada agus nár éirigh leo dáileachán cuí pictiúrlainne a chinntiú Fitzgibbon Producers Alan Molony, Susan Producer Anna Ní Mhaonaigh Production Fostaíocht Éireannach Mullen Script Mark Doherty Production Black Ice 2013 / Director Johnny Gogan ó chuideachta dáileacháin bona fide Éireannach ach a Company Ilanna Teo • An mbeidh na príomh-phostanna cruthaitheacha agus Company Parallel Film Productions Producers Johnny Gogan, Nicky Gogan, bhfuil sé soiléir go bhfuil an acmhainn acu dul i ngleic le Trevor Curran Script Brian Leyden, Johnny teicniúla lena líonadh ag pearsanra Éireannach? A Shine of Rainbows 2009 / Director Vic lucht féachana Éireannach agus lucht féachana in Éirinn A Further Gesture 1996 / Director Robert Sarin Producers Tina Phelme, Kim Roberts, Gogan Production Company Bandit Films • I gcás comhléiriúcháin, an bhfuil an coimheas cuí i Dornhelm Producers David Collins, Chris James Flynn Script Danis Foon, Catherine a aimsiú. Curling Script Ronan Bennett Production Blind Flight 2004 / Director John Furse dtaca leo sin? Spear, Vic Sarin Production Companies Company Samson Films Octagon Films, Sepia Films Producers Sally Hibbin, David Collins, Eddie Dick Script Brian Keenan, John Furse Production Company Samson Films Bloody Sunday 2001 / Director/Script Byzantium 2012 / Director Niall Jordan Conamara 2000 / Director Eoin Moore The Disappearance of Finbar 1994/95 / The Fifth Province 1997 / Director Frank Get Up and Go 2014 / Director/Script Paul Greengrass Producers Mark Redhead, Script Moira BuffiniProducers Alan Producer Ingrid Holzapfel Script Greg Director Sue Clayton Producers David Stapleton Producer Catherine Tiernan, Nina Brendan Grant Producers Juliette Bonass, Jim Sheridan, Arthur Lappin Production Moloney, Stephen Woolley, Elizabeth Brennan Production Company Boje Collins/Bertil Ohlsson, Martin Bruce Clayton Fitzpatrick, Frank Stapleton Production Macdara Kelleher, Felicity Óppe Production Company Hell’s Kitchen Karlsen, William D. Johnson, Sam Englebardt Buck Produktion Script Dermot Bolger Production Company Company Ocean Films Companies Fastnet Films, Fragrant Films Production Companies Parallet Films, Samson Films Bloom 2004 / Director/Script Sean Walsh Number 9 Films Controra 2013 / Director/Script Rossella Finding Joy 2012 / Director/Script Neil Ghosthunters – On Icy Trails 2014 / Director Producers Sean Walsh, Gerry Murphy, de Venuto Producers Dominic Wright, Disco Pigs 2000 / Director Kirsten Sheridan Dowling Producers Neil Dowling, Ross Tobi Baumann Script Roland Slavik, Tobi Mark Byrne Production Company Jacqueline Kerrin, Maurizio Antonini, Producer Ed Guiney Script Enda Walsh Whitaker Production Company True Films Baumann, Mike O’Leary Producers Oliver Odyssey Pictures C Valentina Gardani Production Companies Production Company Temple Films Schündler, Boris Ausserer, Peter Wirthensohn, Ripple World Pictures, Interlinea Five Day Shelter 2010 / Director/Script Tommy Pridnig, Jacqueline Kerrin, Bogwoman 1997 / Writer/Director Tom Call Girl 2012 / Director Mikael Marciman Dollhouse 2011 / Director/Script Ger Leonard Producers Liam O’Neill, Dominic Wright, Christoph Ott Production Collins Producers Martha O’Neill, Tom Script Marietta non Hausswolff von Country 2000 / Director/Script Kevin Kirsten Sheridan Producer John Wallace Villi Ragnarsson Production Company Companies Ripple World Pictures, Lucky Bird Collins Production Company De Facto Baumgarten Producers Mimi Spang, Liddy Producer Jack Armstrong Production Company The Factory Paradox Pictures Pictures, Lotus-Film, Warner Brothers GmbH Film & Video Lesley McKimm Production Companies Production Company Indi Films Newgrange Pictures, Friland Porduksjon, Dorothy Mills 2008 / Director Agnes Merlet Five Minutes of Heaven 2009 / Director Gold 2014 / Director Niall Heery Script Borstal Boy 2000 / Director Peter Sheridan Yellow Film Cowboys & Angels 2004 / Director/ Producers Marc Missonier, Eric Jehelman, Oliver Hirschbiegel Producers Eoin Brendan Heery, Niall Heery Producers Tristan Producers Pat Moylan, Arthur Lappin, Jim Script David Gleeson Producer Nathalie James Flynn Script Agnes Merlet, Juliette O’Callaghan, Ed Guiney, Andrew Lowe Script Orpen Lynch, Aoife O’Sullivan Production Sheridan Script Peter Sheridan, Nye Heron Calvary 2013 / Director/Script John Lichtenthaeler Production Company Sales Production Companies Fidélité Films, Guy Hibbert Production Companies Element Companies Subotica, Matador Pictures Production Company Hell’s Kitchen Michael McDonagh Producers James Flynn, Wide Eye Films Octagon Films Pictures, Big Fish Films, Ruby Films Chris Clark, Flora Fernandez Marengo Goldfish Memory 2003 / Director/Script 78 Boxed 2003 / Director/Script Marion Comer Production Companies Octagon Films, Cracks 2009 / Director Jordan Scott DOT.COM 2007 / Director Luís Galvão Teles Flick 1999 / Director Fintan Connolly Liz Gill Producer Breda Walsh Production 79 Producers Laurence Penn, Lene Bausager, Reprisal Films Producers Julie Payne, Kwesi Dickson, Producers Luís Galvão Teles, Francois Gonot, Producer Fiona Bergin Script Fintan Connolly Company Goldfish Films Douglas Graham Production Companies Rosalie Swedlin, Andrew Lowe, Christine Edwina Forkin Production Companies Fado Production Company Fubar Fireproof Films, Ugly Duckling Films The Canal 2014 / Director/Script Ivan Vachon Script Caroline Ip, Ben Court, Jordan Filmes, Ipso Facto, Alta Producción, Zanzibar Gold in the Streets 1996 / Director Kavanagh Producers Anne Marie Naughton, Scott Production Companies Element Films, VideoFilmes The Food Guide to Love 2013 / Directors Elizabeth Gill Producer Noel Pearson Script The Boxer 1998 / Producer/Director Vaughan Sivell Production Companies Pictures, Future Films, Antenna 3 Films, Dominic Harari, Teresa de Pelegri Script Janet Noble, Noel Pearson Production Jim Sheridan Producer Arthur Lappin Park Films, Western Edge Pictures, Scott Free Drinking Crude 1997 / Writer/Director Dominic Harari, Teresa de Pelegri, Eugene Company Ferndale Films Script Terry George Production Company Treasure Entertainment Owen McPolin Producers Kim Tapsell, Gerry O’Brien Producers Mary Callery, Ruth Coady, Hell’s Kitchen The Crooked Mile 2001 / Director/Script Johnston Production Company Sweetskin Mariela Besuievsky Production Companies The Good Man 2012 / Director/Script Capital Letters 2005 / Director/Script Stephen Kane Producers Triona Campbell, Parallel Film Productions, Tornasol Films Phil Harrison Producers Susan Picken, Roy Boy Eats Girl 2005 / Director Stephen Ciaran O’Connor Producers Nuala Avril Ryan Production Company Campbell Zetisky, Rebecca O’Flanagan Production Bradley Producers Ed Guiney, Andrew Lowe Cunningham, Ciaran O’Connor, Linda Cardiff Ryan Productions E Foxes (Lísˆticˆky) 2009 / Director/Script Company Manifesto Films, Jet Black Script Derek Landy Production Company Production Company New Decade Films Mira Fornayovà Producers Davis Collins, Entertainment, Treasure Entertainment Element Films Crushproof 1997 / Director Paul Tickell Eamon 2009 / Director/Script Margaret Brian Willis, Viktor Schwarcz, Juraj Buzalka Chaos 2001 / Director/Script Producers Nicholas O’Neill, Kees Kassander Corkery Producer Seamus Byrne Production Production Companies Samson Films, Good Vibrations 2012 / Directors Lisa Barros The Boy from Mercury 1996 / Director/ Geraldine Creed Producer Brendan Script James Mathers Production Company Company Zanita Films Cineart TV Prague, Miras SRO D’Sa, Glen Leyburn Script Colin Carberry, Writer Martin DuffyProducer Marina McCarthy Production Company Blue Liquid Films Glenn Patterson Producers Chris Martin, Hughes Production Company Light Productions Earthbound 2011 / Director/Script Alan Frank 2014 / Director Lenny Abrahamson Andrew Eaton, David Holmes, Rebecca Mercurian Films Brennan Producers Heidi Madsen, Script Jon Ronson, Peter Straughan O’Flanagan, Rob Walpole Script Janet Charlie Casanova 2012 / Director/Script/ Jacqueline Kerrin, Dominic Wright Producers Ed Guiney, David Barron, Stevie Noble, Noel Pearson Production Companies Terry McMahon D Ripple World Brain on Fire 2016 / Director/Script Gerard Producer Production Production Companies Lee Production Companies Element Pictures, Treasure Entertainment, Canderblinks Source Productions 2008 / Pictures, Paper Dreams Barrett Producers AJ Dix, Beth Kono, Rob Company The Daisy Chain Director Runaway Fridge Films Aisling Walsh Tristan Orpen Merilees, Lindsay McAdam, Charlize Theron, Producers Grabbers 2011 / Director Jon Wright 2009 / Lisa Barros Lynch, Dominic Wright Lauren 2009 / Conor Gerard Barrett Production Company Blank Cherrybomb Directors Script The Eclipse Director Frankie Starlight 1994/95 / Director Michael Producers Martina Niland, Tracy Brimm, Kate D’Sa, Glenn Leyburn Michael Mackenzie Subotica McPherson Rob Walpole Page Producers Production Company Producer Script Lindsay-Hogg Producer Noel Pearson Script Myers Piers Tempest, Eduardo Levy, James Casey, Mark Huffam, Brian KirkScript Entertainment Conor McPherson, Billy Roche Production Chet Raymo, Ronan O’Leary Production Martin Script Kevin Lehane Production Brand New-U 2014 / Director/Script Daragh Carville Production Companies Company Treasure Entertainment Company Ferndale Films Companies Samson Films, Forward Films Simon Pummell Producers Janine Octagon Films, Green Park Films Dancing at Lughnasa 1998 / Director Pat Marmot, John Keville, Conor Barry, Generator Entertainment O’Connor Producer Noel Pearson Script Eden 2008 / Director Declan Recks Freeze Frame 2004 / Director/Script John Glassland 2015 / Director/Script Gerard Reinier Selen Production Companies Frank McGuinness Production Company Producer David Collins Script Eugene O’Brien Simpson Producers Michael Casey, Martha Barrett Producers Ed Guiney, Juliette SP Films, Hot Property Films, Rinkel Films Cherry Tree 2015 / Director David Ferndale Films Production Company Samson Films O’Neill Production Companies Parallel World Bonass Production Companies Element Keating Script Brendan McCarthy Productions, Wildfire Films Pictures, Nine Entertainment John McDonnell, Brendan 2013 / Marina 2008 / Ian Sellers The Breadwinner 2016 / Director Nora Producers Dark Touch Director/Script The Englishman Director McCarthy, Jan Doense, Herman Slagter de Van Producers Ed Guiney, Martina Niland, Teresa Mulqueen, David Collins Twomey Producers Paul Young, Tomm Moore, Producers The Front Line 2006 / Director/Writer The Guarantee 2014 / Director Ian Power Fantastic Films, Patrick Sobelman, Jean-Luc Ormieres, Marc Ian Sellers, Brendan Grant Andrew Rosen, Stephan Roelants Script Anita Production Companies Script Production David Gleeson Producers Nathalie Script Colin Murphy Producer John Kelleher House of Netherhorror Bordure Element Samson Films Doron based on the novel by Deborah Ellis Production Companies Company Lichtenhaeler, James Flynn Production Production Company John Kelleher Media Pictures, Ex Nihlo/Agat Films, Filmgate Films Production Company Cartoon Saloon Company Wide Eye Films Circle of Friends 1993 / Director Pat The Escapist 2007 / Director Rupert The Guard 2010 / Director/Script John Breakfast on Pluto 2006 / Director Neil O’Connor Producers Frank Price, Arlene Dead Bodies 2003 / Director Robert Quinn Wyatt Producers Adrian Sturges, Alan The F Word 2013 / Director Michael Dowse Michael McDonagh Producers Ed Guiney, Jordan Writer Neil Jordan (based on the Sellers, Alex Winitsky Script Andrew Davies Producers David McLoughlin, Clare Scully Molony Script Rupery Wyatt, Daniel Script Elan Mastai Producers David Gross, Andrew Lowe, Chris Clark, Flora book by Patrick McCabe) Producers Alan Production Company Good Girls Script Derek Landy Production Company Hardy Production Company Parallel Film Jesse Shapira, Jeff Arkuss, Andre Rouleau, Fernandez Marengo Production Companies Moloney, Neil Jordan, Stephen Woolley Distinguished Features Productions Macdara Kelleher Production Companies Element Pictures, Reprisal Films Production Companies Parallel Films, Circus Fantasticus 2010 / Director/ Fastnet Films, No Trace Camping, Caramel Number 9 Films Script Janez Burger Producers Dead Long Enough 2006 / Director Tom Essential Killing 2011 / Director Jerzy Films Guiltrip 1994/95 / Director Gerry Stembridge Morgan Bushe, Jozko Rutar Petri Rossi Collins Script James Hawes, Tom Collins Skolimowski Producers Andrew Lowe, Ewa Producer Ed Guiney Script Gerry Stembridge Broken Harvest 1993 / Director Maurice Production Companies Fastnet Films, Producer Paul Donovan Production Piaskowska, Jerzy Skolimoski Script Ewa Production Company Temple Films O’Callaghan Producer Jerry O’Callaghan Staragara Productions Company Grand Pictures Piaskowska, Jerzy Skolimoski Production G Script Kate O’Callaghan, Maurice Company Element Pictures, Skopia Film, O’Callaghan Production Company Citadel 2011 / Director/Script Dead Meat 2004 / Director/Script Cylinder Productions, Mythberg Films Garage 2007 / Director Lenny Abrahamson H Destiny Films Ciaran Foy Producers Katie Holly, Brian Conor McMahon Producers Ed King, Producers Ed Guiney, Andrew Lowe Script Coffey,Production Companies Blinder Michael Griffin Production Company Mark O’Halloran Production Company H3 2001 / Director Les Blair Producers Brooklyn 2015 / Director John Crowley Films, Sigma Films 3 Way Productions F Element Pictures James Flynn, Juanita Wilson Script Laurence Script Nick Hornby Producers Finola McKeown, Brian Campbell Production Dwyer, Amanda Posey Executive Producer Come On Eileen 2001 / Director/Script Death of a Superhero 2011 / Director Ian The Fading Light 2010 / Director/Script Ivan The General 1998 / Writer/Producer/ Company Metropolitan Films Alan Moloney Production Companies Finola Geraghty, Producers Finola Fitzgibbon Producers Michael Garland, Kavanagh Producer Anne Marie Naughton Director John Boorman Production Wildgaze Films, Finola Dwyer Geraghty, Katie Holly Kieran J Walsh, Astrid Kahmke, Philipp Kreuzer Script Production Company Park Films Company Merlin Films Productions, Parallel Films, Item 7 Production Companies Blinder FIlms, Anthony McCarten Production Companies Foal Film Productions Grand Pictures, Bavaria Pictures The Halo Effect 2004 / Director/Script How to Cheat in the Leaving Certificate Jump 2012 / Director Kieron J Walsh Script The Last September 1999 / Director Love Eternal 2012 / Director/Script Brendan Moondance 1993 / Director Dagmar Hirtz Lance Daly Producers Macdara Kelleher, 1997 / Director Graham Jones Producers Kieron J Walsh, Steve Woods Producer Deborah Warner Producer Yvonne Thunder Muldowney Producers Conor Barry, Morgan Producers James Mitchell, Jonathan Hughie Kelly Executive Producers John Graham Jones, Ciara Flanagan Script Brendan J Byrne Production Company Script John Banville Production Company Bushe, Macdara Kelleher Production Cavendish Script Burt Weinshanker Kelleher, Les Kelly Production Company Graham Jones, Tadhg O’Higgins, Aislinn Blinder Films, Hotshot Films Thunder Pictures Companies Fastnet Films, Red Lion S.a.r.l, Production Company Little Bird Fastnet Films O’Loughlin Production Company Rinkel Film BV, T.O Entertainment Graham Jones Le Dernier Mot 1999 / Director Sebastien Moon Dogs 2016 / Director Philip John The Hallow 2015 / Director Corin Hardy K Grall Producers John Kelleher, Fabienne Script Raymond Friel, Derek Boyle Producers Script Corin Hardy, Felipe Marino Servan-Schreiber Script Anne Valton, M Kathy Speirs, Suzanne Reid, Jacqueline Kerrin, Producers John McDonnell, Brendan Kelly + Victor 2012 / Director/Script Kieran Marina Ní Dhubhain Production Company Dominic Wright Production Company Ripple I Evans Janine Marmot, Andrew 2003 / McCarthy, Felipe Marino, Joe Neurauter Producers Fastnet Films The Magdalene Sisters Director/ World Pictures Production Companies Occupant I Am Not A Serial Killer 2016 / Director Billy Freedman Production Companies Venom, Script Peter Mullan Producers Ed Guiney, Entertainment, Fantastic Films O’Brien Producers Nick Ryan, James Harris, Hot Property The Legend of Longwood 2014 / Frances Higson Production Company Moscow Never Sleeps 2014 / Director/ Mark Lane Script Billy O’Brien, Chris Hyde Director Lisa Mulcahy Script Nadadja Element Films Script Johnny O’Reilly Producers Katie

Handsome Devil 2016 / Director/Script based on the novel by Dan Wells Production Kill Daddy, Goodnight (Das Vaterspiel) Kemper, Lisa Mulcahy Producers Michael Holly, Johnny O’Reilly, Andrey Zakharov 2008 / Michael Glawogger 2015 / Rebecca Daly John Butler Producers Rebecca O’Flanagan, Company Floodland Pictures Director/Script Garland, Rob Vermuelen, Nadadja Kemper Mammal Director Production Companies Blinder Films, Christine Ruppert, Lesley Rebecca Daly, Glenn Montgomery Rob Walpole Production Company Treasure Producers Production Companies Grand Pictures, Script Snapshot Films 1999 / McKimm Tatfilm, Macdara Kelleher, Conor Barry, Entertainment I Could Read the Sky Director Production Companies Holland Harbour Producers Nichola Bruce Producers Janine Marmot, Newgrange Films John Kelleher, Reiner Selen, Gilles Chanial The Most Fertile Man in Ireland 2000 / The Hanged Man (El Juego del Adhorcado) Nicholas O’Neill Script Nichola Bruce, based Let Us Prey 2014 / Director Brian O’Malley Production Companies Fastnet Films, Director Dudi Appleton Producer David 2009 / Director Manuel Gómez Pereira on the book by Timothy O’Grady & Steve King of the Travellers 2012 / Director/ Script Rae Brunton, David Cairns, Fiona Calach Films, Rinkel Films Collins Script Jim Keeble Production 80 Producers Ana Amigo, Tristan Orpen Lynch, Pyke Production Company Liquid Films Script Mark O’Connor Producers Cormac Watson Producers John McDonnell, Company Samson Films 81 Dominic Wright Production Companies Fox, John Wallace Production Company Brendan McCarthy, Eddie Dick Production Man About Dog 2004 / Director Paddy Subotica Entertainment Amigo Produtions, I Used to Live Here 2015 / Director/Script Vico Picture and Sound Companies Fantastic Films, Makar Breathnach Producers Robert Walpole, The Moth Diaries 2011 / Director/Script Cinematograficas, Lennon Proucciones Frank Berry Producer Frank Berry, Donna Productions Simon Channing Williams Script Pearse Mary Harron Producers MDavid 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