DOCSLIB.ORG

Catalogo Mostra Cinema

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalogo Mostra Cinema CATALOGO DELLA 50A MOSTRA INTERNAZIONALE DEL NUOVO CINEMA Catalogue of the 50th Pesaro International Film Festival a cura di/edited by Pedro Armocida con/with Valentina Alfonsi, Giulia Ghigi con la collaborazione di/with the collaboration of Francesca Polici traduzioni in inglese/English translations Natasha Senjanovic copertina/cover Magda Guidi [le schede sono ordinate in ordine alfabetico per cognome del regista/the films are listed in alphabetical order, by director cortometraggio è abbreviato in cm/"cm" signifies short film] © 2014 Fondazione Pesaro Nuovo Cinema Onlus Via Emilio Faà di Bruno, 67 00195 Roma Finito di stampare nel mese di giugno 2014/Catalogue published June 2014 presso Edizioni Ponte Sisto, Via delle Zoccolette 25 - Roma su carta certificata FSC Forest Stewardship Council A 50 MOSTRA INTERNAZIONALE DEL NUOVO CINEMA realizzata con il contributo di: Provincia di Pesaro Comune e Urbino di Pesaro OFFICIAL SPONSOR PARTNER CULTURALE CON IL PATROCINIO CON LA COLLABORAZIONE DI MEDIA PARTNER TECHNICAL PARTNER FONDAZIONE PESARO NUOVO CINEMA ONLUS 50A MOSTRA INTERNAZIONALE DEL NUOVO CINEMA Pesaro, 23 - 29 giugno 2014 FONDAZIONE PESARO NUOVO CINEMA ONLUS Soci fondatori/Founding partners 50A MOSTRA INTERNAZIONALE con la collaborazione di/with the collaboration Conferenze stampa/Press conferences DEL NUOVO CINEMA of Pierpaolo Loffreda Comune di Pesaro Eugenio De Angelis City of Pesaro Comitato Scientifico/Scientific Board Stampa regionale/Regional Press Catalogo/Catalogue Matteo Ricci, Sindaco/Mayor Bruno Torri, Presidente/President Beatrice Terenzi Pedro Armocida Adriano Aprà, Pedro Armocida, Edoardo Matacotta (stage/Intern) con/with Provincia di Pesaro e Urbino Pierpaolo Loffreda, Giovanni Spagnoletti, Valentina Alfonsi, Giulia Ghigi Province of Pesaro and Urbino Vito Zagarrio 28° Evento Speciale - 50. edizione: Il cine- con la collaborazione di/ Matteo Ricci, Presidente/President ma, i film/Omaggio Lino Miccichè with the collaboration of th Direzione artistica/Artistic Director 28 Special Event - Pesaro 50: Cinema, the Francesca Polici Regione Marche Giovanni Spagnoletti films/Tribute to Lino Miccichè traduzioni dall’italiano Marches Region Adriano Aprà, Bruno Torri, Vito Zagarrio translations from Italian Gian Mario Spacca, Presidente/President Direzione organizzativa/Administrative (a cura di/organized by) Natasha Senjanovic Fiorangelo Pucci, Delegato/Delegate Director Pedro Armocida Collaborazione alla selezione dei film Logo Consiglio di Amministrazione Programming assistance came from William Grieco (animazione grafica) Board of Administrators Segreteria/Secretary Davide Cazzaro, Giovanni Ottone, Dieter Giancarlo Russo (musica) Luca Ceriscioli, Presidente/President Maria Grazia Chimenz Wieczorek (Round Midnight) Luca Bartolucci Trailer Roberto Bertinetti Programmazione, ricerca film Panorama Usa: il cinema sperimentale-nar- Francesco Miccichè Mario Cristiano Carloni Programming Assistant, Film researcher rativo nel nuovo millennio Giuliana Gamba Paola Cassano A Panorama of American Experimental Progetto di comunicazione Goffredo Pallucchini Narratives in the New Millennium Communication Design Silvana Ratti Movimento copie/Print Coordinator Jon Gartenberg 33 Multimedia Studio Simonetta Romagna Ricerca film 28° Evento Speciale/ th Giuseppe Saponara Film researcher 28 Special Event Il mouse e la matita. L’animazione italiana Sito internet/Website Anthony Ettorre contemporanea Claudio Gnessi (Webmaster) Segretario generale/General Secretary The Mouse and the Pencil: Contemporary Pedro Armocida (testi/content) Ennio Braccioni Accrediti e ospitalità/ Italian Animation Accreditation and Hospitality Bruno Di Marino Social Media Editors Amministrazione/Administrator Claudia Barucca, Valentina Calabrese Valentina Calabrese, Daniele Coluccini, Lorella Megani con la collaborazione di/with the collaboration of Round Midnight Luca Lardieri, Antonio Valerio Spera Francesca Pieretti, Francesca Polici Antonio Pezzuto Coordinamento organizzativo/Ufficio Marketing non convenzionale Marketing Ufficio stampa/Press Office Sguardi femminili russi Giovanna Bottino, Giuseppe Colaci, Organizational Coordinator/Marketing office Studio Morabito Russian Women in Cinema Ilaria Garofalo Cristian Della Chiara Mimmo Morabito (responsabile/owner) Olga Strada Marco Livi (Direzione creativa/Creative Rosa Ardia Supervisor) Traduzioni simultanee Logistica/Logistics Pierre Grangereau (Ciné-Sud Promotion) Monica Schifano, Dora Baratti (Archivio Simultaneous translator Alfio Serafini Michela Greco Mario Schifano) Claudia Vettore, Anna Ribotta, Maëlle Guenegues (Cat&Docs) Marta Sputowska (Istituto Polacco - Marina Spagnuolo Si ringraziano/Special thanks to Oliver Hanley Roma) Luigi Abiusi (Uzak.it) Monte Hellman William Susman Uffici a Pesaro/Pesaro Office Amat Maria, Joao Pedro e Bruna Hirszman Fumiko Takagi (The Criterion Collection) Elisa Delsignore, Susanna Berti, Francesca Laura Argento (Cineteca Nazionale) Carmen Hof (Goethe Institut Rom) Azize Tan (Istanbul Foundation for Culture Di Antonio (stage/Intern) Fulvio Baglivi (Fuori Orario) Steve Holmgren and Arts) Roberta Bartoletti Alexander Horwath (Filmmuseum, Vienna) Jodie Taylor (DocHouse) Coordinamento proiezioni Laura, Emma & Tommy Bartoletti Stefano Jacono (Movies Inspired) Roberto Turigliatto Screenings Coordinator Samuel Blanc (Jour2fête) Vellard Jeanne (Light Cone) Daniel Vadocky (National Film Archive - Paolo Lucenò Peter Bogdanovich Youn Ji (Autlook Filmsales GmbH) Praga) Alessandro Borri Vince Jovilette EduardoValente (ANCINE - Agência Proiezionisti/Projectionists Marilyn Brakhage Gesa Knolle (Arsenal Distribution) Nacional do Cinema - Brasile) Davide Battistelli, Massimiliano Úrsula Budnik (Horamágica) Isabella Lapalorcia (Istituto Giapponese di Alberto Valtellina (Lab 80 film) Boccarossa, Nadia Medici, Andrea Scafidi, David Buttle (Mr Bongo Ltd - Brighton) Cultura - Roma) Jeanne Vellard (Lightcone - Parigi, Francia) Loris Vagni Nicola Calocero Thierry Lenouvel (Ciné-Sud Promotion) Flàvia Vianna (Kino TV - Rio de Janeiro) Laura Carnali (Pesaro Studi) Aida LiPera (Visit Films) George Watson (BFI - UK) Fotografi/Photographers Matt Carter (Lux Distribution) Vivian Malusà (Cinemateca Brasileira) Gerald Weber Sixpackfilm Luigi Angelucci, Chiara Schiaratura Giorgio Castellani M-Appeal Tomasz Żygo (New Horizons Film Festival Luca Ceriscioli Maurizio Manni (Progetto Immagine S.r.l.) - Varsavia - Polonia) Allestimento Cinema in piazza e impianti tec- Noemi Cerrone Jordan Mintzer nici / Cinema in the Square outfitters, techni- José Manuel Costa, Sara Moreira Aimée Mitchell (Canadian Filmmakers cal equipment (Cinemateca Portuguesa) Distribution Centre) Antonio Mastrolia, Giovanni Ciriolo, Giulia D'Agnolo Vallan Juliette Moindrot (Studio Canal) Bortolo Bertoldi; L’image s.r.l., Padova Giovanna dall’Ongaro Madeleine Molyneaux (Picture Palace Clémentine De Blieck (Cinematek - Belgio) Pictures) Sottotitoli elettronici/Electronic subtitles Federica De Sanctis (Bim) Domenico Monetti (Cineteca Nazionale) Napis, Roma - [email protected] Juan Francisco Del Valle Goribar Astrid Mönnich ( U n i v e r s a l m u s e u m (Cineteca Nazionale) Joanneum) Servizi di sala/Ushers Catherine Delvaux Mazzino Montinari Soc. coop Skenè Rebecca De Pas Agathe Normand (Ciné-Sud Promotion) Pierpaolo De Sanctis Chiaki Omori (Shochiku Co., Ltd- Autista/Driver Esther Devos (Wild Bunch) Japan) Daniele Arduini Federica Di Biagio (Cinecittà Luce) Gabriele Oricchio Francesca Di Giacomo Davide Pagano (MIR Cinematografica Consulenza assicurativa/ Giancarlo Di Gregorio Srl) Insurance consultants Maurizio Di Rienzo Daniela Paolini (Apa Hotel Pesaro) I.I.M. di Fabrizio Volpe, Roma Films Boutique Donatella Pascucci Film Distribution António Pedroso (amordeperdicao.pt) Ospitalità/Hospitality Antoine Ferrasson, Amélie Rayroles, Lili Pilt (Homeless Bob Production) A.P.A., Pesaro Laurence Berbon (Tamasa Distribution - Pascale Ramonda Parigi, Francia) Georgette Ranucci (Lucky Red) Trasporti/Transportation Stefano Francia (Fuori Orario) Lita Robinson (Visit Films) Stelci & Tavani, Roma Enrico Ghezzi (Fuori Orario) Daniella Russo (Lux Distribution) Maia Gianakos Cosimo Santoro (The Open Reel) Mario Addis, Commonevo e Flussi di Basmati, L’esploratore di Fabio M. Iaquone, Jazz for a mas- sacre di Leonardo Carrano, un nuovo episodio di Gino il Pollo di Andrea Zingoni e Latitude di Pesaro 2014 – Istruzioni per l’uso per mezzo secolo di nuovo cinema Claudia Muratori. Notoriamente gli USA sono stati, a partire dagli anni ’60, una delle più importanti fucine del cinema indipendente e sperimentale. Curato dalla Mostra insieme al critico Jon Gartenberg, “Panorama Usa: il cinema sperimentale-narrativo nel nuovo millennio” si prefigge di docu- di Giovanni Spagnoletti mentare uno dei lati meno conosciuti della principale cinematografia mondiale nell’era del post 11 settembre. Non si tratta più, come una volta, di un cinema di ricerca underground, ma la medesima spinta innovativa viene declinata oggi con una grammatica che utilizza elemen- ti più decisamente narrativi. Stilisticamente le opere proposte sono molto eterogenee: si va dal found footage alla sperimentazione nella fiction, spesso in forme ibride che si collocano nei Cinquantesima edizione - per onorare questo impegnativo traguardo la Mostra del Nuovo territori di confine tra finzione e documentario, senza dimenticare il campo del disegno ani- Cinema ha articolato il suo programma in tre sezioni principali. “Il mouse e la matita” vuole mato. Paradigmatico da questo punto di vista è, oltre all’animazione
Load more

Recommended publications
  • Sommario Rassegna Stampa
    Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica 50/54 Elle 24/04/2021 L'ITALA E' UN SET! 3 Cinecittastudios.com 14/04/2021 4 E 5 MAGGIO GIORNATE PROFESSIONALI DI CINEMA RELOAD 8 Rubrica Cinema 1 Avvenire 15/04/2021 "UNLOCKDOWN" RAGAZZI RECLUSI, EPPURE LIBERI (G.Gambassi) 10 1 Corriere della Sera 15/04/2021 IL CALENDARIO: COSI' SI RIAPRE (M.Guerzoni/F.Sarzanini) 12 4 Corriere della Sera 15/04/2021 CRISI DEI CONCERTI, FRANCESCHINI AL CTS: "TRATTATE LA MUSICA 15 COME IL CALCIO" (A.Laffranchi) 4 Corriere della Sera 15/04/2021 Int. a D.Silvestri: SILVESTRI SCENDE IN PIAZZA "NON SI PUO' STARE 17 ZITTI SARO' ACCANTO AI LAVORATORI" (A.Lat.) 41 Corriere della Sera 15/04/2021 Int. a M.Garrone: NUOVA VERSIONE DI GOMORRA "FILM RIVISTO PER 18 I GIOVANI" (S.Ulivi) 2 Il Messaggero 15/04/2021 LA RIVOLTA DELLO SPETTACOLO: SE POSSONO APRIRE GLI STADI 19 ALLORA VIA LIBERA AI CONCERTI (M.Ajello) 23 Il Messaggero 15/04/2021 IL FILM SUL PORNO IN CASA CHE RACCONTA UN PAESE (G.Satta) 20 2/3 La Repubblica 15/04/2021 "STADI APERTI? ALLORA ANCHE NOI" LA BATTAGLIA PER LE 21 RIPARTENZE (A.Ziniti) 32 La Repubblica 15/04/2021 ANIMAZIONE DA OSCAR TRA LUPI E PECORE E' UNA GARA DI 23 FANTASIA (A.Finos) 6 La Stampa 15/04/2021 IL PIANO DELLE REGIONI "APERTI ANCHE LA SERA" GLI SCIENZIATI 25 FRENANO (P.Russo) 7 La Stampa 15/04/2021 Int. a M.Guerritore: "RIPARTIAMO DAI TEATRI ANTICHI ALL'APERTO 28 CON TESTI CLASSICI" (M.Berlinguer) 27 La Stampa 15/04/2021 "PINOCCHIO, IL MADE IN ITA1Y FA STORIA" (F.Caprara) 29 1 QN- Giorno/Carlino/Nazione 15/04/2021 RIAPRIRE O NON RIAPRIRE (A.Coppari) 31 5 QN- Giorno/Carlino/Nazione 15/04/2021 Int.
    [Show full text]
  • Off the Pedestal, on the Stage: Animation and De-Animation in Art
    Off the Pedestal; On the Stage Animation and De-animation in Art and Theatre Aura Satz Slade School of Fine Art, University College, London PhD in Fine Art 2002 Abstract Whereas most genealogies of the puppet invariably conclude with robots and androids, this dissertation explores an alternative narrative. Here the inanimate object, first perceived either miraculously or idolatrously to come to life, is then observed as something that the live actor can aspire to, not necessarily the end-result of an ever evolving technological accomplishment. This research project examines a fundamental oscillation between the perception of inanimate images as coming alive, and the converse experience of human actors becoming inanimate images, whilst interrogating how this might articulate, substantiate or defy belief. Chapters i and 2 consider the literary documentation of objects miraculously coming to life, informed by the theology of incarnation and resurrection in Early Christianity, Byzantium and the Middle Ages. This includes examinations of icons, relics, incorrupt cadavers, and articulated crucifixes. Their use in ritual gradually leads on to the birth of a Christian theatre, its use of inanimate figures intermingling with live actors, and the practice of tableaux vivants, live human figures emulating the stillness of a statue. The remaining chapters focus on cultural phenomena that internalise the inanimate object’s immobility or strange movement quality. Chapter 3 studies secular tableaux vivants from the late eighteenth century onwards. Chapter 4 explores puppets-automata, with particular emphasis on Kempelen's Chess-player and the physical relation between object-manipulator and manipulated-object. The main emphasis is a choreographic one, on the ways in which live movement can translate into inanimate hardness, and how this form of movement can then be appropriated.
    [Show full text]
  • Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
    stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD
    [Show full text]
  • Country Report on Italy for the Study on Member States' Policies for Children with Disabilities ______
    DIRECTORATE GENERAL FOR INTERNAL POLICIES POLICY DEPARTMENT C: CITIZENS' RIGHTS AND CONSTITUTIONAL AFFAIRS CIVIL LIBERTIES, JUSTICE AND HOME AFFAIRS Country Report on Italy for the Study on Member States' Policies for Children with Disabilities STUDY Abstract This study looks at the situation of children with disabilities in Italy to identify the gaps in the legal frameworks and its implementation, the obstacles faced by children with disabilities and best practices. This country study is part of a larger study which analyses 18 Member States. Based on a comparative analysis of the country studies, the report ‘Study on Member States' Policies for Children with Disabilities’ provides some recommendations for EU action to enhance the situation of children with disabilities. PE 474.426 EN This document was requested by the European Parliament's Committee on Civil Liberties, Justice and Home Affairs. AUTHOR(S) Emanuela Canetta Marilena Verbari Under the supervision of Milieu Ltd. (Belgium); Project Managers: Marta Ballesteros and Nathalie Meurens, e-mail: [email protected] and [email protected]; Milieu Ltd, 15 rue Blanche, B-1050, Brussels, Tel: +32 2 514 3601; Fax +32 2 514 3603; web address: http://www.milieu.be/. RESPONSIBLE ADMINISTRATOR Erika Schulze Policy Department C - Citizens' Rights and Constitutional Affairs European Parliament B-1047 Brussels E-mail: [email protected] LINGUISTIC VERSIONS Original: EN Translation: IT ABOUT THE EDITOR To contact the Policy Department or to subscribe to its newsletter please write to: [email protected] European Parliament, manuscript completed in June 2013. © European Union, Brussels, 2013. This document is available on the Internet at: http://www.europarl.europa.eu/studies DISCLAIMER The opinions expressed in this document are the sole responsibility of the author and do not necessarily represent the official position of the European Parliament.
    [Show full text]
  • ROMA IRSO 310S Subject: International Relations, Sociology Credits: 3 Semester/Term: ☐ Spring ☐ Fall ☒ Summer
    Instructor (s): Dr. Stefania Gialdroni & Dr. Angela Condello – in collaboration with ABUONDIRITTO NGO (President: Prof. Luigi Manconi, also President of the Human Rights Committee of the Italian Senate). Course Title: Navigating the Dangerous Seas of Universal Human Rights: the Mediterranean migration emergency Course Code: ROMA IRSO 310S Subject: International Relations, Sociology Credits: 3 Semester/Term: ☐ Spring ☐ Fall ☒ Summer Course The aim of the course is to give a complete overview of migration in Italy by Description: means of a trans-disciplinary and experiential approach. During the first two weeks of the course (Rome), the students will be provided with a historical-philosophical introduction to the phenomenon and to the legal framework; in this phase, the students will also have the opportunity to have a direct experience of the conditions of migrants and asylum seekers in Italy - for example, by visiting the Afghan Refugees Camp and other communities of migrants living in Rome as well as by interacting with the NGOs involved in the integration of migrants. During the third week, in the area of Siracusa (Sicily), where thousands of migrants arrive almost every day, the students will actively participate in the increasingly important “Festival Internazionale del Cinema di Frontiera – International Film Festival of Frontier” in Marzamemi (SR) - and will also meet the people engaged in facing the migration emergency everyday (institutional and non-institutional organizations as well as local people). The goal of this section is to make the students aware of the entire gammut of physical and emotional conditions of migrants by “sensing” their lives through the depiction on film.
    [Show full text]
  • Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
    DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters.
    [Show full text]
  • Roberto Rossellini LE REALISATEUR
    GALESHKA MORAVIOFF présente POUR LA PREMIERE FOIS DANS SANS VERSION INTEGRALE, RESTAUREE ET REMASTERISEE EN HD AU CINEMA LE 3 JUILLET 2013 GALESHKA MORAVIOFF présente VOYAGE EN ITALIE de Roberto Rossellini Avec Ingrid Bergman George Sanders Durée : 82 min. / Italie / 1953 DCP 2K / VOSTF / Noir & Blanc / 1.33 / Mono AU CINEMA LE 3 JUILLET 2013 Photos et dossier de presse téléchargeables sur www.films-sans-frontieres.fr/voyageenitalie PRESSE & DISTRIBUTION : FILMS SANS FRONTIERES Christophe CALMELS 70, bd de Sébastopol 75003 Paris Tél : 01 42 77 01 24 Fax : 01 42 77 42 66 [email protected] SYNOPSIS Un couple de bourgeois anglais sans enfants, mariés depuis huit ans, arrive à Naples pour régler une affaire d'héritage. Pour la première fois depuis leur mariage, ils se retrouvent seuls l’un en face de l’autre et constatent qu’ils n’ont rien à se dire. Leur ennui et leur insatisfaction les conduisent inexorablement au bord de la rupture, qui ne pourra être évitée que s’ils peuvent toujours croire que l’amour est le plus fort… 3 Roberto Rossellini LE REALISATEUR Rien ne semblait prédisposer Roberto Rossellini, né en 1906 dans une solide famille bourgeoise, à devenir un des maîtres à penser du cinéma d’après-guerre. Il entre dans le métier en suivant une progression rapide (de technicien du son, monteur puis scénariste, à assistant-réalisateur et réalisateur) et commence par six courts-métrages de 1936 à 1939, avant de faire ses premiers longs-métrage entre 1941 et 1943 (sa « trilogie fasciste » : La Nave bianca, Un pilota ritorna et L’uomo della croce).
    [Show full text]
  • For Immediate Release Tribeca Film Festival® Announces
    FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL® ANNOUNCES FEATURE FILM LINE UP FOR THE COMPETITION, SPOTLIGHT, VIEWPOINTS AND MIDNIGHT SECTIONS OF THE 16TH ANNUAL FESTIVAL APRIL 19-30 ProgrAm Includes Artistic Gems, Comedies, Complex Artistic PortrAits, And PoliticAl And Social Action Films that will Engage, Inspire and Entertain New York, NY [MArch 2, 2017] – An exciting slate of films that showcases the breadth of contemporary filmmaking across a range of styles will premiere at the 2017 Tribeca Film Festival, presented by AT&T. The Festival today announced the feature films across the following programs: Competition, including U.S. Narrative, Documentary, and International Narrative categories; Spotlight, supported by The Lincoln Motor Company, a selection of anticipated premieres from major talent; Viewpoints, which recognizes distinct voices in international and American independent filmmaking; and the popular Midnight Section, supported by EFFEN® Vodka, featuring the best in psychological thriller, horror, sci-fi, and cult cinema. After receiving a record number of entries, the Festival’s seasoned team of programmers, led by Cara Cusumano in her new role as Director of Programming and Artistic Director Frédéric Boyer, carefully curated an edgy, entertaining and provocative program. The 16th Annual Tribeca Film Festival takes place April 19 – 30. Today’s announcement includes 82 of the 98 feature-length titles in the Festival. In a year of record high submissions, the Festival’s curators chose to reduce the size of the overall program by 20%, making this the most selective and focused festival slate yet. The Competition section features 32 films: 12 documentaries, 10 U.S. narratives and 10 international narratives.
    [Show full text]
  • As at February 28, 2017) Compiled by György Csiki / ATFS
    NATIONAL INDOOR RECORDS OF EUROPEAN COUNTRIES (As at February 28, 2017) Compiled by György Csiki / ATFS + = enroute to longer distance; A = high altitude; y = 220y or 440y distance MEN 60 Metres ALB 6.77 Arben Maka Torino 10 Feb 01 AND 7.01 Estéve Martin Escaldes 04 Mar 00 ARM 6.93 Arman Andreasyan Paris 05 Mar 11 AUT* 6.56 Andreas Berger Wien 27 Feb 88 6.56 Andreas Berger Den Haag 18 Feb 89 AZE 6.61 Aleksandr Kornelyuk Göteborg 09 Mar 74 BEL 6.56 Ronald Desruelles Maastricht 10 Feb 85 6.56 Ronald Desruelles Sindelfingen 05 Feb 88 BIH 6.94 Ilija Cvijetic Paris 05 Mar 11 BLR 6.60 Maksim Lynsha Mogilyov 15 Feb 08 BUL 6.58 Petar Petrov Sofia 25 Feb 78 CRO 6.63 Dejan Vojnovic Linz 07 Mar 03 CYP 6.58 Yiannakis Zisimides Pireás 03 Mar 96 CZE 6.58 Frantisek Ptácník Liévin 21 Feb 87 DEN 6.65 Benjamin Hecht Malmö 20 Feb 99 6.65 Kristoffer Hari Skive 19 Feb 17 ESP 6.55 Angel David Rodriguez Düsseldorf 08 Feb 13 6.3 Pedro Pablo Nolet Oviedo 15 Jan 00 EST 6.71 Argo Golberg Tallinn 22 Feb 03 6.4 Enn Lilienthal Moskva 03 Feb 88 FIN 6.58 Markus Pöyhönen Helsinki 04 Mar 03 6.58 Markus Pöyhönen Birmingham 14 Mar 03 FRA 6.45 Ronald Pognon Karlsruhe 13 Feb 05 GBR 6.42 Dwain Chambers Torino 07 Mar 09 GEO 6.71 Besik Gotsiridze Moskva 05 Feb 86 GER 6.52 Julian Reus Leipzig 27 Feb 16 GIB 7.16 Jerai Torres Manchester 29 Jan 17 GRE 6.50 Haris Papadiás Paris 07 Mar 97 HUN 6.54 Gábor Dobos Chemnitz 18 Feb 00 IRL 6.61 Paul Hession Birmingham 03 Mar 07 ISL 6.80 Einar Thór Einarsson Malmö 06 Feb 93 6.5 Bjarni Thór Traustason Reykjavík 15 Mar 97 ISR 6.68 Alex Porkhomovskiy
    [Show full text]
  • The Adventures of Pinocchio
    Carlo Collodi The Adventures of Pinocchio Translated by P. M. D. Panton © Fondazione Nazionale Carlo Collodi, Pescia, 2014, tutti i diritti riservati. La Fondazione Nazionale Carlo Collodi mette questo testo a disposizione degli utenti del sito web www.pinocchio.it per uso esclusivamente personale e di studio. Ogni utilizzo commerciale e/o editoriale deve essere preventivamente autorizzato in forma scritta dalla Fondazione Nazionale Carlo Collodi. In ogni caso, si prega di citare la fonte quando questo testo o sue parti vengono menzionate. © Fondazione Nazionale Carlo Collodi, Pescia, 2014, all rights reserved. The Fondazione Nazionale Carlo Collodi (National Carlo Collodi Foundation) makes this text available for its web site www.pinocchio.it users, for personal and research use and purposes only. Any commercial or publishing use of this text is to be previously authorized By the Fondazione Nazionale Carlo Collodi in written form. In any case, the source is to be credited when this text or parts of it are quoted. THE ADVENTURES OF PINOCCHIO Traduzione integrale inglese di Le Avventure di Pinocchio. Storia di un burattino , di Carlo Collodi Tradotto da P. M. D.Panton – Copyright e proprietà letteraria riservata della Fondazione Nazionale Carlo Collodi Chapter 1 How it happened that Master Cherry, the carpenter, found a piece of wood that wept and laughed like a child. There was once upon a time… "A king!" my little readers will say all at once. No, children, you are mistaken. Once upon a time there was a piece of wood. No, it was not an expensive piece of wood. Far from it.
    [Show full text]
  • EAR 5.2015.Pdf
    European Athletics Results 2015 (5) AUSTRIA Wien (Austria), 31.1.2015 (indoor) Men 60m A 1 Aykuy Ay (tur) 6.71; 2 Dewi Hammond (gbr) 6.73 (6.70 2h2); 3 Sam Gordon (gbr) 6.73; 4 Marvin Popoola (gbr) 6.74; 5 Jan Veleba (cze) 6.74; 6 Zvonimir Ivaskovic (cro) 6.77; 7 Markus Fuchs 6.85; 8 Jan Zumer (slo) 6.85; 60m B 1 Blaz Brulc (slo) 6.90; 2 Luka Rakic (slo) 6.90, 3 Fabiano da Silva (bra) 6.93 (6.92 4h1); 4 Jan Volko (svk) (96) 6.93; in heats: Marienus Trouw (rsa) 6.93 5h1; 200m Thomas Somers (gbr) (97) 21.17 1h1; Chris Stone (gbr) 21.22 1h2; Jan Zumer (slo) 21.29 1h5; Tibor Kasa (hun) 21.48 1h4; Zvonimir Ivaskovic (cro) 21.52 1h7; Kostas Skrabulis (ltu) 21.75 1h6; 400m Luka Janezic (slo) 46.59 1h9; Jarryd Dunn (gbr) 46.98 1h1; Jamie Bowie (gbr) 47.15 1h2; Milos Raovic (srb) 47.43 2h1; Altintas Baltuhan (tur) 47.45 1h8; Owen Smith (gbr) 47.70 2h9; Mehmet Güzel (tur) 47.72 1h3; Antoine Gillet (bel) 47.77 1h4; Dylan Borlee (bel) 47.83 1h5; Mateo Ruzic (cro) 48.00 2h3; Halit Kilic (tur) 48.01 1h6; Aly Ekber Kayar (tur) 48.15 2h5; 800m Thomas Roth (nor) 1.47.26 1h1; Andreas Rapatz 1.47.72 1h2; Brice Leroy (fra) 1.47.88 2h1; Renars Stepins (lat) 1.48.08 2h2; karol Konieczny (pol) 1.48.17 3h1; Patrik Oehler (ger) 1.48.76 3h2; Miroslav Burian (cze) 1.48.98 4h1; Filip Sasinek (cze) 1.49.00 1h3; Paul Goodall (gbr) 1.49.15 5h1; Jamie Webb (gbr) 1.49.24 2h3; matij Pavlicek 1.49.39 3h3; Mihailas Theofanis (cyp) 1.49.51 4h3; Jozef Pelikan (svk) 1.49.80 4h2; Christian Vorovenci (rom) 1.50.20 6h1; Jakub Sevcik (cze) 1.50.27 5h3; Giovanni Bellino (ita) 1.50.36
    [Show full text]
  • The Music of Relationality in the Cinema of Claire Denis
    ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections.
    [Show full text]