The Mughal Empire) (Part – II)
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Sacralizing the City: the Begums of Bhopal and Their Mosques
DOI: 10.15415/cs.2014.12007 Sacralizing the City: The Begums of Bhopal and their Mosques Jyoti Pandey Sharma Abstract Princely building ventures in post 1857 colonial India included, among others, construction of religious buildings, even as their patrons enthusiastically pursued the colonial modernist agenda. This paper examines the architectural patronage of the Bhopal Begums, the women rulers of Bhopal State, who raised three grand mosques in their capital, Bhopal, in the 19th and early 20th century. As Bhopal marched on the road to progress under the Begums’ patronage, the mosques heralded the presence of Islam in the city in the post uprising scenario where both Muslims and mosques were subjected to retribution for fomenting the 1857 insurrection. Bhopal’s mosques were not only sacred sites for the devout but also impacted the public realm of the city. Their construction drew significantly on the Mughal architectural archetype, thus affording the Begums an opportunity to assert themselves, via their mosques, as legitimate inheritors of the Mughal legacy, including taking charge of the latter’s legacy of stewardship of Islam. Today, the Bhopal mosques constitute an integral part of the city’s built heritage corpus. It is worth underscoring that they are not only important symbols of the Muslim faith but also markers of their patrons’ endeavour to position themselves at the forefront in the complex political and cultural scenario of post uprising colonial India. Keywords Bhopal Begums; Modernity; Mosques; Mughal legacy; Uprising INTRODUCTION The architecture of British ruled Indian Subcontinent has been a popular subject of scholarship from the colonial perspective with the architectural patronage of princely India also receiving due academic attention1. -
Download List of Famous Mosques in India
Famous Palaces in India Revised on 16-May-2018 ` Railways RRB Study Material (Download PDF) Mosque Location Jama Masjid (Bhilai) Bhilai, Chhattisgarh Jama Masjid Delhi Quwwatul Islam Masjid Delhi Moti Masjid (Red Fort) Delhi Quwwatul Islam Masjid Delhi Jamali Kamali Mosque and Tomb Delhi Sidi Sayyid Mosque Ahmedabad, Gujarat Sidi Bashir Mosque Ahmedabad, Gujarat Jamia Masjid Srinagar, Jammu & Kashmir Hazratbal Shrine Srinagar, Jammu & Kashmir Download Fathers of various fields in Science and Technology PDF Taj-ul-Masajid Bhopal, Madhya Pradesh Haji Ali Dargah Mumbai, Maharashtra Adhai Din Ka Jhonpra Ajmer, Rajasthan Ajmer Sharif Dargah Ajmer, Rajasthan Makkah Masjid Hyderabad, Telangana Gyanvapi Mosque Varanasi, Uttar Pradesh Moti Masjid (Agra Fort) Agra, Uttar Pradesh Nagina Masjid Agra, Uttar Pradesh (Gem Mosque or the Jewel Mosque) Jama Mosque (Fatehpur Sikri) Agra, Uttar Pradesh IBPS PO Free Mock Test 2 / 6 Railways RRB Study Material (Download PDF) Mosque Location Tomb of Salim Chishti Fatehpur Sikri, Uttar Pradesh Bara Imambara Lucknow, Uttar Pradesh Chota Imambara Lucknow, Uttar Pradesh Beemapally Mosque Thiruvananthapuram, Kerala Cheraman Juma Mosque Thrissur, Kerala Other Places of Interest Tombs/ Mausoleums Location Taj Mahal Agra, Uttar Pradesh Tomb of Mariam-uz-Zamani Sikandra, Agra, Uttar Pradesh Tomb of Adam Khan Qutub Minar, Mehrauli, Delhi Bibi Ka Maqbara (Taj of Deccan) Aurangabad, Maharashtra *Humayun’s Tomb Delhi Download Modern India History Notes PDF Tomb of I'timād-ud-Daulah Agra, Uttar Pradesh (Baby Taj) Tomb of -
ANSWERED ON:23.08.2007 HISTORICAL PLACES in up Verma Shri Bhanu Pratap Singh
GOVERNMENT OF INDIA CULTURE LOK SABHA UNSTARRED QUESTION NO:1586 ANSWERED ON:23.08.2007 HISTORICAL PLACES IN UP Verma Shri Bhanu Pratap Singh Will the Minister of CULTURE be pleased to state: (a) the details of Centrally protected monuments in Uttar Pradesh (UP) at present; (b) the agency responsible for the maintenance of these places; (c) the amount spent on the maintenance of these monuments during the last three years; and (d) the details of revenue earned from these monuments during each of the last three years? Answer MINISTER FOR TOURISM AND CULTURE (SHRIMATI AMBIKA SONI) (a)&(b) There are 742 monuments/sites declared as of national importance in the Uttar Pradesh (U.P.) as per list at Annexure. Archaeological Survey of India looks after their proper upkeep, maintenance, conservation and preservation. (c) The expenditure incurred on conservation, preservation, maintenance and environmental development of these centrally protected monuments during the last three years is as under: Rupees in Lakhs Year Total 2004-05 1392.48 2005-06 331.14 2006-07 1300.36 (d) The details of revenue earned from these monuments during the last three years are as under: Rupees in Lakhs Year Total 2004-05 2526.33 2005-06 2619.92 2006-07 2956.46 ANNEXURE ANNEXURE REFERRED TO IN REPLY TO PART (a)&(b) OF THE LOK SABHA UNSTARRED QUESTIO NO.1586 FOR 23.8.2007 LIST OF CENTRALLY PROTECTED MONUMENTS IN UTTAR PRADESH Agra Circle Name of monument/site Locality District 1. Agra Fort Including Akbari Mahal Agra Agra Anguri Bagh Baoli of the Diwan-i-Am Quadrangle. -
Unit 17 Architecture and Painting*
Architecture and Painting UANIT 17 RCHITECTURE AND PAINTING* Structure 17.0 Objectives 17.1 Introduction 17.2 Architecture under the Delhi Sultanate 17.2.1 New Structural Forms 17.2.2 Stylistic Evolution 17.2.3 Public Buildings and Public Works 17.3 Mughal Architecture 17.3.1 Beginning of Mughal Architecture 17.3.2 Interregunum: The Sur Architecture 17.3.3 Architecture under Akbar 17.3.4 Architecture under Jahangir and Shah Jahan 17.3.5 The Final Phase 17.4 Paintings under the Delhi Sultanate 17.4.1 Literary Evidence for Murals 17.4.2 The Quranic Calligraphy 17.4.3 Manuscript Illustation 17.5 Mughal Paintings 17.5.1 Antecedents: Paintings in the Fifteenth Century 17.5.2 Painting under Early Mughals 17.5.3 Evolution of the Mughal School under Akbar 17.5.4 Developments and Jahangir and Shahjahan 17.5.5 The Final Phase 17.5.6 European Impact on Mughal Painting 17.6 Summary 17.7 Keywords 17.8 Answers to Check Your Progress Exercises 17.9 Suggested Readings 17.10 Instructional Video Recommendations 17.0 OBJECTIVES After going through this Unit, you should be able to: • distinguish between the pre-Islamic and Indo-Islamic styles of architecture, • identify major phases of architectural development during the period, • understand the traditions of painting prevalent in the Delhi Sultanate, • learn new structural forms and techniques of Mughal architecture, and • describe the main elements of Mughal painting. * Prof. Ravindra Kumar, School of Social Sciences, Indira Gandhi National Open University, New Delhi 357 Religion and Culture 17.1 INTRODUCTION Art and architecture are true manifestations of the culture of a period as they reflect the ethos and thought of a society. -
Babur S Creativity from Central Asia to India
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 5, ISSUE 05, MAY 2016 ISSN 2277-8616 Babur’s Creativity From Central Asia To India Rahimov Laziz Abduazizovich Abstract: this report explores about Babur’s Mughal architecture. Additionally, the new style of architecture has made and brought in by Babur in India. As we found out that during those days, in India, the Islamic architecture was developed, however, despite the fact Babur wanted to bring in to that sector his new idea about Timurid style because Indian style of building did not gave pleasure to Babur. Therefore, after the victory over the Lodi he started to change the Indian style and started to build in Temurid scheme. As there are, three mosques and it doubted which one has built by Babur and after making research we have found it in detail. In addition, it has displayed in more detail in the following. Lastly, we followed how Baburid architecture has begun and its development over the years, as well as, it has given an evidence supporting our points. Index Terms: Timurid style, Baburid architecture, Islamic architecture, Indian local traditions, Kabuli Bog' mosque, Sambhal mosque, Baburid mosque. ———————————————————— 1 INTRODUCTION lower from this house. Even though, the house is located in According to the Persian historians, Zakhritdin Muhammad the highest level of the mountain, overall city and streets were Babur Muharram was born in the year 888 AH (February in the view. In the foot of mountain there was built mosque 1483). His father, Omar Sheikh Mirza (1462 - 1494) was the which is known as Jawzi" [3, 29-30p]. -
Non-Western Art History the Art of India 3
Non-Western Art History The Mughal Empire 1526 - 1707 The Art of India 3 End End 1 Art of India 3 2 Art of India 3 The Mughal Empire Established by Babur, a Muslim from Central Asia, in 1526 with the help of the rulers of Persia (modern Iran) Expanded by his grandson, Akbar (r. 1556-1605), who conquered northern and central India and laid the real foundation for the empire The Mughals, during most of their dominance, were known for strong central government and tolerance of all religions Portrait of Akbar, The Mughals grew very wealthy from trade with Europeans, the by Manohar, Ottoman Empire (Turks) and along the Silk Road 16th century, Hermitage Museum The empire expanded into part of southern India under Aurangzeb (r. 1658-1707), but declined after 1707 Source: The Art of the Mughals, Heilbrunn Timeline of Art History, The Metropolitan Museum of Art End End 3 Art of India 3 4 Art of India 3 Akbar Hears a Petition, by Manohar, c. 1604, H: 10 inches, India, Freer & Sackler Galleries Akbar Hears a Petition, by Manohar, c. 1604, H: 10 inches, India, Freer & Sackler Galleries End End 5 Art of India 3 6 Art of India 3 1 Basic Beliefs of Islam Monotheistic - a belief in only one God, Allah, who is omnipotent. The overall purpose of humanity is to serve Allah, to worship him alone and to construct a moral lifestyle The Koran or Qu’ran is the holy book of Islam, the written revelation from Allah to the prophet Muhammad in the 6th century. -
Golden Triangle with Tiger Safari
Experience Cultural - Historical -Romantic Fantasy Tour of India - 2020 Day 01: ARRIVE DELHI ( Check in 1200 Hrs) On arrival at Indira Gandhi international airport, meet and greet by our representative. Later, assistance and transfer to hotel. Delhi - the capital of India, is a fascinating city with complexities and contradictions, beauty and dynamism, where the past co-exists with the present. Many dynasties ruled from here and the city s rich in the architecture of its monuments. Delhi is not only the present metropolis of India but also a Necropolis. Because of its location, being on the banks of the River Yamuna, many cities have risen and fallen over the last five millenniums. Overnight in Delhi Day 02: DELHI After breakfast proceed sightseeing tour of Old Delhi, drive past from the historic Red Fort (outside only) – Shah Jehan’s elegant citadel in red sandstone, which was built as an octagon measuring 900m by 550m and surrounded by a 9 –meter deep moat, which was at its inception fed by the waters of the Yamuna River. Very near the Fort is the JAMA MASJID, India’s largest mosque, also built by Shah Jahan. Take an interesting rickshaw ride through the famous bazaars of Chandni Chowk, which is adjacent to both the Fort and the Mosque. Also visit RAJ GHAT – the memorial to Mahatma Gandhi. Visit the Qutub Minar, a Tower of Victory which was built in the 12th century by Qutbuddin Aibak. Within its spacious courtyard stands the Iron Pillar, which dates back to the 4th century AD and bears a Sanskrit inscription in the Gupta style. -
The Mughal Audience Hall: a Solomonic Revival of Persepolis in the Form of a Mosque1
THE MUGHAL AUDIENCE HALL: A SOLOMONIC REVIVAL OF PERSEPOLIS IN THE FORM OF A MOSQUE1 Ebba Koch Shah Jahan’s Court After Shah Jahan (rul. 1628–58), the fifth emperor of the Mughal dynasty, was enthroned on 8th Jumada al-Thani of the Hijri year 1037, corresponding to 14 February 1628 CE, he issued an order that halls for his public audiences should be constructed in all the great fortress palaces of the capitals of the Mughal empire. The audience hall was a new building type in the Mughal palace, of central importance for the proceedings of the Mughal court and for the interaction of the emperor with his subjects. Under the rule of Shah Jahan, the Mughal empire entered its classi- cal phase of greatest prosperity and stability.2 The conquests of Babur (1526), enlarged and consolidated under Akbar (rul. 1556–1605) and Jahangir (rul. 1605–1627), had established the Empire of the Great Moghul (or Mughal) as one of the three leading powers of the Islamic world, the other two being the Ottoman Empire and Safavid Persia. The informal set up of Babur asprimus inter pares among his Central Asian followers, had—in particular through the efforts of Akbar— developed into the court of an absolute ruler who, as head of a cen- tralized state, personally and diligently oversaw the administration of 1 This paper is based on an earlier study of the audience halls of Shah Jahan with detailed references, see Ebba Koch, ‘Diwan-i ‘Amm and Chihil Sutun: The Audience Halls of Shah Jahan’, Muqarnas 11 (1994) pp. -
Cultural Exchanges Between Japan and Mughal India in the 17Th Century Professor Timon Screech SOAS, University of London, London, United Kingdom [email protected]
Cultural Exchanges between Japan and Mughal India in the 17th Century Professor Timon Screech SOAS, University of London, London, United Kingdom [email protected] DRAFT PAPER NOT FOR CITATION It does without saying that there were no direct exchanges. As far as I have been able to discover, only one Indian came to Japan during this period, on a Dutch ship, in 1657. Whether he was brought to show the Japanese an Indian person's appearance, or came simply came as a ship hand is unsure. He is said to have been a Bengali boy, though his age is not given. He could sing in Japanese, which aroused great interest in the port city of Nagasaki (Viallé & Blussé, 2005, p. 389). Nothing more of him is known. Other than this isolated case, encounters meant the movement of objects, not people, and again these were mediated by third parties. Given the period, the agents were Europeans and their ships, Portuguese, until their expulsion from Japan in 1638, or Dutch. Note that this paper does not deal with Goa, the Portuguese enclave in India, where cultural exchanges were numerous, and where Jesuits priests came and went. Here we restrict ourselves with Japanese- Mughal contacts. More instances be revealed in the future, but at present we have just a handful. For two large countries this is not a lot, but on the other hand, given that the Japan and India possessed few commonalities and not much mutual awareness, with no direct shipping, the contact is actually quite impressive. * The first exchange came in at the close of the Sixteenth Century, just outside our period. -
Mosque Architecture in Delhi : Continuity and Change in Its Morphology
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/267627164 MOSQUE ARCHITECTURE IN DELHI : CONTINUITY AND CHANGE IN ITS MORPHOLOGY Article · December 2012 DOI: 10.13140/2.1.2372.7042 CITATIONS READS 0 1,103 1 author: Asif Ali Aligarh Muslim University 17 PUBLICATIONS 20 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: Development of Mosque Architecture in North India and its Influence on Malaysian Mosques View project Virtual Archeology View project All content following this page was uploaded by Asif Ali on 01 November 2014. The user has requested enhancement of the downloaded file. MOSQUE ARCHITECTURE IN DELHI : CONTINUITY AND CHANGE IN ITS MORPHOLOGY Asif Ali* ABSTRACT This paper presents the summary of a recently completed dissertation by the author keeping in view the objectives viz. 1) to study and identify the essential elements of the mosque, their meanings and their functions, 2) to study the evolution of the mosque architecture in Delhi from early Islamic period to present time and 3) to identify and establish the continuity and the change in the morphology of the mosque in Delhi and the factors which influenced its development through time. To answer the research question and to accomplish the objectives mentioned above, following methodologies were adopted. In order to view the continuity and changes in the mosque architecture in Delhi, it seemed essential to study their historical enquiry. It was not only the survey of the historical mosque but the approach was to understand the future of mosque architecture through their past. -
Phoolwalon Ki Sair.Indd 1 27/07/12 1:21 PM 1
CORONATION To the south of the western gateway is the tomb of Qutb Sahib. was meant for the grave of Bahadur Shah Zafar, who was however PARK It is a simple structure enclosed by wooden railings. The marble exiled after the Mutiny and died in Burma. balustrade surrounding the tomb was added in 1882. The rear wall To the north-east of the palace enclosure lies an exquisite mosque, Phoolwalon was added by Fariduddin Ganj-e-Shakar as a place of prayer. The the Moti Masjid, built in white marble by Bahadur Shah I in the early western wall is decorated with coloured fl oral tiles added by the eighteenth century as a private mosque for the royal family and can be Delhi Metro Mughal Emperor Aurangzeb. approached from the palace dalan as well as from the Dargah Complex. Route 6 ki Sair The screens and the corner gateways in the Dargah Complex were Civil Ho Ho Bus Route built by the Mughal emperor Farrukhsiyar. The mosque of Qutb Lines Heritage Route Sahib, built in mid-sixteenth century by Islam Shah Suri, was later QUTBUDDIN BAKHTIYAR KAKI DARGAH AND ZAFAR added on to by Farrukhsiyar. MAHAL COMPLEX The Dargah of Qutbuddin Bakhtiyar Kaki continues to be a sacred place for the pilgrims of different religions. Every week on Thursday 5 SHAHJAHANABAD Red Fort and Friday qawwali is also performed in the dargah. 5. ZAFAR MAHAL COMPLEX 6 Kotla 9 Connaught Firoz Shah Adjacent to the western gate of the Dargah of Place Jantar Qutbuddin Bakhtiyar Kaki, this complex Mantar 2 7 8 NEW DELHI has various structures built in 3 Route 5 1 Rashtrapati the eighteenth and nineteenth 4 Bhavan Purana century. -
Artuklu Human and Social Science Journal
Artuklu Human and Social Science Journal ARTICLE http://dergipark.gov.tr/itbhssj The Formation of Bengal Civilization: A Glimpse on the Socio-Cultural Assimilations Through Political Progressions Key words: in Bengal Delta 1. Bengal Delta Abu Bakar Siddiq1 and Ahsan Habib2 2. Socio-cultural Abstract assimilation The Bengal Delta is a place of many migrations, cultural transformations, invasions 3. Aryan and religious revolutions since prehistoric time. With the help of archaeological and historical records, this essay present the hypothesis that, albeit there were multiple 4. Mauryan waves of large and small scale socio-cultural assimilations, every socio-political 5. Medieval period change did not brought equal formidable outcome in the Delta. The study further illustrates that, the majority of cultural components were formulated by Indigenous- Aryan-Buddhist assimilations in early phase, whereas the Buddhist-Aryan-Islamic admixtures in relatively forbearing and gracious socio-political background of medieval period contributed the final part in the formation of Bengal Civilization. INTRODUCTION one of the most crowed human populations in the world The Bengal Delta (i.e. present Bangladesh and West with a density of more than 1100 people per square mile. Bengal in India) is the largest delta in the world (Akter The physiological features of Bengal delta is completely et al., 2016). Annual silt of hundreds of rivers together river based. River has tremendous effect on the with a maze of river branches all over this Green Delta formation of landscape, agriculture and other basic made it as one of the most fertile regions in the world. subsistence, trade and transport, as well as cultural Additionally, amazing landscape, profound natural pattern of its inhabitants.