See Pages 12-13 Page 2 NOTICE Election of Offi Cers and Delegates Sunday, November 11Th, 2007 12:00 Noon – 6:00 Pm at Union Headquarters

Total Page:16

File Type:pdf, Size:1020Kb

See Pages 12-13 Page 2 NOTICE Election of Offi Cers and Delegates Sunday, November 11Th, 2007 12:00 Noon – 6:00 Pm at Union Headquarters Intermezzo See Pages 12-13 Page 2 NOTICE Election Of Offi cers And Delegates Sunday, November 11th, 2007 12:00 Noon – 6:00 pm At Union Headquarters NOTICE OF NOMINATION MEETING CHICAGO FEDERATION OF MUSICIANS LOCAL NO. 10-208, A.F. of M. TO BE HELD ON TUESDAY, OCTOBER 2nd, 2007 at 1:00 PM Union Headquarters, 656 W. Randolph St., #2W, Chicago, Illinois To stand for election on Sunday, November 11th, 2007 For the 3 year term beginning December 11th, 2007 Nomination of candidates will be conducted for the following offi ces and delegations to stand for election on Sunday, November 11th, 2007 for the three (3) year term beginning December 11th, 2007. PRESIDENT, VICE-PRESIDENT, SECRETARY-TREASURER, MEMBERS OF THE BOARD OF DIRECTORS, DELEGATES TO THE CONVENTIONS OF THE ILLINOIS STATE FEDERATION OF LABOR AND CONGRESS OF INDUSTRIAL ORGANIZATIONS, DELEGATES TO THE MEETINGS OF THE CHICAGO FEDERATION OF LABOR AND INDUSTRIAL UNION COUNCIL, DELEGATES TO THE CONVENTIONS OF THE AMERICAN FEDERATION OF MUSICIANS OF THE UNITED STATES AND CANADA. The By-Laws provide that Nominations may be made orally from the fl oor at said meeting or by Petition of fi fteen (15) members in good standing fi led with the Secretary-Treasurer prior to the opening of said Nomination meeting. Nomination petitions are available from the Secretary-Treasurer’s offi ce, at the C.F.M., upon request. October 2007 cfm10208.org Intermezzo Page 3 Local 10-208 of AFM AFL-CIO Mr. Spencer Aloisio CHICAGO FEDERATION OF MUSICIANS Secretary-Treasurer OFFICERS – DELEGATES Chicago Federation of Musicians 2004-2007 656 W. Randolph St., #2W Gary Matts President Chicago, IL 60661-2121 Terryl Jares Vice-President Spencer Aloisio Secretary-Treasurer Dear Spencer: BOARD OF DIRECTORS I received your letter of July 16th containing the dates of the nomination meeting Robert Bauchens Rich Daniels Don Knapp Bob Lizik and election. Leo Murphy Dean Rolando A post offi ce box has been secured for the absentee ballot requests. The address to Louise E. Thorson which absentee ballot requests should be directed is: CONTRACT DEPARTMENT Prof. Paul B. Grant, Election Chairman Terryl Jares - Vice President Chicago Federation of Musicians (Local 10-208) Nancy Van Aacken Post Offi ce Box 8101 ASSISTANTS TO THE Chicago, IL 60680-8101 PRESIDENT—JURISDICTIONS Please see that I receive copies of forthcoming editions of the Intermezzo which Terryl Jares - Vice-President contain any information concerning the election. Supervisor - Entire jurisdiction including theaters Sincerely, (Cell Phone: 312-310-4100) Paul B. Grant Dean Rolando clip and return Recordings, Transcriptions, ✁ Documentaries, Etc. (Cell Phone: 708-380-6219) Absentee Ballot Request DELEGATES TO CONVENTIONS OF THE ILLINOIS STATE FEDERATION OF LABOR To: Prof. Paul Grant, Election Chairman AND CONGRESS OF INDUSTRIAL Chicago Federation of Musicians, Local 10-208 ORGANIZATIONS P.O. Box 8101 Spencer Aloisio Gary Matts Terryl Jares Chicago, IL 60680-8101 DELEGATES TO CHICAGO FEDERATION OF LABOR AND Dear Sir: INDUSTRIAL UNION COUNCIL Rich Daniels Gary Matts I, ________________________________________, hereby request an Absentee Ballot Terryl Jares (Print Name) DELEGATES TO CONVENTIONS OF THE for the Local 10-208 election to be held on November 11, 2007. AMERICAN FEDERATION OF MUSICIANS Spencer Aloisio Terryl Jares Gary Matts Louise E. Thorson Local 10-208 Account Number: ___________________________________________ Alternates: Robert Bauchens Frank Donaldson ____________________________________________________________________ EDITOR, THE INTERMEZZO (Signature) Terryl Jares PRESIDENTS EMERITI NO NOTARIZATION IS REQUIRED Nicholas Bliss Ed Ward Harold (Hal) Dessent VICE-PRESIDENT EMERITUS ELECTIONS Tom Beranek Section XVIII BOARD OF DIRECTORS EMERITI F. Upon request, each full member having paid current dues and all assessments is entitled Harold Siegel Joe Majers Ruth Marion Tobias to one ballot. Absentee ballots shall be available to any member in good standing who, for any reason will be outside the jurisdiction of the local, or otherwise unable to vote in Open Daily, person, on the day of the election. Requests for absentee ballots must be in writing and except Saturday, Sunday and Holidays must be mailed to and received by the election offi cials at a post offi ce box reserved for Offi ce Hours 10 A.M. to 5 P.M. that purpose. Absentee ballots must be received by mail and be in the hands of the election All Phones: 312-782-0063 (24 Hrs.) AFM WEB SITE: www.afm.org offi cials before the closing of the polls. The “double envelope” system shall be used to Chicago Federation of Musicians safeguard the secrecy of the absentee ballots. The Secretary-Treasurer shall supply the On Line Electronic Mail (E-MAIL) election offi cials, day-to-day, with a list of members in good standing, together with their [email protected] account numbers. The election offi cials shall not divulge the names of voters, unless WEBSITE: www.cfm10208.org required to do so by law. Intermezzo cfm10208.org October 2007 Page 4 Come Hear Us Play! If you are out and about, and looking for live music, why not patronize establishments employing union musicians on a steady and ongoing basis. Below is a list of our members and where they are appearing on a regular basis. Member Location Address Day(s) Performing Von Freeman New Apartment Lounge 504 E. 75th St. Tuesdays Chicago 10 p.m. – 1 a.m. Chad Krueger Second City 1616 N. Wells Sunday thru Saturday Chicago Rob Parton Fitzgerald’s 6615 W. Roosevelt Rd. Every 3rd Wednesday Berwyn of the Month Rob Parton Catch 35 35 W. Wacker Tuesday thru Saturday Chicago 6:00 p.m. – 9:00 p.m. Ruby Wender Second City 1616 N. Wells Sunday thru Saturday Chicago John Wright Philanders 1120 Pleasant St. Thursdays Oak Park 7:30 p.m. – 11:00 p.m. MusiCares For Music People MusiCares provides a safety net of critical assistance for music people in times of need. MusiCares’ services and resources cover a wide range of fi nancial, medical and personal emergencies, and each case is treated with integrity and confi dentiality. MusiCares also focuses the resources and attention of the music industry on human service issues that directly impact the health and welfare of the music community. “. I can’t think of any other organization that works so hard, so vigorously, that fi ghts for the rights of the musicians and the artists.” Quincy Jones, MusiCares Person of the Year 1996 For more information on MusiCares programs and services, please visit www.musicares.com MusiCares Staff can be reached at 1300 West Belmont Ave., #210, Chicago, IL 60657 773-880-2423 Ed Ward and Terry Jares celebrate with Guy Serena at his 100th Birthday Bash. October 2007 cfm10208.org Intermezzo Page 5 Who, Where, When By Ruth Tobias a pre-Labor Day rebroadcast of a 2006 ALL THAT JAZZ—AGAIN documentary, “Beauty Rises: Four Lives in For jazz fans, perhaps the best news the Arts” which extolled the rise of Davis forthcoming from JOE SEGAL is that and three other Illinois artists.) he plans to reopen Jazz Showcase at Dearborn Station in the winter of 2008. The following night at Millennium Park, JON There is a lot to do and some legalistics BIG OOPS!! FADDIS obliged with a program entitled “A still to be negotiated, but he recently Last month I wrote that pianist/composer/ Night in Havana: a 90th Birthday Tribute to passed announcement fl iers out at Harris producer ED TOSSING moved away Theatre stating his plans. from Chicago. WRONG! He still resides in Glenview and is, in fact, a dual-city SYMPATHY resident. He does a lot of writing, along Once more we send condolences to with session work, playing gigs and KYLE De SANTIS and the De Santis producing. He maintains a Nashville family. After losing patriarch TONY residence to accommodate his work there. De SANTIS some weeks ago, Tony’s daughter DIANE Van LENTE has FROM THE NEWS also passed away. Suddenly Tony’s Recently it was reported that drummer grandson Kyle heads the Drury Lane PAUL WERTICO has been appointed Theatre empire. He plans to continue interim head of jazz his grandfather’s tradition and also will studies at Roosevelt work to enhance the Drury Lane Water University’s Chicago Tower Theatre, introducing concerts and College of Performing comedians in that venue hoping to interest Arts. Paul has been both visitors and downtown residents. teaching drums at the university for fi ve CHICAGO ON CHICAGO years, even as he has DIZZY GILLESPIE” evoking the trumpet The successful band, CHICAGO, made intermittently traveled wizardry of the late musician. Saxophonist an appearance at the Chicago History the globe. This JAMES MOODY, himself an octogenarian Museum taking part in a discussion performance work has been recognized who collaborated with Dizzy, was on board to series with celebrated people who have by numerous Grammy awards which enhance the legacy. Chicago roots. On October 17, actor decorate his home music room. JIM BELUSHI will be the guest… During the week’s end, over at PETRILLO When Ballet Chicago Studio Company This year’s Chicago Jazz Festival closed Music Shell, such performers as MARK recently celebrated its 10th anniversary out the summer of 2007 with ORBERT COLBY, KIM CUSACK and JANICE at Watermark Gallery on South Halsted DAVIS’ Chicago Jazz Philharmonic BORLA held sway through Labor Day. Street, highlights of the cocktail event pointing the way in included live music by the ORION the opening concert ONE MORE ONCE ENSEMBLE and the unveiling of an in Millennium Park At 84, VON FREEMAN has won the original artwork, “A Decade of Dance” at the PRITZKER fi fth annual WALTER DYETT Lifetime by KEITH EVANS which he designed Pavilion. Reports such Achievement Award which was presented especially for the Studio Company.
Recommended publications
  • Dal Segno Honorees See Pages 14-15 Page 2
    Membership Meeting: March 2011 Tuesday, March 8th, 2011 Vol. 71 No. 3 @1:00 pm By-Law Meeting: Tuesday, April 12th, 2011 @1:00 pm Dal Segno Honorees See Pages 14-15 Page 2 Gary Matts President What’s It Worth... in 2011? In March and April of 2005, I wrote articles about the 8% - 12% range. Today that is not the case. Banks pay a value of our work, the making of music and the Union’s fraction of 1% interest on savings accounts. Home mortgages practice of establishing a minimum price for our work. interest rates are half what they were during the boom times. No one could have predicted the financial rollercoaster ride Yet credit card interest is still in the double digits. Automobile experienced by the world’s economy in the intervening years. prices have not declined significantly, and in many cases have The financial markets had a disaster in 2008 from which they risen. The cost of auto repairs has not dropped nor have sales are still recovering. The value of real estate has taken a nose tax rates. The price for natural gas and electricity has not dive and many small businesses have ceased to exist. declined. In light of all of this, where does our product, which Our industry is not immune to financial realities. is live music, fit in this financial universe? In recent times, the demand for live music has decreased Music is an entertainment commodity. Just what is its and many freelance side musicians and leaders are value? To a large extent, each of us personally determines its experiencing difficult times.
    [Show full text]
  • 2015-2016 Annual Report Department Reports
    College of Arts & Sciences 2015-2016 Annual Report Department Reports Wamucii E. Njogu, Dean Marcelo Sztainberg, Associate Dean Katrina Bell-Jordan, Associate Dean College of Arts & Sciences COLLEGE OF ARTS AND SCIENCES ANNUAL REPORT 2015-2016 TABLE OF CONTENTS Executive Summary 4 African and African American Studies 8 Anthropology 14 Art 18 Biology 30 Chemistry 46 College of Arts and Sciences Education Program (CASEP) 57 Communication, Media and Theatre 62 Computer Science 81 Earth Science* Economics 98 English 103 English Language Program 120 Geography and Environmental Studies 123 History 126 Justice Studies 133 Latino and Latin American Studies 146 Linguistics 152 Mathematics 161 Mathematics Development 166 Music and Dance 175 Philosophy 191 Physics 196 Political Science 202 Psychology and Gerontology MA Program 209 Social Work 226 Sociology 240 Student Center for Science Engagement (SCSE) 257 Teaching English as a Second/Foreign Language 262 Women’s and Gender Studies 269 World Languages and Cultures 278 *Unable to be included. COLLEGE OF ARTS AND SCIENCES ANNUAL REPORT Executive Summary The 2015-2016 academic year in the College of Arts and Sciences was again full of faculty, staff and student accomplishments. Although it was a challenging year due to state budget uncertainty, our outstanding faculty and staff continued to provide an exceptional environment for teaching and learning. Despite Northeastern‘s enrollment issues in the last few years, the number of degrees conferred has steadily increased. In 2016, the College of Arts and Sciences had a total of 1192 degrees conferred, with an additional five certificates awarded in Geographic Information Sciences. The CAS continues to generate the most credit hours in the University, offering 69,955 (75%) of the total 92,953 credit hours in Fall 2015.
    [Show full text]
  • Sustaining Afrocentric Spiritual Jazz in 21St Century Chicago
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21St Century Chicago Adam Zanolini The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1617 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SACRED FREEDOM: SUSTAINING AFROCENTRIC SPIRITUAL JAZZ IN 21ST CENTURY CHICAGO by ADAM ZANOLINI A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 ADAM ZANOLINI All Rights Reserved ii Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21st Century Chicago by Adam Zanolini This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. _________________ __________________________________________ DATE David Grubbs Chair of Examining Committee _________________ __________________________________________ DATE Norman Carey Executive Officer Supervisory Committee: _________________ __________________________________________ DATE Jeffrey Taylor _________________ __________________________________________ DATE Fred Moten _________________ __________________________________________ DATE Michele Wallace iii ABSTRACT Sacred Freedom: Sustaining Afrocentric Spiritual Jazz in 21st Century Chicago by Adam Zanolini Advisor: Jeffrey Taylor This dissertation explores the historical and ideological headwaters of a certain form of Great Black Music that I call Afrocentric spiritual jazz in Chicago. However, that label is quickly expended as the work begins by examining the resistance of these Black musicians to any label.
    [Show full text]
  • National 4-H Congress Chicago, Illinois
    National 4-H Congress in Chicago DRAFT COPY – November 2017 National 4-H Congress Chicago, Illinois 4-H Congress in Chicago DRAFT COPY Page 1 of 178 November 2017 National 4-H Congress in Chicago DRAFT COPY – November 2017 Table of Contents Introduction 5 In the Beginning 6 First Annual Club Tour 7 1920 Junior Club Tour 9 Let =s Start a Committee 12 The 1921 Junior Club Tour 13 Rally at the 'Y' 16 Visit to the Packing Plants 17 Swift & Company 17 Morris & Company 18 The Wilson Banquet 18 Mr. Wilson's Address 19 Wednesday BLoop Day 20 National 4-H Club Congress - The 1920s 20 1922 20 1923 22 1924 23 1925 24 1926 27 1927 29 1928 31 1929 34 National 4-H Club Congress - The 1930s 35 1930 35 1931 36 1932 39 1933 43 1934 44 1935 46 1936 46 1937 47 1938 48 1939 49 National 4-H Congress - the 1940s 50 1940 and 1941 51 1942 51 1943 53 1944 54 1945 55 1946 58 1947 60 1948 61 1949 62 National 4-H Congress - the 1950s 62 1950 63 1951 64 1952 67 1953 70 1954 71 1955 74 1956 76 1957 77 1958 78 1959 79 National 4-H Congress - the 1960s 81 1960 81 1961 82 1962 83 1963 85 4-H Congress in Chicago DRAFT COPY Page 2 of 178 November 2017 National 4-H Congress in Chicago DRAFT COPY – November 2017 1964 86 1965 86 1966 88 1967 89 1968 90 1969 92 National 4-H Congress - the 1970s 96 1970 96 1971 98 1972 102 1973 105 1974 107 1975 108 1976 109 1977 110 1978 112 1979 114 National 4-H Congress - The 1980s 115 1980 115 1981 116 1982 119 1983 121 1984 123 1985 124 1986 125 1987 126 1988 127 1989 128 National 4-H Congress - The 1990s 129 1990 129 1991 129 1992 130 1993 130 1994 130 Congress Traditions and Highlights 130 Opening Assembly 130 Sunday Evening Club/Central Church Special 4-H Services 131 Firestone Breakfast 131 National Live Stock Exposition Parade 132 National 4-H Dress Revue 132 National Awards Donor Banquets and Events 132 "Pop" Concert with the Chicago Symphony 134 Auditorium Theater Concerts 135 Congress Tours 136 Thomas E.
    [Show full text]
  • Monterey Jazz Festival
    DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob;
    [Show full text]
  • Mapping the Urban Activity Patterns: Using Social Media Data As a Tool for Data Collection and Design Development
    Mapping the urban activity patterns: using social media data as a tool for data collection and design development Yang Song, North Dakota State University; [email protected] Jessica Fernandez, Clemson University, [email protected] Introduction In the last few decades, the size of data has been exponentially growing. Social media, smart phones, sensors, and the internet create, copy and transform data with unprecedented speed and scale (The Economist, 2010). ‘Big data’ has never been more accessible or more powerful. A variety of industries including finance, marketing, energy, telecommunications, agricul- ture, and real estate have been adopted big data technologies to make more informed decisions and to be able to predict trends. Many social media platforms such as Yelp, TripAdvisor, and Facebook provide a large scale of information regarding behavior and perceptions associated with places and communities all over the world. Analysis of societal needs and public opinions becomes key to building a more equitable urban environment that is beneficial to a broad spectrum of people (Dobbins, 2009). However, few studies have been published in the fields of urban design and the built environment to examine the application of ‘big data’. This paper presents a case study using the so- cial media website TripAdvisor to inform the concept development of an urban design project in Chicago, Illinois. A database of all the attributes on the attractions of the TripAdvisor “things to do” category was developed. By extracting, processing, and analyzing large amounts of geocoded information in TripAdvisor, the study identified the patterns of urban activities that were pre- viously inaccessible to designers using a parametric indexing method.
    [Show full text]
  • For Immediate Release
    Ann Hickey 312/744-4306 [email protected] The City of Chicago Announces The Chicago Jazz Partnership as the Presenting Sponsor for the Chicago Jazz Festival August 28-31, 2008 The City of Chicago and new presenting sponsor, The Chicago Jazz Partnership, are proud to announce the complete schedule for the 2008 Chicago Jazz Festival. This Labor Day weekend tradition begins with a free evening concert featuring Sonny Rollins at Millennium Park’s Jay Pritzker Pavilion on August 28, moves to Grant Park for three full days of free music, August 29-31, and closes with Ornette Coleman (complete schedule below). Rollins, a GRAMMY® Lifetime Achievement Award recipient, officially opens The Chicago Jazz Festival on August 28 at 6:30 p.m. at a new location, the world-renowned Jay Pritzker Pavilion in Millennium Park. Rollins is one of the last of the originals—a running mate of Miles Davis, Clifford Jordan and Max Roach, he was among the inventors of the language of Bebop. Rollins emerged from Chicago in the 1950s with a signature sound that has astounded audiences and inspired countless musicians for more than 50 years. The Chicago Jazz Festival then moves to Grant Park, August 29-31, with three stages of free music, activities and more from 11:00 a.m. to 9:30 p.m. daily. This year’s Artist-in-Residence is Chicago-based composer, arranger, musician and educator, Edward Wilkerson, Jr. Other headliners include Dee Dee Bridgewater, Eddie Palmieri and The Gerald Wilson Orchestra. Closing out the event on Sunday, August 31 at the Petrillo Music Shell is saxophonist/composer Ornette Coleman.
    [Show full text]
  • A Look Back on Eight Years of Progress
    MOVING CHICAGO FORWARD: A LOOK BACK ON EIGHT YEARS OF PROGRESS MAYOR RAHM EMANUEL MOVING CHICAGO FORWARD • A LOOK BACK ON EIGHT YEARS OF PROGRESS LETTER FROM THE MAYOR May 2, 2019 Dear Fellow Chicagoans, It has been the honor of my lifetime to serve the people of this great city as mayor for eight years. Together, we have addressed longstanding challenges, overcome old obstacles and confronted new headwinds. At the outset of my administration, Chicago was beset by fiscal, economic and academic crises. Many thought our best days were behind us, and that the ingenuity and ability to rise to meet great challenges that had defined our city for generations was part of our past, but not our future. In response, Chicagoans came together and showed the resolve and resilience that define the character of this great city. Today, Chicago’s fiscal health is stronger than it has been in many years, with a smaller structural deficit, a larger rainy day fund, true and honest accounting of city finances, and dedicated recurring revenues for all four city pension funds. Our economic landscape is dramatically improved, with historic lows in unemployment, the highest level of jobs per-capita in the city in over five decades, and a record amount of corporate relocations and foreign direct investment. Academically, Chicago’s students are raising the bar for success and making our city proud. Every year for the past seven, a new record number of Chicago’s students have graduated high school. More graduates than ever now go to college. Stanford University found CPS students are learning faster than 96 percent of students of all districts in the United States.
    [Show full text]
  • Chicago Music Communities and the Everyday Significance of Playing Jazz
    MUSIC PRACTICES AS SOCIAL RELATIONS: CHICAGO MUSIC COMMUNITIES AND THE EVERYDAY SIGNIFICANCE OF PLAYING JAZZ by John Frederic Behling A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2010 Doctoral Committee: Professor Mark Allan Clague, Chair Professor Paul A. Anderson Professor Kelly M. Askew Professor Charles Hiroshi Garrett Copyright John Frederic Behling 2010 Acknowledgements In this dissertation, I argue that the solos of jazz musicians spring from the practices of the communities in which they live. What holds true for expression and creativity in jazz is no less true of academic research and writing. This dissertation would not be possible without the support and encouragement of many communities and individuals. I thank all the musicians in Chicago who played music with me and welcomed me into their communities. I am especially grateful to Aki Antonia Smith, Edwina Smith, Scott Earl Holman, and Ed Breazeale for befriending me and introducing me to the musicians and communities about whom I write. I am also grateful for the support of my academic community. Kelly Askew introduced me to the anthropological side of ethnomusicology. Her writing showed me what compassionate and concrete ethnography should be like. Paul Anderson’s late night seminars helped me understand that musical practices have philosophical and psychological significance and that jazz criticism is part of a much larger and long- standing intellectual conversation. Charles Hiroshi Garrett, a late addition to my committee, embraced this project with enthusiasm. His generous encouragement and insightful comments are greatly appreciated.
    [Show full text]
  • JACK Dejohnette NEA Jazz Master (2112)
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JACK DeJOHNETTE NEA Jazz Master (2112) Interviewee: Jack DeJohnette (August 9, 1942 - ) Interviewer: Dr. Anthony Brown with sound engineer Ken Kimery Date: November, 10-11th, 2011 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 107 Brown: Today is November 10th, 2011, and this is The Smithsonian Oral History Interview with NEA Jazz Master, percussionist, pianist, bandleader, composer, arranger, educator, and my hero, Jack DeJohnette, in his house in Silver Hollow, Upstate New York. How are you doing today, Mr. DeJohnette? DeJohnette: I'm doing great! Brown: Great, great. DeJohnette: Great. Brown: If we could start the interview by you stating your full name, full birth name, birthplace and birth date? DeJohnette: Okay. Jack DeJohnette…born in Chicago, Illinois in the county of Cook, August 9th, 1942. Brown: And if you could tell us the names of your parents. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 DeJohnette: Yeah, my mother's name was Eva Jeanette Wood and my father's name is Jack DeJohnette Sr. in that case. Brown: Oh, so you're a Jr.? DeJohnette: Yeah, I'm a Jr. Brown: No middle name? DeJohnette: No. Brown: And do you know where your parents are originally from? DeJohnette: Yeah, my mother was from Lionel, Georgia. My father was from Oak Ridge, Louisiana. Brown: And did they meet and marry in Chicago, do you know anything about that? DeJohnette: Mm-hmm.
    [Show full text]
  • Faculty Recital Lawrence Gray Double Bass Larry Gray
    Faculty Recital Lawrence Gray double bass Larry Gray – Gravity for Solo Double Bass Revisited Smith Recital Hall Monday, November 4, 2019 7:30 PM LARRY GRAY Gravity (b. 1954) LARRY GRAY Improvisation-The Face of the Blues RICHARD ROGERS Falling in Love with Love (1902-1979) LORENZ HART (1895-1943) LARRY GRAY Improvisation-In My View THELONIOUS MONK Round Midnight (1917-1982) LARRY GRAY Improvisation-Happy Now LALO SCHIFRIN Down Here on the Ground (b. 1932) LARRY GRAY E-e-electricity ANTONIO CARLOS JOBIM (1927-1994) Estrado Do Sol LARRY GRAY Improvisation-Someplace East LARRY LUCHOWSKI Quintessential (Happy You) (1945-2011) Bassist, multi-instrumentalist and composer Larry Gray, who joined the School of Music in 2007 As a lifetime Chicagoan, Larry Gray's musical history is quite rich and varied, including his demonstrates an impressive versatility and an uncommon musical curiosity. Mr. Gray has classical studies and degrees in cello performance at Chicago Musical College, his history as a enjoyed a four decades plus career in which he has performed and collaborated with a long list of double bassist in Civic Orchestra and as substitute with the Chicago Symphony Orchestra, and some of the world’s most important jazz artists, including Jack DeJohnette, Larry Coryell, Steve inumerable recordings and performances in Chicago's concert and club venues, most notably the Turre, Gary Bartz, Barry Harris, Benny Golson, Bobby Hutcherson, Joe Williams, McCoy Tyner, iconic Jazz Showcase, and its major recording studios.. Ira Sullivan, Jackie McLean, Sonny Stitt, James Moody, Sonny Stitt, Kenny Burrell, Joe Pass, Clark Terry, J.J. Johnson, George Coleman, Lee Konitz, Benny Green, and Eddie “Lockjaw” Larry has recorded with Jack DeJohnette, Roscoe Mitchell, Muhal Richard Abrams, Henry Davis, Eddie Harris and Les McCann, among many others.
    [Show full text]
  • Jazz Jazz Is a Uniquely American Music Genre That Began in New Orleans Around 1900, and Is Characterized by Improvisation, Stron
    Jazz Jazz is a uniquely American music genre that began in New Orleans around 1900, and is characterized by improvisation, strong rhythms including syncopation and other rhythmic invention, and enriched chords and tonal colors. Early jazz was followed by Dixieland, swing, bebop, fusion, and free jazz. Piano, brass instruments especially trumpets and trombones, and woodwinds, especially saxophones and clarinets, are often featured soloists. Jazz in Missouri Both St. Louis and Kansas City have played important roles in the history of jazz in America. Musicians came north to St. Louis from New Orleans where jazz began, and soon the city was a hotbed of jazz. Musicians who played on the Mississippi riverboats were not really playing jazz, as the music on the boats was written out and not improvised, but when the boats docked the musicians went to the city’s many clubs and played well into the night. Some of the artists to come out of St. Louis include trumpeters Clark Terry, Miles Davis and Lester Bowie, saxophonist Oliver Nelson, and, more recently, pianist Peter Martin. Because of the many jazz trumpeters to develop in St. Louis, it has been called by some “City of Gabriels,” which is also the title of a book on jazz in St. Louis by jazz historian and former radio DJ, Dennis Owsley. Jazz in Kansas City, like jazz in St. Louis, grew out of ragtime, blues and band music, and its jazz clubs thrived even during the Depression because of the Pendergast political machine that made it a 24-hour town. Because of its location, Kansas City was connected to the “territory bands” that played the upper Midwest and the Southwest, and Kansas City bands adopted a feel of four even beats and tended to have long solos.
    [Show full text]