Homeless Counted in Palisades Street and Ocean Into the Canyon to Add to Enforcement Visibility
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Greek Art/Roman Eyes
Greek Art/Roman Eyes: The Reception of Greek Art in the Private Sphere in Ancient Italy A Symposium at the Los Angeles County Museum of Art and the Getty Villa Thursday, Friday, and Saturday, June 4-6, 2009 Program schedule as of May 19, 2009; subject to change. THURSDAY, JUNE 4, 2009 – LOS ANGELES COUNTY MUSEUM OF ART, LEO S. BING THEATER 5905 Wilshire Blvd., Los Angeles, CA 90036 7:00 p.m. Keynote address The Roman Home Transformed: Greek Art and Roman Luxury Andrew Wallace-Hadrill, British School at Rome 8:00 p.m. Pompeii and the Roman Villa: Art and Culture Around the Bay of Naples Exhibtition viewing until 9:30 p.m. FRIDAY, JUNE 5, 2009 – GETTY VILLA, AUDITORIUM 17985 Pacific Coast Highway, Pacific Palisades, CA 90272 8:45 a.m. Check-in opens 9:30 a.m. Welcome: Kenneth Lapatin, J. Paul Getty Museum SESSION ONE: Greeks and Etruscans Moderator: François Lissarrague, Centre Louis Gernet/Getty Research Institute Banquets, Games, Parades, or Something Else? Ideology, Commissions, and Cultural Interaction in Etruscan Regiae Luca Cerchiai, Università degli Studi di Salerno Greek Drinking in Ancient Etruria: Practice and Images Maurizio Harari, Università di Pavia Break Loving Children and the Power of Women: Greek Myths on Etruscan Mirrors Francesco de Angelis, Columbia University Lost in Translation? Greek Myths in Etruscan Painting in the Classical Period Agnès Rouveret, CNRS/Université Paris Ouest Nanterre La Défense Discussion 1:00 p.m. Lunch break and museum visit © 2009 J. Paul Getty Trust Page 1 of 3 3:30 p.m. SESSION TWO: Encounters between Greeks and Italians Moderator: Carol C. -
Pacific Palisades, California $1.50
Palisadian-Post Serving the Community Since 1928 20 Pages Thursday, October 5, 2017 ◆ Pacific Palisades, California $1.50 Caruso Reveals His Hand to Our Art Kids PPCC Under Pressure to Investigate Rule-Breaking Contractors By JOHN HARLOW across the town. Editor-in-Chief It is seeking to ensure that the city consistently applies a series of re builders in Pacific Pali- rules, including local zoning ordi- sades “falsifying” permits nances, the community plan and Aand bending community plan the California Coastal Act. guidelines in their rush to complete Critics warn that some such new houses? rules conflict—or at least confuse And is the Pacific Palisades each other—and if monitoring the Community Council, and its new- current flood of permits appears ly hatched offspring, the Land Use beyond city planners, then certain- Committee, minded or forceful ly it’s a challenge for PPCC vol- enough to stop such rogue builders unteers to undertake such detailed Caruso/Palisadian-Post art contest participants point out their winning pieces. Photos by Chuck Larsen in their muddy tracks? scrutiny. These questions dominated the Rick Mills, PPCC communi- last meeting of the two bodies on ty representative, said that it was Thursday, Sept. 28, with uncertain such a widespread problem that results. the PPCC should write to the city The issue was raised at LUC urging planners to take it seriously. by Joe Helper, a former parks ad- Yet some of the more contro- ministrator who suggested they versial projects are legally water- redraft rules to give themselves a tight. Last week an objector to a wider brief to tackle ever-morph- cluster of mansions near Potrero ing building issues. -
Malibu 90265 Introduction
Malibu 90265 Introduction by Taylor Coffman FROM THE SANTA MONICA PIER, it’s a six-mile drive up Pacific Coast Highway to Tuna Canyon Road. Not far along this northwest-to- westerly route lies the site of the Beach House, as William Randolph Hearst and Marion Davies called their grand mansion of the 1920s and ’30s, once the film colony’s most palatial home. Past that, in Pacific Palisades, lies the Bel-Air Bay Club; and then PCH reaches Sunset Boulevard, the world’s only street so-named. On the ocean side is the fish restaurant known as Gladstone’s Malibu. But it’s a false start: the border of that famous town lies almost a mile ahead still. Thelma Todd’s house and the section of Pacific Palisades called Castellammare are next; tucked away nearby, invisible from the main road, is the Getty Villa (J. Paul Getty greatly admired Hearst). Then comes the more working-class enclave of Sunset Mesa, or Parker Mesa. Right past it is the last part of what, overall, amounts to outlying Los Angeles and its coveted Westside, namely, the place where Topanga Canyon Boulevard reaches Topanga State Beach, once a Bohemian seaside haunt but now a bittersweet memory. Go another half mile, past the City of Malibu sign, and watch for a larger sign next to Tuna Canyon Road. It announces “Malibu 27 Miles of Scenic Beauty.” Years ago, in this same spirit of local pride, the old Malibu Township was often said to extend for twenty-six miles. In reality, twenty-nine miles (and even closer to thirty) is more like it in embracing the total Malibu coastline, the long shorefront of what I like to call greater Malibu, the storied land of postal ZIP code 90265. -
The German/American Exchange on Nazi-Era Art Provenance Research
2017 PREP Exchanges The Metropolitan Museum of Art, New York (February 5–10) Stiftung Preußischer Kulturbesitz, Staatliche Museen zu Berlin (September 24–29) 2018 PREP Exchanges The Getty Research Institute, Los Angeles (February 25–March 2) Zentralinstitut für Kunstgeschichte, Munich (October 8–12) 2019 PREP Exchanges Staatliche Kunstsammlungen Dresden (Spring) Smithsonian Institution, Provenance Research Initiative, Washington, D.C. (Fall) Major support for the German/American Provenance Research Exchange Program comes from The German Program for Transatlantic Encounters, financed by the European Recovery Program through Germany's Federal Ministry for Economic Affairs and Energy, and its Commissioner for Culture and the Media Additional funding comes from the PREP Partner Institutions, The German/American Exchange on the Smithsonian Women's Committee, James P. Hayes, Nazi-Era Art Provenance Research Suzanne and Norman Cohn, and the Ferdinand-Möller-Stiftung, Berlin 3RD PREP Exchange in Los Angeles February 25 — March 2, 2018 Front cover: Photos and auction catalogs from the 1910s in the Getty Research Institute’s provenance research holdings The Getty Research Institute 1200 Getty Center Drive Los Angeles, CA 90049 © 2018Paul J.Getty Trust ORGANIZING PARTNERS Smithsonian Provenance Research Initiative, Smithsonian Institution Washington, D.C. Stiftung Preußischer Kulturbesitz—Staatliche Museen zu Berlin (Prussian Cultural Heritage Foundation—National Museums in Berlin) PARTNERS The Metropolitan Museum of Art, New York The Getty Research -
Cult Statue of a Goddess
On July 31, 2007, the Italian Ministry of Culture and the Getty Trust reached an agreement to return forty objects from the Museum’s antiq uities collection to Italy. Among these is the Cult Statue of a Goddess. This agreement was formally signed in Rome on September 25, 2007. Under the terms of the agreement, the statue will remain on view at the Getty Villa until the end of 2010. Cult Statue of a Goddess Summary of Proceedings from a Workshop Held at The Getty Villa May 9, 2007 i © 2007 The J. Paul Getty Trust Published on www.getty.edu in 2007 by The J. Paul Getty Museum Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 900491682 www.getty.edu Mark Greenberg, Editor in Chief Benedicte Gilman, Editor Diane Franco, Typography ISBN 9780892369287 This publication may be downloaded and printed in its entirety. It may be reproduced, and copies distributed, for noncommercial, educational purposes only. Please properly attribute the material to its respective authors. For any other uses, please refer to the J. Paul Getty Trust’s Terms of Use. ii Cult Statue of a Goddess Summary of Proceedings from a Workshop Held at the Getty Villa, May 9, 2007 Schedule of Proceedings iii Introduction, Michael Brand 1 Acrolithic and Pseudoacrolithic Sculpture in Archaic and Classical Greece and the Provenance of the Getty Goddess Clemente Marconi 4 Observations on the Cult Statue Malcolm Bell, III 14 Petrographic and Micropalaeontological Data in Support of a Sicilian Origin for the Statue of Aphrodite Rosario Alaimo, Renato Giarrusso, Giuseppe Montana, and Patrick Quinn 23 Soil Residues Survey for the Getty Acrolithic Cult Statue of a Goddess John Twilley 29 Preliminary Pollen Analysis of a Soil Associated with the Cult Statue of a Goddess Pamela I. -
The Art of Ancient Greek Theater LOS ANGELES—The Art of Ancient
DATE: June 9, 2010 FOR IMMEDIATE RELEASE GETTY MUSEUM EXHIBITION FOCUSES ON THE REPRESENTATION OF THEATRICAL PERFORMANCE IN ANCIENT GREECE The Art of Ancient Greek Theater At the J. Paul Getty Museum, the Getty Villa August 26, 2010–January 3, 2011 Mixing Vessel with Dionysos and Comic Actors, Greek, About 390 – 380 B.C., Red-figured volute krater attributed to the Pronomos Painter. Terracotta. Lent by the Cleveland Museum of Art, John L. Severance Fund. LOS ANGELES—The Art of Ancient Greek Theater, on view at the Getty Villa from August 26, 2010 – January 3, 2011, is the first exhibition in the United States in over fifty years to focus on the artistic representation of theatrical performance in ancient Greece. Assembling international loans of antiquities from many museums and private collections, the exhibition illustrates the ways in which dramatic performance was depicted in the visual arts of ancient Greece between the fifth and the first centuries B.C. The exhibition is being presented in conjunction with the Getty Villa’s annual outdoor theater performance, Sophocles’ Elektra. “Ancient art and theater share a strong and enduring connection–one that is inspired by mythology and the social, cultural, and political realities of life in ancient Greece and Rome,” says David Bomford, acting director of the J. Paul Getty Museum. “With this exhibition and our annual production in the outdoor theater, we are delighted to bring ancient theater alive at the Getty Villa and invite our visitors to join us and discover how those themes found in ancient times persist today.” -more- Page 2 The Art of Ancient Greek Theater spans centuries of artistic production throughout the cities of the Mediterranean. -
Ability Guidebook: I Am Going to the J Paul Getty Museum
Ability Guidebooks presents Explore Los Angeles! r k c i l F n o i r E " a J k a b o B y b o t o h P I Am Going To The Getty Villa! A Step-by-Step Guide On How To Visit This Amazing Museum. By Brett Bigham The J. Paul Getty Villa is a famous museum in Los Angeles. People come from all over the world to visit. r k c i l F n o i r E " a J k a b o B y b o t o h P The building is a copy of a Roman villa and has many pieces of art made by Ancient Greeks, Romans and Etruscans! The museum is very big so it is important to stay with your group. After you leave the parking lot you walk up to the entry of the Getty Villa. r k c i l F n o z c i w o d j a Z d a h T y B o t o h P Let's stay together! This is where you enter the museum. Remember, the museum is a serious place. You have to use a quiet voice. l e n n a h C g n i h c a e T e h T y B o t o h P It is free to visit the museum but you have to sign up for a time on the museum website or by calling ahead. You can follow the stairs or take an elevator to get to the front doors of the museum. -
Media Kit 2016
eal Dr., #213 881 Almaalisades, R CA 90272 Pacific P (310) 454-1321 Fax: (310) 454-1078 aliPost.com www.P 2016 MEDIA KIT $69.00 ONE-YEAR SUBSCRIPTION Reach the PRIME Pacific Palisades market and surrounding areas with the Palisadian-Post Newspaper. SUBSCRIPTION, CIRCULATION & DISTRIBUTION WS: 4,900+ Subscribers BREAKING NE The PALISADIAN-POST and THE SHOPPER are the only two weekly newspapers that assure complete ollowers saturation of the HIGH income households in Pacific Palisades, Santa Monica Canyon and adjoining areas.Palisadian-Post Serving the Community Since 1928 FACEBOOK: 4,000+ F 22 Pages Thursday, January 7, 2016 ◆ Pacific Palisades, California $1.50 Newspapers are delivered weekly by the U.S. Postal Service to every household along with distribution in This Week in ‘Star Wars’ Character Based on PALI LIFE ONLINE Farewell to Mayor Jake Late Pali High English Teacher By FRANCES SHARPE news racks placed near high traffic areas such as restaurants, businesses and markets in The Palisades. Editor-in-Chief irector J.J. Abrams, a Pacific Palisades resident and graduate of Palisades DCharter High School, revealed to his hometown newspaper the Palisadian-Post that he based one of the characters in his box-office record-breaking “Star Wars: The Force Awakens” on his late high school English teacher. “Yes, the character of Maz 5,500+/Weekly was originally based on the great Rose Gilbert,” Abrams told the Post. “We really wanted the story Rich Schmitt/Staff Photographer to feel authentic, despite being a Pacific Palisades Honorary Mayor Jake Steinfeld announced wild fantasy. I mentioned Rose in last month that he is ready to pass the torch to a new mayor. -
DATE: July 09, 2021 for IMMEDIATE RELEASE Getty Exhibition
DATE: July 09, 2021 FOR IMMEDIATE RELEASE Getty Exhibition Reassembles Medieval Italian Triptych Paolo Veneziano: Art and Devotion in 14th-Century Venice is the first monographic exhibition on the artist in U.S. The Crucifixion, about 1340-1345 Paolo Veneziano (Italian (Venetian), about 1295 - about 1362) Tempera and gold leaf on panel Unframed: 33.9 × 41.1 cm (13 5/16 × 16 3/16 in.) Framed: 37.2 × 45.4 × 5.7 cm (14 5/8 × 17 7/8 × 2 1/4 in.) National Gallery of Art, Washington, Samuel H. Kress Collection, 1939.1.143 LOS ANGELES - Paolo Veneziano (about 1295–about 1362) was the premier painter in late medieval Venice, producing religious works ranging from large complex altarpieces to small paintings used by Christians for personal devotion. A new exhibition, on view at the J. Paul Getty Museum, Getty Center, from July 13 through October 3, 2021, brings together numerous paintings that reveal the delicate beauty and exquisite colors that distinguish Paolo Veneziano’s art. The centerpiece of the show reunites painted panels that originally belonged together but are today housed in different collections. “It is fairly commonplace for museums around the world to own fragments of what were once larger ensembles, dismantled in later centuries for sale on the art market,” explains Timothy Potts, Maria Hummer-Tuttle and Robert Tuttle Director of the J. Paul Getty Museum. “Paolo Veneziano: Art and Devotion in 14th-Century Venice presents a rare exception: a completely intact triptych for personal devotion, on loan from the National Gallery of Parma, Italy. The appearance of this triptych was the basis for the reconstruction of an almost identical triptych, the so-called Worcester triptych, reassembled for the first time in this exhibition.” Portable devotional triptychs, self-supporting and with closable shutters, were regularly made by artists and craftspeople in Venice throughout the fourteenth century. -
American Monsters: Tabloid Media and the Satanic Panic, 1970-2000
AMERICAN MONSTERS: TABLOID MEDIA AND THE SATANIC PANIC, 1970-2000 A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Sarah A. Hughes May 2015 Examining Committee Members: Kenneth L. Kusmer, Advisory Chair, History Carolyn Kitch, Journalism Susan E. Klepp, History Elaine Tyler May, External Member, University of Minnesota, American Studies © Copyright 2015 by Sarah A. Hughes All Rights Reserved iii ABSTRACT “American Monsters: Tabloid Media and the Satanic Panic, 1970-2000,” analyzes an episode of national hysteria that dominated the media throughout most of the 1980s. Its origins, however, go back much farther and its consequences for the media would extend into subsequent decades. Rooted in the decade’s increasingly influential conservative political ideology, the satanic panic involved hundreds of accusations that devil-worshipping pedophiles were operating America’s white middle-class suburban daycare centers. Communities around the country became embroiled in criminal trials against center owners, the most publicized of which was the McMartin Preschool trial in Manhattan Beach, California. The longest and most expensive trial in the nation’s history, the McMartin case is an important focal point of this project. In the 1990s, judges overturned the life sentences of defendants in most major cases, and several prominent journalists and lawyers condemned the phenomenon as a witch-hunt. They accurately understood it to be a powerful delusion, or what contemporary cultural theorist Jean Baudrillard termed a “hyperreality,” in which audiences confuse the media universe for real life. Presented mainly through tabloid television, or “infotainment,” and integral to its development, influence, and success, the panic was a manifestation of the hyperreal. -
Reflects the Graying of the Palisades Meet
Palisadian-Post Serving the Community Since 1928 20 Pages Thursday, April 19, 2018 ◆ Pacific Palisades, California $1.50 Caltrans Rethinks Meet the Talent The Palisadian-Post is pleased to introduce the contestants for the 2018 Pacific Palisades Teen Talent Contest—which will take place at Palisades Charter High School on Wednesday, April 25. Notorious Intersection To learn more about the contestants, turn to Page 14 and 15 in Pali Life. By JOHN HARLOW be cutting it in two islands, could Tickets for this year’s contest are now on sale. Visit palipost.com for more information. Editor-in-Chief squeeze more vehicles through the intersection. riving anywhere around Pa- Engineers say although the in- cific Palisades can be fraught tersection itself only merges four Dwith tension—and even danger— roads—PCH, Chautauqua, Entra- but few intersections pump the da and West Channel—car flows heart as when Chautauqua Bou- on at least another 10 roads up to levard meets Pacific Coast High- a mile away would have to be fed way. into computer modeling to smooth Combining the poor surface out the turbulence in the system. condition of the steep and often It can be done: A 2012 Cal- water-logged boulevard, a com- trans study into the PCH/Temes- plaint that appeared in this news- cal intersection resulted in fresh paper in the 1920s, and the vol- algorithms applied to signals that ume of PCH traffic, a maneuver notably improved traffic flow. intensified by lane-jumping scoff- CCTV cameras could be add- laws feigning sudden ignorance of ed to prevent drivers who “forget” driving decorum, have long made that the left lane is only for turning this painful array of potholes a fa- left onto West Channel Road and vorite of 2 Cents commentators. -
Broadcasting Ii Mar 7
The Fifth Estate Broadcasting ii Mar 7 r 1 # 1 NOVEMBER '81 Í ^ 7 FEBRUARY '82 # 1 MAY '82 # 1 NOVEMBER '82 The #1 first -run strip has just been renewed by the NBC O& Os for the new'83 -'84 season. FAMILY EUD by Richard Dawson SOURCE' Nielsen ROSP. November 1981, 1982; February 1982. May 1982. Audience estimates subject to qua/Notations available On request. LIONHEART present: NATpE /#i15 FLOOR CASINO EENTBRAINCE - VEGAS HILTON , e0ps`O° SCI-FI HALF-HOURS``"A, ` ° PQ`% FEATURE-LENGTH vol 41 MOVIES RS /P . TOM BAKER / 900TV PRODUCT Ig.I GREAT ANIMAL LIFE ADVENTURES INCLUDING: RHINO RESCUE GENTLY SMILING JAWS FOXWATCH SCORPION WILD OTTER WHALE OF A TANGLE ZEN, THE PIGTAIL MONKEY SOME OF MY BEST FRIENDS ARE VULTURES ...in all, 43 different, amazing close -ups of the animal kingdom! THE THE FIGHT COMMANDERS AGAINST SLAVERY -l. Me I nas xen aa!iea Inr PP.rlet oimP in -AwwlirF...lorv.ruM .M .4 o.yon-:iix.a. l;M:.lo_ m-. n. ana :Tw BBCTV/TIMELIFE CO-PRODUCTIONS , THE COMMANDERS and THE IGHT AGAINST SLAVERY -among Ielevlslon s most important sexes -are two of 33 BBC-TV -Time-Lite co-pwductlons now available exclusively nom Lion earl From THE ASCENT OF MAN AMERICA and THE SEARCH FOR THE NILE to TEN WHO DARED and WAR AND PEACE -an incomparable FOLD selection of CnLcally-acclaimed award-winning programming 29 SWASHBUCKLING ONE -H Timely and Timeless Wouldn t you love to see Inem again' A BBC- TV PRODUCTION. LONDON FILM PRODUCTIONS LTD. `4.ßr AT NATPE a DON'T bIONHE4RT TELEVISION INTERNATIONAL MISS THE 40 WEST 57 STREET NEW YORK, N.Y.