DOCSLIB.ORG

Media Kit 2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Media Kit 2016 eal Dr., #213 881 Almaalisades, R CA 90272 Pacific P (310) 454-1321 Fax: (310) 454-1078 aliPost.com www.P 2016 MEDIA KIT $69.00 ONE-YEAR SUBSCRIPTION Reach the PRIME Pacific Palisades market and surrounding areas with the Palisadian-Post Newspaper. SUBSCRIPTION, CIRCULATION & DISTRIBUTION WS: 4,900+ Subscribers BREAKING NE The PALISADIAN-POST and THE SHOPPER are the only two weekly newspapers that assure complete ollowers saturation of the HIGH income households in Pacific Palisades, Santa Monica Canyon and adjoining areas.Palisadian-Post Serving the Community Since 1928 FACEBOOK: 4,000+ F 22 Pages Thursday, January 7, 2016 ◆ Pacific Palisades, California $1.50 Newspapers are delivered weekly by the U.S. Postal Service to every household along with distribution in This Week in ‘Star Wars’ Character Based on PALI LIFE ONLINE Farewell to Mayor Jake Late Pali High English Teacher By FRANCES SHARPE news racks placed near high traffic areas such as restaurants, businesses and markets in The Palisades. Editor-in-Chief irector J.J. Abrams, a Pacific Palisades resident and graduate of Palisades DCharter High School, revealed to his hometown newspaper the Palisadian-Post that he based one of the characters in his box-office record-breaking “Star Wars: The Force Awakens” on his late high school English teacher. “Yes, the character of Maz 5,500+/Weekly was originally based on the great Rose Gilbert,” Abrams told the Post. “We really wanted the story Rich Schmitt/Staff Photographer to feel authentic, despite being a Pacific Palisades Honorary Mayor Jake Steinfeld announced wild fantasy. I mentioned Rose in last month that he is ready to pass the torch to a new mayor. In this an early story meeting as a sort of “Star Wars” director J.J. Abrams (far right in his high school yearbook) based the character Maz (left) on week’s Pali Life section, Mayor Jake takes a look back at some of timeless, wise figure that I’d actu- his high school English teacher, the late Rose Gilbert (center). his most memorable moments in his own words. Story on page 15. ally known in my life.” Photo collage courtesy of Karyn Newbill-Helmig. Photo of Rose Gilbert courtesy of Jeanette Mills. Photo of J.J. Abrams from Pali High yearbook. Gilbert, who was known to her students as ‘“Mama G,” even larger personality. been a student of Ms. Gilbert, 15 force and infinite spirit.” taught at Pali High since it opened The no-nonsense teacher, who years before me,” Abrams said. Gilbert was 95 when she died CIRCULATION Caruso Updates Plans in 1961. When she announced loved poetry and James Joyce, “While we experimented with at a local hospital on Dec. 16, her retirement in 2013 at the age spoke loudly to emphasize a point many looks and styles before 2013. At a service at Pali High of 94, Gilbert was the oldest full- and kept students in line. settling on the character’s final in January 2014, Principal Pam Based on Community Input time teacher in the Los Angeles “There was no talking in her design, Rose was always at the Magee called Gilbert their “most Unified School District and one of classroom,” said one former stu- center of the inspiration for Maz,” treasured teacher.” By FRANCES SHARPE the oldest in the country. dent. Abrams said. “Rick and I had Thanks to Abrams, Gilbert’s Editor-in-Chief Caruso DRB Meeting At the time, she was still Abrams wasn’t the only one hoped to contact Rose and show legacy will live on as will the Pal- teaching three AP English classes working on the blockbuster film her what we were doing, but she isades connection to what could Rick Caruso is listening to WHEN in the same classroom she had for who had taken English classes sadly passed away while we were turn out to be the biggest film in the Palisades community. Wednesday, Jan. 13 at 7 p.m. 51 years. with Gilbert. in prep on the film. Rick and I at- history. The developer has announced The pint-sized Mama G was “Turns out the production tended her service and sat togeth- Chuck Larsen and Jacqueline that in response to community in- known for her big glasses and designer, Rick Carter, had also er, once again amazed by her life Primo contributed to this article. WHERE put, he has updated the plans for $93,473 his Palisades Village project. Mercer Hall, Pali High Since submitting the appli- The public is invited. READERSHIP cation for the project to the City Post’s ‘Deck Your Halls’ of Los Angeles, Caruso and his the Pacific Palisades Commercial & team have been meeting with Pal- Village and Neighborhoods Specif- isades residents, business owners ic Plan’s requirement for two-foot and community organizations in a setbacks from sidewalks and has re- Contest Winners Announced variety of settings to listen to sug- moved its request for zero setbacks gestions and address concerns. from its application to the city. $168,008 “There is a tremendous amount HEIGHT: Caruso Affiliated of community support for this is amending its definition in terms project, and I personally take the of the way it measures building community outreach very serious- height. This update comes in re- ly. It has been my pleasure to work sponse to community feedback as closely with thousands of residents it will reduce the height of some at town hall meetings, living room buildings and will clarify how meetings, individual coffees and building heights will be measured. setting up a booth at the weekly Caruso’s proposed definition farmers market where I get to listen will limit the height of all building $56,266 to their ideas,” Caruso told the Pal- facades to 30' 0" or less as mea- isadian-Post. sured from adjacent grade. It will DEMOGRAPHICS “After we submitted our appli- allow for architectural features cation, my team and I continued the and/or the high point of sloped roof outreach and listened to input, and elements for all building facades to after many conversations with resi- be limited to 34' 0" or less. dents, I have decided to update the PROGRAM: The developer application in response to commu- is updating the program of uses Deck Your Halls Originality/DIY winners George “Ray” and Judith Deck Your Halls Best Decked Hall winners Susan and Scott Corwin nity input,” he said. in response to community con- Wiley with Gibson International Realty’s Pat Heller (left) and Post with Gibson International Realty’s Pat Heller (left) and Post editor-in- The updates to Caruso Affili- cerns. For example, Caruso Affili- editor-in-chief Frances Sharpe (right). See entry photo of the house chief Frances Sharpe (right). See entry photo of the house on page 9. $2,115,800 ated’s application are in four areas. ated has eliminated the exercise use on page 9. Rich Schmitt/Staff Photographer Rich Schmitt/Staff Photographer SETBACKS: After various (this means there will be no gym, meetings with residents, Caruso yoga or Pilates in the project) and By JACQUELINE PRIMO On Saturday, Jan. 2, Post ed- ua) at 332 Las Casas (House #2) home—decked out in white ici- Affiliated has decided to adhere to reduced the restaurant floor area. Assistant Managing Editor itor-in-chief Frances Sharpe and in the Lower Las Casas neigh- cles and blue lights strung along The developer is replacing that Gibson Vice President Pat Heller borhood won in the Best Decked the home’s border, up the trees ECONOMIC PROFILE floor area with retail and office. early 50 homes, decked presented prizes to the winners in Out category. The Corwins were and lining the windows—is all it An analysis of this revised pro- out in hanging icicle lights, two categories: Best Decked Out thrilled to win and to receive all takes to see why it was a winner. gram by Caruso Affiliated’s traffic Ntwinkling wreaths, glistening and Originality/DIY. Winners the prizes. “It took four guys seven days engineer shows it results in a 30 Christmas trees and sparkly were determined by the commu- “This is so beautiful,” said and 10 to 12 hours a day to do it,” percent reduction in vehicle trips snowmen entered the Palisa- nity via online voting at palipost. Susan of the giant gold star cov- Scott told the Post, adding that $1,342,920 and has no traffic impacts at any dian-Post’s annual “Deck Your com throughout the month of De- ered in gift certificates that was the family hired Joe’s Lights to of the studied intersections. Caruso Halls” holiday home decorating cember. presented to the family. “We amp up the home’s holiday spir- indicated these revised plans still contest presented by Gibson In- Scott and Susan Corwin can’t thank you enough.” it after seeing a friend’s home meet with all parking requirements ternational Realty. (and their 22-year-old son Josh- Just one glance at the (Continued on page 9) according to LA City Code. PARKING: The developer is removing a request for a Shared Parking Demand Study. According Per Capita Income in the Palisades to Caruso, the plan fully complies Palisades Crime Stats 2015 vs. 2014 with code parking requirements. $198,147,000 Caruso will present his updat- By FRANCES SHARPE vehicles (BTFV) in 2015 com- percent. The number of vehi- one robbery and 11 incidents of ed plans to the Pacific Palisades Editor-in-Chief pared with 2014, according to cles reported stolen (grand theft aggravated assault reported each Design Review Board (DRB) on annual crime statistics provided auto) went down from nine in year.
Load more

Recommended publications
  • Greek Art/Roman Eyes
    Greek Art/Roman Eyes: The Reception of Greek Art in the Private Sphere in Ancient Italy A Symposium at the Los Angeles County Museum of Art and the Getty Villa Thursday, Friday, and Saturday, June 4-6, 2009 Program schedule as of May 19, 2009; subject to change. THURSDAY, JUNE 4, 2009 – LOS ANGELES COUNTY MUSEUM OF ART, LEO S. BING THEATER 5905 Wilshire Blvd., Los Angeles, CA 90036 7:00 p.m. Keynote address The Roman Home Transformed: Greek Art and Roman Luxury Andrew Wallace-Hadrill, British School at Rome 8:00 p.m. Pompeii and the Roman Villa: Art and Culture Around the Bay of Naples Exhibtition viewing until 9:30 p.m. FRIDAY, JUNE 5, 2009 – GETTY VILLA, AUDITORIUM 17985 Pacific Coast Highway, Pacific Palisades, CA 90272 8:45 a.m. Check-in opens 9:30 a.m. Welcome: Kenneth Lapatin, J. Paul Getty Museum SESSION ONE: Greeks and Etruscans Moderator: François Lissarrague, Centre Louis Gernet/Getty Research Institute Banquets, Games, Parades, or Something Else? Ideology, Commissions, and Cultural Interaction in Etruscan Regiae Luca Cerchiai, Università degli Studi di Salerno Greek Drinking in Ancient Etruria: Practice and Images Maurizio Harari, Università di Pavia Break Loving Children and the Power of Women: Greek Myths on Etruscan Mirrors Francesco de Angelis, Columbia University Lost in Translation? Greek Myths in Etruscan Painting in the Classical Period Agnès Rouveret, CNRS/Université Paris Ouest Nanterre La Défense Discussion 1:00 p.m. Lunch break and museum visit © 2009 J. Paul Getty Trust Page 1 of 3 3:30 p.m. SESSION TWO: Encounters between Greeks and Italians Moderator: Carol C.
    [Show full text]
  • Malibu 90265 Introduction
    Malibu 90265 Introduction by Taylor Coffman FROM THE SANTA MONICA PIER, it’s a six-mile drive up Pacific Coast Highway to Tuna Canyon Road. Not far along this northwest-to- westerly route lies the site of the Beach House, as William Randolph Hearst and Marion Davies called their grand mansion of the 1920s and ’30s, once the film colony’s most palatial home. Past that, in Pacific Palisades, lies the Bel-Air Bay Club; and then PCH reaches Sunset Boulevard, the world’s only street so-named. On the ocean side is the fish restaurant known as Gladstone’s Malibu. But it’s a false start: the border of that famous town lies almost a mile ahead still. Thelma Todd’s house and the section of Pacific Palisades called Castellammare are next; tucked away nearby, invisible from the main road, is the Getty Villa (J. Paul Getty greatly admired Hearst). Then comes the more working-class enclave of Sunset Mesa, or Parker Mesa. Right past it is the last part of what, overall, amounts to outlying Los Angeles and its coveted Westside, namely, the place where Topanga Canyon Boulevard reaches Topanga State Beach, once a Bohemian seaside haunt but now a bittersweet memory. Go another half mile, past the City of Malibu sign, and watch for a larger sign next to Tuna Canyon Road. It announces “Malibu 27 Miles of Scenic Beauty.” Years ago, in this same spirit of local pride, the old Malibu Township was often said to extend for twenty-six miles. In reality, twenty-nine miles (and even closer to thirty) is more like it in embracing the total Malibu coastline, the long shorefront of what I like to call greater Malibu, the storied land of postal ZIP code 90265.
    [Show full text]
  • The German/American Exchange on Nazi-Era Art Provenance Research
    2017 PREP Exchanges The Metropolitan Museum of Art, New York (February 5–10) Stiftung Preußischer Kulturbesitz, Staatliche Museen zu Berlin (September 24–29) 2018 PREP Exchanges The Getty Research Institute, Los Angeles (February 25–March 2) Zentralinstitut für Kunstgeschichte, Munich (October 8–12) 2019 PREP Exchanges Staatliche Kunstsammlungen Dresden (Spring) Smithsonian Institution, Provenance Research Initiative, Washington, D.C. (Fall) Major support for the German/American Provenance Research Exchange Program comes from The German Program for Transatlantic Encounters, financed by the European Recovery Program through Germany's Federal Ministry for Economic Affairs and Energy, and its Commissioner for Culture and the Media Additional funding comes from the PREP Partner Institutions, The German/American Exchange on the Smithsonian Women's Committee, James P. Hayes, Nazi-Era Art Provenance Research Suzanne and Norman Cohn, and the Ferdinand-Möller-Stiftung, Berlin 3RD PREP Exchange in Los Angeles February 25 — March 2, 2018 Front cover: Photos and auction catalogs from the 1910s in the Getty Research Institute’s provenance research holdings The Getty Research Institute 1200 Getty Center Drive Los Angeles, CA 90049 © 2018Paul J.Getty Trust ORGANIZING PARTNERS Smithsonian Provenance Research Initiative, Smithsonian Institution Washington, D.C. Stiftung Preußischer Kulturbesitz—Staatliche Museen zu Berlin (Prussian Cultural Heritage Foundation—National Museums in Berlin) PARTNERS The Metropolitan Museum of Art, New York The Getty Research
    [Show full text]
  • Cult Statue of a Goddess
    On July 31, 2007, the Italian Ministry of Culture and the Getty Trust reached an agreement to return forty objects from the Museum’s antiq­ uities collection to Italy. Among these is the Cult Statue of a Goddess. This agreement was formally signed in Rome on September 25, 2007. Under the terms of the agreement, the statue will remain on view at the Getty Villa until the end of 2010. Cult Statue of a Goddess Summary of Proceedings from a Workshop Held at The Getty Villa May 9, 2007 i © 2007 The J. Paul Getty Trust Published on www.getty.edu in 2007 by The J. Paul Getty Museum Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049­1682 www.getty.edu Mark Greenberg, Editor in Chief Benedicte Gilman, Editor Diane Franco, Typography ISBN 978­0­89236­928­7 This publication may be downloaded and printed in its entirety. It may be reproduced, and copies distributed, for noncommercial, educational purposes only. Please properly attribute the material to its respective authors. For any other uses, please refer to the J. Paul Getty Trust’s Terms of Use. ii Cult Statue of a Goddess Summary of Proceedings from a Workshop Held at the Getty Villa, May 9, 2007 Schedule of Proceedings iii Introduction, Michael Brand 1 Acrolithic and Pseudo­acrolithic Sculpture in Archaic and Classical Greece and the Provenance of the Getty Goddess Clemente Marconi 4 Observations on the Cult Statue Malcolm Bell, III 14 Petrographic and Micropalaeontological Data in Support of a Sicilian Origin for the Statue of Aphrodite Rosario Alaimo, Renato Giarrusso, Giuseppe Montana, and Patrick Quinn 23 Soil Residues Survey for the Getty Acrolithic Cult Statue of a Goddess John Twilley 29 Preliminary Pollen Analysis of a Soil Associated with the Cult Statue of a Goddess Pamela I.
    [Show full text]
  • Santa's Coming
    PALIHI’S SUPER BOWL ‘TROPHY’ Vol. 2, No. 3 • December 2, 2015 Uniting the Community with News, Features and Commentary Circulation: 15,000 • $1.00 See Page 25 Turkey Trotting Time ‘Citizen’ Kilbride To Be Honored December 10 By LAURIE ROSENTHAL Staff Writer itizen of the Year Sharon Kilbride lives in the Santa Monica Canyon Chome that she grew up in, on prop- erty that has been in the family since 1839. The original land grant—Rancho Boca de Santa Monica—once encompassed 6,656 acres, and stretched from where Topanga Canyon meets the ocean to what is now San Vicente around 20th Street. Six generations of the Marquez family have lived in Santa Monica Canyon, which was a working rancho. Kilbride’s great-grandfather, Miguel Mar - quez, built the original house, the same one where Kilbride’s mother, Rosemary Close to 1,400 runners spent early Thanksgiving morning running in the third annual Banc of California Turkey Trot, be- Romero Marquez, grew up. According to ginning and ending at Palisades High. (See story, page 27). Photo: Shelby Pascoe Kilbride’s brother, Fred, “The property has never been bought or sold.” Rosemary attended Canyon School, as Ho!Ho!Ho! Santa’s Coming (Continued on Page 4) By SUE PASCOE DRB May Discuss Editor anta and Mrs. Claus are coming to Pacific Palisades for Caruso’s Plans the Chamber’s traditional Ho!Ho!Ho! festivities on Friday, The Design Review Board will hold a December 4, from 5 to 8 p.m. regularly scheduled meeting at 7 p.m. on S Wednesday, December 9, at the Palisades After the reindeer land, Station 69 firefighters will load the Clauses onto a firetruck and deliver them to Swarthmore.
    [Show full text]
  • The Art of Ancient Greek Theater LOS ANGELES—The Art of Ancient
    DATE: June 9, 2010 FOR IMMEDIATE RELEASE GETTY MUSEUM EXHIBITION FOCUSES ON THE REPRESENTATION OF THEATRICAL PERFORMANCE IN ANCIENT GREECE The Art of Ancient Greek Theater At the J. Paul Getty Museum, the Getty Villa August 26, 2010–January 3, 2011 Mixing Vessel with Dionysos and Comic Actors, Greek, About 390 – 380 B.C., Red-figured volute krater attributed to the Pronomos Painter. Terracotta. Lent by the Cleveland Museum of Art, John L. Severance Fund. LOS ANGELES—The Art of Ancient Greek Theater, on view at the Getty Villa from August 26, 2010 – January 3, 2011, is the first exhibition in the United States in over fifty years to focus on the artistic representation of theatrical performance in ancient Greece. Assembling international loans of antiquities from many museums and private collections, the exhibition illustrates the ways in which dramatic performance was depicted in the visual arts of ancient Greece between the fifth and the first centuries B.C. The exhibition is being presented in conjunction with the Getty Villa’s annual outdoor theater performance, Sophocles’ Elektra. “Ancient art and theater share a strong and enduring connection–one that is inspired by mythology and the social, cultural, and political realities of life in ancient Greece and Rome,” says David Bomford, acting director of the J. Paul Getty Museum. “With this exhibition and our annual production in the outdoor theater, we are delighted to bring ancient theater alive at the Getty Villa and invite our visitors to join us and discover how those themes found in ancient times persist today.” -more- Page 2 The Art of Ancient Greek Theater spans centuries of artistic production throughout the cities of the Mediterranean.
    [Show full text]
  • Ability Guidebook: I Am Going to the J Paul Getty Museum
    Ability Guidebooks presents Explore Los Angeles! r k c i l F n o i r E " a J k a b o B y b o t o h P I Am Going To The Getty Villa! A Step-by-Step Guide On How To Visit This Amazing Museum. By Brett Bigham The J. Paul Getty Villa is a famous museum in Los Angeles. People come from all over the world to visit. r k c i l F n o i r E " a J k a b o B y b o t o h P The building is a copy of a Roman villa and has many pieces of art made by Ancient Greeks, Romans and Etruscans! The museum is very big so it is important to stay with your group. After you leave the parking lot you walk up to the entry of the Getty Villa. r k c i l F n o z c i w o d j a Z d a h T y B o t o h P Let's stay together! This is where you enter the museum. Remember, the museum is a serious place. You have to use a quiet voice. l e n n a h C g n i h c a e T e h T y B o t o h P It is free to visit the museum but you have to sign up for a time on the museum website or by calling ahead. You can follow the stairs or take an elevator to get to the front doors of the museum.
    [Show full text]
  • DATE: July 09, 2021 for IMMEDIATE RELEASE Getty Exhibition
    DATE: July 09, 2021 FOR IMMEDIATE RELEASE Getty Exhibition Reassembles Medieval Italian Triptych Paolo Veneziano: Art and Devotion in 14th-Century Venice is the first monographic exhibition on the artist in U.S. The Crucifixion, about 1340-1345 Paolo Veneziano (Italian (Venetian), about 1295 - about 1362) Tempera and gold leaf on panel Unframed: 33.9 × 41.1 cm (13 5/16 × 16 3/16 in.) Framed: 37.2 × 45.4 × 5.7 cm (14 5/8 × 17 7/8 × 2 1/4 in.) National Gallery of Art, Washington, Samuel H. Kress Collection, 1939.1.143 LOS ANGELES - Paolo Veneziano (about 1295–about 1362) was the premier painter in late medieval Venice, producing religious works ranging from large complex altarpieces to small paintings used by Christians for personal devotion. A new exhibition, on view at the J. Paul Getty Museum, Getty Center, from July 13 through October 3, 2021, brings together numerous paintings that reveal the delicate beauty and exquisite colors that distinguish Paolo Veneziano’s art. The centerpiece of the show reunites painted panels that originally belonged together but are today housed in different collections. “It is fairly commonplace for museums around the world to own fragments of what were once larger ensembles, dismantled in later centuries for sale on the art market,” explains Timothy Potts, Maria Hummer-Tuttle and Robert Tuttle Director of the J. Paul Getty Museum. “Paolo Veneziano: Art and Devotion in 14th-Century Venice presents a rare exception: a completely intact triptych for personal devotion, on loan from the National Gallery of Parma, Italy. The appearance of this triptych was the basis for the reconstruction of an almost identical triptych, the so-called Worcester triptych, reassembled for the first time in this exhibition.” Portable devotional triptychs, self-supporting and with closable shutters, were regularly made by artists and craftspeople in Venice throughout the fourteenth century.
    [Show full text]
  • ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
    ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J.
    [Show full text]
  • The Twelve Labors of Herakles
    The Getty Teacher Resource Villa The Twelve Labors of Herakles Herakles was a universal hero, celebrated by the Greeks, the Etruscans (who called him Hercle), and the Romans (who knew him as 1. The Lion Hercules). He was the son of Zeus (king of the of Nemea gods) and a mortal woman, Alkmene. Ironically, his name means “the glory” (kleos) of Hera (queen of the gods), his jealous stepmother, who drove him mad and caused him to kill his wife and children. As penance, the hero was bound to serve King Eurystheus of Mycenae and Tiryns. The king sent him on a series of The Lion of Nemea had an impervious hide difficult tasks, or labors, twelve of which and could not be killed with traditional weapons. Herakles strangled it and then became standardized in art and literature. used its own claw to skin it. Afterward he wore its pelt as a talisman. 2. The Hydra of Lerna 3. The Hind of Keryneia The Hydra of Lerna was a serpentlike, multiheaded monster. Every time a head was cut off, two more grew in its place. With the aid of his nephew Education Iolaos,Educ Heraklesation killed the beast by cauterizing each wounded neck with a torch. 6/8 point The J. Paul Getty Museum The J. Paul Getty Museum at the Getty Center The Hind of Keryneia was sacred to Artemis ducation (goddess of the hunt and wild animals). Herakles E was ordered to bring the deer, or its golden The J. Paul Getty Museum horn, back to Eurystheus without harming it.
    [Show full text]
  • SUNSET CANYONSANTA YNEZ LAKE 17030 W SUNSET BOULEVARD the Property Has 180º Ocean and “Queen’S Necklace” Views
    PRESTIGIOUS DEVELOPMENT SITE: UP TO 73 RESIDENTIAL UNITS | PACIFIC PALISADES, CALIFORNIA DOWNTOWN LOS ANGELES CENTURY CITY MARINA DEL REY WESTWOOD 10 VENICE 405 SANTA MONICA BRENTWOOD SANTA MONICA PIER PACIFIC OCEAN P P A A C C I F IC C O A S PACIFIC PALISADES T H IG H W A Y W SU N SE 17030 T B W SUNSET BLVD. L site is located approximately V D D 400 feet from the shoreline 1 conceptual rendering BIDS ARE DUE: FRIDAY, JUNE 25, 2021 BY 5PM PRICE: $10,595,000 SUNSET CANYONSANTA YNEZ LAKE 17030 W SUNSET BOULEVARD www.SunsetCanyon-cbre.com The property has 180º ocean and “queen’s necklace” views. TOPANGA MALIBU MALIBU PIER PACIFIC OCEAN 1 PACIFIC PALISADES P A C I F I C C 17030 O A W SUNSET BLVD. S T H IG H W A Y W S UNSE T BLV D site is located approximately 400 feet from the shoreline © 2021 CBRE, Inc. All Rights Reserved. SHERMAN OAKS The property has current geological approval to build WESTWOOD up to 49 apartment units. 405 BRENTWOOD PACIFIC PALISADES SANTA YNEZ LAKE 17030 W SUNSET BLVD. V D W SUNSE T BL 1 AY H W IG H T S A O C IC IF C A PACIFIC OCEAN P site is located approximately 400 feet from the shoreline conceptual rendering SITE PEPPERDINE UNIVERSITY PACIFIC OCEAN PALISADES SHOPPING VILLAGE RIVIERA COUNTRY CLUB SITE WILL ROGERS BEACH PACIFIC OCEAN EXECUTIVE TABLE OF 01 SUMMARY CONTENTS PROPERTY 02 DESCRIPTION CONCEPTUAL 03 DEVELOPMENT LAURIE LUSTIG-BOWER Executive Vice President AREA Lic.
    [Show full text]
  • Ancient Lamps in the J. Paul Getty Museum
    ANCIENT LAMPS THE J. PAUL GETTY MUSEUM Ancient Lamps in the J. Paul Getty Museum presents over six hundred lamps made in production centers that were active across the ancient Mediterranean world between 800 B.C. and A.D. 800. Notable for their marvelous variety—from simple clay saucers GETTYIN THE PAUL J. MUSEUM that held just oil and a wick to elaborate figural lighting fixtures in bronze and precious metals— the Getty lamps display a number of unprecedented shapes and decors. Most were made in Roman workshops, which met the ubiquitous need for portable illumination in residences, public spaces, religious sanctuaries, and graves. The omnipresent oil lamp is a font of popular imagery, illustrating myths, nature, and the activities and entertainments of daily life in antiquity. Presenting a largely unpublished collection, this extensive catalogue is ` an invaluable resource for specialists in lychnology, art history, and archaeology. Front cover: Detail of cat. 86 BUSSIÈRE AND LINDROS WOHL Back cover: Cat. 155 Jean Bussière was an associate researcher with UPR 217 CNRS, Antiquités africaines and was also from getty publications associated with UMR 140-390 CNRS Lattes, Ancient Terracottas from South Italy and Sicily University of Montpellier. His publications include in the J. Paul Getty Museum Lampes antiques d'Algérie and Lampes antiques de Maria Lucia Ferruzza Roman Mosaics in the J. Paul Getty Museum Méditerranée: La collection Rivel, in collaboration Alexis Belis with Jean-Claude Rivel. Birgitta Lindros Wohl is professor emeritus of Art History and Classics at California State University, Northridge. Her excavations include sites in her native Sweden as well as Italy and Greece, the latter at Isthmia, where she is still active.
    [Show full text]