March 2020 March 2

Total Page:16

File Type:pdf, Size:1020Kb

March 2020 March 2 March 2020 March 2 Cover design from the exhibit of Ms. Bing Famoso What’s UP? is a publication of the UP Diliman Information Office under the Office of the Chancellor, UP Diliman. Its editorial office is located at 2/F University Theater (Villamor Hall), Osmeña Avenue, UP Diliman, Quezon City, with telephone numbers Kasali Ka sa 8981-8500 loc. 3982/3983, email address [email protected]. Bagong Dekada What’s UP? accepts announcements of activities of UPD academic and administrative units and student organizations, as well as call for papers. Text should not exceed 400 words and must contain the event’s title, event’s information, venue, date and time, contact information of the organizing group and ticket price, if applicable. Photos should be in jpeg format, 200 dpi. Sir Anril P. Tiatco Mario Carreon 8:30 a.m. (exhibit opening) Editors Media Center Building, College of Bino C. Gamba Jr. Mass Communication Managing Editor Jefferson Villacruz With a theme A-TEN ‘TO, DZUP Layout Artist 1602 is holding a week-long exhibit to showcase their 10 Mariamme D. Jadloc Haidee C. Pineda fruitful years and their pursuit Benito V. Sanvictores Jr. of matinong usapan para sa Copy Editors maunlad na bayan. Narciso S. Achico Jr. Shirley S. Arandia The exhibit is free and open to Jacelle Isha B. Bonus the public. Pia Ysabel C. Cala Raul R. Camba Chi A. Ibay Anna Kristine E. Regidor Leonardo A. Reyes Evangeline C. Valenzuela Editorial Staff Schedules are subject to change without prior notice. For confirmation of program schedules, please coordinate with concerned organizers using the contact information indicated in each activity. March March 2 2 VFA Termination: New Strategic Moves 2-4 p.m. 2F Seminar Room, Asian Center The public lecture will examine President Duterte’s termination of the Visiting Forces Agreement Laksambuhay: (VFA), which signals new strategic possibilities. It lessens Life and Legacy of US ability to dictate on Philippine foreign policy; enhances overall Perry S. Ong cooperation with China leading to possible solutions to the South China Sea disputes; and widens space for the CS Administrative Building Famoso is an advocate of country’s initiatives for a more Philippine endemic flora and independent foreign policy. In commemoration of Dean Perry fauna The lecture is free and open to S. Ong’s first death anniversary, The speaker is Ericson Baculinao, the public. Seating is on a first- the UP College of Science will The exhibit, which will run until award-winning Beijing bureau come-first-serve basis. hold a one-woman art exhibition Mar. 31, is free and open to the chief of NBC News US television. by Ms. Bing Famoso featuring public. Baculinao has lived and worked For inquiries, please email paintings of Philippine flora and in China for the past 48 years. [email protected]. fauna, by Joyce Bernal at the 39th Irene Villamor (Directing Metro Manila Film Festival and Masterclass / 2-5 pm / March 28 March “Ka Oryang” directed by Sari / UPFI Cine Adarna) Lluch Dalena at the CinemaOne Originals Film Festival 2011. Villamor is a director and assistant director known for 7, 14, 28 Tey Clamor (Cinematography “Camp Sawi” (2016), “Meet Me Masterclass / 2-5 pm / March 7 / in St. Gallen” (2018), “Sid & Aya UPFI Videotheque) (Not A Love Story)” (2018), “Ulan” (2019) and, most recently, SineMaestra Clamor is a cinematographer “On Vodka, Beers, and Regrets” who received her BA in Film (2020). Her films earned her from the UP Film Institute and nomination for best screenplay The UP Film Institute (UPFI) participated in the Berlinale and best direction from various brings you “SineMaestra: Talent Campus, Germany in 2006. award-giving bodies such as Women’s Masterclasses!” She received her first break as Asian Academy Creative Awards, a Director of Photography in FAMAS Awards, FAP Awards, Enroll in five masterclasses as 2015 for the film “Sleepless” and Gawad Urian, and Star Awards UPFI celebrates Women’s Month since then completed 18 local for Movies. this March. Dip in various aspects feature films including recent of the film scene like planning, films “Tayo Sa Huling Buwan Interested participants may shooting and promoting films. Ng Taon,” “Metamorphosis,” “Isa register through: https://bit. Pa With Feelings,” and “Babae ly/39taxvD. Confirmation and SineMaestra is open to the public at Baril.” Her first international Angeli Bayani (Acting payment details will be sent on a first-come, first-served nomination came in 2018 for the Masterclass / 9–12 nn / March once the registration process is basis. film “Maestra” (Teacher) in the 28 / UPFI Cine Adarna) complete. Philadelphia Independent Film Teresa Barrozo (Film Music Awards. Bayani is best known for starring A Certificate of Completion Masterclass / 9 am -12 nn / in Philippine art-house and will be awarded to those who March 7 / UPFI Videotheque) Marielle Hizon (Production independent films notably those will participate in ALL FIVE Design Masterclass / 2-5 pm / by Lav Diaz: “Melancholia” (2008) Masterclasses. Barrozo is a film music composer. March 14 / UPFI Film Studio) and “Norte, the End of History” She is the winner for Best Aural (2013) for which she won the Early bird rate is Php 500/head Design for the film “Birdshot” Hizon is a freelance production 2014 Gawad Urian Award for per masterclass. by Mikhail Red at the Filipino designer and actress. She won Best Actress. She also appeared For walk-ins, rate is Php 1,000/ Arts and Cinema International production design awards for in the Camera d’Or-winning head per masterclass. (Facine24) in San Francisco, “Kung Paano Hinihintay ang Singaporean film “Ilo Ilo” (2013) PWD and Senior Citizen USA and the winner of the Dapithapon” (2018) at the by Anthony Chen. discounts will be honored. Best Original Soundtrack for Cinemalaya Independent Film the film “Kinatay” directed by Festival, “Baconaua” (2017) at the Brillante Mendoza at the 42nd Young Critics Circle, “Lila” (2016) Sitges International Film Festival for Sinag Maynila Film Festival 2009 in Spain. She also earned and “Blue Bustamante” (2013) at recognition for scoring films the Cinema One Originals Digital such as “10,000 Hours” directed Film Festival. March March 13 25 Poiesis: Encompassing Mindanao: Music, Art and Fractured Type in Motion Promises, 6 p.m. (exhibit opening) Continuing Abelardo Hall Auditorium Challenges (Part Two) The interdisciplinary project is a fusion of traditional and contemporary expressions of music, art and digital 1-5 p.m. The event is free and open to explorations of type in motion CIDS Conference Hall, Ang Bahay the public, but pre-registration among Music Education, Visual ng Alumni via bit.ly/cidsmindanao is Perception and Design Workshop required. students of the UP College of The forum will tackle political, Music and UP College of Fine historical and educational For inquiries, please call Liza Arts (CFA). issues with specific focus on the Villanueva at (02) 8981-8500 Bangsamoro Autonomous Region loc. 8682 or email l.villanueva@ The exhibit component of the in Muslim Mindanao (BARMM). actrc.org. project will open on Mar. 27 at the Atrium Arts and Design Building of CFA. It will run until Apr. 6. Now on its 10th year, the project is supported by the UPD Office for Initiatives in Culture and the Arts. March 27 Conversations through Art 1-4 p.m. Panel speakers are Dr. Violeta Arts and Design Hall, College of Bautista, Psychserve; Dr. Nathalie Fine Arts Africa-Verceles, Center for Women and Gender Studies; Prof. A forum that will highlight Laverne David Dela Peña, College the value of various creative of Music; and Dr. Nancy Kimuell- expressions in nurturing the Gabriel, from Diliman Gender general and emotional well-being. Office. Artists, cultural practitioners, advocates and educators will discuss the powerful role of the arts for social change and transformation..
Recommended publications
  • Women in Filipino Religion-Themed Films
    Review of Women’s Studies 20 (1-2): 33-65 WOMEN IN FILIPINO RELIGION-THEMED FILMS Erika Jean Cabanawan Abstract This study looks at four Filipino films—Mga Mata ni Angelita, Himala, Ang Huling Birhen sa Lupa, Santa Santita—that are focused on the discourse of religiosity and featured a female protagonist who imbibes the image and role of a female deity. Using a feminist framework, it analyzes the subgenre’s connection and significance to the Filipino consciousness of a female God, and the imaging of the Filipino woman in the context of a hybrid religion. The study determines how religion is used in Philippine cinema, and whether or not it promotes enlightenment. The films’ heavy reference to religious and biblical images is also examined as strategies for myth-building. his study looks at the existence of Filipino films that are focused T on the discourse of religiosity, featuring a female protagonist who imbibes the image and assumes the role of a female deity. The films included are Mga Mata ni Angelita (The Eyes of Angelita, 1978, Lauro Pacheco), Himala (Miracle, 1982, Ishmael Bernal), Ang Huling Birhen sa Lupa (The Last Virgin, 2002, Joel Lamangan) and Santa Santita (Magdalena, 2004, Laurice Guillen). In the four narratives, the female protagonists eventually incur supernatural powers after a perceived apparition of the Virgin Mary or the image of the Virgin Mary, and incurring stigmata or the wounds of Christ. Using a feminist framework, this paper through textual analysis looks at the Filipino woman in this subgenre, as well as those images’ connection and significance to the Filipino consciousness of a female God.
    [Show full text]
  • Workplaces with the Rockwell Mother's May
    MAY 2016 www.lopezlink.ph http://www.facebook.com/lopezlinkonline www.twitter.com/lopezlinkph Registration is ongoing! See details on page 10. #Halalan2016: All for the Filipino familyBy Carla Paras-Sison ABS-CBN Corporation launches its election coverage campaign about a year before election day. But it’s not protocol. Ging Reyes, head of ABS-CBN Integrated News and Current Affairs (INCA), says it actually takes the team a year to prepare for the elections. Turn to page 6 Workplaces with Mornings Mother’s the Rockwell with the May touch…page 2 ‘momshies’…page 4 …page 12 Lopezlink May 2016 Lopezlink May 2016 Biz News Biz News 2015 AUDITED FINANCIAL RESULTS Period Dispatch from Japan Total revenues Net income attributable to equity January- holders of the parent Building Mindanao’s September Workplaces with Design-driven PH products showcased in 2014 2015 % change 2014 2015 % change By John ALFS fest Porter ABS-CBN P33.544B P38.278B +14 P2.387B P2.932B +23 largest solar farm Lopez Holdings P99.191B P96.510B -3 P3.760B P6.191B +65 theBy Rachel Varilla Rockwell touch KIRAHON Solar Energy cure ERC [Energy Regulatory ing to the project’s success,” said EDC P30.867B P34.360B +11 P11.681B P7.642B -34 Corporation (KSEC) has for- Commission] approval and the KSEC CEO Mike Lichtenfeld. First Gen $1.903B $1,836B -4 $193.2M $167.3M -13 DELIVERING the same me- As the first mally inaugurated its 12.5- first to secure local nonrecourse Kirahon Solar Farm is First FPH P99.307B P96.643 -3 P5.632B P5.406B -4 ticulous standards it dedicated prime of- megawatt Kirahon Solar Farm debt financing, it was important Balfour’s second solar power ROCK P8.853B P8.922B +1 P1.563B P1.644B +5 to its residential developments, fice project of in Misamis Oriental.
    [Show full text]
  • COVER SHEET for AUDITED FINANCIAL STATEMENTS SEC Registration Number 1 8 0 3 Company Name A
    COVER SHEET FOR AUDITED FINANCIAL STATEMENTS SEC Registration Number 1 8 0 3 Company Name A B S - C B N C O R P O R A T I O N A N D S U B S I D I A R I E S Principal Office (No./Street/Barangay/City/Town/Province) A B S - C B N B r o a d c a s t i n g C e n t e r , S g t . E s g u e r r a A v e n u e c o r n e r M o t h e r I g n a c i a S t . Q u e z o n C i t y Form Type Department requiring the Secondary License Type, If report Applicable A A F S COMPANY INFORMATION Company’s Email Address Company’s Telephone Mobile Number Number/s [email protected] (632) 3415-2272 ─ Annual Meeting Fiscal Year No. of Stockholders Month/Day Month/Day 7,985 09/24 December 31 CONTACT PERSON INFORMATION The designated contact person MUST be an Officer of the Corporation Name of Contact Person Email Address Telephone Mobile Number Number/s Ricardo B. Tan Jr. [email protected] (632) 3415-2272 ─ Contact Person’s Address ABS-CBN Broadcast Center, Sgt. Esguerra Avenue corner Mother Ignacia St. Quezon City Note: In case of death, resignation or cessation of office of the officer designated as contact person, such incident shall be reported to the Commission within thirty (30) calendar days from the occurrence thereof with information and complete contact details of the new contact person designated.
    [Show full text]
  • Papal Visit Philippines 2014 and 2015 2014
    This event is dedicated to the Filipino People on the occasion of the five- day pastoral and state visit of Pope Francis here in the Philippines on October 23 to 27, 2014 part of 22- day Asian and Oceanian tour from October 22 to November 13, 2014. Papal Visit Philippines 2014 and 2015 ―Mercy and Compassion‖ a Papal Visit Philippines 2014 and 2015 2014 Contents About the project ............................................................................................... 2 About the Theme of the Apostolic Visit: ‗Mercy and Compassion‘.................................. 4 History of Jesus is Lord Church Worldwide.............................................................................. 6 Executive Branch of the Philippines ....................................................................... 15 Presidents of the Republic of the Philippines ....................................................................... 15 Vice Presidents of the Republic of the Philippines .............................................................. 16 Speaker of the House of Representatives of the Philippines ............................................ 16 Presidents of the Senate of the Philippines .......................................................................... 17 Chief Justice of the Supreme Court of the Philippines ...................................................... 17 Leaders of the Roman Catholic Church ................................................................ 18 Pope (Roman Catholic Bishop of Rome and Worldwide Leader of Roman
    [Show full text]
  • Global Makeover Cover V2.Indd 12/21/2010 3:18:21 PM
    (1,1) -1- FINAL_global makeover cover v2.indd 12/21/2010 3:18:21 PM � e 11 studies in this book show the “makeover” that selected countries in Asia have undergone due to globalization. Clearly, the la� er’s eff ects go beyond economics as Asian politics and culture (including media) tend to evolve due to the changing times. While these studies do not cover the entire Asian experience with regard to globalization and other in� uences, they nevertheless give interested readers the speci� c experience in selected Asian countries like the Philippines, Korea and East Timor while providing a general context of Asian media and culture. Editor’s Introduction Regional Contexts of Media Cooperation and Artistic Collaboration in East Asia by Caroline S. Hau Whose Stories Do We Listen To? World-System and the Pa� ern of International News Flow global makeover by Seung Joon Jun and Ju-Yong Ha A Yearning for Tenderness in Korean Cinema Media and Culture in Asia by Ju-Yong Ha and Joel David Cultural Proximity and Cultural Distance: � e Reception of Korean Films in China � rough the Case of My Sassy Girl in the Early 2000s by Ying Huang and Kwang Woo Noh Edited by Danilo Araña Arao � e ‘English Fever’ in Korea by Doobo Shim and Joseph Sung-Yul Park � e New Fantasy-Adventure Film as Contemporary Epic, 2000-2007 by Patrick F. Campos � e Alternative Metaphor in Metaphors: Discursive ‘Readings’ on Language, Symbols and Enculturation in Philippine Cinema and Other Media by Shirley Palileo-Evidente Orientalism and Classical Film Practice by Joel David � e Grassroots Approach to Communication: How Participatory Is Participatory Communication in the Philippines? by Randy Jay C.
    [Show full text]
  • VICE President KONTRABIDAS
    2018 FEBRUARY NEW Kapuso Loveteam? Andre & Klea ANNULMENT OK lo PHILIPPINES - The House of Rep- Under the bill, marriage annulments veteam? resentatives has approved a proposed law that eliminates the costly judicial ANNULMENT process for marriage annulment. continued on page 25 JADINE movie ‘Never Not love you’ not happening? Am-FILIPINO star in HollYwood Dengue Vaccine Versace Assassination TV Show Side Effects PEOPLE Who use Blown out of EMOJIS a LOT have More sex proportion VICE President Office will DISaPPear Binibining Pilipinas 4th year longest FILIPINOS TOP on Binibining Pilipinas contestants like Agatha Romero (TOP)and crossover This photo, taken on April 4, 2016, shows a nurse showing vials of beauty queen Catriona Gray (ABOVE) the dengue vaccine Dengvaxia, developed by French medical giant are ready to represent the Philippines. Sanofi Pasteur, during a vaccination program at an elementary school in Metro Manila. A group of physicians and scientists has issued a statement expressing dismay at how the controversy surrounding the an- PORNHUB ti-dengue Dengvaxia vaccine has started to WHY showbiz need GOOD “erode” public confidence in the country’s vaccination programs. The statement, which was emailed to media outfits, was signed by 58 doctors, in- cluding former Health secretaries Esparan- KONTRABIDAS za Cabral and Manuel Dayrit. “The unnecessary fear and panic, largely brought about by the imprudent language reduce and unsubstantiated accusations by persons whose qualifications to render any expert opinion on the matter are questionable, at best, have caused many parents to resist having their children avail of life saving STRESS vaccines that our government gives,” the SEX statement read.
    [Show full text]
  • Martial Law Declared in Mindanao
    IN DEO SPERAMUS JUNE 2017 IS JADINE OVER? No Teleserye & James Ready to split from Jadine? MARAWI ATTACKED Martial Law declared in Mindanao MANILA - President Rodrigo Duterte on (MAY 23) Tuesday declared Martial Law in the entire island of Mindanao following attacks by the ISIS-inspired Maute group in the city of Marawi, cutting short his first state visit to Russia this week. “The President has called me and asked me to announce that as of 10 p.m. Manila time, he has already declared Martial Law for the entire island of Mindanao,” Presidential Spokesperson Ernesto Abella said in a press briefing in Mos- cow, Russia just before midnight on Tuesday PH time. “Deputy Executive Secretary Menardo Guevarra has clarified that this is possible given the existence of a rebellion in Mindanao based on Article VII, Section 18 of the Constitution. This is good for 60 days,” Abella added. Duterte will be leaving Moscow at around 12 midnight, cancelling his meetings with Russian President Vladimir Putin and Prime Minister Dmitry Medvedev as a result of this new devel- opment. “They understand that the presence of the President is essential in the Philippines. But I will be staying behind. The agreements will be signed,” Foreign Affairs Secretary Alan Peter Cayetano said. The President will be arriving at the Ninoy Aquino International Airport in Manila at around 5 pm on Wednesday. Defense Secretary Delfin Lorenzana, meanwhile, said that several vital installations were set on fire as the Maute group took over MARTIAL LAW continued on page 25 Watch Miss Philippines Canada at PINOY FIESTA JUDGES LOVE BLESSING DR.
    [Show full text]
  • 2004 01 Inside Pages
    UP Film Institute Filmography of Filipino Films 2003 Introduced by Lucenio Martin L. Lauzon Compiled by Virginia D. Cuyugan and Lucenio Martin L. Lauzon with assistance from Pol del Mundo of the Movie and Television Review and Classification Board (MTRCB) Ana Fajardo of the Film Academy of the Philippines (FAP) Edwin Joaquin of the MOWELFUND Film Institute The Filipino film celebrates this year its 85th anniversary but its activities and achievements through the years still need to be documented and assessed fully and systematically. Today, the country is still wanting not only in the capability to preserve its film heritage but also in the determined and sustained efforts to collect and preserve existing data on Filipino film for posterity. It does not help that the conservation of Filipino heritage, taxing and tedious as it is already, is appreciated by only a few individuals even within the industry. As an institution dedicated to the study of films, the UP Film Institute (UPFI) shall try to help in the task of gathering, classifying and disseminating data on the Filipino film. As part of its commitment to the public, the UPFI shall make these data available to everyone through the publication of a systematic and comprehensive listing of Filipino films, beginning with those produced in 2003. This year is most apropos as it was also in 2003 that the UPFI was formally established by virtue of the UP Board of Regents resolution. The UPFI realizes that such filmographies are indispensable for anyone who wants to gain an overview of the film landscape in the country and to make necessary, informed and authoritative observations on the state of the Filipino film industry.
    [Show full text]
  • ISTANBUL INTERNATIONAL SHORT FILM FESTIVAL 14-21 Aralık | December 2018
    29. İSTANBUL ULUSLARARASI KISA FİLM FESTİVALİ 29th ISTANBUL INTERNATIONAL SHORT FILM FESTIVAL 14-21 Aralık | December 2018 www.istanbulfilmfestival.com Etkinlikler Ücretsizdir | Entrance is Free DÜZENLEME KURULU | ORGANISATION COMMITTEE Hilmi Etikan, Yıldız Etikan, Natali Yeres, Berna Kuleli, Haşmet Topaloğlu, Bahar Tırnakçı, Sinan Turan, Duygu Etikan DESTEKLERİ İÇİN TEŞEKKÜR EDERİZ | WE ARE GREATFUL FOR THEIR SUPPORT Matthieu Bardiaux, Christophe Pécot, Dr. Reimar Volker, Fügen Uğur, Gianni Vinciguerra, Tanju Şahan, Ioana Pavel, Aslı Ertürk, Aslı Selçuk, Emre Kurt, Esin Köymen, Fehime Koç, Gürhan Gezer, Mehmet Koç, Özlem Kurt, Selma Erdem, Sinan Ersin ULUSLARARASI FİLM SEÇKİSİ | INTERNATIONAL FILM SELECTION Hilmi Etikan, Belma Baş, Belmin Şöylemez, Berna Kuleli, Ömer Tuncer, Haluk Koçoğlu, Aslı Ertürk, İlker Canikligil, Ahmet Sönmez, Haşmet Topaloğlu, Ufuk Etikan, Bengü Üçüncü, Nazım Yılmaz ALTYAZI ÇEVİRİ | SUBTITLE TRANSLATION Emel Çelebi, Berna Kuleli, Deniz Üstüner, Aylin Özorhan, Güneş Karadeniz Grant, İlknur Boyer, Merve Uslucan Stolarz, Ufuk Etikan, Hande Alparslan, Can Usta, Duygu Etikan, Uğur Çınar Katalog Tasarımı | Catalogue Desing Sinan Turan Festival Fragman | Festival Trailer Duygu Etikan Teknik Ekip Sorumluları | Technical Team Coordinators Emre Yaşar, Süleyman Akşar, Bilal İncel Festival Adres | Festival Address Uluslararası İstanbul Kısa Film Festivali [email protected] www.istanbulfilmfestival.com İçindekiler | Contents ULUSAL JÜRİ | NATIONAL JURY 5 PROGRAM | PROGRAMME 6 KURMACA FİLMLER | FICTION FILMS 6 CANLANDIRMA FİLMLER | ANIMATION FILMS 126 DENEYSEL FİLMLER | EXPERIMENTAL FILMS 163 BELGESEL FİLMLER | DOCUMENTARY FILMS 174 Ulusal Jüri | National Jury Cem ALTINSARAY Henüz makina mühendisliği öğrencisiyken, Milliyet Dergi Grubu’nda, Duygu Asena yönetiminde çıkan “Negatif” dergisi kadrosuna katıldı ve basında çalışmaya başladı. Bu ilk deneyimin ardından Hürriyet bünyesinde “Sinerama”yı hazırlayan ekipte yer aldı. Sırasıyla, “Sinema” ve “Max” dergilerinde yazı işleri müdürü olarak görev yaptı.
    [Show full text]
  • The Philippines Are a Chain of More Than 7,000 Tropical Islands with a Fast Growing Economy, an Educated Population and a Strong Attachment to Democracy
    1 Philippines Media and telecoms landscape guide August 2012 1 2 Index Page Introduction..................................................................................................... 3 Media overview................................................................................................13 Radio overview................................................................................................22 Radio networks..........……………………..........................................................32 List of radio stations by province................……………………………………42 List of internet radio stations........................................................................138 Television overview........................................................................................141 Television networks………………………………………………………………..149 List of TV stations by region..........................................................................155 Print overview..................................................................................................168 Newspapers………………………………………………………………………….174 News agencies.................................................................................................183 Online media…….............................................................................................188 Traditional and informal channels of communication.................................193 Media resources..............................................................................................195 Telecoms overview.........................................................................................209
    [Show full text]
  • Festival Guide Fdcpchannel.Ph 1 Table of Contents
    SAMA ALL OCT. 31 - DEC. 13, 2020 PPP SHORT FILM SHOWCASE NOV. 20 - DEC. 13, 2020 PPP MAIN FEATURE FILM SHOWCASE FESTIVAL GUIDE FDCPCHANNEL.PH 1 TABLE OF CONTENTS SHORT FILM SHOWCASE Special Screening: Anak Dalita 13 Cinemarya Premiere 15 Sine Katabataan 18 Regional Shorts 20 MAIN FEATURE FILM SHOWCASE Premium 33 Classics 47 Documentary 52 Romance 57 Youth and Family 63 Genre 68 From the Regions 73 Pang-Oscars 78 Tribute 83 Bahaghari 88 PPP Retro 93 Special Feature 97 Main Feature Film Showcase Calendar 99 Events Schedule 107 The Film Development Council of the Philippines (FDCP) is the national film agency responsible for film policies and programs to ensure the economic, cultural and educational development of the Philippine film industry. It aims to encourage the production of quality films and to conduct film-related events that enhance the skills of the Filipino talents. The agency also leads the film industry’s participation in domestic and foreign film markets, and local and international film festivals, and is tasked to preserve and protect films as part of the country’s national cultural heritage. PISTA NG PELIKULANG PILIPINO is a multi-day festival of original Filipino films that will be seen and enjoyed nationwide. This highly successful showcase of our film industry’s ingenuity and artistry began in August 2017 in partnership with cinemas throughout the country with the objective of creating wider platforms for Filipino films to gain more audience share and profit, as well as to promote excellence in filmmaking. Now on its fourth year and in light of the pandemic, PPP premieres in the FDCP Channel online in support of Filipino filmmakers and producers to feature an exciting curation of 90 full feature films and 80 short films.
    [Show full text]
  • YCC 2019.Indb
    The Film Desk of the Young Critics Circle The 29th Annual “During currently trying times, Circle Citations it is imperative to look for for Distinguished spaces of resistance such as Achievement those offered by the arts, and cinema in particular. Aside in Film for from attempting to challenge 2018 the status quo, filmmakers need to negotiate the very + spaces from which they can SINE SIPAT: pose this interrogation.” Recasting Roles and Images, Stars, Awards, and Criticism August 16, 2019 Jorge B. Vargas Museum University of the Philippines Roxas Avenue, UP Campus | Diliman, Quezon City } The 28th Annual CIRCLE CITATIONS for Distinguished Achievement in 2018Film for + SINE SIPAT: Recasting Roles and Images, Stars, Awards, and Criticism 1 2 The Citation he Film Desk of the Young Critics Circle (YCC) first gave its annual citations in film achievement in 1991, a year after the YCC was Torganized by 15 reviewers and critics. In their Declaration of Principles, the members expressed the belief that cultural texts always call for active readings, “interactions” in fact among different readers who have the “unique capacities to discern, to interpret, and to reflect... evolving a dynamic discourse in which the text provokes the most imaginative ideas of our time.” The Film Desk has always committed itself to the discussion of film in the various arenas of academe and media, with the hope of fostering an alternative and emergent articulation of film critical practice, even within the severely debilitating culture of “awards.” binigay ng Film Desk ng Young Critics Circle (YCC) ang unang taunang pagkilala nito sa kahusayan sa pelikula noong 1991, ang taon pagkaraang maitatag ang YCC ng labinlimang tagapagrebyu at kritiko.
    [Show full text]