DOCSLIB.ORG

2019 Press Pack Château De Vullierens

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2019 Press Pack Château De Vullierens GARDENS AND SCULPTURES 2019 PRESS PACK CHÂTEAU DE VULLIERENS Contents 3 History 4 The gardens 12 The sculptors 22 The wines THE ESTATE –LIVING HISTORY THE GARDENS– UNIQUE IN SWITZERLAND In the Bovet de Mestral family for over 700 years Over 30 hectares 24 Café des Jardins A magnificent 18th-century construction 400 varieties of iris, the largest collection in Europe, 100 hectares of grounds plus daylilies, roses, tulips, peonies, rhododendrons… 25 Portes des Iris 8 hectares of vineyard producing 4 wines : Chasselas, 7 themed gardens 26 The Gift Shop Pinot Noir, Gamaret-Garanoir, Gamaret-Garanoir Rosé Themed walks : roses, centennial trees, architecture 27 Visitor information PRESS ENQUIRIES: THE LOCATION– BEYOND COMPARE ART – AS FAR AS THE EYE CAN SEE Sophie Bertorelli : 20 minutes from Lausanne, 40 minutes from Geneva 72 contemporary artworks 021 869 88 80 Views onto Lake Geneva, the Alps and Mont Blanc 19 sculptors [email protected] The largest collection in Switzerland Some unprecedented in Switzerland Nicole Kate Roduit : Monumental sculptures 076 509 34 33 [email protected] LE CHÂTEAU DE VULLIERENS - 2019 PRESS PACK - CHATEAUVULLIERENS.CH 2 HISTORY A family heritage, part of Swiss history THE FIRST CHÂTEAU Through marriage and inheritance, Vullierens ing, must have found the new architecture to Château de Vullierens presents a fine exam- remained with the de Colombiers then went her liking as she stayed, and went on to give ple of the architecture of its period, not a sin- The first record of the parish of Willerens, to the Allinges, until 1665 when it was giv- her husband 11 children. gle alteration having been made to its exterior part of the barony of Cossonay, can be traced en to Henri de Mestral by sovereign decree. Naturally, such an event didn't go unnoticed since it was completed in 1712. Even the lay- back to 1228. In 1308 Pierre de Duin was Since then, the estate has remained with the among the other ladies of the region. They out of the different rooms is unchanged. It is granted permission to build a fortified house de Mestral family and its direct descendants. too were little enamoured of the uncom- also one of the few remaining illustrations of with dwellings on the land, becoming its first The father of the current owner inherited the fortable fortresses where they spent their an authentic eighteenth-century seigneurial lord. This imposing fortress, similar in struc- Château in 1950 from his mother, Georgina days behind heavy walls, in rooms where residence, still with its period tapestries and ture to Château de Vufflens, was dominat- Bovet de Mestral. The Château as it stands daylight barely penetrated. And so, circa furniture. Indeed, Gabriel-Henri de Mestral ed by a square tower with machicolations. today was built by Gabriel-Henri de Mestral, 1706, Gabriel-Henri de Mestral called on stipulated in his will that the Château's fur- On his marriage to Guillermette de Duin, comrade-in-arms to Abraham Davel, who the same architect to draw up plans to trans- nishings were not to be dispersed. Guillaume de Colombier took possession of was born in Pampigny in 1670. form Vullierens – with the condition that Château de Vullierens remains the de the fortress, and the land remained the prop- certain features of the feudal castle remain, Mestral family home and is therefore not erty of their descendants until the family line namely three towers (one was demolished open to the public. was extinguished in the sixteenth century. In THE CHÂTEAU TODAY in the 1900s to open up the view onto Mont 1421 Vullierens became a banneret seigno- Blanc), that part of the ramparts supporting ry, part of the bailiwick of Vaud, and was giv- Towards the end of the seventeenth century, the present-day terrace, and the outbuild- en to Henri de Colombier, lord of Vufflens. news that a "little Versailles" was being built ings. The rest was demolished and the stone in the region spread like wildfire. Legend has reused for the new building, which was fin- it that when Charles de Chandieu's beautiful ished in 1712. French wife set eyes on the dark and dank Equal care was afforded to the inside of the 700 castle intended as her future home, she Château. Tapestries were commissioned years in the same family turned on her heels and swore she would re- from the prestigious Aubusson workshops turn only when a new Château, comparable in France. Craftsmen from China were em- to those of France, had been built. Anxious ployed to create exquisite wallpapers. The to please his bride, Charles ordered that the decoration for one of the wood-panelled 100 old fortress be demolished and the pres- salons was also executed by Chinese artists. hectares in total ent-day Château de L’Isle built to drawings Another salon was lined with beautifully em- by a student of Mansart. His wife, on return- bossed Cordoba leather. LE CHÂTEAU DE VULLIERENS - 2019 PRESS PACK - CHATEAUVULLIERENS.CH | HISTORY | THE GARDENS | THE SCULPTORS | THE WINES | CAFÉ DES JARDINS | PORTES DES IRIS | THE GIFT SHOP | VISITOR INFORMATION | 3 36,000 400 bluebells along the bridle path camassia 24,000 398 irises flowering in May varieties of iris and June 300 14,000 years, the age of the tulip tree late-blooming tulips and the Sequoia 13,500 250 SWITZERLAND'S daylilies flowering in June and July rhododendrons flowering in May 2,000 200 MOST SPECTACULAR roses flowering in June and July peonies flowering in May GARDENS 700 135 The Château's quiet splendour and the enchantment of its magnificent white and blue alliums varieties of daylily gardens together form one of the country's most remarkable heritage sites. The sumptuous gardens, unequalled in Switzerland, are framed by stunning views of the Alps, Mont Blanc and Lake Geneva, and are certain to delight garden enthusiasts together with admirers of art 400 48 and architecture. metres of bridle path varieties of rose As well as one of the most modern iris collections in Europe with almost 400 different varieties, visitors can enjoy the regularly renewed land- scapes of the different areas throughout the thirty hectares (75 acres) of grounds. Between May and July, 50,000 flowers create a glorious 400 30 mosaic of colour, with more than 8,500 late-blooming tulips, a col- narcissus hectares of gardens lection of peonies and rhododendrons, and an impressive rose garden. LE CHÂTEAU DE VULLIERENS - 2019 PRESS PACK - CHATEAUVULLIERENS.CH | HISTORY | THE GARDENS | THE SCULPTORS | THE WINES | CAFÉ DES JARDINS | PORTES DES IRIS | THE GIFT SHOP | VISITOR INFORMATION | 4 THE FIRST IRISES year. Come 1955, she decided to open the tions were constantly updated – no doubt garden to the public. indulging her own passion at the same time ! Since 1955, visitors have been welcomed to Over the course of the years, with each new Indeed, each trip back to the United States the private gardens of Château de Vullierens season Doreen Bovet continued to assemble became a pretext to purchase elite new vari- for the Floralies Iris Festival. what she insisted would be the only collec- eties selected by the most reputable growers. The first five varieties of iris were planted in tion of its kind, acknowledged by specia- On Doreen Bovet's death, Gabrielle 1950 by Doreen Bovet, wife of Dr Bernard lists as one of the largest and most modern Martignier took charge of the gardens un- Bovet de Mestral and mother of the anywhere in Europe. She placed orders til her retirement in 2004, after more than Château's present owner. Strolling through with the leading hybridisers, and not just seventy years at the Château. Helped by Vullierens' magnificent iris gardens, amidst in Switzerland. She was, for example, a re- Dr Bovet and his assistant Lucy Mercier, her such a blaze of colour, it's hard to imagine gular customer at Schreiner's, a renowned future successor, she learned how to create this was once nothing but wheat. Such a Swiss grower doing business in Oregon. hybrids. The Principality of Monaco even spectacular transformation is all down to She imported American varieties that were featured two of the dozen or so new vari- Doreen Bovet. Armed with boundless ener- unknown in Europe, and acclimated them to eties she introduced to the gardens on its gy, patience and determination, she turned their new environment. postage stamps. an ordinary field into a stunning garden and More than ever, innovation and diversity a true work of art. are the hallmarks of Vullierens. Daylilies are A native San Franciscan, in 1953 she came THE FIRST FLORALIES among the plants that now flourish in the up with the idea of planting the grounds gardens. These lovely perennials tolerate around the Château with her favourite Doreen had entrepreneurial flair too. She both drought and humidity, and are just as flowers. She started small, choosing twelve launched the first Floralies to help fund the happy in partial shade as they are in full sun. varieties including, aptly enough, Iris cost of maintaining the gardens and, real- They are resistant to disease and flower in California. Little by little she added to the ising the importance of keeping pace with abundance. Some 13,500 of these wonderful displays, introducing new varieties each modern tastes, ensured the flower collec- daylilies have been planted in the gardens. LE CHÂTEAU DE VULLIERENS - 2019 PRESS PACK - CHATEAUVULLIERENS.CH | HISTORY | THE GARDENS | THE SCULPTORS | THE WINES | CAFÉ DES JARDINS | PORTES DES IRIS | THE GIFT SHOP | VISITOR INFORMATION | 5 THEMED GARDENS Over the past decade, the present owner has DORIANNE'S GARDEN put new energy into developing the gardens by creating distinct areas within the grounds, and This garden was created in 2006 on a ter- diversifying the collections with roses, tulips, race at the foot of the Château, and has no peonies, rhododendrons and other blooms.
Load more

Recommended publications
  • PDF Download
    CITY OF LONDON’S PUBLIC ART PROGRAMME SCULPTURE IN THE CITY – 2016 EDITION ANNOUNCED 6th Edition to site 15 works in and around architectural landmarks from the Gherkin to the Cheesegrater Large-scale pieces to include works by Sarah Lucas, William Kentridge & Gerhard Marx, Sir Anthony Caro, Enrico David, Jaume Plensa and Giuseppe Penone Jaume Plensa, Laura, 2013, Cast Iron, 702.9 x 86.4 x 261 cm, Photo: Kenneth Tamaka 28 June 2016 – May 2017, June media previews and installation opportunities to be announced www.cityoflondon.gov.uk/sculptureinthecity @sculpturecity /visitthecity @visitthecity #sculptureinthecity 16 May, 2016, London: The City of London’s annual public art programme, Sculpture in the City, places contemporary art works in unexpected locations, providing a visual juxtaposition to the capital’s insurance district. This year’s edition, the largest to date, will showcase 15 works ranging considerably in scale. A seven-metre high, cast-iron head, by Catalan sculptor Jaume Plensa will peer over visitors to the Gherkin, while a series of delicate and playful lead paper chain sculptures © Brunswick Arts | 2016 | Confidential | 1 by Peruvian artist, Lizi Sánchez, will invite the attention of the more observant passer-by in multiple locations including Leadenhall Market, Bishopsgate and in and around the Cheesegrater. The critically acclaimed, open-air exhibition, has built a rapport with many who live, work and visit the area. Sculpture in the City is known for bringing together both established international artists and rising stars. During the month of June, works will begin to appear around the unique architectural mix of London’s City district.
    [Show full text]
  • University of Warwick Art Collection Annual Report 2015-16
    University of Warwick Art Collection Annual Report 2015-16 Mission Art is intrinsic to the University of Warwick - to its physical, social and academic environment. The original purpose of the Art Collection was the display of works of art in the public spaces of the University. The Art Collection is not displayed in a museum or gallery; the majority of items are on display across the University campus and its other sites. They function as open texts, offering a variety of readings to successive generations of students, staff and visitors. It demonstrates the University’s support of contemporary culture and, in particular, of young professionals working at the leading edge of their field. The education and interpretation programmes that support the collection are open to everyone and contribute to lifelong learning as well as to the work of departments on campus and schools and colleges across the region. Aim To manage and develop the University of Warwick Art Collection to create a significant resource of contemporary art for the campus and for the region. Objectives 1. To contribute to the creation of a distinctive and stimulating campus environment through the development of displays, interpretation and opportunities for meaningful engagement with works of art. 2. To sustain an exceptional teaching, learning and research experience for campus departments, schools and colleges, visitors and audiences through the development of opportunities to interrogate, experience and work with art objects and with artists. 3. In collaboration with academic departments, to develop commissions for new buildings and for the campus that embrace learning and research. 4.
    [Show full text]
  • The Henry Moore Foundation Review Contents
    Issue Number Fifteen Winter 2006 The Henry Moore Foundation Review Contents 3 Chairman’s Introduction Sir Ewen Fergusson 4 Director’s Report Tim Llewellyn 7 Financial Statement 2005 – 2006 8 Henry Moore Collections and Exhibitions Anita Feldman Bennet 11 Restoration of Hoglands David Mitchinson 12 Henry Moore Institute Penelope Curtis 15 Publishing Sculpture Studies at the Henry Moore Institute Martina Droth 16 Grants Programme 20 Publications 23 General Information Front Cover: Sheep Piece 1971–72 (LH 627) at Perry Green. Photo: Michael Phipps Tim Llewellyn in 1994 with Moore’s Large Figure in a Shelter 1985– 86 (LH 652c). Photo: Michel Muller Chairman’s Introduction This year has been rich in achievements and there is much Whatever has been achieved over the past year, I must to excite us for the future, but I start with the bad news. now look ahead to a most significant event. Next May, after While last year’s Review was being printed, thieves succeeded thirteen years of extraordinary activity on behalf of the in stealing a large bronze from Perry Green. No trace has Foundation, Timothy Llewellyn will be retiring from the since been found. It is hard to imagine a motive for this post of Director. audacious crime, which inevitably has influenced the Tim Llewellyn came to the Foundation early in 1994 conditions under which we and others will be able to show after a highly successful career at Sotheby’s. He brought sculpture to the public in the future. with him experience in management, a knowledge of finan- In spite of this discouraging beginning, the year has seen cial affairs and, above all, a genuine feel for works of art, many exciting projects brought to fruition, including the historic and contemporary.
    [Show full text]
  • Marion Coutts
    Marion Coutts www.marioncoutts.com books 2014 The Iceberg, Winner of the Wellcome Book Prize 2015 Published by Atlantic Books 2014, hardback 294 pp. ISBN 978-1782393504, paperback ISBN 978-17823934528 Shortlisted for the Samuel Johnson Prize for non-fiction 2014; the Costa Biography Award 2015; the Pol Roger Duff Cooper Award 2015. Longlisted for the Guardian First Book Award 2014 Finalist in the National Book Critics Circle Awards of America 2017 Mandarin edition 2015: Spanish edition 2016: US edition 2016: Audible Audiobook 2016: simplified Chinese edition 2017 2012 English Graphic, Tom Lubbock Edited by Marion Coutts with an introduction by Jamie McKendrick. Published by Frances Lincoln, October 2012. Hardback. 208 pp. ISBN 978-0-71123-370-6 Until Further Notice, I am Alive, Tom Lubbock: Introduction by Marion Coutts co-edited by Marion Coutts and Bella Lacey. Published by Granta, April 2012. Hardback. 160pp. ISBN 978-1-84708-531-3 links Andrew Solomon, NY Times: http://www.nytimes.com/2016/02/14/books/review/the-good-death-when-breath-becomes-air-and-more.html?_r=0 Little Atoms podcast: http://littleatoms.com/podcast/wellcome-book-prize-special-henry-marsh-and-marion-coutts 5x15 podcast: http://5x15stories.com/presenter/marion-coutts/ selected solo exhibitions 2017 Tintype, London 2008 Twenty Six Things Wellcome Collection, London 2007 New Art Centre, Roche Court, Wiltshire 2005 Money Tablet, London Mountain Kettle’s Yard, Cambridge 2004 Everglade 2 Princelet Street, London Angel Row Gallery, Nottingham 2003 Kettle’s Yard, Cambridge
    [Show full text]
  • Contemporary Art Society
    pantone 137 pantone 5195 CAS gratefully acknowledges the generous support of: We promote the collecting of Contemporary contemporary art through our gifts to public museums Art and the advice and guidance we offer Society companies and individuals Contemporary Art Society annual report 1999/2000 design giant arc design 01273 325067 pantone 137 pantone 5195 patron Her Majesty Queen Elizabeth The Queen Mother vice-patrons Bryan Ferry Caryl Hubbard Pauline Vogelpoel Mann The Lord McAlpine of West Green The Lord and Lady Sainsbury of Preston Candover The Lady Vaizey The Viscount and Viscountess Windsor artist patrons Sir Anthony Caro, OM Bridget Riley, CH committee members Oliver Prenn Chairman Jim Moyes Vice Chairman until October 1999 Pesh Framjee Honorary Treasurer Mark Stephens Honorary Solicitor Lance Blackstone Honorary Secretary Jolyon Barker Wendy Baron Janice Blackburn Rupert Gavin until September 1999 Robert Hopper until December 1999 Sean Rainbird Ann Stanton Babs Thomson director Gill Hedley projects director Cat Newton-Groves projects manager Lara Sampson collections curator Mary Doyle registrar Brendan Caylor until December 1999 office manager Paula Hollings from March 2000 events/membership manager Kate Steel assistant collections curator Jessica Wallwork ARTfutures selector Jeni Walwin contents ... Contemporary Art Society annual report 1999/2000 I chairman’s report 2 II director’s report 3 III members’ events 1999/2000 7 IV projects’ report 11 V museums’ report 13 VI buyers’ report 21 VII Nancy Balfour collection exhibition 23 VIII member museums 24 IX statement of financial accounting 26 X about Contemporary Art Society 28 Contemporary Art Society I chairman’s report When Gill Hedley sent me a draft of Finally, I was greatly encouraged by her comprehensive review of our the number of new buyers at activities I told her that she had left me ARTfutures.
    [Show full text]
  • Slade Print Fair 28 - 30 November 2013 Slade Print Fair Participating Artists
    Slade Print Fair 28 - 30 November 2013 Slade Print Fair Participating Artists Invited Artists Melanie Jackson Malgorzata Bany Phyllida Barlow James Keith Beatrice Bonafini David Batchelor Olivia Mills Jennifer Caroline Campbell Bernard Cohen Lisa Milroy Sarah Cameron Dan Coombs Sharon Morris Olga Cerkasova Phil Coy Jayne Parker Kanad Chakrabarti Michael Craig-Martin Kieren Reed Lea Collet Angela de la Cruz Liz Rideal Nuno Direitinho Richard Deacon Karin Ruggaber Robbie Fife Marcia Farquhar Jon Thomson Sarah Fortais Laura Ford (Thomson & Craighead) Lyndsey Gilmour Kirsten Glass Andrew Stahl Eva Maria Gisler Tim Head Estelle Thompson Mariana Gomes Goncalves Susan Hiller Jo Volley Rachel Haines John Hilliard Emily Hawes Tess Jaray Slade Alumni May Heek Stanley Jones Larry Achiampong Benjamin Heiken Hew Locke Dana Ariel Kendall Helland Bruce McLean Michelle Avison Lori Ho Julian Opie Ben Barbour TJ Hwang Paula Rego Sarah Bowker-Jones Yulia Iosilzon Bartolomeu dos Santos Anna Bunting-Branch Robin Jung Hun Kang Sarah Staton Claire Dorsett Lauren Keeley Preecha Thaothong Nicolas Feldmeyer Sarai Kirshner Amikam Toren Lauren Godfrey Anna Klimentchenko Panya Vijinthanasarn Henningham Family Press Olga Koroleva Alison Wilding Do Kyoung Kim Nektaria Lampitsi Paul Winstanley Nadine Mahoney Sanna Linell Janne Malmros Rebecca Loweth Slade Staff Lui Medina Julia McKinlay Edward Allington Rory McCartney Anja Olofgörs John Bremner Ignacia Mesa Maria Teresa Ortoleva David Christopher Eleanor Morgan Harriet Poznansky Susan Collins Carl Randall Ruaidhri Ryan Benedict Drew Ryan Riddington Noga Shatz Simon Faithfull Alida Rodrigues Naomi Siderfin Mick Farrell Daniela Sarigu Henrietta Simson Lilah Fowler Alaena Turner Eiko Soga Judith Goddard Julia Vogl Vasilina-Elpida Svoronou Dryden Goodwin Sarah West Tara Tate Grace Hailstone Slade Students Danielle Tay Klaas Hoek Simon Barkworth Bønne og Uglen www.ucl.ac.uk/slade/printfair .
    [Show full text]
  • WEEKEND SUGGESTIONS Week 25
    INTERNATIONAL NETWORK OF NORWAY Oslo Chamber of Commerce WEEKEND SUGGESTIONS Week 25 HI EVERYBODY! A summer evening visiting Hovedøya was enjoyed by a group of INN members. With the help of a knowledgeable guide we were taken through the fascinating history of the island and the important role it played in the development of Oslo through many centuries. From the Cistercian monks to quarantine stations. Through military battalions to a popular recreation area today. Hovedøya has a rich culture. INN events give our members a chance to experience special areas of the city as well as meet and enjoy the company of new friends! INN MEMBER EVENTS Explore the creative art of Gustav Vigeland, August 13 The Vigeland Park, completed between 1939 and 1949, is the world’s largest sculpture park made by a single artist, and is one of Norway’s most popular tourist attractions. The unique sculpture park is Gustav Vigeland’s lifework with more than 200 sculptures in bronze, granite and wrought iron. Join us for a guided tour in Vigelandsparken! Save the date! A separate invitation will follow. Remember to check out our calendar for upcoming INNEvents Follow INN on and USEFUL INFORMATION International Expats Club International Expats Club is a global membership organisation for people who have moved abroad and like social and business networking in a party atmosphere. The next Expats Club Oslo Party will take place June 23 at Vértié Cocktail Bar Aker Brygge. Photo: internationalexpatsclub.com Click here for more information and registration. MAJOR EVENTS/FESTIVALS Sankt Hans 2016 Oslo will be celebrating Midsummer’s Eve in style with bonfires, good food and live music along the fjord from Høvikodden in the west to Hvervenbukta in the east.
    [Show full text]
  • The Henry Moore Foundation Review H Moore Review 15-P1-15 2007 18 Dec:H Moore Review 14/P1-15 2006 21/12/07 06:39 Page 2
    H Moore Review 15-p1-15 2007 18 Dec:H Moore Review 14/p1-15 2006 21/12/07 06:39 Page 1 Issue Number Sixteen Winter 2007 The Henry Moore Foundation Review H Moore Review 15-p1-15 2007 18 Dec:H Moore Review 14/p1-15 2006 21/12/07 06:39 Page 2 Contents 3 Chairman’s Introduction Sir Ewen Fergusson 4 Director’s Report Richard Calvocoressi 6 Financial Statement 2006 – 2007 Charles M Joint 7 Henry Moore, Perry Green David Mitchinson 10 Henry Moore in Public Nick Bullions 11 Henry Moore Institute, Leeds Penelope Curtis 14 Why Sculpture, Why Here? Stephen Feeke 16 Publications 18 Grants Programme 22 Looking Ahead 23 General Information Henry and Irina Moore, Hoglands c.1968. Photo: John Hedgecoe Front cover: Installation view of Rote Girlande (Red Garland) 1980 and Kollektion (Collection) 1980 in Fake/Function Thomas Schütte: Early Work, Henry Moore Institute, Leeds. Photo: Jerry Hardman-Jones Back cover: Detail of Figure in a Shelter cast 1983 (LH 652a) seen beside Bourdelle’s plaster Penelope 1912, Henry Moore et la Mythologie, Musée Bourdelle, Paris. Photo: David Mitchinson H Moore Review 15-p1-15 2007 18 Dec:H Moore Review 14/p1-15 2006 21/12/07 06:39 Page 3 Chairman’s Introduction The Review for Winter 2001 was my first. I had been Chairman for barely a month, after three years learning about the Foundation under Sir Rex Richards. I blush now at reading ‘It is too soon to suggest how I shall want to impose my stamp’. My seventh and last introduction needs a more appropriate modesty – no one but Henry Moore has imposed a stamp on the Foundation.
    [Show full text]
  • The British Art Show
    The British Art Show The British Art Show is a high profile touring exhibition celebrating the vitality and inventiveness of recent British art. It is presented every five years in different cities across the UK. The British Art Show is organised by the Hayward Gallery as a cornerstone of its touring programme. BRITISH ART SHOW 1 (1979) Venues: Mappin Art Gallery, Sheffield 1 December 1979 - 27 January 1980 Laing Art Gallery, Newcastle upon Tyne 15 February - 23 March 1980 and Hatton Gallery, University of Newcastle Arnolfini Gallery, Bristol 18 April - 24 May 1980 and Royal West of England Academy in conjunction with City Museum and Art Gallery Total Attendance: 77,000 Curator: William Packer Artists: _ 112 John Abbott Kenneth Draper Albert Irvin Andrew Mylius John Selway Ivor Abrahams John Edwards Allen Jones Janet Nathan Harry Snook Norman Adams Anthony Eyton Wynn Jones Martin Naylor Norman Stevens Michael Andrews Brian Fielding Jake Kempsall Paul Neagu Brian Thompson Martin Ball Lucian Freud Michael Kenny Victor Newsome David Tindle John Bellany Terry Frost Dave King Ken Oliver Euan Uglow Adrian Berg Hamish Fulton Phillip King Brian Peacock Michael Upton Stephenie Bergman Lloyd Gibson Leon Kossoff Michael Peel John Walker Elizabeth Michael Ginsborg Edwina Leapman Heins Dieter Margaret Walker Blackadder Derrick Greaves Terry Lee Pietsch David Walker Frank Bowling Alan Green John Loker Nick Pope Barker Stephen Buckley Anthony Green Richard Long Lawrence Preece Karl Weschke Jeffery Camp Jon Groom Michael Lyons William Pye Anthony Whishaw
    [Show full text]
  • Lookin Thinkin Speakin
    Sections 1 PROGRAMME LOOKing 2 STUDENTS 3 PARTNERSHIPS THINKing 4 SUPPORTERS SPEAKing ARTiculation: getting young people talking about the arts 1 Welcome Learning to look and speak about art has We now involve more than 4,000 students always been the mantra of the Roche Court in a rich and diverse annual programme. Educational Trust. From this has grown Our training for undergraduates helps them ARTiculation, a public speaking competition to develop skills so they can mentor future for students aged 16-19 years old, from participants in the ARTiculation Prize and both the state maintained and independent our ambition for the future is to develop sectors. They are invited to deliver opportunities for the expanding alumni ten-minute presentations in front of an network. audience, about a work of art, architecture or an artefact of their choice. Through all our activities we aim to ensure there is a cohort of young articulate people The first competition took place at the with the confidence and ability to express New Art Centre in 2006, and since then a themselves. This is a skill which my fellow small dedicated team there has developed Trustees and I know will help them in all ARTiculation nationally. ARTiculation has aspects of their lives. been embraced by a network of museums throughout the country, culminating in the Final at Clare College, Cambridge. In addition, ARTiculation Ireland, ARTiculation Scotland and, in conjunction with the British Council, ARTiculation Italy, now all take place. In all these competitions, adjudicators are asked to assess each presentation as a whole, looking at content, structure, delivery Bill Woodrow and the speaker’s original approach and Chairman unique potential.
    [Show full text]
  • 01 Contemporary Art Society 2005–2006
    Contemporary Art Society 2005–2006 01 Chairman’s Statement 03 Retiring Chairman’s Statement 05 Director’s Report 07 Curator’s Report Distribution of Contemporary Fine Art and Craft to Museums 08 Special Collection Scheme: Evaluation, Advocacy and Beyond 08 National Collecting Scheme for Scotland (NCSS) 14 NCSS Purchases 16 Museum Curators’ visit to Portugal 16 Exhibition of the Art Collection of Tom Bendhem 18 Gifts and Bequests 18 Future Strategy for CAS and its Work with Museums 19 Member Museums 20 CAS Supporters 23 CAS Consultancy 24 ARTfutures 2005 26 Statement of Financial Activities 28 CAS Balance Sheet 30 Funders and Donors 31 Patrons, Trustees, Staff and Donors 32 Contemporary Art Society Bloomsbury House 74–77 Great Russell Street London WC1B 3DA Telephone +44 (0)20 7612 0730 Facsimile +44 (0)20 7631 4230 Email [email protected] All works are copyright the artist unless otherwise indicated Website www.contempart.org.uk Pernille Spence I look up, I look down, 2001 (still) digital video 02 Chairman’s Statement 03 The Contemporary Art Society has events, lectures and tours for our rapidly pioneered the promotion of contemporary expanding membership, hungry to see art collecting in the United Kingdom since new art from living artists. We will be its inception in 1910. developing and expanding our highly respected consultancy service, advising The Society was the first to organise corporate and private clients on acquiring a contemporary art fair in the United and developing their own contemporary art Kingdom, ARTfutures, and at the forefront collections. Being the natural destination in promoting the concept of corporate for gifts and bequests ensures that donors art collections in the contemporary field.
    [Show full text]
  • Cure³ Exhibition Catalogue
    Contents Cubes 3 Words 9 Team 196 Thanks 197 2 Cubes 3 1. Alice Anderson 29. Nick Hornby 2. Ron Arad RA 30. Paul Huxley RA 3. Miranda Argyle 31. Alison Jackson 4. Barnaby Barford 32. Vanessa Jackson RA 5. Rana Begum 33. Tess Jaray RA 6. Tony Bevan RA 34. Ben Johnson 7. Sir Peter Blake 35. Sir Anish Kapoor RA 8. Rob and Nick Carter 36. Idris Khan 9. Daniel Chadwick 37. Phillip King PPRA 10. Jake & Dinos Chapman 38. Helen Kirwan-Taylor 11. Gordon Cheung 39. Tania Kovats 12. Mat Collishaw 40. Brigitte Kowanz 13. Adam Dant 41. Andrew Logan 14. Pablo de Laborde Lascaris 42. Susie MacMurray 15. Adeline de Monseignat 43. Elizabeth Magill 16. Bouke de Vries 44. John Maine RA 17. Edmund de Waal 45. Helen Marten 18. Diana Edmunds 46. Andrew McIntosh 19. Abigail Fallis 47. Harland Miller 20. Knopp Ferro 48. Claire Morgan 21. Laura Ford 49. Mariko Mori 22. Andy Goldsworthy 50. Annie Morris 23. Lothar Götz 51. Humphrey Ocean RA 24. Elpida Hadzi-Vasileva 52. Angela Palmer 25. Hassan Hajjaj 53. Florence Peake 26. Nigel Hall RA 54. Simon Periton 27. Alex Hartley 55. Julian Perry 28. Carmen Herrera 56. Thomas J Price 57. Stephanie Quayle 78. Alfred Munkenbeck 58. Saad Qureshi (Munkenbeck + Partners) 59. Danny Rolph 79. John Pawson 60. Andrew Sabin 80. Chris Wilkinson RA 61. Nina Saunders (Wilkinson Eyre Architects) 62. Conrad Shawcross RA 81. Chris Williamson 63. Anj Smith (Weston Williamson + Partners) 64. Dillwyn Smith 65. Amy Stephens 66. Sinta Tantra 67. Troika 68. Gavin Turk 69.
    [Show full text]