Public Sculpture to Transform the Square Mile
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Anya Gallaccio
ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition, -
Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
Anya Gallaccio
Anya Gallaccio 1963 Born in Paisley, Scotland Lives and works in London, UK Education 1985-1988 Goldsmiths’ College, University of London, UK 1984-1985 Kingston Polytechnic, London, UK Residencies and awards 2004 Headlands Center for the Arts, Sansalitos, California, US 2003 Nominee for the Turner Prize, Tate Britain, London, UK 2002 1871 Fellowship, Rothermere American Institute, Oxford, UK San Francisco Art Institute, California, US 1999 Paul Hamlyn Award for Visual Artists, Paul Hamlyn Foundation Award, London, UK 1999 Kanazawa College of Art, JP 1998 Sargeant Fellowship, The British School at Rome, IT 1997 Jan-March Art Pace, International Artist-In-Residence Programme, Foundation for Contemporary Art, San Antonio Texas, US Solo Exhibitions 2015 Lehmann Maupin, New York, US 2014 Stroke, Jupiter Artland, Edinburgh, UK SNAP, Art at the Aldeburgh Festival, Suffolk, UK Blum&Poe, Los Angeles, US 2013 This much is true, Artpace, San Antonio, Texas, US Creation/destruction, The Holden Gallery, Manchester, UK 2012 Red on Green, Jupiter Artland, Edinburgh, UK 2011 Highway, Annet Gelink Gallery, Amsterdam, NL Where is Where it’s at, Thomas Dane Gallery, London, UK 2010 Unknown Exhibition, The Eastshire Museums in Scotland including the Dick Institiute, the Baird Institute and the Doon Valley Museum, Kilmarnock, UK 2009 Inaugural Exhibition, Blum & Poe Gallery, Los Angeles, CA, US Lehmann Maupin Gallery, New York, US 2008 Comfort and Conversation, Annet Gelink Gallery, Amsterdam, NL That Open Space Within, Camden Arts Center, London, UK Kinsale -
Grounds for Sculpture Organizes Major Retrospective of Bruce Beasley Featuring Iconic Works That Span the Groundbreaking Artist’S 60-Year Career
Grounds For Sculpture Organizes Major Retrospective of Bruce Beasley Featuring iconic works that span the groundbreaking artist’s 60-year career HAMILTON, NJ (April 22, 2021) – For six decades, sculptor Bruce Beasley has worked in a range of media to build complex, resonant arrangements from simple shapes that communicate the primacy of form and express the complexity of human emotion. This spring, Grounds For Sculpture (GFS) will present a major retrospective of the prolific pioneer, showcasing 62 of Beasley’s most important works, from his early iron assemblages featured in the influential exhibition, The Art of Assemblage (1961), at the Museum of Modern Art (MoMA) to his latest collages on canvas, a first for the sculptor. Bruce Beasley: Sixty Year Retrospective, 1960-2020 is the California-based artist’s first solo museum exhibition on the East Coast and will be on view in Grounds For Sculpture’s indoor galleries as well as in eight outdoor locations throughout the 42-acre landscaped park, from May 2, 2021 through January 9, 2022. “Bruce Beasley is a fearless experimenter and one of the foremost sculptors on the West Coast, who has made significant and lasting contributions to the field for over sixty years,” said Gary Garrido Schneider, Executive Director of Grounds For Sculpture. “Through our work to advance the field of sculpture at large, we build strong relationships with contemporary practitioners. Beasley is a notable example of an artist who we have been fortunate to call a friend for decades, beginning with an early loan of Dorion, now a part of the permanent collection and a regular feature on our grounds. -
Michael Landy Born in London, 1963 Lives and Works in London, UK
Michael Landy Born in London, 1963 Lives and works in London, UK Goldsmith's College, London, UK, 1988 Solo Exhibitions 2017 Michael Landy: Breaking News-Athens, Diplarios School presented by NEON, Athens, Greece 2016 Out Of Order, Tinguely Museum, Basel, Switzerland (Cat.) 2015 Breaking News, Michael Landy Studio, London, UK Breaking News, Galerie Sabine Knust, Munich, Germany 2014 Saints Alive, Antiguo Colegio de San Ildefonso, Mexico City, Mexico 2013 20 Years of Pressing Hard, Thomas Dane Gallery, London, UK Saints Alive, National Gallery, London, UK (Cat.) Michael Landy: Four Walls, Whitworth Art Gallery, Manchester, UK 2011 Acts of Kindness, Kaldor Public Art Projects, Sydney, Australia Acts of Kindness, Art on the Underground, London, UK Art World Portraits, National Portrait Gallery, London, UK 2010 Art Bin, South London Gallery, London, UK 2009 Theatre of Junk, Galerie Nathalie Obadia, Paris, France 2008 Thomas Dane Gallery, London, UK In your face, Galerie Paul Andriesse, Amsterdam, The Netherlands Three-piece, Galerie Sabine Knust, Munich, Germany 2007 Man in Oxford is Auto-destructive, Sherman Galleries, Sydney, Australia (Cat.) H.2.N.Y, Alexander and Bonin, New York, USA (Cat.) 2004 Welcome To My World-built with you in mind, Thomas Dane Gallery, London, UK Semi-detached, Tate Britain, London, UK (Cat.) 2003 Nourishment, Sabine Knust/Maximilianverlag, Munich, Germany 2002 Nourishment, Maureen Paley/Interim Art, London, UK 2001 Break Down, C&A Store, Marble Arch, Artangel Commission, London, UK (Cat.) 2000 Handjobs (with Gillian -
Group Exhibition
GALERIE THADDAEUS ROPAC GROUP EXHIBITION SEX AND THE BRITISH SALZBURG VILLA KAST 15 Apr 2000 - 03 Jun 2000 SLAP AND TICKLE A perspective on the sexual content of British Art since the 1960s An exhibition under the curatorship of Norman Rosenthal and Max Wigram Great art has often been inspired and driven by Eros. When we talk about eroticism and sex in art, we touch the most original source of artistic inspiration. Important intemationally renowned British artists such as Francis Bacon, Lucian Freud or David Hockney have repeatedly used sex as a leitmotif for their works, indeed their work has even depended on it. Far from being uptight about sex, these artists have explored areas of sexual practice with a graphic opemiess that never shies away from controversy. Besides significant works by Gilbert + George this exhibition brings together the most sensual exhibits of a younger generation of artists, showing fascinating representations of erotic and sexual motifs in art. The explosive development of British art since 1990 owes much to the Vanguard, which paved the way in the 1960s and l970s. Sex has become even more of a major theme in the work of the so-called YBA's (Young British Artists). Sex is nothing to shy away from nor is its fantasy to be disputed because of its frank inclusion in much of contemporary British work. Using the contemporary energy of shock and more traditional ideas of beauty this exhibition contains some extremely explicit and provocative works. It confronts issues of pomography, homosexuality and amorality with a directness that will subsequently make the British and sex appear in a new light. -
A Brief History of the Arts Catalyst
A Brief History of The Arts Catalyst 1 Introduction This small publication marks the 20th anniversary year of The Arts Catalyst. It celebrates some of the 120 artists’ projects that we have commissioned over those two decades. Based in London, The Arts Catalyst is one of Our new commissions, exhibitions the UK’s most distinctive arts organisations, and events in 2013 attracted over distinguished by ambitious artists’ projects that engage with the ideas and impact of science. We 57,000 UK visitors. are acknowledged internationally as a pioneer in this field and a leader in experimental art, known In 2013 our previous commissions for our curatorial flair, scale of ambition, and were internationally presented to a critical acuity. For most of our 20 years, the reach of around 30,000 people. programme has been curated and produced by the (founding) director with curator Rob La Frenais, We have facilitated projects and producer Gillean Dickie, and The Arts Catalyst staff presented our commissions in 27 team and associates. countries and all continents, including at major art events such as Our primary focus is new artists’ commissions, Venice Biennale and dOCUMEntA. presented as exhibitions, events and participatory projects, that are accessible, stimulating and artistically relevant. We aim to produce provocative, Our projects receive widespread playful, risk-taking projects that spark dynamic national and international media conversations about our changing world. This is coverage, reaching millions of people. underpinned by research and dialogue between In the last year we had features in The artists and world-class scientists and researchers. Guardian, The Times, Financial Times, Time Out, Wall Street Journal, Wired, The Arts Catalyst has a deep commitment to artists New Scientist, Art Monthly, Blueprint, and artistic process. -
PDF Download
CITY OF LONDON’S PUBLIC ART PROGRAMME SCULPTURE IN THE CITY – 2016 EDITION ANNOUNCED 6th Edition to site 15 works in and around architectural landmarks from the Gherkin to the Cheesegrater Large-scale pieces to include works by Sarah Lucas, William Kentridge & Gerhard Marx, Sir Anthony Caro, Enrico David, Jaume Plensa and Giuseppe Penone Jaume Plensa, Laura, 2013, Cast Iron, 702.9 x 86.4 x 261 cm, Photo: Kenneth Tamaka 28 June 2016 – May 2017, June media previews and installation opportunities to be announced www.cityoflondon.gov.uk/sculptureinthecity @sculpturecity /visitthecity @visitthecity #sculptureinthecity 16 May, 2016, London: The City of London’s annual public art programme, Sculpture in the City, places contemporary art works in unexpected locations, providing a visual juxtaposition to the capital’s insurance district. This year’s edition, the largest to date, will showcase 15 works ranging considerably in scale. A seven-metre high, cast-iron head, by Catalan sculptor Jaume Plensa will peer over visitors to the Gherkin, while a series of delicate and playful lead paper chain sculptures © Brunswick Arts | 2016 | Confidential | 1 by Peruvian artist, Lizi Sánchez, will invite the attention of the more observant passer-by in multiple locations including Leadenhall Market, Bishopsgate and in and around the Cheesegrater. The critically acclaimed, open-air exhibition, has built a rapport with many who live, work and visit the area. Sculpture in the City is known for bringing together both established international artists and rising stars. During the month of June, works will begin to appear around the unique architectural mix of London’s City district. -
Evening Auction Realised £9,264,000 / $12,302,590 / €10,848,145 to Continue George Michael’S Philanthropic Work
MEDIA ALERT | LONDON FOR IMMEDIATE R E L E A S E | 1 4 M A R C H 2 0 1 9 EVENING AUCTION REALISED £9,264,000 / $12,302,590 / €10,848,145 TO CONTINUE GEORGE MICHAEL’S PHILANTHROPIC WORK THE GEORGE MICHAEL COLLECTION 100% SOLD 4 ARTIST RECORDS SET DURING THE EVENING Jussi Pylkkänen, Christie’s Global President and auctioneer for The George Michael Collection selling Careless Whisper by Jim Lambie for £175,000 / $232,400 / €204,925. © Christie’s Images Limited 2019 / Rankin London – The much-anticipated auction of the art collection of George Michael, British singer and songwriter, and icon of the imaginative spirit of the 1980s and 1990s, has realised £9,264,000 / $12,302,590 / €10,848,145. Proceeds from the sale will be used to continue George Michael’s philanthropic work. Having attracted over 12,000 visitors to the pre-sale exhibition, 24% of registrants to The George Michael Collection were new to Christie’s. The evening auction welcomed registered bidders from 27 countries across 5 continents, reflecting the global appeal of George Michael and the YBAs. The evening sale comprised 60 lots and was 100% sold, with competitive bidding in the saleroom in London and via simulcast from New York, in addition to online via Christie’s Live™. The standalone online sale continues until lunchtime on Friday 15th March, after which point the combined total realised will be announced. Jussi Pylkkänen, Global President of Christie’s, and auctioneer for the night commented: “Tonight’s sale was another great moment for the London art market and particularly for so many YBA artists. -
Press Release Adam Chodzko, 2007 (Pdf)
For immediate release 13/11/ 07 THEN, an intriguing new Breaking Ground multi-part public artwork in various locations across Dublin by acclaimed British artist Adam Chodzko. Residents of Ballymun are perplexed this morning by a series of posters, which have mysteriously appeared overnight on hoarding along the Balbutcher Road, announcing a meeting to take place in the foyer of the Hagens Hotel, Måløy, Sogn og Fjordane, on the island of Vågsøy. Yet the photo on the poster seems to be a streetscape in Mexico City, taken in the early ‘70’s. Each afternoon, on the top floor of the recently restored Na Píobairí Uilleann /Uillean Pipers headquarters on Henrietta Street, a new sci-fi film, ‘Around’, documenting the paranormal and uncanny properties of an otherwise unremarkable boundary wall and its effects on an unsuspecting group of individuals, is showing. And visitors to Dublin City Gallery the Hugh Lane, can swap their shoes for someone else’s, which they’ll wear as they walk around the Gallery’s other exhibitions and permanent collection. Meanwhile, preliminary discussions with property developer Mick Wallace are being had, about the possibility of using the name Ballymun in a new development somewhere else in the city, some time in the future. “Adam Chodzko is recognised internationally for his multi-media work which triggers a shift in our perception of where we think we belong in the world. Fact and fiction are provocatively intermixed, and terms such as ‘community’ and ‘the public’ are deviated as we enter a surrealist world which plays on notions that we take for granted and assume that we understand!” says Aisling Prior, curator of Breaking Ground. -
CONTEMPORARY AMERICAN PAINTING and SCULPTURE 1969 University of Illinois at Urbana-Champaign Js'i----».--:R'f--=
Arch, :'>f^- *."r7| M'i'^ •'^^ .'it'/^''^.:^*" ^' ;'.'>•'- c^. CONTEMPORARY AMERICAN PAINTING AND SCULPTURE 1969 University of Illinois at Urbana-Champaign jS'i----».--:r'f--= 'ik':J^^^^ Contemporary American Painting and Sculpture 1969 Contemporary American Painting and Sculpture DAVID DODD5 HENRY President of the University JACK W. PELTASON Chancellor of the University of Illinois, Urbano-Champaign ALLEN S. WELLER Dean of the College of Fine and Applied Arts Director of Krannert Art Museum JURY OF SELECTION Allen S. Weller, Chairman Frank E. Gunter James R. Shipley MUSEUM STAFF Allen S. Weller, Director Muriel B. Christlson, Associate Director Lois S. Frazee, Registrar Marie M. Cenkner, Graduate Assistant Kenneth C. Garber, Graduate Assistant Deborah A. Jones, Graduate Assistant Suzanne S. Stromberg, Graduate Assistant James O. Sowers, Preparator James L. Ducey, Assistant Preparator Mary B. DeLong, Secretary Tamasine L. Wiley, Secretary Catalogue and cover design: Raymond Perlman © 1969 by tha Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A48-340 Cloth: 252 00000 5 Paper: 252 00001 3 Acknowledgments h.r\ ^. f -r^Xo The College of Fine and Applied Arts and Esther-Robles Gallery, Los Angeles, Royal Marks Gallery, New York, New York California the Krannert Art Museum are grateful to Marlborough-Gerson Gallery, Inc., New those who have lent paintings and sculp- Fairweother Hardin Gallery, Chicago, York, New York ture to this exhibition and acknowledge Illinois Dr. Thomas A. Mathews, Washington, the of the artists, Richard Gallery, Illinois cooperation following Feigen Chicago, D.C. collectors, museums, and galleries: Richard Feigen Gallery, New York, Midtown Galleries, New York, New York New York ACA Golleries, New York, New York Mr. -
Sculpture in the City–2013 (Year 3)-Progress Report, Gateway 6 Public Report Of: Director of the Built Environment for Decision Summary
Committee(s): Date(s): Streets & Walkways Sub-Committee 22/04/2013 Culture, Heritage & Libraries Committee 29/04/2013 Subject: Sculpture in the City–2013 (Year 3)-Progress Report, Gateway 6 Public Report of: Director of the Built Environment For Decision Summary The east of the City is home to the City‟s programme of temporary artwork. Now entering its third consecutive year, the project has been developed as part of a long- term vision to enhance the public realm and forms part of the Eastern City Cluster and Fenchurch & Monument Area Enhancement Strategies. The project creates interest and promotes interaction for visitors, tourists and office workers. It helps to deliver the objectives of the Cultural Strategy and the City Together Strategy, particularly: Theme 4: “is vibrant and culturally rich”. The project includes community events and on-site school workshops. The temporary nature of the artworks ensures it remains dynamic, responding to the constantly changing urban environment of this part of the City. The project is funded through financial and in kind support from external partners including Hiscox, British Land, Aviva, Aon, Brookfield and 30 St. Mary Axe (IVG-Europe) and a capped contribution (£50k) from the Pinnacle Section 106 agreement. Year 1 (2011) was considered a success with 4 artworks installed on-site, and over 1,800 people attending 8 on-site school workshops and free community events in July 2011. Year 2 (2012) saw an expansion of the scheme with twice the number of artworks being displayed, 8 in total. An Advisory Board to direct the strategy and selection of artworks was set up comprising CoL Members, and senior representatives from project partners.