"Jumping JAG", the Incredible Wartime Career of Nicholas E. Allen
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Jag News Overbrook
Overbrook Jag News Educational Center Week of December 14, 2020 From Ms. Foote…. I hope everyone had a peaceful weekend. COVID-19 cases are on the rise. Please stay safe and reach out if you need anything. It is a scary and challenging time for all. We are surviving a pandemic together so know we are here for you. As we enter the second week of December, I extend my thanks to all our parents who attended Tuesday’s open zoom again! Special thanks to ALL for attending our wonderful Student of the Month celebration, too! Hang in there. Keep going. Here are some useful tips on stress management during the holidays: Tips for Stress Management Reminder: expect to see interim reports posted and available for review during the week of December 21st for Quarter 2. Thank you to all for your partnership and do not hesitate to reach out with any questions or concerns. Sending everyone light and love always. Cell: 610.731.6039 and Email: [email protected] New News Tech Update Since September, 2020 78 students at OEC have received a NEW computer from a staff member at OEC. We have limited NEW computers to distribute. If you have a tech issue and have received a NEW computer from Ms. Foote or a staff member, please see the open tech support centers where broken chromebooks can be taken for repair at the times and locations listed to the right. Family Cafés DECEMBER DATES: THURS 12/17 @ 12:00 PM Parents and family members have indicated a need to connect. -
PDF Download Yeah Baby!
YEAH BABY! PDF, EPUB, EBOOK Jillian Michaels | 304 pages | 28 Nov 2016 | Rodale Press Inc. | 9781623368036 | English | Emmaus, United States Yeah Baby! PDF Book Writers: Donald P. He was great through out this season. Delivers the right impression from the moment the guest arrives. One of these was Austin's speech to Dr. All Episodes Back to School Picks. The trilogy has gentle humor, slapstick, and so many inside jokes it's hard to keep track. Don't want to miss out? You should always supervise your child in the highchair and do not leave them unattended. Like all our highchair accessories, it was designed with functionality and aesthetics in mind. Bamboo Adjustable Highchair Footrest Our adjustable highchair footrests provide an option for people who love the inexpensive and minimal IKEA highchair but also want to give their babies the foot support they need. FDA-grade silicone placemat fits perfectly inside the tray and makes clean-up a breeze. Edit page. Scott Gemmill. Visit our What to Watch page. Evil delivers about his father, the entire speech is downright funny. Perfect for estheticians and therapists - as the accent piping, flattering for all design and adjustable back belt deliver a five star look that will make the staff feel and However, footrests inherently make it easier for your child to push themselves up out of their seat. Looking for something to watch? Plot Keywords. Yeah Baby! Writer Subscribe to Wethrift's email alerts for Yeah Baby Goods and we will send you an email notification every time we discover a new discount code. -
XVIII AIRBORNE CORPS ASSOCIATION SKY DRAGONS Spring 2012 ------82ND DOMINATES XVIII ABN CORPS NCO and SOLDIER of YEAR COMPETITION
XVIII AIRBORNE CORPS ASSOCIATION SKY DRAGONS Spring 2012 ----------------------------------------------------------------------------------------------------------- 82ND DOMINATES XVIII ABN CORPS NCO AND SOLDIER OF YEAR COMPETITION Left to Right – CSM (Ret) Ted Gaweda, Pfc. Jeremy Shivick, Sgt. Jason Thomas, Alan Yeater On 5 April in a ceremony conducted at Sports USA, a huge sports bar at Ft. Bragg, North Carolina, two paratroopers of the XVIII Airborne Corps' 82nd Airborne Division were selected as the XVIII Airborne Corps' 2012 NCO and Soldier of the Year. They were Sgt. Jason T. Thomas, 26, and Pfc. Jeremy Shivick, 21. Both Soldiers are assigned to the 1st Platoon, C Company, 2nd Battalion, 505th Parachute Infantry Regiment, which is part of the division's 3rd Brigade Combat Team (BCT). This is 2 the first time that both winners were from the same unit. The competition was held from 2 to 4 April, and the winners were announced during the ceremony which was presided over by the Ft. Bragg Garrison Command Sergeant Major (CSM) Samuel Campbell and the command sergeant major of XVIII Abn Corps' NCO Academy, CSM Nicolino Parisi. These were four days of grueling, early morning and late night events which included basic Soldier skills, the Army physical fitness test, a written exam, urban map orienteering, M4 rifle qualification, a weapons event, and an interview board. The competition certainly challenged the confidence and motivation of the Soldiers. Twenty-one Soldiers competed, representing each subordinate unit of the XVIII Abn Corps. Spc. Michael C. Lauritzen, from Jackson, Michigan, assigned to the 716th MP Battalion, 16th MP Brigade, Ft. Campbell, Kentucky, was quoted saying, “I'm grateful for being here, glad that my leadership had the confidence in me to compete at this level. -
The Courage of General Matthew Ridgway
The Courage of General Matthew Ridgway Full Lesson Plan COMPELLING QUESTION How can acting with courage help you accomplish your identity and purpose? VIRTUE Courage DEFINITION Courage is the capacity to overcome fear in order to do good. LESSON OVERVIEW In this lesson, students will explore the life of Matthew Ridgway and his role in the Korean War. Students will understand how Matthew Ridgway’s courage helped save the United States’ and United Nations’ forces during the Korean War. Through his example, they will learn how they can use courage in their own lives to accomplish their purpose. OBJECTIVES • Students will analyze General Matthew Ridgway’s performance during the Korean War. • Students will understand how to use courage to accomplish their purpose. • Students will apply their knowledge of courage to their own lives. BACKGROUND The Korean War was an outgrowth of an unstable situation on the Korean Peninsula at the conclusion of the Second World War. In August 1945, the Soviet Union declared war on the Empire of Japan. With the endorsement of the United States, Soviet forces seized land in the northern part of the peninsula, stopping at the 38th Parallel. The United States then occupied the southern half. Two different political regimes with opposing views emerged from this situation, creating the perfect recipe for conflict. War broke out in June 1950. North Korea, hoping to assert its dominance over the entire peninsula, invaded South Korea and made quick progress. South Korea, supported by United States and United https://voicesofhistory.org BACKGROUND Nations forces, fell back around the port city of Pusan. -
BATTLE-SCARRED and DIRTY: US ARMY TACTICAL LEADERSHIP in the MEDITERRANEAN THEATER, 1942-1943 DISSERTATION Presented in Partial
BATTLE-SCARRED AND DIRTY: US ARMY TACTICAL LEADERSHIP IN THE MEDITERRANEAN THEATER, 1942-1943 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Steven Thomas Barry Graduate Program in History The Ohio State University 2011 Dissertation Committee: Dr. Allan R. Millett, Adviser Dr. John F. Guilmartin Dr. John L. Brooke Copyright by Steven T. Barry 2011 Abstract Throughout the North African and Sicilian campaigns of World War II, the battalion leadership exercised by United States regular army officers provided the essential component that contributed to battlefield success and combat effectiveness despite deficiencies in equipment, organization, mobilization, and inadequate operational leadership. Essentially, without the regular army battalion leaders, US units could not have functioned tactically early in the war. For both Operations TORCH and HUSKY, the US Army did not possess the leadership or staffs at the corps level to consistently coordinate combined arms maneuver with air and sea power. The battalion leadership brought discipline, maturity, experience, and the ability to translate common operational guidance into tactical reality. Many US officers shared the same ―Old Army‖ skill sets in their early career. Across the Army in the 1930s, these officers developed familiarity with the systems and doctrine that would prove crucial in the combined arms operations of the Second World War. The battalion tactical leadership overcame lackluster operational and strategic guidance and other significant handicaps to execute the first Mediterranean Theater of Operations campaigns. Three sets of factors shaped this pivotal group of men. First, all of these officers were shaped by pre-war experiences. -
Three US Joint Forces Command (USJFCOM) "Lessons Learned" Reports for the Period of the Surge of Forces in Or About 2007 for Operation Iraqi Freedom
Description of document: Three US Joint Forces Command (USJFCOM) "Lessons Learned" reports for the period of the surge of forces in or about 2007 for Operation Iraqi Freedom Requested date: 28-August-2010 Released date: 01-November-2010 Posted date: 29-November-2010 Titles of documents: Operation Iraqi Freedom, January 2007 to December 2008 - The Comprehensive Approach: an Iraq Case Study, 16 February 2010 Joint Tactical Environment: An Analysis of Urban Operations in Iraq, 2008 (undated) Operation Iraqi Freedom October to December 2007 - Counterinsurgency Targeting and Intelligence, Surveillance, and Reconnaissance (25 March 2008) Source of document: U.S. Joint Forces Command FOIA Requestor Service Center (J00L) 1562 Mitscher Avenue, Ste 200 Norfolk, VA 23551-2488 Fax: (757) 836-0058 The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Nominations Before the Senate Armed Services Committee, Second Session, 109Th Congress
S. HRG. 109–928 NOMINATIONS BEFORE THE SENATE ARMED SERVICES COMMITTEE, SECOND SESSION, 109TH CONGRESS HEARINGS BEFORE THE COMMITTEE ON ARMED SERVICES UNITED STATES SENATE ONE HUNDRED NINTH CONGRESS SECOND SESSION ON NOMINATIONS OF HON. PRESTON M. GEREN; HON. MICHAEL L. DOMINGUEZ; JAMES I. FINLEY; THOMAS P. D’AGOSTINO; CHARLES E. McQUEARY; ANITA K. BLAIR; BENEDICT S. COHEN; FRANK R. JIMENEZ; DAVID H. LAUFMAN; SUE C. PAYTON; WILLIAM H. TOBEY; ROBERT L. WILKIE; LT. GEN. JAMES T. CONWAY, USMC; GEN BANTZ J. CRADDOCK, USA; VADM JAMES G. STAVRIDIS, USN; NELSON M. FORD; RONALD J. JAMES; SCOTT W. STUCKY; MARGARET A. RYAN; AND ROBERT M. GATES FEBRUARY 15; JULY 18, 27; SEPTEMBER 19; DECEMBER 4, 5, 2006 Printed for the use of the Committee on Armed Services ( VerDate 11-SEP-98 14:22 Jun 28, 2007 Jkt 000000 PO 00000 Frm 00001 Fmt 6011 Sfmt 6011 36311.TXT SARMSER2 PsN: SARMSER2 NOMINATIONS BEFORE THE SENATE ARMED SERVICES COMMITTEE, SECOND SESSION, 109TH CONGRESS VerDate 11-SEP-98 14:22 Jun 28, 2007 Jkt 000000 PO 00000 Frm 00002 Fmt 6019 Sfmt 6019 36311.TXT SARMSER2 PsN: SARMSER2 S. HRG. 109–928 NOMINATIONS BEFORE THE SENATE ARMED SERVICES COMMITTEE, SECOND SESSION, 109TH CONGRESS HEARINGS BEFORE THE COMMITTEE ON ARMED SERVICES UNITED STATES SENATE ONE HUNDRED NINTH CONGRESS SECOND SESSION ON NOMINATIONS OF HON. PRESTON M. GEREN; HON. MICHAEL L. DOMINGUEZ; JAMES I. FINLEY; THOMAS P. D’AGOSTINO; CHARLES E. McQUEARY; ANITA K. BLAIR; BENEDICT S. COHEN; FRANK R. JIMENEZ; DAVID H. LAUFMAN; SUE C. PAYTON; WILLIAM H. TOBEY; ROBERT L. WILKIE; LT. GEN. -
Season Ticket Guide 2020-2021 Season
SEASON TICKET GUIDE 2020-2021 SEASON KEEP CALM AND JAZZ ON JAZZARTSGROUP.ORG JAG.TV Don’t miss a single exciting moment of the 2020-2021 season, and now enjoy it all from the comfort and safety of home Go to www.JAG.tv to purchase your season packages and single tickets. JAZZ at the SOUTHERN THEATRE PACKAGE $90 • Package of all four (4) on-demand concerts: $90 (sold at www.JAG.tv) • Individual on-demand concerts: $25 (sold at www.JAG.tv) • Limited in-theatre individual socially-distanced seating: $70 (sold one-week in advance of the concert at www.CBUSArts.com. Full package purchasers will receive a $25 discount on in-theatre ticket purchases.) JAZZ at the LINCOLN THEATRE PACKAGE $50 • Package of all four (4) live-streamed and on-demand concerts: $50 (sold at www.JAG.tv) • Individual live-streamed and on-demand concerts: $15 (sold at www.JAG.tv) • Limited in-theatre individual socially-distance searing: $30 (go on-sale one-week in advance of concert, sold at www.CBUSArts.com) I WANT IT ALL! PACKAGE $200 Includes ALL on-demand JAZZ at the SOUTHERN THEATRE concerts + ALL live-streamed and on-demand JAZZ at the LINCOLN THEATRE concerts + ALL PBJ & Jazz online concerts + ALL Offstage Live online interviews and artist Q&As throughout the season: $200. The I WANT IT ALL! package also includes advance purchase and discount opportunities for the in-theatre JAZZ at the SOUTHERN THEATRE experience. Full and prorated packages are available for purchase at www.JAG.tv Prices shown do not include CAPA facility fee or City of Columbus Arts & Culture fee for in-theatre tickets, or processing fee for online/on-demand purchases. -
Main Command Post-Operational Detachments
C O R P O R A T I O N Main Command Post- Operational Detachments (MCP-ODs) and Division Headquarters Readiness Stephen Dalzell, Christopher M. Schnaubelt, Michael E. Linick, Timothy R. Gulden, Lisa Pelled Colabella, Susan G. Straus, James Sladden, Rebecca Jensen, Matthew Olson, Amy Grace Donohue, Jaime L. Hastings, Hilary A. Reininger, Penelope Speed For more information on this publication, visit www.rand.org/t/RR2615 Library of Congress Cataloging-in-Publication Data is available for this publication. ISBN: 978-1-9774-0225-7 Published by the RAND Corporation, Santa Monica, Calif. © Copyright 2019 RAND Corporation R® is a registered trademark. Limited Print and Electronic Distribution Rights This document and trademark(s) contained herein are protected by law. This representation of RAND intellectual property is provided for noncommercial use only. Unauthorized posting of this publication online is prohibited. Permission is given to duplicate this document for personal use only, as long as it is unaltered and complete. Permission is required from RAND to reproduce, or reuse in another form, any of its research documents for commercial use. For information on reprint and linking permissions, please visit www.rand.org/pubs/permissions. The RAND Corporation is a research organization that develops solutions to public policy challenges to help make communities throughout the world safer and more secure, healthier and more prosperous. RAND is nonprofit, nonpartisan, and committed to the public interest. RAND’s publications do not necessarily reflect the opinions of its research clients and sponsors. Support RAND Make a tax-deductible charitable contribution at www.rand.org/giving/contribute www.rand.org Preface This report documents research and analysis conducted as part of a project entitled Multi- Component Units and Division Headquarters Readiness sponsored by U.S. -
Nickelodeon Greenlights Daddy's Home, the First-Ever Original Comedy Pilot for Nick at Nite, Starring Scott Baio As a Stay-At-Home Dad
Nickelodeon Greenlights Daddy's Home, the First-Ever Original Comedy Pilot for Nick at Nite, Starring Scott Baio as a Stay-at-Home Dad Multi-Camera Pilot Created by Tina Albanese and Patrick Labyorteaux; Executive Produced by Eric Bischoff, Jason Hervey, Albanese, Labyorteaux and Baio SANTA MONICA, Calif., Oct. 24, 2011 /PRNewswire via COMTEX/ -- Nickelodeon has ordered its first-ever original scripted comedy pilot, Daddy's Home, starring Scott Baio, it was announced today by Marjorie Cohn, President, Original Programming and Development, Nickelodeon. A multi-camera, half-hour comedy for Nick at Nite, Daddy's Home follows David Hobbs (Baio) an actor who, after ten years of starring as America's favorite TV dad, becomes a stay-at-home father to honor the deal he made with his soap star wife so that she may return to the limelight. The project comes from creators/executive producers Tina Albanese and Patrick Labyorteaux and is helmed by executive producers Eric Bischoff and Jason Hervey through their production company Bischoff Hervey Entertainment (BHE), along with Baio. Daddy's Home marks Hervey and Baio's return to scripted comedy, with BHE having previously collaborated on three acclaimed unscripted series including Scott Baio is 45 and Single, Scott Baio is 46 and Pregnant, and Confessions of a Teen Idol. "Scott Baio is an actor known and beloved by today's Nick at Nite viewers, many of whom are parents," said Cohn. "His new project will put a contemporary and comedic twist on parenthood that will make for a great addition to our existing slate of family programming." "It's nice to be back home in an arena where I'm completely comfortable and with a show idea that I love," added Baio. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.