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F)Llilf . IIIS'i,F)Lly Illlfjjjj\TJ~S l\1 I'I,NI~SSI~S 'l,f) l\1illl: \Tf)Jfji~S l~llf))J '1,111~ lliJ'I,fJI~IlS f)llilf_. IIIS'I,f)llY illlfjJJJ\TJ~S Image from the Alexander and Bertha Bell Papers, Special Collections & University Archives September 14 to December 31, 2005 Callery '50 Special Collections and University Archives Rutgers University Libraries Rutgers University Libraries RUTGERS WITNESSES TO WAR: VOICES FROM THE RUTGERS ORAL HISTORY ARCHIVES A GUIDE TO THE EXHIBITION Sandra Stewart Holyoak PeterAsch Stephanie Darrell Shaun Illingworth Nicholas Molnar Susan Yousif Curators of the Exhibition Special Collections & University Archives Rutgers University Libraries New Brunswick, New Jersey September 14 - December 23, 2005 - 2- WITNESSES TO WAR: THE USE OF FIRST-PERSON PRIMARY RESOURCES IN THE STUDY OF WORLD WAR II AND THE UNITED STATES, 1989-2005 INTRODUCTION History is lived in instants and revealed in stages. The story of the United States' involvement in the Second World War initially took shape through the pens and lenses of war correspondents and the home front press and the typewriters of government public relations officers. Journalists like Ernie Pyle, Homer Bigart and GI cartoonist Bill Mauldin aspired to transmit the true essence of the war, while the media's lesser lights and the PR men presented a sanitized record draped in patriotic bravado. 1 In the immediate post-war period, the branches of the Armed Forces issued official histories that dealt primarily with battle maneuvers and administrative matters.2 As the surviving luminaries among the Western Allies retired from the military and/or public life in the 1940s, 1950s and 1960s, they composed (with the assistance of ghostwriters in some cases) and published their memoirs, followed shortly thereafter by their subordinates. 3 While each volume offered a new perspective on the inner workings within the war's upper echelon, it also served as its author's bid to establish a legacy of his owr1 choosing. In the 1960s and 1970s, the Civil Rights Movement, the Women's Movement and the struggles for recognition and equality by numerous other groups within American society, coupled with the development of social history as an academic genre, initiated a realignment of what was considered important in the study of the Second World War. The experiences of the common serviceperson, war worker and civilian took on new importance. Studies of women, African Americans, gays and lesbians and members of other marginalized groups began appearing in the body of research, although years would pass before they would receive adequate attention. For example, historian Barbara Tomblin noted that, even in the early 1980s, "Few publishers were interested in a book about women in the military."4 The genesis of a body of first-person, war-related primary resources can be traced back to the war years themselves. Individual veterans and civilians began publishing their memoirs, diaries 1 In 1943, Ernie Pyle published Here Is Your War: Story ofGI Joe, a collection of his columns on the North African Campaign. Brave Men, an anthology of Pyle's reporting on the war in Europe from 1943 to 1944, appeared in 2001. In 1992, Betsy Wade brought together selections from Bigart's entire career, including Korea and Vietnam, in Forward Positions: The War Correspondence ofHomer Bigart. Bill Mauldin combined cartoons from his Pulitzer Prize-winning series "Up Front With Bill Mauldin," featuring his famous GI characters, "Willie and Joe," with a narrative on the combat experience in 1945's Up Front. 2 In 1946, the US Army, in conjunction with the Government Printing Office, initiated the seventy-eight-volume The United States Army in World War II series, popularly known as the "Green Books." Backed by the US Navy, Samuel Eliot Morison of Harvard University published the fifteen-volume History of United States Naval Operations in World War //between 1947 and 1962. Under an agreement struck between the Army Air Forces and the University of Chicago in 1945, Professors Wesley Frank Craven ofNew York University and James Lea Cate of the University of Chicago edited the work of the AAF's Historical Division, which they had served in during the war, into theseven-volume The Army Air Forces in World War II, published between 1948 and 1958. Numerous historians aided in the production of the History of US Marine Corps Operations in World War II, which appeared between 1958 and 1971. 3 Here are a few examples: American leaders: Harry S. Truman, Memoirs (1955), Cordell Hull, The Memoirs ofCordell Hull (1948), Dwight D. Eisenhower, Crusade in Europe (1948), Douglas MacArthur, Reminiscences (1964), Omar Bradley, A Soldier's Story (1951), Henry "Hap" Arnold, Global Mission (1949), Curtis LeMay, Mission With LeMay: My Story (1965). British and French leaders: Charles DeGaulle, (English versions) War Memoirs: Call to Honor, 1940-1942 (1955), War Memoirs: Unity, 1942-1944 (1959), War Memoirs: Salvation, 1944-1946 (1960); Bernard Law Montgomery, The Memoirs ofField Marshal Montgomery (1958); Winston Churchill, the six-volume, Nobel Prize-winning The Second World War (1953). 4 Tomblin, Barbara Brooks, GI Nightingales: The Army Nurse Corps in World War II (University Press of Kentucky, 1996), p. vii. - 3 - and correspondence even before V-J Day. Each branch ofthe Armed Forces conducted after­ action interviews with men coming off the line. In the post-war period, those interviews joined thousands of other oral histories of officers and enlisted men and personal papers collected by the National Archives and Records Administration (NARA) and the Armed Services' historical divisions: the US Army's Military History Institute at Carlisle Barracks (MHI), the US Air Force Historical Research Agency at Maxwell Air Force Base (AFHRA), the US Navy's Naval Institute in Annapolis and the US Marine Corps' History and Museums Division in Washington, DC. University-affiliated oral history programs and document repositories also established World War II collections, such as the Western Historical Manuscript Collection at the University of Missouri-Columbia (WHMC), founded in 1943, Columbia University's Oral History Research Office, established in 1948, and the Center for the Study of War and Society at the University of Tennessee-Knoxville (CSWS), founded in 1984. Oral history compilations also appeared in print, most notably Roy Hoopes' Americans Remember the Home Front: An Oral Narrative (1977), John Tateishi's And Justice For All: An Oral History ofthe Japanese American Detention Camps (1984) and Studs Terkel's The Good War: An Oral History of World War Two (1984), perhaps the best known oral history of Americans in World War II. The fiftieth and sixtieth anniversaries ofthe war's critical events and a flourish of popular movies and books, such as Tom Brokaw's The Greatest Generation (1998) and Stephen Spielberg's film Saving Private Ryan (1998), brought about renewed interest in the war among the American public. Urged on by this revived appreciation and cognizant of their own mortality, the remaining eyewitnesses to the war, now in their seventies and eighties, previously reticent to discuss their experiences due to modesty or self-assessed insignificance, have become more willing to share their stories. Since 1989, publishing houses, eager to take advantage of the public's appetite for World War II works, have published the memoirs, diaries and letters of hundreds of veterans and civilian participants. Thousands more have revealed their stories to the world through independent publishers and the Internet. Simultaneously, a number of new oral history programs and document repositories have emerged to capture their stories before the demographically inevitable occurs. At Rutgers University, the Class of 1942, as the first class to graduate from Rutgers College after Pearl Harbor, founded the Rutgers Oral History Archives (ROHA) in 1994 to record and disseminate their experiences. The project, which houses its materials in the Special Collections and University Archives Division of the Rutgers University Libraries, was later expanded with the addition of the GI Bill Class of 1949 and other war year classes. The Rutgers Oral History Archives was one of the first projects to go online in 1997. In 1995, the Reichert Oral History Program at Florida State University formed the Institute on World War II and the Human Experience to narrow in on the World War II generation. Web-based projects, such as Patrick O'Donnell's Drop Zone Virtual Museum, founded in 1995, which primarily targets Airborne and Ranger veterans, have pioneered new methods for gathering and exhibiting first-hand accounts. In 2000, the Federal Government established the Veterans History Project at the Library of Congress's American Folklife Center, which coordinates the activities of numerous partner groups and individuals across the nation. This flurry of collection development has provided recent scholars and authors with a plethora of sources to choose from at a time when they are most receptive to using them. - 4- Thus, the most recent stage in the historiography of the Second World War in the United States has seen the confluence of a generation willing to tell its story and an academic and popular audience willing to listen. This essay will acquaint the reader with a sampling of the works published between 1989 and 2005 that utilize oral histories and other personal papers, such as diaries and letters, in their scholarship. Some have contributed to the historical record by adding interviews and document collections to the body of documentation; others have built upon it through their use ot tlrst-~1 .... ;::~ l'lccounts to reinterpret or elucidate events. In an effort to benefit students and researchers 011 the high school, undergraduate and graduate levels, I have based my bibliography upon a personal survey of two large state university libraries, the Archibald S. Alexander Library at Rutgers University in New Brunswick, New Jersey, and the WEB DuBois Library at the University of Massachusetts-Amherst.
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