TIME and ETHOS in RHETORICAL THEORY Collin Bjork Submitted To

Total Page:16

File Type:pdf, Size:1020Kb

TIME and ETHOS in RHETORICAL THEORY Collin Bjork Submitted To ACCUMULATING CHARACTER: TIME AND ETHOS IN RHETORICAL THEORY Collin Bjork Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of English, Indiana University June 2019 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee __________________________________________ Chair: Dana Anderson, Ph.D. __________________________________________ John Schilb, Ph.D. __________________________________________ Justin Hodgson, Ph.D. __________________________________________ Freya Thimsen, Ph.D. __________________________________________ Scot Barnett, Ph.D. 2 May 2019 ii Acknowledgements I am incredibly thankful for the long list of people and places that have impacted the direction and contours of this dissertation. And in a project that engages the imbricated concepts of character and time, I am particularly grateful for those who gave their own time to contribute to the ongoing development of my ethos as a scholar, teacher, and community member. I am thankful first for the public libraries that provided a quiet yet communal space in which to write: the Monroe Country Public Library, Ector County Public Library, Round Rock Public Library, Cedar Park Public Library, Austin Public Library, and Ghent Public Library. Your community-based work shares many important aims with the field of rhetoric that I now call home. I look forward to more opportunities to collaborate with you and other public libraries in the future. I am also grateful for the many universities that made their libraries and classrooms available for my thinking, writing, and teaching: Indiana University, the University of Texas at Austin, the University of Texas Permian Basin, Texas A&M University, Texas State University, Southwestern University, and Austin Community College. I have always felt at home in places that foster a delightful spirit of inquiry like these campuses. Thank you also to my Texas friends who have generously inquired about and challenged my research: Kyle Brill, Philip Johnson, Evan Blevins, Scott Raney, Josh Tate, Colby Garretson, Koby Ackie, Jesse Bertron, Geoff Abraham, Angela Barratt, and Brad Wright. Our “porch-sitting” conversations have strengthened this project and helped me maintain focus on the important public- facing work of this discipline. I am also grateful for our Bloomington neighbors who so warmly welcomed us into the Park Ridge East community: Tom and Beth Mooradian, MaryBeth and Terry Barger, Jon Simons and Claire Swallow, John Nieto-Phillips and Luciana Namorato, and Bradley Levinson. Your hospitality and humor enriched our time in Indiana; you will be missed. iii I am particularly indebted to the many workshops where patient colleagues read early drafts of these chapters. Thank you to the 2018 Midwest Winter Workshop organizers and to group leader Richard Marback for generously reading and responding to a rough draft of the first chapter. Thank you to Debra Hawhee’s leadership at the Research Network Forum at the 2018 Rhetoric Society of America Conference. Your ear for tone and your suggestion to study water clocks has improved this project immensely. Thank you to group leaders Derek Van Ittersum, Tim Lockridge, and Dustin Edwards at the 2018 Graduate Research Network at the Computers and Writing Conference. Your thoughtful dialogue about cryptocurrencies and rhetoric played a crucial role in the development of the final chapter. Thank you to Christian Koch and to the other members of our working group at the 2018 International Rhetoric Workshop. Your careful reading and thoughtful discussion of parts of the first chapter have sharpened both the way I write and think about rhetorical temporalities. Thank you to the other HASTAC Fellows at IU and to the leadership of Kalani Craig, Michelle Dalmau, and Mary Borgo Ton at Indiana University’s Institute for Digital Arts and Humanities. Your lively conversations have enriched the digital elements of this project. Thank you also to the many conferences where I first presented some of this research to an academic audience. I deeply appreciate my fellow panelists, the audience members, and the conference organizers at the 2018 Rhetoric Society of America Conference, the 2018 Computers and Writing Conference, the 2018 Watson Conference, and the 2017 Rhetoric Society of Europe Conference. I am also grateful for the friendship of Frida Buhre, Brent Lucia, and the other graduate student leaders of the International Rhetoric Workshop; our many conversations have made me a better scholar. At Indiana University, I am appreciative of the many people who helped me navigate my graduate program. Thank you to the staff members: Douglas Case, Hayley Rollins, Shauna Melvin, Lisa LaPlante, Jody Hays, Kayla Pointer (and Ziggy!), and especially Bev Hankins. Your friendly conversations and sage guidance re-energized me and gave me direction when I lacked it. I am also iv grateful for my fellow graduate students at Indiana University who helped me negotiate the challenges of a Ph.D. program with their wit, wisdom, and friendship. Thank you to Rachel McCabe, Alexandra Penn, Jennifer Warfel-Juszkiewicz, Jessica George, Sam Tett, Caddie Alford, Philip Perdue, Phil Choong, Amanda Zoch, James Bishop, Laura Rosche, Becky Ottman, Joanna Chromik, Elizabeth Maffetone, Mary Helen Truglia, JiHae Koo, Patrick Kindig, Ben Debus, Samantha Demmerle, Adam Coombs, Mary Borgo Ton, Stephen Hopkins, Tim Etzkorn, Peyton Lunzer, Benjamin Luczak, and Jason Michalek. Thank you also to the IU faculty members whose office hours conversations and coursework made me a better thinker, teacher, and scholar. I am particularly grateful for the mentorship of Fritz Breithaupt, John Eakin, Steven Wagschal, Ellen MacKay, Rebecca Sheldon, Patricia Ingham, Rae Greiner, Nicki Skillman, Kathy O. Smith, Kurt Zemlicka, Cynthia Duquette Smith, and Kefaya Diab. Thanks also to my colleagues in the Global Society of Online Literacy Educators and on the board for our peer-reviewed journal Research in Online Literacy Education: Michael Greer, Tiffany Bourelle, Kevin Eric Depew, Jason Snart, Jenae Cohn, Mary Stewart, Kimberly Fahle, Shelley Rodrigo, Lyra Hilliard, Jessie Borgman, and Casey McCardle. You have taught me much about how to advance the field through teamwork, vision, and attention to detail. Additional thanks to my soon-to-be colleagues at Massey University in New Zealand who, through their thoughtful engagement during my job interview, have already helped advance this project: Jenny Lawn, Keith Comer, Hannah Gerrard, Tony Signal, Nicholas Holm, Pete McGregor, and Louise Folster. I look forward to many more delightful conversations in the future. And special thanks to John Gallagher at the University of Illinois who patiently read a very early draft of my thinking about chronos and has been a thoughtful interlocutor and friend since then. I am especially grateful for those faculty members at IU who have graciously given of their time to mentor me and parts of this project throughout its many stages. Thank you to Robert Terrill v for his always-present leadership, his unflagging support, and his open door. Thank you to Joan Linton for teaching me how to build bridges between students, the academy, and the local community through writing classes. Thank you to Katie Silvester for teaching me how to cultivate a community of teachers, for encouraging and supporting my international endeavors, and for asking a brilliant question in my oral exam (one that I’m still pondering to this day!). Thank you to John Arthos for teaching me how to design rhetoric and technology courses that attract and energize students, that teach them the foundational skills of our discipline, and that help them create impressive final projects with legs beyond the four walls of our classroom. Much of the credit for who I am as a teacher and as a fledgling podcaster goes to you and your unfaltering support of graduate students in our department. Of all the faculty at IU, I owe the greatest debt of thanks to the five brilliant members of my dissertation committee. Without you, this project simply would not have been possible. Thank you to Scot Barnett for thoughtfully commenting on the entirety of this project and for helping me see ways to expand my understanding of Aristotle in the future. Thank you to Freya Thimsen for so carefully reading and responding to this dissertation; the next iteration of this project will be brighter because of your feedback. Thank you to Justin Hodgson for talking me through some of the challenges of this dissertation during office hours and also for teaching me how to design and lead effective online writing courses. Thank you to John Schilb for your ear during office hours, your eye on my prose, your voice on a podcast interview, and for calling me ‘indefatigable,’ a moniker I wear with pride; you are an inspiration to me. Lastly, thank you to my dissertation chair, Dana Anderson. Most of this I’ve said to you before, but it is worth repeating publicly. Thank you for reading my prose closer than anyone else; thank you for having more faith in my ideas than I often did; thank you for seeing paths forward when I could only see roadblocks; thank you for giving me more of your time that I deserved; thank you for teaching me to see composition style as an opportunity for vi community-building; thank you for the horseshoe and the ongoing journey that it represents; thank you for modeling a generous scholarly ethos; and most importantly, thank you for teaching me how to live rhetorically. Finally, I owe an ineffable debt of thanks to my family. Thank you to my in-laws for welcoming a (formerly) long-haired Austinite into your family. In particular, thank you to Nell Waddell for supporting my graduate work and for ensuring that I am well-attired in the classroom. Thank you to David Meisell for your camaraderie and conversation on your annual motorcycle trip to Bloomington with Cody Scace.
Recommended publications
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • Chronos 2020-2021.Pdf (1.572Mb)
    CHRONOS The History Journal of Yeshiva University 2020-2021 Editor-in-Chief David Tanner Editors Moshe Cohen Benguigui Deborah Coopersmith Moshe Hecht Sara Schapiro Faculty Advisor Dr. Hadassah Kosak Yeshiva University, New York, NY TABLE OF CONTENTS iv Welcome Letter 1 Yonatan U. Kurz A Linchpin of the Upper East Side: The Evolution of Congregation Kehilath Jeshurun and Its Surroundings 14 Allie Matofsky Who was Living at the Qumran Site? 25 Zachary Ottenstein The Boston Massacre in the American Collective Memory 37 Natan Pittinsky The Transformation of Porcelain in Pre-Revolutionary France 44 Joshua Polster Runic Alphabet: The History of Futhark 52 Shoshana Rockoff Leaving a Legacy: The Impact of Daring to be Different 59 Faculty Contribution Professor Jeffrey Freedman The Dangers Within: Fears of Imprisonment in Enlightenment France 91 Picture Credits Dear Reader, Welcome to the 2020-2021 edition of Chronos: The History Journal of Yeshiva University. For over a decade, Chronos has served as a forum dedicated to the dissemination of student research on a broad range of subjects within the realm of history. A number of this edition’s articles were submitted for publication in the 2019-2020 edition of Chronos; unfortunately, due to the COVID-19 pandemic, that edition never saw the light of day. We mention this only to leave a record for future readers that indeed, we live in historical times. As the COVID-19 pandemic tragically took millions of lives throughout the world, many were faced with a sense of despair in the face of “these unprecedented times.” However, the study of history can serve as a source of comfort by teaching that these times are not unprecedented.
    [Show full text]
  • The Semi (01-21-2008)
    Fuller Theological Seminary Digital Commons @ Fuller The SEMI (2001-2010) Fuller Seminary Publications 1-21-2008 The Semi (01-21-2008) Fuller Theological Seminary Follow this and additional works at: https://digitalcommons.fuller.edu/fts-semi-6 Recommended Citation Fuller Theological Seminary, "The Semi (01-21-2008)" (2008). The SEMI (2001-2010). 237. https://digitalcommons.fuller.edu/fts-semi-6/237 This Periodical is brought to you for free and open access by the Fuller Seminary Publications at Digital Commons @ Fuller. It has been accepted for inclusion in The SEMI (2001-2010) by an authorized administrator of Digital Commons @ Fuller. For more information, please contact [email protected]. the s e m i n o http://WINTER 3 • JANUARY 21,2008 CONNECTING THE CAMPUS • CREATING DIALOGUE Saint Bloggistine: The Bishop of Hippo Bares All STATUS UPDATES St. Augustine is being By Phil Gable emo on Xanga “Today is very or­ Richie Mouw is cooking dinary.” “You are cur­ a grit. rently looking at my Sophomore year history Barry Taylor is searching teacher...the tight pants for God and Culture in wearing, Ibanez gui­ G ig li. tar playing, sex god...” “Meanwhile my sins multiplied. The woman The SEMI is rockin'(in the with whom I habitu­ free world). ally slept was torn away from my side because she was a hindrance NEW S FEED to my marriage.” “I’ve Paul of Tarsus joined the group been on something of an "The Way." emotional roller coaster since watching Broke- Jimmy Dobson wrote on Richie back Mountain...” Can Mouw's wall. you spot the Neopla­ tonic confession hiding Johnny Goldingay wrote a new amongst the comments note: "Going to see the Beatles of online bloggers? In tomorrow, I'll have to, like, wash reading Augustine’s Confessions, you get this my tie-dye stuff..
    [Show full text]
  • Exploring and Understanding the Practices, Behaviors, and Identities of Hip-Hop Based Educators in Urban Public High School English/Language Arts Classrooms
    EXPLORING AND UNDERSTANDING THE PRACTICES, BEHAVIORS, AND IDENTITIES OF HIP-HOP BASED EDUCATORS IN URBAN PUBLIC HIGH SCHOOL ENGLISH/LANGUAGE ARTS CLASSROOMS ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by H. Bernard Hall August 2012 Examining Committee Members: Marc Lamont Hill, Advisory Chair, Teachers College, Columbia University Erin McNamara Horvat, Department of Teaching and Learning Wanda Brooks, Department of Teaching and Learning James Earl Davis, Department of Psychological, Organizational and Leadership Studies Emery Petchauer, External Member, Oakland University © Copyright by H. Bernard Hall 2012 ii ABSTRACT Exploring and Understanding the Practices, Behaviors, and Identities of Hip-hop Based Educators in Urban Public High School English/language arts Classrooms H. Bernard Hall Grounded in theories of culturally relevant and hip-hop pedagogies, this ethnographic study of a demographically diverse “community nominated” cohort of urban public high school teachers who integrate hip-hop pedagogies into their English/language arts classrooms responds to the methodological and theoretical shortcomings of a burgeoning body of research known as “hip-hop based education” (HHBE). HHBE has argued that curriculum and pedagogy
    [Show full text]
  • Aesthetic Play and Bad Intent
    Article Aesthetic Play and Bad Intent Andrew J. Kerr† Threatening words or images are assumed by American courts to be non-art. But this threshold question of art status is complicated by the evolution of rap and performance art. There is no articulable way to discern art from non-art for these non- textual media, a problem compounded in the unique context of the Internet. In civil litigation we can resort to institutionalist tests like audience reception. But mens rea matters in criminal prosecution. I favor judicial pragmatism in what I argue here is a very non-legal area of law. I. INTRODUCTION In March 2016, Compton rapper YG released the single, “FDT”, shorthand for “fuck Donald Trump,” as a critical response to the then Republican primary challenger. The track was rec- orded in about an hour,1 and eventually became a summer an- them because of its political appeal.2 VICE Media’s Noisey pub- lication celebrated it as the best track of 2016. Some of the lyrics are rote and predictable. Still, it possesses a vital energy and contains several clever lines, such as the couplet: “Reagan sold coke / Obama sold hope.”3 Any rap fan would recognize the song † Lecturer of Legal English, Georgetown University Law Center. I thank Robin West, Alexa Freeman, Sonya Bonneau, and Xiangyu Zhang for their help- ful comments, as well as the organizers and participants of the 2017 Law and Literature conference at Masaryk University for their formative feedback on this project. Copyright © 2018 by Andrew J. Kerr. 1. Adelle Platon, YG & Nipsey Hussle Discuss Their Anti-Donald Trump Track ‘FDT’ & Why ‘Trump Is Not the Answer’, BILLBOARD (Apr.
    [Show full text]
  • ONSITE PROGRAM July 8–11, 2019 Tutorials: July 8 Show Dates: July 9–10 Hyatt Regency, Long Beach, California Classified Session: July 11, the Aerospace Corporation
    JOINT NAVIGATION CONFERENCE 2019 Positioning, Navigation and Timing Technologies: The Foundation for Military Ops and Homeland Security ONSITE PROGRAM July 8–11, 2019 Tutorials: July 8 Show Dates: July 9–10 Hyatt Regency, Long Beach, California Classified Session: July 11, The Aerospace Corporation Sponsored by the Military Division of the Institute of Navigation www.ion.org/jncwww.ion.org/jnc Technical Program Overview Track A: Beacon A Track B: Shoreline Ballroom Track C: Seaview Ballroom Track D: Beacon B TRACK AND CHAIR: David Wolfe Dr. David Chapman Elliott Kaplan Dr. Greg Reynolds USCG NAVCEN AFRL Space Vehicles Directorate The MITRE Corporation US Army MONDAY, JULY 8: TUTORIALS Advanced Celestial Navigation Systems 10:30 a.m. - 12:00 p.m. Precise Timekeeping and Applications DOD PNT Architecture (PNTA) Standard GPS 101 for Warfighter Platforms Lunch is on Your Own: 12:00 p.m. - 1:30 p.m. An Introduction to Cryptography with 1:30 p.m. - 3:00 p.m. GPS Resilience for the Warfighter DOD PNT Architecture (PNTA) Standard PNT Gaps for Autonomous Applications Attention to Navigation Break: 3:00 p.m. - 3:30 p.m. D1: Multi-GNSS Receivers for Military 3:30 p.m. – 5:00 p.m. A1: Autonomous Systems and PNT B1: PNT Requirements and Solutions C1: GPS Modernization Applications TUESDAY, JULY 9: FOUO SESSIONS A2: Complementary PNT 1: Naturally 8:30 a.m. – 10:00 a.m. B2: Modeling and Simulation 1 C2: Military GPS User Equipment 1 D2: Inertial Measurement Unit (IMU) 1 Occurring Measurement Sources Break in Exhibit Hall: 10:00 a.m.
    [Show full text]
  • Based on the Asymmetry Between Chronos and Kairos
    HISTÓRIA DA Research article HISTORIOGRAFIA Reinterpreting the “times of crisis” based on the asymmetry between chronos and kairos Reinterpretando os “tempos de crise” a partir da assimetria entre cronos e kairós Walderez Ramalho a Email: [email protected] https://orcid.org/0000-0002-1314-6995 a Universidade Federal de Ouro Preto, Instituto de Ciências Humanas e Sociais, Departamento de História, Mariana, MG, Brasil 115 Hist. Historiogr., Ouro Preto, v. 14, n. 35, p. 115-144, jan.-abr. 2021 - DOI https://doi.org/10.15848/hh.v14i35.1733 HISTÓRIA DA Research article HISTORIOGRAFIA ABSTRACT In this article, I argue that the concept of crisis entails a particular form of experiencing and thinking historical time that can only be properly grasped by considering the asymmetry between chronos and kairos. After exploring the main meanings of these two Greek terms for “time”, I show that the chronos paradigm holds hegemony in contemporary theorizations on historical time. Reinhart Koselleck, who construed an influential conceptual history of “crisis”, reiterated such hegemony in his interpretation of the concept’s temporal sense by associating it with the phenomenon of temporal acceleration. This article argues that Koselleck’s interpretation is insufficient since “crisis” encompasses certain dimensions of temporal experience that can only be understood through the notion of kairos – namely, the temporality of decision, urgency, imminent rupture, and uncertainty about the future. KEYWORDS Theory of History. Historical Time. History of Concepts. RESUMO Neste artigo, argumento que o conceito de crise implica uma forma particular de experiência e compreensão do tempo histórico a qual só pode ser apreendida adequadamente quando se considera a assimetria entre cronos e kairós.
    [Show full text]
  • “Justice League Detroit”!
    THE RETRO COMICS EXPERIENCE! t 201 2 A ugus o.58 N . 9 5 $ 8 . d e v r e s e R s t h ® g i R l l A . s c i m o C C IN THE BRONZE AGE! D © & THE SATELLITE YEARS M T a c i r e INJUSTICE GANG m A f o e MARVEL’s JLA, u g a e L SQUADRON SUPREME e c i t s u J UNOFFICIAL JLA/AVENGERS CROSSOVERS 7 A SALUTE TO DICK DILLIN 0 8 2 “PRO2PRO” WITH GERRY 6 7 7 CONWAY & DAN JURGENS 2 8 5 6 And the team fans 2 8 love to hate — 1 “JUSTICE LEAGUE DETROIT”! The Retro Comics Experience! Volume 1, Number 58 August 2012 Celebrating the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael “Superman”Eury PUBLISHER John “T.O.” Morrow GUEST DESIGNER Michael “BaTman” Kronenberg COVER ARTIST ISSUE! Luke McDonnell and Bill Wray . s c i m COVER COLORIST o C BACK SEAT DRIVER: Editorial by Michael Eury .........................................................2 Glenn “Green LanTern” WhiTmore C D © PROOFREADER & Whoever was sTuck on MoniTor DuTy FLASHBACK: 22,300 Miles Above the Earth .............................................................3 M T . A look back at the JLA’s “Satellite Years,” with an all-star squadron of creators a c i r SPECIAL THANKS e m Jerry Boyd A Rob Kelly f o Michael Browning EllioT S! Maggin GREATEST STORIES NEVER TOLD: Unofficial JLA/Avengers Crossovers ................29 e u Rich Buckler g Luke McDonnell Never heard of these? Most folks haven’t, even though you might’ve read the stories… a e L Russ Burlingame Brad MelTzer e c i T Snapper Carr Mi ke’s Amazing s u J Dewey Cassell World of DC INTERVIEW: More Than Marvel’s JLA: Squadron Supreme ....................................33 e h T ComicBook.com Comics SS editor Ralph Macchio discusses Mark Gruenwald’s dictatorial do-gooders g n i r Gerry Conway Eri c Nolen- r a T s DC Comics WeaThingTon , ) 6 J.
    [Show full text]
  • Special Report: Ethical Implications of Large Scale Combat Operations
    SPeciAl rePort A Selection of PAPerS PreSented At the 2019 fort leAvenworth ethicS SymPoSium March 25, 2019 Lewis and Clark Center Fort Leavenworth, Kansas cGSc foundAtion, inc. • Arthur d. SimonS center • u.S. Army commAnd And GenerAl StAff colleGe About the Simons Center The Arthur D. Simons Center for Interagency Cooperation is a major program of the Command and General Staff College Foundation, Inc. The Simons Center is committed to the development of military leaders with interagency operational skills and an interagency body of knowledge that facilitates broader and more effective cooperation and policy implementation. In addition to sponsoring programs at the U.S. Army Command and General Staff College, the Simons Center publishes the InterAgency Journal as well as special reports and publications. For more information about the Simons Center and the CGSC Foundation visit: www.TheSimonsCenter.org www.cgscfoundation.org About the U.S. Army Command and General Staff College The mission of the U.S. Army Command and General Staff College is to educate and develop leaders for full-spectrum joint, interagency, and multinational Operations; act as lead agent for the Army’s leader development programs; and advance the art and science of the profession of arms in support of Army operational requirements. Since its inception in 1881 as the School of Application for Infantry and Cavalry, the Command and General Staff College has evolved to meet the educational and operational needs of the United States Army. Since World War II, it has generally been known as the school for Army majors, though the College contains other schools and it educates officers from other military services and from other countries.
    [Show full text]
  • A Work Sabbath
    FINAL SAY A "Work SabbathW BY NANCY MULVIHILL cise," Stapleton explains. "Participants break into ~| od is at work—at work. groups of three, with people they don't know, That's the idea behind the inno- and make a list of all the things they have in com­ • vative "Work Sabbath" program initi- mon," she says. "We have a real cross-section of G the organization at these workshops. Participants ated and led by Marguerite Stapleton, vice president, mission represent different lengths of service, entities, or effectiveness, Sisters of Charity Health System, levels of management. The diversity is part of Lcwiston, ME. The system, which is part of what they love—that, and discovering that they Covenant Health Systems, Lexington, MA, com­ have so much in common." prises St. Mary's Regional Medical Center, the After the icebreaker exercise, participants are St. Marguerite D'Youville Pavillion, the Maison given "Keeper Cards" on which they arc encour­ Marcotte Independent Living Center, Ms. Mulvihill is aged to record any insight, idea, or commitment Community Clinical Services, and WorkMed, all they want to keep with them once this day is in Lewiston. vice president, cor­ over. Stapleton offers the participants a selection The one-day, off-site program is intended to of cards bearing various adages and slogans, such as Wayne Gretzky's remark: "You miss 100 per­ enable staff members to explore the spirituality porate communica­ and meaning of work. For virtually all partici­ cent of the shots you never take." Each person chooses a card, agreeing to share its message pants, the outcome is affirmation of their role in tions, Covenant furthering the organization's mission and a whenever it seems appropriate—even if doing so renewed sense of purpose and commitment to interrupts whatever else is happening.
    [Show full text]
  • A Qualitative Content Analysis of Kanye West's Twitter Practice
    The Life Of Kanye A Qualitative Content Analysis of Kanye West’s Twitter Practice. 15.08.2016 Lund University M.Sc. in Media and Communications Studies Gloe Lucas 920721-T197 !1 ABSTRACT Celebrity Twitter use has recently been the subject of celebrity studies. Performing authenticity and intimacy as well as engaging interactively with followers are considered central characteristics of ‘micro-celebrity’ practice, which is widely considered to be extensively utilized by celebrities in their use of Twitter. Taking this framework suggested by celebrity studies as a point of departure, this thesis focuses on the case study of Kanye West, whose recent use of Twitter has been given much attention by celebrity news media due to his controversial tweets. In carrying out a content analysis of this case study’s tweets, this thesis aims to understand the way Kanye West is using Twitter, what strategies he is employing and how this links to the structural implications of celebrity. As the findings suggest, Kanye West employs two main strategies in his usage of Twitter: In his first strategy he uses Twitter as a tool to promote his celebrity commodity, increase his celebrity capital and create an elite network of fellow celebrities. The second strategy aims at creating an authentic and personal narrative that redefines and extends Kanye West’s celebrity persona. Within this second strategy, “stream-of-consciousness” writing was identified as a unique strategy employed by Kanye West in his Twitter practice. Keywords: Celebrity, Twitter, Micro-Celebrity, Authenticity, Intimacy, Performance. Number of words: 20.650 !2 Acknowledgements I hereby want to thank those that enabled and helped to create this paper.
    [Show full text]
  • Quareia—The Initiate Module VII—The Realm of the Inner Desert Lesson 3: Metatron and the Abyss
    Quareia—The Initiate Module VII—The Realm of the Inner Desert Lesson 3: Metatron and the Abyss by Josephine McCarthy Quareia Welcome Welcome to this lesson of the Quareia curriculum. The Quareia takes a magical apprentice from the beginning of magic to the level of adeptship and beyond. The course has no superfluous text; there is no dressing, no padding—everything is in its place and everything within the course has a good reason to be there. For more information and all course modules please visit www.quareia.com So remember—in order for this course to work, it is wise to work with the lessons in sequence. If you don’t, it won’t work. Yours, Quareia—The Initiate Module VII—The Realm of the Inner Desert Lesson 3: Metatron and the Abyss By now you should be of the understanding that the Abyss is not an evil hell, but it is nonetheless a place that can be destructive for living humans. It is a place of Restriction, and that restriction manifests in different ways according to time. Up the Abyss the Divine impulse of creation begins the process of restricting the Divine impulse into form and manifestation; at our level of the Abyss (the Desert) is the restriction of life, fate and time; and below the Abyss is the restriction of forms that no longer have a purpose in the outer physical world. Time is ever-present in the Abyss—indeed the Abyss is the engine and conductor of time and form. On our side of the Abyss, be it above, level, or below, time is a factor in the power formations.
    [Show full text]