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Gender and the Family in Contemporary Chinese-Language Film Remakes
Gender and the family in contemporary Chinese-language film remakes Sarah Woodland BBusMan., BA (Hons) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Languages and Cultures 1 Abstract This thesis argues that cinematic remakes in the Chinese cultural context are a far more complex phenomenon than adaptive translation between disparate cultures. While early work conducted on French cinema and recent work on Chinese-language remakes by scholars including Li, Chan and Wang focused primarily on issues of intercultural difference, this thesis looks not only at remaking across cultures, but also at intracultural remakes. In doing so, it moves beyond questions of cultural politics, taking full advantage of the unique opportunity provided by remakes to compare and contrast two versions of the same narrative, and investigates more broadly at the many reasons why changes between a source film and remake might occur. Using gender as a lens through which these changes can be observed, this thesis conducts a comparative analysis of two pairs of intercultural and two pairs of intracultural films, each chapter highlighting a different dimension of remakes, and illustrating how changes in gender representations can be reflective not just of differences in attitudes towards gender across cultures, but also of broader concerns relating to culture, genre, auteurism, politics and temporality. The thesis endeavours to investigate the complexities of remaking processes in a Chinese-language cinematic context, with a view to exploring the ways in which remakes might reflect different perspectives on Chinese society more broadly, through their ability to compel the viewer to reflect not only on the past, by virtue of the relationship with a source text, but also on the present, through the way in which the remake reshapes this text to address its audience. -
Chapter 4: Theatricality
The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 4: Theatricality §1 Boundaries In Imagination and Power: The Ideological Analysis of Theatre 想象與權力: 戲劇意識形態研 究 (2003), Zhou Ning is “concerned with the theatricality in the deep layers of the psychological structure of Chinese cultural character,” arguing that “the function of both [ritual and thought] lies in transcending the boundaries between reality 現實 and the fabricated 虛構, or confusing the two, through illusion.”1 During the Boxer Uprising peasants believed they were immune to bullets, which shows that getting carried away can have dire consequences: The Boxer Uprising (1900-1901) has many ties with theater; it didn’t distinguish the real 真 from the illusory 幻 . [The Boxers] gathered and rebelled while singing arias, they practiced martial arts as if playacting, they were possessed by characters from plays and their spreading of fire, going into battle, tricks and moves were all just like those staged in plays.2 “Popular music creates alternative universes, echoey soundscapes allowing the listener to drift outside the often-stressful realities of everyday life,” argues Witzleben in his article on Anita Mui.3 Throughout this study, the term performance has been instrumental in conceptualizing seemingly stable concepts, such as Chineseness, rock and femininity, as constantly renegotiated creations or articulations of normative or alternative universes. -
Two of Zhao Benshan's Comic Skits
Concentric: Literary and Cultural Studies 30.2 (July 2004): 3-34. Two of Zhao Benshan’s Comic Skits:1 Their Critical Implications in Contemporary China Aili Mu Iowa State University Abstract This paper explores the critical significance of two of Zhao Benshan’s comic skits Selling Crutches and Selling a Wheelchair in the context of contemporary China. Through a close analysis of the commercial mode of deception, this paper establishes the critical potential of Zhao’s skits to expose the art of influence and the paradigm of power in the general practice of hegemony. In so doing, this paper proves its central claim: Zhao’s skits, by way of showing how the desired customer is constructed, point to the inherent problems of market ideology and the danger of modernization as homogenization. In the skits’ aesthetic engagement of the audience and in the plurality of meaning that the audience’s responses manifest, this paper locates Zhao’s critical power—posing a forceful critique of the promotion of any absolute (concept, perspective, or mode of life) and cultivating a critical consciousness for the continuing creation of democratic sensibility. Keywords Zhao Benshan, comic skits (xiaopin), market ideology, popular culture, art of influence, modernization, practice of hegemony, “Three Represents,” legitimacy, audience reception 1 Zhao Benshan (趙本山, 1958- ), born of a peasant family in northern China, started his career as a comedian in the 1980s. He had been performing in local art forms in his native area until he was “discovered” by a celebrity comedian from the nation’s capital, Beijing, and was invited to perform at the most competitive Chinese New Year Gala show in 1990. -
WIN TOGETHER 32 His Keen Interest in Detecting Criminal Cases
WIN TOGETHER 32 his keen interest in detecting criminal cases. Hu Yuhai fleeing away "A family with coldness and warmness, a kind of worry and a after causing one dead in a group affray shocks Qu Erqun heavily. loyal heart, all of them light tens of thousands of households; Safety He begins to reflect profoundly and was determined to pay back of a place, devotion of a life and a bleeding heart, all of them bring the debt he owed to Xihu citizens by his practical actions of chasing the repay of tens of thousands of citizens…" The manly and virile, and and arresting Hu Yuhai. He walks into the masses and helps those in passionate and high-pitched theme song Good Policeman is sung by poverty or trouble, helping them out of worries and problems, and Han Lei for the first time; Tan Jing, a famous female singer expressed finally wins the trust and esteem of the people. While Hu Yuying, with deep emotions the internal monologue of one that is alone and who used to fight in cold wars with Qu Erqun is also touched by him helpless in the song entitled Have a Clear Conscious at the end of the at last and leads him to the far Northwest to search for her brother play: "Walking in the rain alone, and who can I lean against? Standing Hu Yuhai.The true image of a grassroots "local policeman" who is in the wind alone, and I am most in need of comfort tonight!Looking smart, patient, helpless, earnest and kind in serving the people is for youth alone, but the youth is always drenched by the rain and vividly displayed on the screen. -
P020200328433470342932.Pdf
In accordance with the relevant provisions of the CONTENTS Environment Protection Law of the People’s Republic of China, the Chongqing Ecology and Environment Statement 2018 Overview …………………………………………………………………………………………… 2 is hereby released. Water Environment ………………………………………………………………………………… 3 Atmospheric Environment ………………………………………………………………………… 5 Acoustic Environment ……………………………………………………………………………… 8 Solid and Hazardous Wastes ………………………………………………………………………… 9 Director General of Chongqing Ecology Radiation Environment …………………………………………………………………………… 11 and Environment Bureau Landscape Greening ………………………………………………………………………………… 12 May 28, 2019 Forests and Grasslands ……………………………………………………………………………… 12 Cultivated Land and Agricultural Ecology ………………………………………………………… 13 Nature Reserve and Biological Diversity …………………………………………………………… 15 Climate and Natural Disaster ……………………………………………………………………… 16 Eco-Priority & Green Development ………………………………………………………………… 18 Tough Fight for Pollution Prevention and Control ………………………………………………… 18 Ecological environmental protection supervision …………………………………………………… 19 Ecological Environmental Legal Construction ……………………………………………………… 20 Institutional Capacity Building of Ecological Environmental Protection …………………………… 20 Reform of Investment and Financing in Ecological Environmental Protection ……………………… 21 Ecological Environmental Protection Investment …………………………………………………… 21 Technology and Standards of Ecological Environmental Protection ………………………………… 22 Heavy Metal Pollution Control ……………………………………………………………………… 22 Environmental -
History Has Provided Ample Proof That the State Is the People, and the People Are the State
History has provided ample proof that the state is the people, and the people are the state. Winning or losing public support is vital to the Party's survival or extinction. With the people's trust and support, the Party can overcome all hardships and remain invincible. — Xi Jinping Contents Introduction… ………………………………………1 Chapter…One:…Why…Have…the…Chinese… People…Chosen…the…CPC?… ………………………4 1.1…History-based…Identification:… Standing…out…from…over…300…Political…Parties……… 5 1.2…Value-based…Identification:… Winning…Approval…through…Dedication… ………… 8 1.3…Performance-based…Identification:… Solid…Progress…in…People's…Well-being… ……………12 1.4…Culture-based…Identification:… Millennia-old…Faith…in…the…People… …………………16 Chapter…Two:…How…Does…the…CPC… Represent…the…People?… ……………………… 21 2.1…Clear…Commitment…to…Founding…Mission… ………22 2.2…Tried-and-true…Democratic…System… ………………28 2.3…Trusted…Party-People…Relationship… ………………34 2.4…Effective…Supervision…System… ………………………39 Chapter…Three:…What…Contributions…Does… the…CPC…Make…to…Human…Progress?… ……… 45 3.1…ABCDE:…The…Secret…to…the…CPC's…Success…from… a…Global…Perspective… ………………………………… 46 All…for…the…People… …………………………………… 46 Blueprint…Drawing… ………………………………… 47 Capacity…Building �������������� 48 Development…Shared… ……………………………… 50 Effective…Governance… ……………………………… 51 3.2…Community…with…a…Shared…Future…for…Humanity:… Path…toward…Well-being…for…All… …………………… 52 Peace…Built…by…All… …………………………………… 53 Development…Beneficial…to…All �������� 56 Mutual…Learning…among…Civilizations… ………… 59 Epilogue… ………………………………………… 62 Introduction Of the thousands of political parties in the world, just several dozen have a history of over 100 years, while only a select few have managed to stay in power for an extended period. -
Staff and Students
KIB STAFF AND STUDENTS HAN Min CHEN Shao-Tian WANG Ying JI Yun-Heng Director: XUAN Yu CHEN Wen-Yun LI De-Zhu DUAN Jun-Hong GU Shuang-Hua The Herbarium Deputy Directors: PENG Hua (Curator) SUN Hang Sci. & Tech. Information Center LEI Li-Gong YANG Yong-Ping WANG Li-Song ZHOU Bing (Chief Executive) LIU Ji-Kai LI Xue-Dong LIU Ai-Qin GAN Fan-Yuan WANG Jing-Hua ZHOU Yi-Lan Director Emeritus: ZHANG Yan DU Ning WU Zheng-Yi WANG Ling HE Yan-Biao XIANG Jian-Ying HE Yun-Cheng General Administrative Offi ce LIU En-De YANG Qian GAN Fan-Yuan (Head, concurrent WU Xi-Lin post) ZHOU Hong-Xia QIAN Jie (Deputy Head) Biogeography and Ecology XIONG De-Hua Department Other Members ZHAO JI-Dong Head: ZHOU Zhe-Kun SHUI Yu-Min TIAN Zhi-Duan Deputy Head: PENG Hua YANG Shi-Xiong HUANG Lu-Lu HU Yun-Qian WU Yan CAS Key Laboratory of Biodiversity CHEN Wen-Hong CHEN Xing-Cai (Retired Apr. 2006) and Biogeography YANG Xue ZHANG Yi Director: SUN Hang (concurrent post) SU Yong-Ge (Retired Apr. 2006) Executive Director: ZHOU Zhe-Kun CAI Jie Division of Human Resources, Innovation Base Consultant: WU Master' s Students Zheng-Yi CPC & Education Affairs FANG Wei YANG Yun-Shan (secretary) WU Shu-Guang (Head) REN Zong-Xin LI Ying LI De-Zhu' s Group LIU Jie ZENG Yan-Mei LI De-Zhu ZHANG Yu-Xiao YIN Wen WANG Hong YU Wen-Bin LI Jiang-Wei YANG Jun-Bo AI Hong-Lian WU Shao-Bo XUE Chun-Ying ZHANG Shu PU Ying-Dong GAO Lian-Ming ZHOU Wei HE Hai-Yan LU Jin-Mei DENG Xiao-Juan HUA Hong-Ying TIAN Xiao-Fei LIU Pei-Gui' s Group LIANG Wen-Xing XIAO Yue-Qin LIU Pei-Gui QIAO Qin ZHANG Chang-Qin Division of Science and TIAN Wei WANG Xiang-Hua Development MA Yong-Peng YU Fu-Qiang WANG Yu-Hua (Head) SHEN Min WANG Yun LI Zhi-Jian ZHU Wei-Dong MA Xiao-Qing SUN Hang' s Group NIU Yang YUE Yuan-Zheng SUN Hang YUE Liang-Liang LI Xiao-Xian NIE Ze-Long LI Yan-Chun TIAN Ning YUE Ji-Pei FENG Bang NI Jing-Yun ZHA Hong-Guang XIA Ke HU Guo-Wen (Retired Jun. -
China COI Compilation-March 2014
China COI Compilation March 2014 ACCORD is co-funded by the European Refugee Fund, UNHCR and the Ministry of the Interior, Austria. Commissioned by the United Nations High Commissioner for Refugees, Division of International Protection. UNHCR is not responsible for, nor does it endorse, its content. Any views expressed are solely those of the author. ACCORD - Austrian Centre for Country of Origin & Asylum Research and Documentation China COI Compilation March 2014 This COI compilation does not cover the Special Administrative Regions of Hong Kong and Macau, nor does it cover Taiwan. The decision to exclude Hong Kong, Macau and Taiwan was made on the basis of practical considerations; no inferences should be drawn from this decision regarding the status of Hong Kong, Macau or Taiwan. This report serves the specific purpose of collating legally relevant information on conditions in countries of origin pertinent to the assessment of claims for asylum. It is not intended to be a general report on human rights conditions. The report is prepared on the basis of publicly available information, studies and commentaries within a specified time frame. All sources are cited and fully referenced. This report is not, and does not purport to be, either exhaustive with regard to conditions in the country surveyed, or conclusive as to the merits of any particular claim to refugee status or asylum. Every effort has been made to compile information from reliable sources; users should refer to the full text of documents cited and assess the credibility, relevance and timeliness of source material with reference to the specific research concerns arising from individual applications. -
Factory Name
Factory Name Factory Address BANGLADESH Company Name Address AKH ECO APPARELS LTD 495, BALITHA, SHAH BELISHWER, DHAMRAI, DHAKA-1800 AMAN GRAPHICS & DESIGNS LTD NAZIMNAGAR HEMAYETPUR,SAVAR,DHAKA,1340 AMAN KNITTINGS LTD KULASHUR, HEMAYETPUR,SAVAR,DHAKA,BANGLADESH ARRIVAL FASHION LTD BUILDING 1, KOLOMESSOR, BOARD BAZAR,GAZIPUR,DHAKA,1704 BHIS APPARELS LTD 671, DATTA PARA, HOSSAIN MARKET,TONGI,GAZIPUR,1712 BONIAN KNIT FASHION LTD LATIFPUR, SHREEPUR, SARDAGONI,KASHIMPUR,GAZIPUR,1346 BOVS APPARELS LTD BORKAN,1, JAMUR MONIPURMUCHIPARA,DHAKA,1340 HOTAPARA, MIRZAPUR UNION, PS : CASSIOPEA FASHION LTD JOYDEVPUR,MIRZAPUR,GAZIPUR,BANGLADESH CHITTAGONG FASHION SPECIALISED TEXTILES LTD NO 26, ROAD # 04, CHITTAGONG EXPORT PROCESSING ZONE,CHITTAGONG,4223 CORTZ APPARELS LTD (1) - NAWJOR NAWJOR, KADDA BAZAR,GAZIPUR,BANGLADESH ETTADE JEANS LTD A-127-131,135-138,142-145,B-501-503,1670/2091, BUILDING NUMBER 3, WEST BSCIC SHOLASHAHAR, HOSIERY IND. ATURAR ESTATE, DEPOT,CHITTAGONG,4211 SHASAN,FATULLAH, FAKIR APPARELS LTD NARAYANGANJ,DHAKA,1400 HAESONG CORPORATION LTD. UNIT-2 NO, NO HIZAL HATI, BAROI PARA, KALIAKOIR,GAZIPUR,1705 HELA CLOTHING BANGLADESH SECTOR:1, PLOT: 53,54,66,67,CHITTAGONG,BANGLADESH KDS FASHION LTD 253 / 254, NASIRABAD I/A, AMIN JUTE MILLS, BAYEZID, CHITTAGONG,4211 MAJUMDER GARMENTS LTD. 113/1, MUDAFA PASCHIM PARA,TONGI,GAZIPUR,1711 MILLENNIUM TEXTILES (SOUTHERN) LTD PLOTBARA #RANGAMATIA, 29-32, SECTOR ZIRABO, # 3, EXPORT ASHULIA,SAVAR,DHAKA,1341 PROCESSING ZONE, CHITTAGONG- MULTI SHAF LIMITED 4223,CHITTAGONG,BANGLADESH NAFA APPARELS LTD HIJOLHATI, -
Popularizing Propaganda Under Party Politics (1927-1937) ---A Case Study of Shenbao Free Talk Lei Qin Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Summer 8-15-2017 Between Political Tendentiousness and Mass Media: Popularizing Propaganda under Party Politics (1927-1937) ---A Case Study of Shenbao Free Talk Lei Qin Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Comparative Literature Commons, and the Mass Communication Commons Recommended Citation Qin, Lei, "Between Political Tendentiousness and Mass Media: Popularizing Propaganda under Party Politics (1927-1937) ---A Case Study of Shenbao Free Talk" (2017). Arts & Sciences Electronic Theses and Dissertations. 1243. https://openscholarship.wustl.edu/art_sci_etds/1243 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Committee on Comparative Literature Dissertation Examination Committee: Robert E. Hegel, Chair Paul Michael Lützeler, Co-Chair Lingchei Letty Chen Zhao Ma Marvin Marcus Between Political Tendentiousness and Mass Media: Popularizing Propaganda under Party Politics (1927-1937) ---A Case Study of Shenbao Free Talk by Lei Qin A dissertation presented to The Graduate School -
Journal of Contemporary China
JOURNAL OF CONTEMPORARY CHINA Article Index By Subject Matter Vol. 6, No. 14, January 1997 – Vol. 30, No. 129, May 2021 Table of Contents Art and Literature • Financial Crisis • Chinese Art, Music, Literature, • Financial institutions Television, and Cinema • Financial markets Culture • Monetary policy • Culture / Traditional Culture • Fiscal policy Developmental Studies Foreign Relations • Development • China-Africa Relations • China-Australia Relations Economics • China-East Asia Relations • Agriculture • China-EU, Europe Relations • Business • China-General Foreign Relations • Economy/ Chinese Economy • China – India Relations • Economic and Financial Reform • China – Japan Relations • Entrepreneurs • China - Middle East / Central Asia • Enterprise Relations • Foreign Trade • China – North and South American • Real Estate / Construction Relations Rights (Property, Intellectual • • China - North and South Korea Property) Relations Rising China • • China – Pakistan Relations State-Owned Enterprises • • China – Periphery Relations • Taxes • China – Russia Relations Education • China – South East Asia Relations • College / University • China – United States Relations • Education • Cross-Boundary Rivers Government Energy • Central-Local Government Relations • Governance Environment • Climate Change • Local Elections • Environment / Pollution • Local Governments • Natural Resources • National People’s Congress (NPC) • Provincial Governments/ Financial System Intergovernmental Relations • Finance • Risk Management • Rule of Law Internationalization -
Descargar El Facsímil
China Perspectives 2015/2 | 2015 Re-imagining the Chinese Worker Remembering the Age of Iron Television dramas about Chinese workers in the socialist era Wanning Sun Electronic version URL: http://journals.openedition.org/chinaperspectives/6707 DOI: 10.4000/chinaperspectives.6707 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 June 2015 Number of pages: 33-41 ISSN: 2070-3449 Electronic reference Wanning Sun, « Remembering the Age of Iron », China Perspectives [Online], 2015/2 | 2015, Online since 01 January 2017, connection on 28 October 2019. URL : http://journals.openedition.org/ chinaperspectives/6707 ; DOI : 10.4000/chinaperspectives.6707 © All rights reserved Special feature China perspectives Remembering the Age of Iron Television dramas about Chinese workers in the socialist era WANNING SUN ABSTRACT: Over the past few years we have witnessed a minor cultural phenomenon in China, with the production and enthusiastic re - ception nationwide of several television dramas about Chinese workers in the socialist decades. Set in the industrial plants of Liaoning in China’s northeast, once the industrial powerhouse of the socialist nation, these drama series centre on the dramatic transformation in workers’ experiences from 1949 to the start of economic reforms. In this paper I explore these series, asking: what does the small- scale production but enthusiastic reception of this genre tell us about the contemporary cultural politics of class? This paper addresses this question by (1) highlighting the key aspects of workers’ experiences with socialism as depicted in these television narratives; (2) considering the creative agenda of Gao Mantang, the script writer of the most successful industrial-themed television series; and (3) identifying some crucial ways in which the subjectivity of workers and other social groups in contemporary Chinese society intersect to shape the cultural politics of class.