FIRES in the MIRROR: ,:Crown Heights, ··Brooklyn and Other Identities
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Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
Download 2018–2019 Catalogue of New Plays
Catalogue of New Plays 2018–2019 © 2018 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Take a look at the “New Plays” section of this year’s catalogue. You’ll find plays by former Pulitzer and Tony winners: JUNK, Ayad Akhtar’s fiercely intelligent look at Wall Street shenanigans; Bruce Norris’s 18th century satire THE LOW ROAD; John Patrick Shanley’s hilarious and profane comedy THE PORTUGUESE KID. You’ll find plays by veteran DPS playwrights: Eve Ensler’s devastating monologue about her real-life cancer diagnosis, IN THE BODY OF THE WORLD; Jeffrey Sweet’s KUNSTLER, his look at the radical ’60s lawyer William Kunstler; Beau Willimon’s contemporary Washington comedy THE PARISIAN WOMAN; UNTIL THE FLOOD, Dael Orlandersmith’s clear-eyed examination of the events in Ferguson, Missouri; RELATIVITY, Mark St. Germain’s play about a little-known event in the life of Einstein. But you’ll also find plays by very new playwrights, some of whom have never been published before: Jiréh Breon Holder’s TOO HEAVY FOR YOUR POCKET, set during the early years of the civil rights movement, shows the complexity of choosing to fight for one’s beliefs or protect one’s family; Chisa Hutchinson’s SOMEBODY’S DAUGHTER deals with the gendered differences and difficulties in coming of age as an Asian-American girl; Melinda Lopez’s MALA, a wry dramatic monologue from a woman with an aging parent; Caroline V. McGraw’s ULTIMATE BEAUTY BIBLE, about young women trying to navigate the urban jungle and their own self-worth while working in a billion-dollar industry founded on picking appearances apart. -
Re:Membrance of Absence
Re:membrance of Absence Disrupting perceptions of Jewish and minority identity in Ireland through theatre. by Aideen Wylde Supervisor: Doctor Michael Finneran A thesis submitted for the degree of DOCTOR OF PHILOSOPHY Department of Drama and Theatre Studies Mary Immaculate College (Coláiste Mhuire Gan Smál) University of Limerick Abstract This research examines social, historical and theoretical reasons that have contributed to the noticeable omission of minority voices, specifically Jewish voices, from Irish theatre narratives to date. The creation of the play Here Shall We Rest (HSWR) was the practical culmination of this investigation. Testimonials from eight participants around their experience as either Irish-Jewish or Jewish and resident in Ireland form the foundational material for the play text of HSWR. The qualitative research methodology employed here combines elements of ethnography and auto-ethnography, practice research and narrative enquiry. As a direct result of the work undertaken, I propose an early iteration of a new methodology for making theatre on minority culture: Third Voice Theatre. Inspired by S. Anksy’s Yiddish play Der Dibuk, HSWR follows the journey of a supernatural character through a liminal landscape inhabited by various narratives expressed in the fieldwork interviews I conducted. These stories expose complexities around Jewish identity, whether self-expressed or socially imposed. The play draws on my experience of perceptions of Jewish culture in Ireland as expressed by some non-Jews, and as non-Jewish myself. The play also seeks to address some of the misconceptions about Jewish heritage and incidences of antisemitisim in Ireland through social and historical lenses. Creating a piece of theatre on this subject allowed me to reimagine negative representations of Jewish characters in Irish theatre. -
CHENG LIBRARY COLLECTION VIDEOS, FILMS, and DVDS for "RACISM and SEXISM in the U.S." and RELATED COURSES (Updated List, 2008)
1 CHENG LIBRARY COLLECTION VIDEOS, FILMS, AND DVDS FOR "RACISM AND SEXISM IN THE U.S." AND RELATED COURSES (Updated List, 2008) The list below contains almost 450 items, all available in the Cheng Library. This is an update of a list originally compiled in December 2002. The descriptions of the items come primarily from the Cheng Library catalog, but occasionally from other sources, when the catalog descriptions were missing or inadequate. Almost all the items listed are non-fiction works; other works were too difficult to categorize. There are no doubt numerous errors and significant omissions in this list. Please send any suggested additions or other changes to [email protected] . I hope you find this useful. Bob Rosen Coordinator, Race & Gender Project August 27, 2008 ----------------------------- Abused 2006 45 min. DVD 985 The emotionally charged story of Susan Greenberg, who, at 19, killed her abusive boyfriend. After 19 years in prison, she sought to have her sentenced overturned based on a California state law that allows women convicted of murder to ask a judge for release based on evidence of Battered Woman Syndrome. 2 Acting our age: a film about women growing old 1987 58 min VC 3878 Introduces six women, aged 65 to 75, and through their stories of personal struggle and triumph, dispels the myths and challenges the stereotypes which have defined the image of old women in American culture. Includes discussions of sexuality, being alone, financial difficulties, and dealing with death. Addressing economic inequality in marriage: a new therapeutic approach 1995 29 min. VC 4234 Examines the institution of marriage. -
091659 Har Zion Nov 2009
Vol.Vol. 73,73, No.No. 3 NNovemberovember 20092009 Heshvan-KislevHeshvan-Kislev 57705770 The Lifeline of NESHAMA Conservative Judiasm Message from CARLEBACH Rabbi Jay M. Stein with the Solomon Schechter, Green Pastures the first full-time Chancellor of The Baptist Church Choir Jewish Theological Seminary of America IN CONCERT (JTSA) and whose yahrzeit we observe this month, addressed A Community Experience the Biennial meeting of JTSA and said, To Uplift Your Soul “In the days of yore, when Babylon formed the centre of Jewish Saturday, November 7, 8:00 PM civilization, and the eyes of the whole Har Zion Temple of Israel were turned toward the banks of the Euphrates and the Tigris for General Admission - $25 each ($30 at the door) instruction and enlightenment, they Students - $18 (ID required) had the goodly custom to meet twice a Reserved Seating – on sale until 11/3 only - $50 each year in religious convention; once at Limited Orchestra Seating – on sale until 11/3 only - $150 each the end of the winter, and again at the end of the summer. These www.neshamasingsphilly.com or 610-667-5000 conventions, which usually met at the great seats of learning, Sura and The Home and School Association of The Noreen Pumbedita, were honored with the Cook Center for Early Childhood Education presence of the heads of the of Har Zion Temple is proud to present our Academies, the chiefs of the Colleges, the Princes of the Captivity, and the Judges of the Gate. These men of light HANUKKAH BAZAAR and leading, they and their disciples, and the disciples -
Volume 27, No.4, May-June 2008
Association of Jewish Libraries N E W S L E T T E R May/June 2008 Volume XXVII, No. 4 Reference & Bibliography Award Winners Announced JIM ROSENBLOOM Many fine Judaica reference and bibliographic works appear each encyclopedias that cover some of the subjects in greater detail. year. The Awards Committee of the Research Libraries, Archives, To the best of my knowledge, however, many of the entries do and Special Collections Division of AJL reviews a great number not appear elsewhere in any organized form in other reference of them. I chair the committee, whose members are Rachel Ariel, literature. Geoffrey Dennis is the rabbi of Congregation Kol Ami Elliot H. Gertel, Louise Greenfield, Rachel Simon, Barry Walfish, in Flower Mound, Texas. He was previously the assistant rabbi and Yaffa Weisman. at Indianapolis Hebrew Congregation. Prior to his ordination at The Judaica Reference Award for 2007 goes to Writers in Hebrew Union College in Cincinnati, he was a registered nurse Yiddish, edited by Joseph Sherman (Thomsen Gale, 2007). It is and RN supervisor. volume 333 of the series, Dictionary of Literary Biography. This The 2007 Judaica Bibliography Award winner is Dictionary of alphabetically arranged volume Iberian Jewish and Converso Authors by Norman Roth (Aben Ezra contains articles on forty major Ediciones; Universidad Pontifica Salamanca, 2007). Although figures in Yiddish literature. The published in Spain, all annotations are in English. The bibliogra- earliest is Nahman of Bratslav. Each phy includes not only Hebrew works, but those written in other article gives a transliterated and languages, especially Spanish, as well as translations into other translated list of the author’s works languages. -
Anna Deavere Smith Receives the Phyllis Franklin Award Deadlines
Volume 48 • Number 3 Fall 2016 In This Issue Anna Deavere Smith Receives 2 President’s Column • K. Anthony the Phyllis Franklin Award Appiah • Setting Boundaries The sixth Phyllis Franklin Award for Public Advocacy of the Humanities will 5 Editor’s Column • Rosemary G. Feal • be presented to the playwright and performer Anna Deavere Smith during Your Professional Development: the MLA Awards Ceremony on 7 January 2017. MLA President Kwame An To Be Continued (at the Convention) thony Appiah will present the award in recognition of her advocacy of the arts and humanities. 2017 in Philadelphia Anna Deavere Smith is University Professor in performance studies at New York University and founder and director of the Institute on the Arts and Civic About the Job Information Center 4 Dialogue. The IACD supports artists addressing the world’s most pressing Anna Deavere Smith Receives the Phyllis problems; creates a meeting place for Franklin Award 1 artists, scholars, and audiences to ex Deadlines for the 2017 Convention 1 change ideas; and supports arts edu RIEDEL JEFF Five Reasons to Look Forward to cation. Her plays Fires in the Mirror: Philadelphia 4 Crown Heights, Brooklyn and Other Travel Assistance 4 Identities (nominated for a Pulitzer Prize), Twilight: Los Angeles, House Arrest, and Let Me Down Easy were Other News constructed using material from ex tensive interviews with a variety of Call for Contributions to MLA Volume 6 people and were performed by Smith Membership Ratification Vote 3 herself. She is the author of Talk to New and Forthcoming Titles 6 Me: Listening between the Lines and Letters to a Young Artist. -
ANNUAL ASSESSMENT of the Situation and Dynamics of the Jewish People 2019 | 5779
ANNUAL ASSESSMENT of the Situation and Dynamics of the Jewish People 2019 | 5779 Global Trends and Policy Recommendations Integrated Anti-Semitism Index: Europe and the US Special Chapters: Jewish Creativity and Cultural Outputs PROJECT HEAD Shmuel Rosner CONTRIBUTORS Avinoam Bar-Yosef, Dan Feferman, Shlomo Fischer, Avi Gil, Inbal Hakman, Michael Herzog, Dov Maimon, Gitit Levy-Paz, Steven Popper, Uzi Rebhun, John Ruskay, Noah Slepkov, Adar Schiber, Rami Tal, Shalom Salomon Wald EDITOR Barry Geltman Copyright © The Jewish People Policy Institute (JPPI) (Established by the Jewish Agency for Israel) Ltd. (CC) Jerusalem 2019/5779 JPPI, Givat Ram Campus, P.O.B 39156, Jerusalem 9139101, Israel Telephone: 972-2-5633356 | Fax: 972-2-5635040 | www.jppi.org.il All rights reserved. No part of this publication may be translated, reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without express written permission from the publisher. Printed and Distributed by the Jewish People Policy Institute Graphic Design: Lotte Design ISBN 978-965-7549-25-4 Table of Contents Foreword – Stuart Eizenstat and Dennis Ross 5 Policy Recommendations 9 TRENDS Integrated Assessment of the Status of the Jewish People 15 Geopolitics 17 Demography 21 Identity and Identification 23 Community Bonds 23 Material Resources 27 IN-DEPTH ANALYSES The Geopolitical Arena 33 The Intra-Jewish Arena 49 INDICES Jewish Demography 65 Israeli Society 75 Integrated Index: Israel-Diaspora Relations -
Los Angeles, 1992 Rosemary Weatherston
“The True Words of Real People”: Documenting the Myth of the Real in Anna Deavere Smith’s Twilight: Los Angeles, 1992 Rosemary Weatherston Do I contradict myself? Very well then, I contradict myself, (I am large, I contain multitudes.) (Walt Whitman “Song of Myself”) “Have you met Anna?” … “Oh, yeah, she’s the sister who wants to take my words.” (Sista Solja)1 I. For almost anyone interested in issues of representation, agency, and voice, the solo work of American playwright and performer Anna Deavere Smith is likely to hold an irresistible if troublesome attraction. Using an uncanny ability to imitate others’ gestures and speech as her method and carefully selected verbatim accounts gathered in interviews as her scripts, in the 1980s and 90s Smith created one-woman shows in which she scrutinized American communities and historical events by enacting the experiences of the individuals who participated in them. Each of these solo performance pieces were a part of her larger ongoing investigation of the relationship between language and subjectivity enti- tled On the Road: A Search for American Character.2 e original impetus behind Smith’s distinctive acting technique stemmed from two main sources: the first was her growing interest in experimenting with the relationship between speech rhythms and the construction and representation of individual identity. e second was her dissatisfaction, both as a teacher and a performer, with methods of acting in which performers drew upon their own experiences as their 189 Rosemary Weatherston primary sources of dramatic characterization (“Introduction” Fires xxiii– vii). In the early stages of the research that would lead to On the Road, Smith and her drama students explored the relationship of voice and self by having the students restage celebrity interviews from talk shows and approach strangers on the street with an offer for them to see them- selves “performed” by actors in exchange for their giving an interview (Richards 40). -
HKJFF-20Th-Festival-2019-View.Pdf
Co-presenter 香 港 猶 太 電 影 節 celebrating 20 Years 2-10 November 2019 Generously supported by The Ohel Leah Synagogue Charity WELCOME Dear Festival Supporters, I’m delighted to welcome you to the 20th Hong Kong Jewish Film Festival – a milestone for the entire Hong Kong community! For the past twenty years, we have endeavoured to bring the latest and best Jewish-themed features, documentaries and shorts from around the globe to Asia’s World City. Our goal is to share Jewish culture, history and art with Hong Kong’s dynamic and multi-faceted community. This year’s films embody that ethos, with thought-provoking, engaging and entertaining stories. We would not be able to accomplish this goal without the help of many, many people: Our generous donors, who make the Film Festival possible, we thank you again for your support; our dedicated Board which provides critical oversight and ideas on every aspect of the Festival; and our hard-working volunteers who put in countless hours on the viewing committee, the brochure, the opening event, and numerous details. I’d particularly like to thank Nicole Izsak, our past Festival Producer, as well as our new producer Shani Brownstein. We also appreciate the Asia Society Hong Kong Center for its wonderful venue and support. I look forward to seeing many of you during the Festival. Enjoy! Best, Eli Bitan HKJFF Chairperson 3 Message from the Israeli Chamber of Commerce Hong Kong My heartiest congratulations on the 20th Anniversary of the Hong Kong Jewish Film Festival! We are dedicated to promoting trade and development between Hong Kong SAR and Israel for our mutual benefit. -
Cultural Criticism, Representation, and Commodification in The
Spring 2005 127 Performing the “Really” Real: Cultural Criticism, Representation, and Commodification in The Laramie Project Jay Baglia and Elissa Foster “In our town we like to know the facts about everybody.” Stage Manager in Thornton Wilder’s Our Town “I have no interest in prying into a town’s unravelings.” Steven Belber in the Tectonic Theatre Project’s The Laramie Project This essay presents a detailed examination of our experiences as audience members of a documentary theatre performance and, following Craig Gingrich- Philbrook’s discussion of autoperformance, an interrogation of how and why it engaged us.1 As performance studies scholars writing in a discipline (communication) that is often removed from mainstream theatre as a focus of analysis, we are excited to explore The Laramie Project, a successful New York play and HBO special.2 In so doing, we are also responding to Richard Schechner’s call to “show exactly how performance studies can be useful to theatre-as-practiced in/by the mainstream.”3 The genre that has come to be known as documentary theatre encompasses a variety of styles and terms, including natural performance, ethnodrama, conversational dramatism, presentational theatre, staged oral history, and could even encompass what sociologist Laurel Richardson has called collective storytelling.4 As we examine three distinct productions of The Laramie Project, we grapple with the claim—both implicit and explicit—that this play is all the more powerful because it is based not on fiction but on the “really real.” In short, we challenge what we perceive to be an over-reliance on the “real” as a basis for claiming theatrical and political significance. -
Special Articles Jewish Experience on Film an American Overview
Special Articles Jewish Experience on Film An American Overview by JOEL ROSENBERG ± OR ONE FAMILIAR WITH THE long history of Jewish sacred texts, it is fair to characterize film as the quintessential profane text. Being tied as it is to the life of industrial science and production, it is the first truly posttraditional art medium — a creature of gears and bolts, of lenses and transparencies, of drives and brakes and projected light, a creature whose life substance is spreadshot onto a vast ocean of screen to display another kind of life entirely: the images of human beings; stories; purported history; myth; philosophy; social conflict; politics; love; war; belief. Movies seem to take place in a domain between matter and spirit, but are, in a sense, dependent on both. Like the Golem — the artificial anthropoid of Jewish folklore, a creature always yearning to rise or reach out beyond its own materiality — film is a machine truly made in the human image: a late-born child of human culture that manifests an inherently stubborn and rebellious nature. It is a being that has suffered, as it were, all the neuroses of its mostly 20th-century rise and flourishing and has shared in all the century's treach- eries. It is in this context above all that we must consider the problematic subject of Jewish experience on film. In academic research, the field of film studies has now blossomed into a richly elaborate body of criticism and theory, although its reigning schools of thought — at present, heavily influenced by Marxism, Lacanian psycho- analysis, and various flavors of deconstruction — have often preferred the fashionable habit of reasoning by decree in place of genuine observation and analysis.