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It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Nuovo Cinema Binario Paradiso Anno: 1989 Nazione: Italia/Francia Durata: 118’ Regia: Giuseppe Tornatore Venerdì 20 Marzo Mediterraneo
Con il patrocinio e la collaborazione di venerdì Comune di Cotignola 6 marzo con il contributo di Amarcord Scovil - Club Fotoamatori - Cambio Binario Primola e la Compagnia Magazzino FS Anno: 1973 organizzano Nazione: Italia/Francia Durata: 118’ Regia: Federico Fellini Nuovo venerdì Cinema 13 marzo Nuovo cinema Binario Paradiso Anno: 1989 Nazione: Italia/Francia Durata: 118’ Regia: Giuseppe Tornatore venerdì 20 marzo Mediterraneo Anno: 1991 Nazione: Italia Durata: 86’ Regia: Gabriele Salvatores venerdì 27 marzo BB II NN AA RR II OO La vita è bella DADA OO SS CC AA RR Anno: 1997 GENNAIO - APRILE 2015 Nazione: Italia Durata: 120’ TEATRO BINARIO Regia: Roberto Benigni PRESSO STAZIONE FERROVIARIA DI COTIGNOLA LE PROIEZIONI AVRANNO INIZIO ALLE ORE 21, venerdì DOPO L’ULTIMO TRENO. INGRESSO CINEMA CON TESSERA 3 aprile PRIMOLA/CINEMA NUOVO BINARIO, SI PUÒ FARE LA SERA STESSA. La grande bellezza Pri ola Anno: 2013 www.primolacotignola.it [email protected] Vi ricordiamo che sono aperte le iscrizioni Nazione: Italia/Francia per il 2015 a Primola. Durata: 135’ Potete iscrivervi quando ci incontrate. Regia: Paolo Sorrentino Non dimenticatevi Binario da Oscar mercoledì Gli Oscar sono un’invenzione puramente americana; certo è il riconoscimento cinematografico più vetusto dal 1929 (Venezia 28 gennaio 1932, Cannes 1946), però era un confronto riservato a una La strada parte del cinema mondiale. Solo dal 1947 una categoria venne riservata “al miglior film straniero”, prima come premio speciale Anno: 1954 od onorario, poi dal 1957 diviene definitivo. Il nostro Paese è Nazione: Italia quello che ha vinto più volte (14) seguito dalla Francia (12); con Durata: 105’ questa rassegna vogliamo rinnovare la visione di dodici di questi Regia: Federico Fellini film, non solo a chi non è riuscito a vederne alcuni, ma anche a chi li ha contemplati solo attraverso uno schermo televisivo, perdendone la grandiosità e il respiro. -
The Myth of the Good Italian in the Italian Cinema
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 5 No 16 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy July 2014 The Myth of the Good Italian in the Italian Cinema Sanja Bogojević Faculty of Philosophy, University of Montenegro Doi:10.5901/mjss.2014.v5n16p675 Abstract In this paper we analyze the phenomenon called the “myth of the good Italian” in the Italian cinema, especially in the first three decades of after-war period. Thanks to the recent success of films such as Tarantino’s Inglorious Basterds or Academy Award- winning Benigni’s film La vita è bella and Spielberg’s Schindler’s List it is commonly believed that the Holocaust is a very frequent and popular theme. Nevertheless, this statement is only partly true, especially when it comes to Italian cinema. Soon after the atrocities of the WWII Italian cinema became one of the most prominent and influential thanks to its national film movement, neorealism, characterized by stories set amongst the poor and famished postwar Italy, celebrating the fight for freedom under the banners of Resistance and representing a nation opposed to the Fascist and Nazi regime. Interestingly, these films, in spite of their very important social engagement, didn’t even mention the Holocaust or its victims and it wasn’t until the 1960’s that Italian cinema focused on representing and telling this horrific stories. Nevertheless, these films represented Italians as innocent and incapable of committing cruel acts. The responsibility is usually transferred to the Germans as typically cold and sadistic, absolving Italians of their individual and national guilt. -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
Film Lives Heresm
TITANUS Two Women BERTRAND BONELLO NEW YORK AFRICAN FILM FESTIVAL MARTÍN REJTMAN TITANUS OPEN ROADS: NEW ITALIAN CINEMA HUMAN RIGHTS WATCH FILM FESTIVAL NEW YORK ASIAN FILM FESTIVAL SPECIAL PROGRAMS NEW RELEASES EMBASSY / THE KOBAL COLLECTION / THE KOBAL EMBASSY MAY/JUN 2015SM FILM LIVES HERE Elinor Bunin Munroe Film Center 144 W 65th St | Walter Reade Theater 165 W 65th St | filmlinc.com | @filmlinc HERE STARTS PROGRAMMING SPOTLIGHT TABLE OF CONTENTS I PUT A SPELL ON YOU: THE FILMS OF BERTRAND BONELLO Festivals & Series 2 I Put a Spell on You: The Films of Bertrand Bonello (Through May 4) 2 PROVOKES PROVOKES Each new Bertrand Bonello film is an event in and of itself.Part of what makes Bonello’s work so thrilling is that, with some exceptions, world cinema has yet to catch up with his New York African Film Festival (May 6 – 12) 4 unique combination of artistic rigor and ability to distill emotion from the often extravagantly Sounds Like Music: The Films of Martín Rejtman (May 13 – 19) 7 stylish, almost baroque figures, places, and events that he portrays. He already occupies Titanus (May 22 – 31) 8 HERE FILM a singular place in French cinema, and we’re excited that our audiences now have the Open Roads: New Italian Cinema (June 4 – 11) 12 opportunity to discover a body of work that is unlike any other. –Dennis Lim, Director of Programming Human Rights Watch Film Festval (June 12 – 20) 16 New York Asian Film Festival (June 26 – July 8) 17 HERE FILM Special Programs 18 INSPIRES TITANUS Sound + Vision Live (May 28, June 25) 18 We have selected 23 cinematic gems from the Locarno Film Festival’s tribute to Titanus. -
California State University, Sacramento Department of World Literatures and Languages Italian 104 a INTRODUCTION to ITALIAN CINEMA I GE Area C1 SPRING 2017
1 California State University, Sacramento Department of World Literatures and Languages Italian 104 A INTRODUCTION TO ITALIAN CINEMA I GE Area C1 SPRING 2017 Course Hours: Wednesdays 5:30-8:20 Course Location: Mariposa 2005 Course Instructor: Professor Barbara Carle Office Location: Mariposa Hall 2057 Office Hours: W 2:30-3:30, TR 5:20-6:20 and by appointment CATALOG DESCRIPTION ITAL 104A. Introduction to Italian Cinema I. Italian Cinema from the 1940's to its Golden Period in the 1960's through the 1970's. Films will be viewed in their cultural, aesthetic and/or historical context. Readings and guiding questionnaires will help students develop appropriate viewing skills. Films will be shown in Italian with English subtitles. Graded: Graded Student. Units: 3.0 COURSE GOALS and METHODS: To develop a critical knowledge of Italian film history and film techniques and an aesthetic appreciation for cinema, attain more than a mere acquaintance or a broad understanding of specific artistic (cinematographic) forms, genres, and cultural sources, that is, to learn about Italian civilization (politics, art, theatre and customs) through cinema. Guiding questionnaires will also be distributed on a regular basis to help students achieve these goals. All questionnaires will be graded. Weekly discussions will help students appreciate connections between cinema and art and literary movements, between Italian cinema and American film, as well as to deal with questionnaires. You are required to view the films in the best possible conditions, i.e. on a large screen in class. Viewing may be enjoyable but is not meant to be exclusively entertaining. -
Soil Profiles in Film (PDF)
Project FOCUS Best Lessons MIDDLE SCHOOL Title of Lesson: The Circle of Life: Soil Profiles Theme: Earth/Space Science Unit Number: I Unit Title: The Earth's Surface Performance Standard(s) Covered (enter code): S6E5. Students will investigate the scientific view of how the earth’s surface is formed. Enduring Standards (objectives of activity): Habits of Mind ☒ Asks questions ☐ Uses numbers to quantify ☐ Works in a group ☐ Uses tools to measure and view ☐ Looks at how parts of things are needed ☒ Describes and compares using physical attributes ☐ Observes using senses ☒ Draws and describes observations Content (key terms and topics covered): This lesson covers soil profiles and how they can change in depth or nutrient composition based on changes in vegetation and even animal activity. It is important the students already have an understanding of soil profiles and the vocabulary associated with them. This lesson is more of a review. Learning Activity (description in steps) Abstract (limit 100 characters): This lesson is designed to look at a single habitat that has been drastically changed. By using the scenes from "The Lion King" students can see how habitats can change in composition of vegetation which can change the depth of the layers in the soil profile. At the end of this lesson the students should have a clear understanding of how vegetation adds nutrients and volume to the top soil profile. Some other areas this lesson can be expanded to is fossils. Details: Have the students in desks throughout the room and stress to them the importance of raising their hand when answering. -
Italian Films (Updated April 2011)
Language Laboratory Film Collection Wagner College: Campus Hall 202 Italian Films (updated April 2011): Agata and the Storm/ Agata e la tempesta (2004) Silvio Soldini. Italy The pleasant life of middle-aged Agata (Licia Maglietta) -- owner of the most popular bookstore in town -- is turned topsy-turvy when she begins an uncertain affair with a man 13 years her junior (Claudio Santamaria). Meanwhile, life is equally turbulent for her brother, Gustavo (Emilio Solfrizzi), who discovers he was adopted and sets off to find his biological brother (Giuseppe Battiston) -- a married traveling salesman with a roving eye. Bicycle Thieves/ Ladri di biciclette (1948) Vittorio De Sica. Italy Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation. Big Deal on Madonna Street/ I soliti ignoti (1958) Mario Monicelli. Italy Director Mario Monicelli delivers this deft satire of the classic caper film Rififi, introducing a bungling group of amateurs -- including an ex-jockey (Carlo Pisacane), a former boxer (Vittorio Gassman) and an out-of-work photographer (Marcello Mastroianni). The crew plans a seemingly simple heist with a retired burglar (Totó), who serves as a consultant. But this Italian job is doomed from the start. Blow up (1966) Michelangelo Antonioni. -
Lion King Original Release
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Shakespeare Uncovered Viewing Guide
© 2013 WNET. All rights reserved. Teaching Colleagues, Shakespeare Uncovered, a six-part series airing on PBS beginning on January 25 th , is a teacher’s dream come true. Each episode gives us something that we teachers almost never get: a compelling, lively, totally accessible journey through and around a Shakespeare play, guided by brilliant and plain-spoken experts--all within one hour. I’m not given to endorsements, but oh, I love this series. Why will we teachers love it and why do we need it? • Because, as we learned from the very start of the Folger Library’s Teaching Shakespeare Institute, teachers tend to be more confident, better teachers if they have greater and deeper knowledge of the plays themselves. • Because no matter what our relationship with the plays – we love them, we struggle with them, we’re tired of teaching the same ones, we’re afraid of some of them – we almost never have the time to learn more about them. We are teachers, after all: always under a deadline, we’re reading, grading, prepping, mindful of the next deadline. (And then there’s the rest of our lives . ) Shakespeare Uncovered is your chance to take a deep, pleasurable dive into a handful of plays—ones you know well, others that may be less familiar to you. In six episodes, Shakespeare Uncovered takes on eight plays: Macbeth, Hamlet, The Tempest, Richard II, Twelfth Night and As You Like It, Henry IV, Part I, and Henry V . The host of each episode has plenty of Shakespeare cred--Ethan Hawke, Jeremy Irons, Joely Richardson and her mom, Vanessa Redgrave, for example--but each wants to learn more about the play. -
CANNES 2020 Memory House a JOÃO PAULO MIRANDA MARIA Picture Memory House a JOÃO PAULO MIRANDA MARIA Picture
CANNES 2020 Memory House a JOÃO PAULO MIRANDA MARIA picture Memory House a JOÃO PAULO MIRANDA MARIA picture Modern day Brazil, but lost in time. Cristovam, a native Black man from the rural North, moves to a former Austrian colony in the South to work in a milk factory. Confronted with xenophobic conservative people, he feels isolated and estranged from the white world. He discovers an abandoned house, filled with objects and memorabilia reminding him of his origins. He settles in, reconnecting with his roots. As if this memory house were alive, more objects start to appear. Slowly, Cristovam begins a metamorphosis. JOÃO PAULO MIRANDA MARIA For his feature debut, director João Paulo Miranda Maria uses spiritual SHORTS: and fantastical story-telling to encapsulate the social and racial tensions MENINAS FORMICIDA of modern day Brazil. Venice Orizzonti 2017 Memory House is the only Latin American film under the Cannes 2020 THE GIRL WHO DANCED Official Selection Label. WITH THE DEVIL PRODUCERS Paula Cosenza, Denise Gomes (BeBossa Entertainment - Cannes 2016 Brazil) and Didar Domehri (Maneki Films - France) Winner Special Mention of Jury Prize BRAZIL - FRANCE / 2020 / 90’ / Portuguese - German COMMAND ACTION Critics’ Week 2015 DIRECTOR’S STATEMENT The surreal invasion of the invisible into the visible has always been present in my films. Different times and dimensions meet within one another in the same scene. Cristovam seeks his origins, finding traces of his ancestry. The figure of the old black man is mythical in Brazilian popular culture, as a spiritual presence for the humblest. The visual effects in the movie, especially those on Cristovam’s face, with his skin and soul marked by age, are a projection of strength coming from his distant ancestors, an embodiment of the past, with a spiritual dimension. -
2016 Study Guide
2016 STUDY ProductionGUIDE Sponsor 2016 STUDY GUIDE EDUCATION PROGRAM PARTNER BREATH OF KINGS: REBELLION | REDEMPTION BY WILLIAM SHAKESPEARE CONCEIVED AND ADAPTED BY GRAHAM ABBEY WORLD PREMIÈRE COMMISSIONED BY THE STRATFORD FESTIVAL DIRECTORS MITCHELL CUSHMAN AND WEYNI MENGESHA TOOLS FOR TEACHERS sponsored by PRODUCTION SUPPORT is generously provided by The Brian Linehan Charitable Foundation and by Martie & Bob Sachs INDIVIDUAL THEATRE SPONSORS Support for the 2016 Support for the 2016 Support for the 2016 Support for the 2016 season of the Festival season of the Avon season of the Tom season of the Studio Theatre is generously Theatre is generously Patterson Theatre is Theatre is generously provided by provided by the generously provided by provided by Claire & Daniel Birmingham family Richard Rooney & Sandra & Jim Pitblado Bernstein Laura Dinner CORPORATE THEATRE PARTNER Sponsor for the 2016 season of the Tom Patterson Theatre Cover: From left: Graham Abbey, Tom Rooney, Araya Mengesha, Geraint Wyn Davies.. Photography by Don Dixon. Table of Contents The Place The Stratford Festival Story ........................................................................................ 1 The Play The Playwright: William Shakespeare ........................................................................ 3 A Shakespearean Timeline ......................................................................................... 4 Plot Synopsis ..............................................................................................................