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INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For illustrations that cannot be satisfactorily reproduced by xerographic means, photographic prints can be purchased at additional cost and inserted into your xerographic copy. These prints are available upon request from the Dissertations Customer Services Department. 5. Some pages in any document may have indistinct print. In all cases the best available copy has been filmed. University Micrdnlms International 300 N. Zeeb Road Ann Arbor, Ml 48106 8518951 Hauck, Evan William VERGIL'S CONTRIBUTION TO EKPHRASIS The Ohio State University P h .D. University Microfilms International300 N. Zeeb Road, Ann Arbor, Ml 48106 Copyright 1985 by Hauck, Evan William All Rights Reserved VERGIL'S CONTRIBUTION TO EKPHRASIS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Evan William Hauck, B.A., M.A. * * * * * The Ohio State University 1985 Reading Committee: Appro John T. Davis, Ph.D. Charles L. Babcock. Ph.D. Jane M. Snyder, Ph.D. Adviser ifepdrtment of Classics Copyright by Evan William Hauck 1985 This is dedicated to my Mother and Father, who did so much to make it possible. ii ACKNOWLEDGEMENTS I want to thank the people who have helped me with this dissertation. Professor John T. Davis, my adviser, first suggested the topic and has guided me diligently through four years of research and writing. Professors Charles L. Babcock and Jane M. Snyder, my second and third readers, have provided many helpful comments and suggestions. Professor June Allison loaned me her copy of Vergil when mine was stolen. Professor Philip Lockhart of Dickinson College has inspired and encouraged my work in the classics for well over a decade. Finally, I want to thank two friends whose moral support has helped me through the last few months of work and worry: Curt Schieber, who gave me a place to stay whenever I came to Columbus, and Lori Custer, who was my first student when I started teaching, but who has become one of my best teachers. VITA August 25. 1953 Born - Phoenixville, Pennsylvania 1975 B.A., Dickinson College Carlisle; Pennsylvania 1976-1982 Teaching Associate, Department of Classics. The Ohio State University, Columbus. Ohio 1978 M.A. The Ohio State University. Columbus, Ohio 1984 Adjunct Instructor, Department of Classics. Gettysburg College Gettysburg. Pennsylvania Fields of Study Major Field: Classical Languages and Literature Studies in Latin Poetry. Professors John T. Davis and Charles L. Babcock. Studies in Greek Poetry. Professors Robert Lenardon, Jane Snyder and June Allison. TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ....................................... iii VITA .................................................... iv LIST OF ABBREVIATIONS................................ vii INTRODUCTION ........................................... 1 CHAPTER ONE: HOMER. APOLLONIUS AND CATULLUS ........... 7 I. The Shield of Achilles (Iliad 18. 478-607) 8 II. The Cloak of Jason (Arqonautica 1.721-773) 11 III. The Bedspread of Peleus and Thetis (Catullus 64.50-226) ..................... 14 TWO: THE GANYMEDE CLOAK. THE BALDRIC OF PALLAS AND THE SHIELD OF AE N E A S .......... 24 I. The Cloak and the B a l d r i c .............. 25 II. The Shield of Aeneas (8.625-731) .... 36 THREE: THE PICTURES ON THE TEMPLE WALL AT CARTHAGE .................................. 47 I. Subject Matter and Arrangement ......... 47 II. T h e m e s .................................... 56 III. The Italian W a r ......................... 64 IV. D i d o ....................................... 78 v FOUR: THE RELIEFS ON THE TEMPLE DOORS AT CUMAE ....................................... 89 I. Subject Matter andArrangement .......... 89 II. T h e m e s .................................... 94 III. Aeneas and the Temple Do o r s ............ 102 FIVE: CARTHAGE AND C U M A E ......................... 121 BIBLIOGRAPHY ............................................. 137 vi LIST OF ABBREVIATIONS I. Ancient and Medieval Sources All quotes from and references to Vergil are based upon R.A.B. Mynors. ed.. P. Verqili Maronis: Opera. Oxford University Press, Oxford (1976). Quotes from and references to other ancient and medieval sources are based upon the following texts: Apollodorus = Sir James G. Frazer, ed. and trans., Apollodorus: The Library. 2 vols.. Loeb Classical Library. G.P. Putnams, New York (1921). Apollonius Rhodius = R.C. Seaton, ed. and trans.. Apollonius Rhodius: The Argonautica. Loeb Classical Library, G.P. Putnam's. New York (1912). Catullus = Kenneth Quinn, ed., Catullus: The Poems. 2nd ed.. Macmillan, London (1973). Dictys Cretensis = Richard M. Frazer, ed. and trans.. The Troian War: The Chronicles of Dictvs of Crete. Indiana University Press. Bloomington (1966). Diodorus Siculus = C.H. Oldfather, ed. and trans.. Diodorus Siculus. 12 vols.. Loeb Classical Library. G.P. Putnam’s. New York (1933). Euripides = Arthur S. Way. ed. and trans.. Euripides. 4 vols., Loeb Classical Library. Harvard University Press. Cambridge (1959). Eustathius = Marchinus Van der Valk, ed., Eustathii: Commentarii ad Homeri Iliadem. 3 vols., E.J. Brill. Leiden (1971). Homer = David B. Monro and Thomas W. Allen, eds., Homeri Opera, vols. 1 and 2. 3rd ed.. Oxford University Press. Oxford (1920). Horace = Charles E. Bennett and John C. Rolfe, eds.. Horace: Odes and Epodes. Allyn and Bacon, boston (1934). Ovid = Frank Justus Miller, ed. and trans.. Ovid: Metamorphoses. 2 vols., Loeb Classical Library, Harvard University Press. Cambridge (1916). Pausanius = W.H.S. Jones, ed. and trans.. Pausanias: Description of Greece. 4 vols., Loeb Classical Library. G.P. Putnam’s. New York (1918). Philostratus = Ludo De Lannoy. ed.. Flavii Philostrati; Heroicus. B.G. Teubner, Leipzig (1977). Plautus = Paul Nixon, ed. and trans., Plautus. 5 vols.. Loeb Classical Library. Harvard University Press. Cambridge (1965). Plutarch = Bernadotte Perrin, ed. and trans.. Plutarch: The Parallel Lives. 11 vols., Loeb Classical Library. Harvard University Press. Cambridge (1958). Scholiast on Homer's Iliad = Hartmut Erbse. ed., Scolia Graeca in Homeri Iliadem, 6 vols., Walter de Gruyter. Berlin (1969). Servius = Geroge Thilo and Herman Hagen, eds.. Servii Grammatici: qui feruntur in Verqilii carmina commentarii. 2nd ed., B.G. Teubner. Leipzig (1923). II. Modern Sources The titles of journals are abbreviated according to the system used in L'Annee Philologique. Alfonsi. "II mito di Pasifae" = L. Alfonsi. "II raito di Pasifae in Virgilio." in Mvthos. Scripta in hon. M. Untersteiner. Genova (1970) pp. 33-36. Atchity. Homer1 s Iliad -• Kenneth J. Atchity. Homer1 s Iliad. Southern Illinois University Press. Carbondale (1978). Austin. Aeneidos liber I. = R.G. Austin, ed.. Aeneidos liber i. with commentary. Oxford University Press. Oxford (1971). Austin. Aeneidos liber VI = R.G. Autin, ed.. Aeneidos liber VI with commentary. Oxford University Press, Oxford (1977). Beye, Iliad. Odyssey and Epic Tradition = Charles R. Beye. The Iliad, the Odyssey and the Epic Tradition. Doubleday. Garden City (1966). Beye, Epic and Romance in Argonautica = Charles R. Beye. Epic and Romance in the Argonautica of Apollonius. Southern Illinois University Press, Carbondale (1982). Duckworth. Foreshadowing and Suspense = George E. Duckworth, Foreshadowing and Suspense in the Epics of Homer. Apollonius and Vergil. Princeton University Press. Princeton (1933). Eden, "Salii on Shield of Aeneas" = P.T. Eden. "The Salii on the Shiedl of Aeneas: Aeneid VIII. 663-666." RhM 116 (1973) pp. 78-83. Fowler. Aeneas at Site of Rome = W. Warde Fowler, Aeneas at the Site of Rome. B.H. Blackwell, Oxford (1918). x George. "Poet and Character in Apollonius" = E.V. George. "Poet and Character in Apollonius Rhodius' Lemnian Episode," Hermes 100 (1972) pp. 47-63. Griffith, Again the Shield = J.G. Griffith. "Again the Shield." PVS 7 (1967-1968) pp. 54-65. Kilroy. "Dido Episode and Sixty-Fourth Poem of Catullus" = Gerard Kilroy, "The Dido
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  • Renaissance Receptions of Ovid's Tristia Dissertation

    Renaissance Receptions of Ovid's Tristia Dissertation

    RENAISSANCE RECEPTIONS OF OVID’S TRISTIA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Gabriel Fuchs, M.A. Graduate Program in Greek and Latin The Ohio State University 2013 Dissertation Committee: Frank T. Coulson, Advisor Benjamin Acosta-Hughes Tom Hawkins Copyright by Gabriel Fuchs 2013 ABSTRACT This study examines two facets of the reception of Ovid’s Tristia in the 16th century: its commentary tradition and its adaptation by Latin poets. It lays the groundwork for a more comprehensive study of the Renaissance reception of the Tristia by providing a scholarly platform where there was none before (particularly with regard to the unedited, unpublished commentary tradition), and offers literary case studies of poetic postscripts to Ovid’s Tristia in order to explore the wider impact of Ovid’s exilic imaginary in 16th-century Europe. After a brief introduction, the second chapter introduces the three major commentaries on the Tristia printed in the Renaissance: those of Bartolomaeus Merula (published 1499, Venice), Veit Amerbach (1549, Basel), and Hecules Ciofanus (1581, Antwerp) and analyzes their various contexts, styles, and approaches to the text. The third chapter shows the commentators at work, presenting a more focused look at how these commentators apply their differing methods to the same selection of the Tristia, namely Book 2. These two chapters combine to demonstrate how commentary on the Tristia developed over the course of the 16th century: it begins from an encyclopedic approach, becomes focused on rhetoric, and is later aimed at textual criticism, presenting a trajectory that ii becomes increasingly focused and philological.