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Sleater-Kinney - Path of Wellness (2021) Artist : Sleater-Kinney Title : Path of Wellness Year Of Release : 2021 Label : Mom+Pop Genre : Indie Rock Quality : Mp3 320 kbps / FLAC (tracks) Total Time : 38:57 Total Size : 89.8 / 244 MB WebSite : Album Preview. 1. Path of Wellness (02:40) 2. High In The Grass (04:05) 3. Worry With You (03:51) 4. Method (04:20) 5. Shadow Town (05:10) 6. Favorite Neighbor (02:49) 7. Tomorrow’s Grave (03:52) 8. No Knives (01:16) 9. Complex Female Characters (02:59) 10. Down The Line (04:06) 11. Bring Mercy (03:49) Sleater-Kinney - Live in Paris (2017) [Hi-Res] Artist : Sleater-Kinney Title : Live in Paris Year Of Release : 2017 Label : Sub Pop Records Genre : Indie Rock, Female Vocalists Quality : flac lossless / flac 24bits - 44.1kHz Total Time : 00:47:35 Total Size : 335 / 601 mb WebSite : Album Preview. 01. Price Tag (Live) 02. Oh! (Live) 03. What's Mine Is Yours (Live) 04. A New Wave (Live) 05. Start Together (Live) 06. No Cities to Love (Live) 07. Surface Envy (Live) 08. I Wanna Be Your Joey Ramone (Live) 09. Turn It On (Live) 10. Entertain (Live) 11. Jumpers (Live) 12. Dig Me Out (Live) 13. Modern Girl (Live) Live in Paris is the first official record of Sleater-Kinney’s famously blistering stage performance. The thirteen track album, which features Carrie Brownstein, Corin Tucker, Janet Weiss, and touring member Katie Harkin, was captured on March 20th, 2015 at the Paris’s historic La Cigale venue, during the band’s sold-out, international tour in support of their acclaimed eighth album, 2015’s No Cities to Love. Live in Paris includes songs from nearly every Sleater-Kinney album, including No Cities to Love, The Woods, One Beat, The Hot Rock, Dig Me Out, and Call the Doctor. The recording was mixed by John Goodmanson at Avast and mastered by Greg Calbi at Sterling Sound. The Hot Rock. Expectations for Sleater-Kinney's fourth album were stratospheric, with the raging, tuneful feminist catharsis of Call the Doctor and Dig Me Out having garnered near-universal critical raves and outlandish media hype. Afraid of falling into a predictable rut, though, the band bravely pushed its range of expression into more personal, subdued, and cerebral territory on The Hot Rock. That means the record isn't quite as immediately satisfying as its two brilliant predecessors, but it does reward those willing to spend time absorbing its nervy introspection and moodiness. Corin Tucker and Carrie Brownstein push relentlessly for more complex interplay, both in their vocal and instrumental work; even the gentlest songs might break into unexpected dissonance or take an angular, off-kilter melodic direction. As such, there's never an obvious, gut-level anthem that jumps out at the listener in the manner of an "I Wanna Be Your Joey Ramone" or "Words and Guitar," but the intensity simmering under the surface does bubble over often, thanks to the group's greater use of dynamic shifts. There are fewer protest songs this time around, as most of the lyrics explore failed relationships and personal uncertainty, yet it manages to retain the sense of empowering catharsis that makes the group so compelling. The Hot Rock can invite comparisons to a less jam-oriented Television or a minimalist version of indie compatriots Helium (not to mention the obvious Kim Gordon homage on "Get Up"), but in the end, it stands on its own as Sleater-Kinney's most progressive and experimental work, as well as their darkest. No Cities To Love. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at 12,49€ Delivered after a nine-year hiatus, Sleater-Kinney's eighth album finds the trio more technically proficient but with a revitalized vigor. Delving into post-punk dance beats following a flirtation with classic rock, the band veers closer to their Riot Grrrl roots without sounding childish, churlish or stuck. Forward momentum is the theme, as in how can we all do better, be better ? Edgy opener "Price Tag" laments the heavy costs of fast fashion and other seeming capitalist bargains, while "Fangless" is a pre-#TimesUp strike against idol worship. But there's plenty of fun to be had, especially with the shout-along chorus of the title track and "Hey Darling," which finds Tucker coming on like Chrissie Hynde fronting a super- charged Pretenders. ("Gimme Love," meanwhile, unleashes the full force of her hurricane wail.) And, as always, the band stuns when Tucker and guitarist Carrie Brownstein trade vocals, as on "Bury Our Friends" — an interplay of harmonies circling and chasing each other in a march-worthy rallying cry: "We're wild and weary but we won't give in." © Qobuz..
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