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El Paso and the Twelve Travelers
Monumental Discourses: Sculpting Juan de Oñate from the Collected Memories of the American Southwest Inaugural-Dissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät IV – Sprach- und Literaturwissenschaften – der Universität Regensburg wieder vorgelegt von Juliane Schwarz-Bierschenk aus Freudenstadt Freiburg, Juni 2014 Erstgutachter: Prof. Dr. Udo Hebel Zweitgutachter: Prof. Dr. Volker Depkat CONTENTS PROLOGUE I PROSPECT 2 II CONCEPTS FOR READING THE SOUTHWEST: MEMORY, SPATIALITY, SIGNIFICATION 7 II.1 CULTURE: TIME (MEMORY) 8 II.1.1 MEMORY IN AMERICAN STUDIES 9 II.2 CULTURE: SPATIALITY (LANDSCAPE) 13 II.2.1 SPATIALITY IN AMERICAN STUDIES 14 II.3 CULTURE: SIGNIFICATION (LANDSCAPE AS TEXT) 16 II.4 CONCEPTUAL CONVERGENCE: THE SPATIAL TURN 18 III.1 UNITS OF INVESTIGATION: PLACE – SPACE – LANDSCAPE III.1.1 PLACE 21 III.1.2 SPACE 22 III.1.3 LANDSCAPE 23 III.2 EMPLACEMENT AND EMPLOTMENT 25 III.3 UNITS OF INVESTIGATION: SITE – MONUMENT – LANDSCAPE III.3.1 SITES OF MEMORY 27 III.3.2 MONUMENTS 30 III.3.3 LANDSCAPES OF MEMORY 32 IV SPATIALIZING AMERICAN MEMORIES: FRONTIERS, BORDERS, BORDERLANDS 34 IV.1 LANDSCAPES OF MEMORY I: THE LAND OF ENCHANTMENT 39 IV.1.1 THE TRI-ETHNIC MYTH 41 IV.2 LANDSCAPES OF MEMORY II: HOMELANDS 43 IV.2.1 HISPANO HOMELAND 44 IV.2.2 CHICANO AZTLÁN 46 IV.3 LANDSCAPES OF MEMORY III: BORDER-LANDS 48 V FROM THE SOUTHWEST TO THE BORDERLANDS: LANDSCAPES OF AMERICAN MEMORIES 52 MONOLOGUE: EL PASO AND THE TWELVE TRAVELERS 57 I COMING TO TERMS WITH EL PASO 60 I.1 PLANNING ‘THE CITY OF THE NEW OLD WEST’ 61 I.2 FOUNDATIONAL -
News Deserts and Ghost Newspapers: Will Local News Survive?
NEWS DESERTS AND GHOST NEWSPAPERS: WILL LOCAL NEWS SURVIVE? PENELOPE MUSE ABERNATHY Knight Chair in Journalism and Digital Media Economics Will Local News Survive? | 1 NEWS DESERTS AND GHOST NEWSPAPERS: WILL LOCAL NEWS SURVIVE? By Penelope Muse Abernathy Knight Chair in Journalism and Digital Media Economics The Center for Innovation and Sustainability in Local Media School of Media and Journalism University of North Carolina at Chapel Hill 2 | Will Local News Survive? Published by the Center for Innovation and Sustainability in Local Media with funding from the John S. and James L. Knight Foundation and the University of North Carolina at Chapel Hill Office of the Provost. Distributed by the University of North Carolina Press 11 South Boundary Street Chapel Hill, NC 27514-3808 uncpress.org Will Local News Survive? | 3 TABLE OF CONTENTS Preface 5 The News Landscape in 2020: Transformed and Diminished 7 Vanishing Newspapers 11 Vanishing Readers and Journalists 21 The New Media Giants 31 Entrepreneurial Stalwarts and Start-Ups 40 The News Landscape of the Future: Transformed...and Renewed? 55 Journalistic Mission: The Challenges and Opportunities for Ethnic Media 58 Emblems of Change in a Southern City 63 Business Model: A Bigger Role for Public Broadcasting 67 Technological Capabilities: The Algorithm as Editor 72 Policies and Regulations: The State of Play 77 The Path Forward: Reinventing Local News 90 Rate Your Local News 93 Citations 95 Methodology 114 Additional Resources 120 Contributors 121 4 | Will Local News Survive? PREFACE he paradox of the coronavirus pandemic and the ensuing economic shutdown is that it has exposed the deep Tfissures that have stealthily undermined the health of local journalism in recent years, while also reminding us of how important timely and credible local news and information are to our health and that of our community. -
P-Rock Paradigms, Queer Hip Hop and Riot Grrrl Whiteness
dig me out Discourses of Popular Music, Gender and Ethnicity edited by Maria José Belbel / Rosa Reitsamer. Art Centre Arteleku, Spain/Austria 2009 P-Rock Paradigms, Queer Hip Hop and Riot Grrrl Whiteness Exploring the intersections of music, gender, and ethnicity in feminist zines by Red Chidgey and Elke Zobl with Haydeé Jiménez Photo by Elke Zobl Ablaze! is a fanzine because we are fanz, fanatics, zealots, extremists, we are wild for stuff we’re wild for and that fact can’t change, except these passions are so real they have sell-by dates, determined by my own chemistry. - Karren Ablaze of UK fanzine Ablaze!, 1993. Zines could almost go by another name: the passion press. Fuelled by love rather than profit, zines are homemade, idiosyncratic, arty journals, which are as eccentric as their makers’ desires. Emerging in the early twentieth century from science fiction writing communities, these periodicals mutated into Xeroxed Football, TV, Rap, and Punk fanzines alongside the rise of everyday office technology and post-war fandoms. Zines are crucial to the development of subcultural identities and political ideologies. Fans themselves become cultural producers through writing, editing, designing, publishing and disseminating their own texts – sometimes alone and sometimes in a group. The spread of desktop publishing and wider zine networking in the late 1980s saw the zine scene explode: from cooking zines to subversive colouring books, survivor rape diaries to thrift store chic, DIY publications sprung up on any topics imaginable. The digital realm inalienably shaped zine culture, but paper zines still exist in their thousands – the in-your-hand nature of zines is hard to beat. -
New LAPD Chief Shares His Policing Vision with South L.A. Black Leaders
Abess Makki Aims to Mitigate The Overcomer – Dr. Bill Water Crises First in Detroit, Then Releford Conquers Major Setback Around the World to Achieve Professional Success (See page A-3) (See page C-1) VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax THURSDAY, DECEMBERSEPTEMBER 12 17,- 18, 2015 2013 VOL. LXXXV NO 25 $1.00 +CA. Sales Tax“For Over “For Eighty Over EightyYears TheYears Voice The ofVoice Our of Community Our Community Speaking Speaking for Itselffor Itself” THURSDAY, JUNE 21, 2018 The event was a 'thank you card' to the Los Angeles community for a rich history of support and growth together. The organization will continue to celebrate its 50th milestone throughout the year. SPECIAL TO THE SENTINEL Proclamations and reso- lutions were awarded to the The Brotherhood Cru- organization, including a sade, is a community orga- U.S. Congressional Records nization founded in 1968 Resolution from the 115th by civil rights activist Wal- Congress (House of Repre- ter Bremond. For 35 years, sentatives) Second Session businessman, publisher and by Congresswoman Karen civil rights activist Danny J. Bass, 37th Congressional Bakewell, Sr. led the Institu- District of California. tion and last week, Brother- Distinguished guests hood Crusade president and who attended the event in- CEO Charisse Bremond cluded: Weaver hosted a 50th Anni- CA State Senator Holly versary Community Thank Mitchell; You Event on Friday, June CA State Senator Steve 15, 2018 at the California CA State Assemblymember Science Center in Exposi- Reggie Jones-Sawyer; tion Park. civil rights advocate and The event was designed activist Danny J. -
Convocation Speaker Addresses Hunger
the September 20, 1985 Volume 78 ONCORDIAN i Number 3 Concordia College Moorhead, Minn. Convocation speaker addresses hunger by Michael Ritland cent of the world's grain output could eliminate news reporter world hunger. She emphasized getting to the root of this hunger to find it's cure. •1? A convocation of the Concordia community was '& K9 • held in the Fieldhouse on Monday, Sept. 16. The Ms. Lappe showed how third world countries were Klira convocation was a continuation of the Food, Far- hurt on village, government, and international com- M mm ming and the Future symposium. The guest speaker^ merce levels. Villages and surrounding farmlands was Frances Moore Lappe, founder and co-director are controlled by a small number of people. In Cen- 1 of the Food First Institute for Food and Develop- tral America the figures showed that almost fifty per- ment Policy in San Francisco. Dr. David M. Gring, cent of the people in twenty selected countries had f -••» dean of the college, gave a short welcome and stated no land. On the government level, statistics show- • • \d\ J : 4t f that the symposium "got off to a strong start," and ed that of the 200 billion dollars collected from ex- • hoped that it would continue in that direction. ports of third world countries, only fifteen percent BE-i of it went back to these countries. An even smaller 4 «HI Ms. Lappe was born in Pendleton, Ore., and amount was put into agriculture. t graduated from the University of California with a y J graduate degree in social work. -
Words and Guitar
# 2021/24 dschungel https://jungle.world/artikel/2021/24/words-and-guitar Ein Rückblick auf die Diskographie von Sleater-Kinney Words and Guitar Von Dierk Saathoff Vojin Saša Vukadinović Zehn Alben haben Sleater-Kinney in den 27 Jahren seit ihrer Gründung aufgenommen, von denen das zehnte, »Path of Wellness«, kürzlich erschienen ist. Ein Rückblick auf die Diskographie der wohl besten Band der Welt. »Sleater-Kinney« (LP: Villa Villakula, CD: Chainsaw Records, 1995) 1995 spielten die beiden Gitarristinnen Corin Tucker und Carrie Brownstein erst seit einem Jahr unter dem Namen Sleater-Kinney, waren nach Misty Farrell und Stephen O’Neil (The Cannanes) aber bereits bei der dritten Besetzung am Schlagzeug angelangt, der schottisch-australischen Indie-Musikerin Lora MacFarlane. Nach einer frechen Single und Compilation-Tracks auf Tinuviel Sampsons feministischem Label Villa Villakula erschien dort das Vinyl vom Debütalbum, die CD-Version aber auf Donna Dreschs Queercore-Label Chainsaw. Selten klang Angst durchdringender als auf diesem derben wie dunklen Erstlingswerk, das mit zehn Liedern in weniger als 23 Minuten aufwartet. Corin Tucker kreischt sich die Seele aus dem Leib und Carrie Brownsteins Schreien auf »The Last Song« stellt mit Leichtigkeit ganze Karrieren mediokrer männlicher Hardcore-Bands in den Schatten. Mit Sicherheit nicht nur das unterschätzteste Album der Bandgeschichte, sondern des Punk in den neunziger Jahren überhaupt. »Call the Doctor« (Chainsaw Records, 1996) Album Nummer zwei zeigte eine enorme musikalische Weiterentwicklung. »Call the Doctor« ist das streckenweise intelligenteste Album von Sleater-Kinney, das sich einerseits vor der avancierten Musikszene im Nordwesten der USA verneigte, in der die Band entstanden war (Olympia, Washington), zugleich aber äußerst eigenständig vorwärtspreschte und bei allem Zorn auf die Ausprägungen misogyner Kultur Anflüge von Zärtlichkeit nicht scheute: Selten wurde Unsicherheit so ehrlich vorgetragen wie auf »Heart Attack«. -
FAMILY 10-18-18.Indd
Supv. Mark Ridley-Thomas Robert Townsend A Living Leg- Measure H Helped 10,000 Home- end Delivers a Master Class with less People Into Permanent his New Doc, ‘Making The Five Housing (See page A-2) Heartbeats’ (See page B-4) VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax THURSDAY, DECEMBERSEPTEMBER 12 17,- 18, 2015 2013 VOL. LXXXV NO 49, $1.00 +CA. Sales Tax“For Over “For Eighty Over Eighty Years Years The Voice The Voice of Our of OurCommunity Community Speaking Speaking for for Itself Itself” THURSDAY, NOVEMBER 29, 2018 SENTINEL EXCLUSIVE SENTINEL EXCLUSIVE BY KIMBERLEE BUCK Sen. Steve Bradford’s bill (SB1250) clears way for Gov. Brown to Staff Writer grant full pardon In 2014, former Cali- fornia Senator Roderick D. Wright was convicted of eight counts of perjury and voter fraud for lying about living in his district and was sentenced to 90 days in jail. However, Wright only served an hour in jail and two-an- a-half years of probation. Four years later, Senator Wright has received a second chance after being pardoned by Governor Jerry Brown on FILE PHOTO Wednesday, November 21. Maxine Waters In his pardon message, Brown wrote, “[Wright] BY NIELE ANDERSON education budgets by $90 has shown that since his re- Staff Writer million, or 90 percent, in lease from custody, he has FILE PHOTO August. lived an honest and upright Senator Roderick D. Wright 2019 means big Open enrollment ends life, exhibited good moral changes for U.S. House December 15. We caught character, and conducted fice in that city. -
A Piece of History
A Piece of History Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and a Number One Pop smash, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been. “When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I've ever wanted to have.” “Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.” The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country's truly legendary acts. Their string of hits includes the Country-Pop chart-topper Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. -
THE GETAWAY GIRL: a NOVEL and CRITICAL INTRODUCTION By
THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION By EMILY CHRISTINE HOFFMAN Bachelor of Arts in English University of Kansas Lawrence, Kansas 1999 Master of Arts in English University of Kansas Lawrence, Kansas 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2009 THE GETAWAY GIRL: A NOVEL AND CRITICAL INTRODUCTION Dissertation Approved: Jon Billman Dissertation Adviser Elizabeth Grubgeld Merrall Price Lesley Rimmel Ed Walkiewicz A. Gordon Emslie Dean of the Graduate College ii ACKNOWLEDGMENTS I would like to express my appreciation to several people for their support, friendship, guidance, and instruction while I have been working toward my PhD. From the English department faculty, I would like to thank Dr. Robert Mayer, whose “Theories of the Novel” seminar has proven instrumental to both the development of The Getaway Girl and the accompanying critical introduction. Dr. Elizabeth Grubgeld wisely recommended I include Elizabeth Bowen’s The House in Paris as part of my modernism reading list. Without my knowledge of that novel, I am not sure how I would have approached The Getaway Girl’s major structural revisions. I have also appreciated the efforts of Dr. William Decker and Dr. Merrall Price, both of whom, in their role as Graduate Program Director, have generously acted as my advocate on multiple occasions. In addition, I appreciate Jon Billman’s willingness to take the daunting role of adviser for an out-of-state student he had never met. Thank you to all the members of my committee—Prof. -
Elijah Muhammad's Nation of Islam Separatism, Regendering, and A
Africana Islamic Studies THE AFRICANA EXPERIENCE AND CRITICAL LEADERSHIP STUDIES Series Editors: Abul Pitre, PhD North Carolina A&T State University Comfort Okpala, PhD North Carolina A&T State University Through interdisciplinary scholarship, this book series explores the experi- ences of people of African descent in the United States and abroad. This series covers a wide range of areas that include but are not limited to the following: history, political science, education, science, health care, sociol- ogy, cultural studies, religious studies, psychology, hip-hop, anthropology, literature, and leadership studies. With the addition of leadership studies, this series breaks new ground, as there is a dearth of scholarship in leadership studies as it relates to the Africana experience. The critical leadership studies component of this series allows for interdisciplinary, critical leadership dis- course in the Africana experience, offering scholars an outlet to produce new scholarship that is engaging, innovative, and transformative. Scholars across disciplines are invited to submit their manuscripts for review in this timely series, which seeks to provide cutting edge knowledge that can address the societal challenges facing Africana communities. Titles in this Series Survival of the Historically Black Colleges and Universities: Making it Happen Edited by Edward Fort Engaging the Diaspora: Migration and African Families Edited by Pauline Ada Uwakweh, Jerono P. Rotich, and Comfort O. Okpala Africana Islamic Studies Edited by James L. Conyers and Abul Pitre Africana Islamic Studies Edited by James L. Conyers Jr. and Abul Pitre LEXINGTON BOOKS Lanham • Boulder • New York • London Published by Lexington Books An imprint of The Rowman & Littlefield Publishing Group, Inc. -
The Art Worlds of Punk-Inspired Feminist Networks
! The Art Worlds of Punk-Inspired Feminist Networks ! ! ! ! ! ! A social network analysis of the Ladyfest feminist music and cultural movement in the UK ! ! ! ! ! ! A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities ! ! ! 2014 ! ! Susan O’Shea ! ! School of Social Sciences ! ! Chapter One Whose music is it anyway? 1.1. Introduction 12 1.2. Ladyfest, Riot Girl and Girls Rock camps 14 1.2.1. Ladyfest 14 1.2.2. Riot Grrrl 16 1.2.3. Girls Rock camps 17 1.3. Choosing art worlds 17 1.4. The evidence: women’s participation in music 20 1.5. From the personal to the political 22 1.6. Thesis structure 25 Chapter Two The dynamics of feminist cultural production 2.1. Introduction 27 2.2. Art Worlds and Becker’s approach 29 2.3. Punk, Riot Grrrl and Ladyfest 32 2.3.1. Punk 33 2.3.2. Riot Grrrl 34 2.3.3. Ladyfest 40 2.4. The political economy of cultural production 41 2.5. Social movements, social networks and music 43 2.6. Women in music and art and the translocal nature of action 48 2.6.1. Translocality 50 2.7. Festivals as networked research sites 52 2.8. Conclusion 54 Chapter Three Methodology 3.1. Introduction 56 !2 ! 3.2. Operationalising Art Worlds, research aims and questions 57 3.3. Research philosophy 58 3.4. Concepts and terminology 63 3.5. Mixed methods 64 3.6. Ethics 66 3.6.1. Ethics review 68 3.6.2. -
Pkau.C XOIMSOW SVW#S'
Pffsybvania History 25 PkAU.CW- --- - XOIMSOW SVW#S' .1* 416 v * - -- * -% 1 ft - , M. - . P- --. s SCgRatatf IOS TICKETS FONK MATTIL OMATof PUSCUASIS BEFORE AUGUST S. FOR 1*SMATIS* CALL2 LOGAN *?CS "S 4-Esow. ADMES*IOF to uig concIEr 15 tatl. 26 Pennsylvania History hd hipWm shiwdv 1 m O-kw 3apromim div am.lk ad dhiw Sadl. abnahbO~e Beews. .hgram6 as dir flumumudb*. (N-d.-. use A. Wo. Sdhe?) II -.- I S-' . - A - r.0 t. :I -C . - ie~so 55 ieM - ,- r afjg T( tt5 i LT1L4D 'V f ,- :- -- ol 5 . 'IfV -Om-: t- t , I I~I Translation: PaulRobeon g- the Berlin Workers' Conference. Paul Rabeon, one oft/e most outstandingreortntatimas ofthe Germanpeace movment stands beside the tekgram he set to the European Wor*ers' Coferene Against the Rmilitarwiotn of West Geroman} A Man of His Times: Paul Robeson and the Press, 1924-1976 Mary E. Cygan University of Connecticut The majority of the negroes in Washington before the great war were well behaved.... Most of them admitted the superiority of the white race, and troubles between the two races were undreamed of. Now and then a negro intent on enforcing a civil rights law would force his way into a saloon or a theatre and demand to be treated the same as whites were, but if the manager objected he usually gave in without more than a protest. The New York Times printed the editorial from which these sentences are taken on July 23, 1919, a few weeks after Paul Robeson graduated from Rutgers University and only five years before the reviews of his early performances appeared.