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Introduction In a world of seemingly endless negativity, there is one girl still holding out for a happy ending. In fact, she’s actively trying to create that happy ending with everything she’s got! Homura Akemi has gone through countless cycles of time to save her best friend Madoka Kaname, but she never succeeds. This failure will no doubt drive her mad in the end… but that is not the story of this Homura. For some strange reason, Homura’s ability to turn back time has started to insert her into stranger and stranger parallel worlds called Time Flows. These Time Flows can have relatively mundane differences from the original, like a world where everyone is oddly more spaced out, or could be ludicrously different, like a world that has a bar for the different Homuras of the multiverse! You enter into this odd multiverse just as the 38th most powerful Homura, Tamura, enters into the “Spaced-Out” Time Flow. Location (Roll 1d8 or spend 50 cp to choose) Akemi-Ya (1) The bar and restaurant made for and by Homuras. It’s a place for the Homuras of the multiverse to relax from their constant failures to save Madoka… and from the increasingly odd Time Flows. It has an incredibly jovial atmosphere and the people there do not take kindly to people intentionally ruining that atmosphere. You’ll no doubt run into a whole host of characters here, but you will assuredly meet Bar Homura and Professor Homura! “Spaced-Out” Time Flow (2) The first odd time flow that Tamura will find herself placed in. -
1554688371156.Pdf
Introduction In a world of seemingly endless negativity, there is one girl still holding out for a happy ending. In fact, she’s actively trying to create that happy ending with everything she’s got! Homura Akemi has gone through countless cycles of time to save her best friend Madoka Kaname, but she never succeeds. This failure will no doubt drive her mad in the end… but that is not the story of this Homura. For some strange reason, Homura’s ability to turn back time has started to insert her into stranger and stranger parallel worlds called Time Flows. These Time Flows can have relatively mundane differences from the original, like a world where everyone is oddly more spaced out, or could be ludicrously different, like a world that has a bar for the different Homuras of the multiverse! You enter into this odd multiverse just as the 38th most powerful Homura, Tamura, enters into the “Spaced-Out” Time Flow. Location (Roll 1d8 or spend 50 cp to choose) Akemi-Ya (1) The bar and restaurant made for and by Homuras. It’s a place for the Homuras of the multiverse to relax from their constant failures to save Madoka… and from the increasingly odd Time Flows. It has an incredibly jovial atmosphere and the people there do not take kindly to people intentionally ruining that atmosphere. You’ll no doubt run into a whole host of characters here, but you will assuredly meet Bar Homura and Professor Homura! “Spaced-Out” Time Flow (2) The first odd time flow that Tamura will find herself placed in. -
1554673752369.Pdf
Introduction In a world of seemingly endless negativity, there is one girl still holding out for a happy ending. In fact, she’s actively trying to create that happy ending with everything she’s got! Homura Akemi has gone through countless cycles of time to save her best friend Madoka Kaname, but she never succeeds. This failure will no doubt drive her mad in the end… but that is not the story of this Homura. For some strange reason, Homura’s ability to turn back time has started to insert her into stranger and stranger parallel worlds called Time Flows. These Time Flows can have relatively mundane differences from the original, like a world where everyone is oddly more spaced out, or could be ludicrously different, like a world that has a bar for the different Homuras of the multiverse! You enter into this odd multiverse just as the 38th most powerful Homura, Tamura, enters into the “Spaced-Out” Time Flow. Location (Roll 1d8 or spend 50 cp to choose) Akemi-Ya (1) The bar and restaurant made for and by Homuras. It’s a place for the Homuras of the multiverse to relax from their constant failures to save Madoka… and from the increasingly odd Time Flows. It has an incredibly jovial atmosphere and the people there do not take kindly to people intentionally ruining that atmosphere. You’ll no doubt run into a whole host of characters here, but you will assuredly meet Bar Homura and Professor Homura! “Spaced-Out” Time Flow (2) The first odd time flow that Tamura will find herself placed in. -
UNIVERSITY of CALIFORNIA Los Angeles Between Asian Girls Minor
UNIVERSITY OF CALIFORNIA Los Angeles Between Asian Girls Minor Feminisms and Sideways Critique A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Sharon N. Tran 2017 © Copyright by Sharon N. Tran 2017 ABSTRACT OF THE DISSERTATION Between Asian Girls Minor Feminisms and Sideways Critique by Sharon N. Tran Doctor of Philosophy in English University of California, Los Angeles, 2017 Professor Rachel C. Lee, Chair This dissertation expands existing accounts of the history of Asian racialization in the United States by examining the various discursive, symbolic, and affective economies through which the “Asian girl” has been trafficked. I mobilize the “Asian girl” as a critical framework for attending to an especially vulnerable, young female population and girlification as a particular mode of racialization. I examine the Asian girl queered by militarization, the kawaii (cute) Asian girl, the cybernetic/transgenic Asian girl, and the feral Asian girl as critical sites for seriously grappling with material conditions of political constraint and dependency. The project identifies girlish vulnerability as a structure of disavowal/contempt in a historically masculinist minoritarian politics that emphasizes autonomy, sovereignty, and militant resistance and takes forms of vulnerability as a basis theorizing an alternative affective politics. My research draws on the works of Asian/American novelists, poets, and visual artists for how they (re)imagine Asian girls in lateral associations of compoundedness, eroticism, and nascent political solidarity. ii As the title, “Between Asian Girls,” suggests, this dissertation seeks to recuperate theorizations of female homosociality, famously dismissed by Eve Sedgwick, as overly “intelligible”—thereby too facile for investigation—and at the same time, as politically illegible. -
Nendoroid More: Clip Stand and Suction Stands Compatibility List
Compatible products are marked with a circle (◯), incompatible products are marked with a cross (×). Partially compatible products are marked with the following symbol: ※. Please see the reference section for more information. Nendoroid More: Clip Stand and Suction Stands Compatibility List NO. 商品名 対応/非対応 備考 0 Neko Arc : Convert! Grumbling Face Edition ☓ 1 Nendoroid Neko Arc : Convert! Mysterious Jet Flight Edition ☓ 2 Lazy Saber : Limited Edition ☓ 3 Lazy Saber ☓ 4 Mesousa ☓ 5 Yasagure Rin ☓ 6 Ouka-chan: Flying Ver. ☓ 7 Kuwagata Tsumami & Joshi-chan ☓ 8 Ouka-chan : Battle Ready Ver. ☓ 9 Haruhi Suzumiya ☓ 10 Yuki Nagato ☓ 11 Ryuk ☓ 12 Light Yagami ☓ 13 Lazy Saber Alter ☓ 14 The Melancholy of Haruhi Suzumiya : Bunny Girl Set ☓ 15 Tachikoma ☓ 16 Mikuru Asahina ☓ 17 L ☓ 18 Misa Amane ☓ 19 Lazy Sakura ☓ 20 Binchou-tan ☓ 21 Bicycling Rider ☓ 22 Tachikomans Yellow ☓ 23 Tachikomans Silver ☓ 24 Nao ○ 25 Kotona Elegance ☓ 26 Rei Mii ☓ 27a Konata Izumi : Comptiq Ver. ☓ 27b Konata Izumi: Official Webpage Ver. ☓ 27c Konata Izumi: Chara-Ani Ver. ☓ 27d Konata Izumi: Saitama Newspaper 65th Anniversary Ver. ☓ 28a Kagami Hiiragi : Comptiq Ver. ☓ 28b Kagami Hiiragi : Official Webpage Ver. ☓ 28c Kagami Hiiragi : Chara-Ani Ver. ☓ 28d Kagami Hiiragi : Saitama Newspaper 65th Anniversary Ver. ☓ 29 Al Azif ☓ 30 Light Yagami : Santa Ver. ☓ 31 L : Reindeer Ver. ☓ 32 Tsuruya-san ☓ 33 Miku Hatsune ※ Depending on when your product was purchased it may not be compatible. Compatible products will have a hole in the back. 34 Lucky Star : Fate Cosplay Set ☓ 35 Joy Max ☓ 36 Melissa Seraphy ☓ 37 Pastel Ink ☓ 38 Ryofuko-chan : OVA Ver. ☓ 39 Rin Kagamine ※ Depending on when your product was purchased it may not be compatible. -
Festzin Na Conu, Přeji Vám Nezapomenutelný Víkend
křída mat 200-250g CMYK+LAK, 1. (přední) strana obálky >>> ����� ������ Animefest 2015 • číslo dvanácté • samostatně neprodejné ����������������������������� ��������������������������������� ������������������������ ��������������������� ����������������������� ��������� ����� ���������� ����������������������������� ������������������������������������������������������������������ ������������������������ ������������������������������������������������������������������������������������ ��������� ���������������������������� ����������� ₂. ₍�������₎ ������ ������, CMYK ���� ���������������� ������������������������������������������������ ��������������������������� �������������������� Obsah 3 Úvod — vítejte na Animefestu 2015 4 Travič Pocky 5 Kantai Collection — staňte se admirálem i vy! 9 Rozhovor s režisérem Giovanniho ostrova Mizuho Nišikubem 13 NeCONvenčně 15 Škola, základ života? 19 Rozhovor s Gorthaurem, duchovním otcem Cosplaymanie 20 European cosplay academy 25 Anime News Nina 29 Figurky letem světem 32 Maid a jiné kavárny v Tokiu 37 Úvod do světa japonské literatury 41 Co zůstalo v Japonsku 43 NeCONvenčně 45 Na kus řeči s organizátory 47 Partneři a sponzoři 48 Poděkování 54 60 79 80 Legenda: Anime Japonsko Komunita Komiks Tiráž, aneb kdo za to může šéfredaktor: hintzu korektura: Miki, Ximara, Chill koncepce: hintzu obálka: Kobylka v pyžamu sazba a předtisková příprava: Viktor tisk: Uniprint 1 Vítejte na Animefestu 2015 Ve dvanácti letech již Animefest míří Letošní ročník je opět zlomový, co se pro- do puberty a rebelských -
Negotiating Magical Space and Identity in Puella Magi Madoka Magica
humanities Article Becoming the Labyrinth: Negotiating Magical Space and Identity in Puella Magi Madoka Magica Sara Cleto * and Erin Kathleen Bahl Department of English, The Ohio State University, Columbus, OH 43210, USA; [email protected] * Correspondence: [email protected]; Tel.: +1-404-808-8407 Academic Editor: Claudia Schwabe Received: 2 March 2016; Accepted: 30 March 2016; Published: 6 April 2016 Abstract: In the magical girl anime series Puella Magi Madoka Magica, middle-school girls receive the power and responsibility to fight witches in exchange for making a wish. The series has connections to many different genres and narrative traditions within the realm of folkloristics. However, the folkloric genre most relevant to the ethos and aesthetics of Madoka is that of the fairy tale. Drawing on Bill Ellis’s concept of “fairy-telling” and scholarship on new media composition, in this paper we seek to investigate labyrinths as acts of embodied composing—not lairs of evil or destruction but rather creative material memory work that negotiates grief and despair. Many of the series’ action sequences unfold in “labyrinths,” the magical spaces controlled by witches. By composing a labyrinth, witches can simultaneously reshape their environment and create a powerful statement about identity through personalized performance in narrative spaces that they control. In particular, we argue that both the frameworks of “fairy tale” and “new media” give us useful analytical resources for beginning to make sense of the intricately complex phenomenon of Madoka’s labyrinths. Keywords: fairy tale; new media; anime; magical girl; labyrinth; Madoka 1. Introduction In the anime series Puella Magi Madoka Magica [1] (hereafter Madoka), a granted wish marks not a happily-ever-after ending but rather a complicated beginning. -
Puella Magi Madoka Magica the Movie –Rebellion- Coming to Theaters This Winter!
FOR IMMEDIATE RELEASE July 17, 2013 Puella Magi Madoka Magica The Movie –Rebellion- Coming to Theaters this Winter! ©Magica Quartet/Aniplex,Madoka Movie Project Rebellion SANTA MONICA, CA (July 17, 2013) – Aniplex of America and ELEVEN ARTS are proud to announce they are bringing the highly anticipated feature length film, Puella Magi Madoka Magica the Movie -Rebellion-, to the big screen across the US this Winter. Aniplex of America and ELEVEN ARTS have brought several popular movie titles to theaters across the U.S. and Canada including the Puella Magi Madoka Magica Movies Part 1 -Beginnings- and Part 2 -Eternal-. Most Recently Aniplex of America and ELEVEN ARTS also announced they are bringing Blue Exorcist The Movie to U.S. theaters. Theater locations and scheduled show times for Puella Magi Madoka Magica the Movie -Rebellion- will be announced at a later date. For Further information about the Puella Magi Madoka Magica movie, please visit MadokaMagicaUSA.com About Puella Magi Madoka Magica Originally airing in Japan in the beginning of 2011, Puella Magi Madoka Magica is an original story developed into TV series by Gen Urobuchi (Fate/Zero and Psycho Pass) of Nitroplus, directed by Akiyuki Shimbou (Goodbye Zetsubo Sensei, Bakemonogatari, Arakawa under the Bridge) and produced by Aniplex’s Atsuhiro Iwakami (the Garden of sinners, Bakemonogatari, Oreimo, and recent project Fate/Zero). Puella Magi Madoka Magica follows the story of a 14-year-old girl named Madoka Kaname. Madoka is offered the opportunity of gaining magical powers if she agrees to make a contract with a strange little being named Kyubey. -
️ Program Guide (PDF)
STAFF Convention Chair: Photography Guest Staff Main Events Rosa Halcomb Head: Kristin Roberts Head: Maya King Head: Greg Crouse Vice Chair: Shawn Bailey Staff: Amber Feldman, Marcy Staff: Keith Berans, Trevor Press LaRue, Steven Godbey, Kyle Breault, Bob Malmin, Kelsey-jo Head: Tanya Perez Business Brooks, Mario Orozco, Kristine Thibodeau, Jessica Williams, Staff: Michelle Harvey, Ryan Director: Katie Lynn Barnum Nia Gray Harvey, Luke Marsden Registration Tabletop Gaming Head: James Wigton Public Relations Programming Director: Greg Hines Head: Jaqi Judson Staff: Sam Wilson, Joseph Head: Gareth Lypka Staff: Victoria Strong, Staff: Bryce Andersen, Patrick Menke, Sean Breen, Teesha Staff: Cara Logan Anthony Bagley, Marlon Brownson, Sinead Cooper, Prichard, Zachary Patterson Operations Bennett, Meghan Bethards, Lanning Henriques, Leah Vendors’ Hall Director: James Kirkham Rebecca Anne Chambers, Stevens, Julian Anthony, Kaylyn Head: Emily Kringle Hatfield Convention Operations Austin Cunningham, Laurel Staff: Zoraida Hayes, Anthony Head: Joel Berger Fiddler, Kaeden Grigsby, Chris Video Gaming Van Risseghem, Justin Rose, Staff: Jordan Rogell, John Mauricio, Kerry McCullough, Head: Mark Kraska, Kurtis Monterey Pulliam, Kelsea Christison, Rebecaa Friend, Jose Angel Torres, Shola York, Heithoff, Kohler Richard W Donnelly Jr., Jessica Danielle Wayne, Marshall Staff: Kyle Le, Keith Adamson, Artists’ Alley Knoedler, Kyle Knoedler, Teresa Jeremy Witherspoon, Linh Vu, Kelly Bohan, Meredith Head: Jamie Judson Carnes, Adam Franklin Lee, Cody Cooper, Zane Wewerka, Dickerson, Daniel Eason, Matt José Torres, Justin Walker Katia Bermejo Harper, Aaron King, Harris Merchandising Kalat, Meg Kraska, Matt Head: Trevor Hodgson Convention Response Team Adult Programming Head: Warumuno Rowles, Gary Schmidt, Garret Staff: Ryan Hodgson Head: Forrest Fredell Stewart, Chase Hainey, Sean Staff: DJ Harshman, Allison AMVs Fleming, Christopher Bennett Communications Rosenthal, Mariona Gates, Head: Shawn Bailey Director: A. -
Puella Magi Madoka Magica(2011)
Puella Magi Madoka Magica (2011): El renacimiento de la magical girl. La reconstrucción de un género a través del monomito. Carlos Álvarez Barroso Tutora: María del Mar Rubio-Hernández Máster en Comunicación y Cultura Septiembre, 2020. Notas sobre el idioma. Los términos japoneses recogidos en el presente documento siguen el sistema Hepburn para su transcripción en cursiva. Esto conlleva que las vocales largas se indicarán mediante una macrón en el caso de o y u, y con doble vocal en el caso de a, e, i. Las palabras japonesas no sufren ninguna modificación en plural. En el caso del término manga (recogido recientemente por el DRAE), no se sigue dicha convención, y se ha optado por un plural que se adapte a las reglas ortográficas españolas: un manga/unos mangas; el manga/los mangas. De igual forma, los términos japoneses que nombran los géneros del manga irán seguidos a la palabra manga. Apareciendo, por ejemplo, “manga shōnen” y no “shōnen manga”. Con respecto a los nombres de autores de manga que aparecen en este estudio, se seguirá el orden de nombre y apellidos occidental (nombre de pila primero y apellido después), puesto que así se dieron a conocer en España cuando sus obras fueron publicadas para nuestro mercado. Por otro lado, los autores procedentes de publicaciones científicas serán citados de acuerdo con la representación de sus nombres en el documento de pertenencia. Índice Resumen/Abstract/要約 .................................................................................................. 1 1. Introducción ................................................................................................................. 4 1.1. Justificación del tema y objeto de estudio .................................................................. 4 1.2. Estado de la cuestión .................................................................................................. 6 1.3. Objetivos .................................................................................................................... -
15Th Japan Media Arts Festival Announcement of Award Winning-Works
2011.12.15 15th Japan Media Arts Festival Announcement of Award Winning-works The Award Winning-works of the 15th Japan Media Arts Festival have been determined.! This year we received a record number of applications, over 2,700, including more than 900 works from 57 foreign countries and territories. After careful deliberation by the jury, the following awards were given in each of the four divisions (Art, Entertainment, Animation, and Manga): one Grand Prize, four Excellence Awards, and three New Face Awards. In addition, the jury awarded one Special Achievement Award and named dozens of Jury Selection Works.! In the Art division, the minimal film Que voz feio (plain voices) simultaneously presents two sisters, a twin in two frames, as they tell their individual stories; the Grand Prize-winning work allows the viewers to experience various levels of “difference,” be it between memories, nationalities, or languages. The Grand Prize in the Entertainment division is the ambitious SPACE BALLOON PROJECT, which streamed to the Internet a live video feed from a smartphone attached to a specially designed balloon as it rose 30,000 meters into the stratosphere. The Grand Prize in the Animation division goes to the television series PUELLA MAGI MADOKA MAGICA, which has had such a profound effect on the Japanese cultural scene. In the Manga division, the Grand Prize goes to Saturn Apartments, which depicted in great detail the daily lives of individuals living in a man-made residence in the near future, after the surface of the earth has become uninhabitable after having been designated as a nature reserve. -
Aniplex to Host Puella Magi Madoka Magica Special Meet and Greet Event at Anime Jungle in Los Angeles
FOR IMMEDIATE RELEASE January 26, 2012 Aniplex to Host Puella Magi Madoka Magica Special Meet and Greet Event at Anime Jungle in Los Angeles © Magica Quartet/Aniplex, Madoka Partners, MBS SANTA MONICA, CA (January 26, 2012) – Celebrating the Release of Puella Magi Madoka Magica Vol. 1 in North America, Aniplex of America is having a special Meet and Greet Event with the English Voice Cast of the series. Fans will get to share the excitement of Madoka Magica with the English Cast just days after the release of the First Volume (February 14th). This Meet and Greet event will be held on Friday February 17th at 8:30 PM at Anime Jungle #1 in Los Angeles’ Little Tokyo. The Madoka Magica Meet and Greet event is open to the public and is a great opportunity for fans to meet the English Cast in person and show their love for the series. Fans will have the opportunity to have their questions answered from the English Cast. In addition, there will also be an autograph session for fans that have purchased the first volume of the series and bring their proof of purchase to the event. The First Volume of Puella Magi Madoka Magica will be available on February 14th (Valentine’s Day). The second and third installments of the series are now available for pre-order at Rightstuf.com. Each volume will be released in three formats: a Limited Edition Box Set, and Regular Edition Blu-Ray and DVD. Each Limited Edition Box Set will include the Blu-ray, DVD and Soundtrack CD composed by Yuki Kajiura.