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Mata Sebagai Sumber Ide Penciptaan Motif Dalam Busana Modern
E-ISSN : 2685-2780 P-ISSN : 2685-4260 MATA SEBAGAI SUMBER IDE PENCIPTAAN MOTIF DALAM BUSANA MODERN Volume 2, Nomor 1 Putri Utami Mukti Januari 2020, (1-8) Pascasarjana ISI Yogyakarta Institut Seni Indonesia Yogyakarta e-mail : [email protected] ABSTRAK Mata adalah jendela jiwa dan jendela dunia ke dalam kehidupan, dengan semua peristiwa dapat dilihat dan dihargai itu memiliki bentuk estetika, filosofis konten dan nilai yang tinggi bagi kehidupan, maka dari itu menjadi penting untuk menyampaikan mata lewat media yang mudah diterima oleh masyarakat. Salah satu media yang dapat mewakili seluruh isi mata adalah seni kriya tekstil, karena memiliki turunan berupa busana yang menjadi kebutuhan utama bagi kehidupan manusia. Busana tidak hanya berfungsi sebagai pelindung tubuh tetapi bisa menjadi media komunikasi untuk menyampaikan pesan estetis. Mata akan digunakan sebagai sumber ide penciptaan motif dan diterapkan pada busana modern untuk menyampaikan konten makna dan filosofis yang terkandung di dalamnya dengan menggunakan pendekatan estetika dan ergonomi. Kata kunci: Mata, busana, kriya tekstil ABSTRACT The eyes are the Windows of the soul and the world's window into life, with all the events can be seen and appreciated it has a form of aesthetic, philosophical content and high value for life, therefore becomes essential to convey the eyes through the media that is easily accepted by the society. One of the media that can represent the entire contents of the eye is the art of textile craft, because it has a derivative form of clothing that became the main needs for human life. The clothes not only serves as a protector of the body but it can be a medium of communication to convey messages aesthetically. -
Forest, Resources and People in Bulungan Elements for a History of Settlement, Trade, and Social Dynamics in Borneo, 1880-2000
CIFOR Forest, Resources and People in Bulungan Elements for a History of Settlement, Trade, and Social Dynamics in Borneo, 1880-2000 Bernard Sellato Forest, Resources and People in Bulungan Elements for a History of Settlement, Trade and Social Dynamics in Borneo, 1880-2000 Bernard Sellato Cover Photo: Hornbill carving in gate to Kenyah village, East Kalimantan by Christophe Kuhn © 2001 by Center for International Forestry Research All rights reserved. Published in 2001 Printed by SMK Grafika Desa Putera, Indonesia ISBN 979-8764-76-5 Published by Center for International Forestry Research Mailing address: P.O. Box 6596 JKPWB, Jakarta 10065, Indonesia Office address: Jl. CIFOR, Situ Gede, Sindang Barang, Bogor Barat 16680, Indonesia Tel.: +62 (251) 622622; Fax: +62 (251) 622100 E-mail: [email protected] Web site: http://www.cifor.cgiar.org Contents Acknowledgements vi Foreword vii 1. Introduction 1 2. Environment and Population 5 2.1 One Forested Domain 5 2.2 Two River Basins 7 2.3 Population 9 Long Pujungan District 9 Malinau District 12 Comments 13 3. Tribes and States in Northern East Borneo 15 3.1 The Coastal Polities 16 Bulungan 17 Tidung Sesayap 19 Sembawang24 3.2 The Stratified Groups 27 The Merap 28 The Kenyah 30 3.3 The Punan Groups 32 Minor Punan Groups 32 The Punan of the Tubu and Malinau 33 3.4 One Regional History 37 CONTENTS 4. Territory, Resources and Land Use43 4.1 Forest and Resources 44 Among Coastal Polities 44 Among Stratified Tribal Groups 46 Among Non-Stratified Tribal Groups 49 Among Punan Groups 50 4.2 Agricultural Patterns 52 Rice Agriculture 53 Cash Crops 59 Recent Trends 62 5. -
Lowalangi: from the Name of an Ethnic Religious Figure to the Name of God
HTS Teologiese Studies/Theological Studies ISSN: (Online) 2072-8050, (Print) 0259-9422 Page 1 of 6 Original Research Lowalangi: From the name of an ethnic religious figure to the name of God Author: This article shows the success of local cultural adaptation strategies in communicating the 1 Sonny E. Zaluchu gospel to people of the Nias ethnicity in North Sumatra, Indonesia. This adaptation is the Affiliation: name Lowalangi, the name of the god of the pre-Christian era, to become the name of God, 1Department of Theology, the creator and saviour of the world incarnated in the person of Jesus Christ. As a result, the Indonesia Baptist Theological use of this name was not limited to a translation process. Still, the whole concept of divinity for Seminary, Semarang, the Nias people was transferred and transformed into a Christian understanding. They know Indonesia him as Lowalangi, have faith in him and pray to him in that name. The author uses a Corresponding author: comparative analysis with other places in Indonesia. The author tries to establish parallelism Sonny Zaluchu, with methods used elsewhere, assuming that the methods used tend to be the same. [email protected] Contribution: Churches and Christians in Nias are strengthened in their beliefs by praying Dates: and mentioning Lowalangi’s name, which imparts the same faith quality as the biblical use of Received: 14 Nov. 2020 Accepted: 27 Feb. 2021 God’s personal name. This adaptation can be a strategy for introducing the gospel in Published: 20 Apr. 2021 missiology and church planting in response to local culture as a wealth that cannot be negated. -
Intellectual Property Center, 28 Upper Mckinley Rd. Mckinley Hill Town Center, Fort Bonifacio, Taguig City 1634, Philippines Tel
Intellectual Property Center, 28 Upper McKinley Rd. McKinley Hill Town Center, Fort Bonifacio, Taguig City 1634, Philippines Tel. No. 238-6300 Website: http://www.ipophil.gov.ph e-mail: [email protected] Publication Date: 02 March 2021 1 ALLOWED MARKS PUBLISHED FOR OPPOSITION .................................................................................................... 2 1.1 ALLOWED NATIONAL MARKS ............................................................................................................................................. 2 Intellectual Property Center, 28 Upper McKinley Rd. McKinley Hill Town Center, Fort Bonifacio, Taguig City 1634, Philippines Tel. No. 238-6300 Website: http://www.ipophil.gov.ph e-mail: [email protected] Publication Date: 02 March 2021 1 ALLOWED MARKS PUBLISHED FOR OPPOSITION 1.1 Allowed national marks Application No. Filing Date Mark Applicant Nice class(es) Number 1 March SOYA SARAP Central Luzon State University 1 4/2018/00003811 29 and30 2018 HEALTHY DELIGHTS [PH] 11 April DOORTECH Ambassador International, Inc. 2 4/2019/00006040 7 and37 2019 SYSTEMS [PH] 22 April 3 4/2019/00006471 LAO BAN Hong Qingcheng [PH] 30 2019 4 4/2019/00011267 1 July 2019 KEMIN Kemin Industries, Inc. [US] 1; 5; 29 and31 The Chewy Restaurant Group, 5 4/2019/00011522 4 July 2019 CRAZY ACRES 29 and43 Inc. [PH] 12 July 6 4/2019/00012325 ECOLOOP Dell Inc. [US] 9 and18 2019 18 July Cscor Global Intertrade Corp. / 7 4/2019/00012631 CALIFORNIA STYLE 3 2019 Lin Y. Tan [PH] HEIHEI 15 August Bounty Agro Ventures, Inc. 8 4/2019/00014445 GOT YOUR CHICKEN 35 and43 2019 [PH] MATE! MR. ELMER SANGALANG 23 October MIGUEL operating as 9 4/2019/00018512 LIVESOUND 9 2019 SOUNDLIGHT ENTERPRISES [PH] 11 Discovery Hospitality 10 4/2019/00019642 November DISCOVERY SAMAL 43 Corporation [PH] 2019 29 11 4/2019/00020847 November LODI STOVE Aldrich D. -
Trade, Ties, and Transformation (Kuala Lumpur, 14 May 16)
Trade, Ties, and Transformation (Kuala Lumpur, 14 May 16) ILHAM Gallery, Kuala Lumpur, May 14, 2016 Simon Soon, University of Malaya TRADE, TIES, AND TRANSFORMATIONS: Stories on Textile and Modernity Venue: Ilham Gallery, 5th Floor, No. 8 Jalan Binjai, Kuala Lumpur, Malaysia Date: 14 May 2016 Time: 10.30AM - 6PM ILHAM Gallery is delighted to present a one-day symposium, TRADE, TIES, AND TRANSFORMA- TIONS: Stories on Textile and Modernity on 14 May 2016. Held in conjunction with the exhibition Love Me in My Batik: Modern Batik Art from Malaysia and Beyond, the symposium explores the changes in values and meanings in what we recognise as a ‘traditional’ craft of a particular culture when certain technological, social and cultural changes occur. Broadening the scope of the exhibition, the symposium brings together a panel of speakers to examine how meanings, patterns of circulation and artistic forms in batik and other textile tradi- tions of Southeast Asia have been transformed since from the late nineteenth century. In what ways can textile be fashioned into national cultural propaganda? In what instances do they move beyond the borders of the nation and inspire artistic cultures elsewhere? How do tex- tile-makers find the balance between our present day way of thinking and the continuance of a tra- ditional knowledge system from which the textiles originally emerged? Leading textile experts from India, Thailand, Australia and Malaysia, working in different areas of studies from art history to heritage to anthropology, will meet in Kuala Lumpur to discuss the his- torical, cultural and spiritual significance of textiles in the region and beyond. -
Megalithic Societies of Eastern Indonesia
Mégalithismes vivants et passés : approches croisées Living and Past Megalithisms: interwoven approaches Mégalithismes vivants et passés : approches croisées Living and Past Megalithisms: interwoven approaches sous la direction de/edited by Christian Jeunesse, Pierre Le Roux et Bruno Boulestin Archaeopress Archaeology Archaeopress Publishing Ltd Gordon House 276 Banbury Road Oxford OX2 7ED www.archaeopress.com ISBN 978 1 78491 345 8 ISBN 978 1 78491 346 5 (e-Pdf) © Archaeopress and the authors 2016 Couverture/Cover image: left, a monumental kelirieng, a carved hardwood funeral post topped by a heavy stone slab, Punan Ba group, Balui River, Sarawak (Sarawak Museum archives, ref. #ZL5); right, after Jacques Cambry, Monumens celtiques, ou recherches sur le culte des Pierres (Paris, chez madame Johanneau, libraire, 1805), pl. V. Institutions partenaires/Partner institutions : Centre national de la recherche scientifique Institut universitaire de France Université de Strasbourg Maison interuniversitaire des Sciences de l’Homme – Alsace Unité mixte de recherche 7044 « Archéologie et histoire ancienne : Méditerranée – Europe » (ARCHIMÈDE) Unité mixte de recherche 7363 « Sociétés, acteurs, gouvernements en Europe » (SAGE) Association pour la promotion de la recherche archéologique en Alsace All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford -
Case Study of Kubrosiswo Cultural Art Commodification
Harmonia: Journal of Arts Research and Education 18 (1) (2018), 1-12 p-ISSN 2541-1683|e-ISSN 2541-2426 Available online at http://journal.unnes.ac.id/nju/index.php/harmonia DOI: 10.15294/harmonia.v18i1.11363 Traditional Art Strategy in Responding Capitalization: Case Study of Kubrosiswo Cultural Art Commodification Agus Maladi Irianto, Arido Laksono, Hermintoyo Faculty of Humanities, Universitas Diponegoro, Indonesia Received: November 6, 2017. Revised: April 23, 2018. Accepted: June 10, 2018 Abstract The aim of this study is to describe traditional art capitalization as the cultural identity of a so- ciety and a strategy of the society which supports traditional art in developing cultural comodi- fication in line with the demands of the tourism industry. The paper is based on field research presenting a case study of the existence of Kubrosiswo traditional art from Magelang Regency, Central Java, Indonesia which develops the cultural comodification as a strategy to respond to the economic capitalization demands, especially the emergence of the tourism industry which appeared in this globalization era. One alternative strategy which is developed in this research is by making a documentary film. The documentary film is one of the strategies to present the real- ity based on the description in the field, and it is also expected to create awareness in recognizing and comprehending the knowledge of Kubrosiswo traditional art. Keywords: Art Capitalization; Cultural Commodification; Kubrosiswo; Documentary Film How to Cite: Irianto, A. M., Laksono, A., & Hermintoyo. (2018). Traditional Art Strategy in Responding Capitalization: Case Study of Kubrosiswo Cultural Art Commodification. Harmonia: Journal of Arts Research And Education, 18(1), 1-12. -
Conserving and Sustaining Culture Through Sarawak Traditional Malay Woman Headscarves
Conserving and Sustaining Culture through Sarawak Traditional Malay Woman Headscarves Conserving and Sustaining Culture through Sarawak Traditional Malay Woman Headscarves Conserving and Sustaining Culture through Sarawak Traditional Malay Woman Headscarves Awang Rozaimie1*, Rashidah Bolhassan2, Regina Garai Abdullah3 and Aiza Johari4 1&4Universiti Teknologi MARA, Cawangan Sarawak, MALAYSIA 2Pustaka Negeri Sarawak, Sarawak, MALAYSIA 3Universiti Malaysia Sarawak, Sarawak, MALAYSIA [email protected]; [email protected]; [email protected]; [email protected] Received: 2 February 2020 Accepted: 30 April 2020 Published: 30 June 2020 ABSTRACT The traditionally Sarawak Malay woman headscarf is known as Tudong Selayah Keringkam. It is a hand-made identical embroidery headscarf, produced with articulate skills, creativity, and imagination and worn as a social identity among the Malay women in Sarawak. This paper argues that the Selayah and the Keringkam are two different pieces of headscarves artwork. This paper also foresees the reasons behind the depletion of interest and skills of producing this artifact among the younger generation, to a large extent, making the cultural sustainability of the traditional headscarves in Sarawak to become less significant. Hence, the objectives of this paper are to explore the distinction between Selayah and Keringkam. In this transcendental phenomenological paper, the ‘framing approach’ is used in the in-depth interviews conducted with Selayah Keringkam weavers and Malay elders. This paper apparently has found the little provision to the distinction between Selayah and Keringkam. However, there are five elements posited which have contributed to the depletion of interest among the young generation in the production of Selayah Keringkam. Those elements are labelled as Price, Realism, Technology, Proficient and Insight. -
Motif Ragam Hias Kupiah Aceh
Jurnal Ilmiah Mahasiswa Program Studi Pendidikan Seni Drama, Tari dan Musik Fakultas Keguruan dan Ilmu Pendidikan Unsyiah Volume 1, Nomor2:147-154 Mei 2016 MOTIF RAGAM HIAS KUPIAH ACEH T Ikkin Nurmuttaqin1*, Ismawan1, Cut Zuriana1 1 Program Studi Pendidikan Seni Drama Tari dan Musik, Fakultas Keguruan dan Ilmu Pendidikan, Universitas Syiah Kuala ABSTRAK Penelitian ini berjudul “Motif Ragam Hias Kupiah Aceh”. Adapun yang menjadi masalah dalam penelitian ini adalah apa saja macam-macam jenis kupiah Aceh dan motif ragam hias yang terdapat pada kupiah Aceh. Penelitian ini bertujuan untuk mendeskripsikan macam-macam jenis kupiah Aceh dan mendeskripsikan motif ragam hias yang terdapat pada kupiah Aceh. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan kualitatif dengan jenis penelitian deskriptif. Teknik pengumpulan data dalam penelitian ini dilakukan dengan teknik observasi, wawancara, dan dokumentasi. Teknik analisis data dilakukan dengan reduksi data, penyajian data, dan verifikasi data. Hasil penelitian menunjukkan bahwa macam-macam jenis kupiah Aceh terdapat pada koleksi Museum Aceh adalah kupiah Puteh, kupiah Teureuboih, kupiah Ija Tjam, kupiah Gayo Lues, kupiah Aceh Tengah-Bener Meriah, kupiah Beludru Hitam dan kupiah Beludru Motif Aceh). Motif-motif yang ada pada kupiah Aceh tersebut adalah sebagai berikut: Motif Bungong Kundo, Motif Bungong Renue Leue, , Motif Bungong Sise Meuriah, Motif Bungong Johang, Motif Bungong Pucuk Rebung, Motif Buah Delima dan Awan, Motif Putekh Tali, Motif Gelombang, Motif Cecengkuk Anak, Motif Lempang Ketang, Motif Emun Berangkat, Motif Tei Kukor, Motif Putar Tali, Motif Bintang dan Motif Gesek. Kata Kunci: motif ragam hias kupiah Aceh, motif Aceh PENDAHULUAN Aceh adalah sebuah provinsi di Indonesia. Aceh terletak di ujung utara pulau Sumatra dan merupakan provinsi paling barat di Indonesia. -
A STUDY of the NIAS REVIVAL in INDONESIA Julia Theis Dermawan 1. Introduction in the Years Betwe
[AJPS 6:2 (2003), pp. 247-263] A STUDY OF THE NIAS REVIVAL IN INDONESIA Julia Theis Dermawan 1. Introduction In the years between 1915 and 1940, the Niasan church in Indonesia rapidly grew. During this twenty-five year period, between the Golden Jubilee and the Diamond Jubilee, the number of baptized believers in Nias increased from about 20,000 to 135,000. The great revival movement that occurred in the island caused this phenomenal growth. Known as the Fangesa Dodo (“the Great Repentance”),1 it manifested a great conviction for and confession of sin. This paper is a historical report on the Nias revival from available sources and will show how it contributed to the overall growth of the church. This paper has also a pragmatic purpose: to remind all Asian Christians of the importance of the outpouring of the Holy Spirit for the growth of Christianity in Asia today. 2. The Location of the Revival 2.1 Geography Nias is the largest of a chain of Indonesian islands in the Indian Ocean off the west coast of Sumatra. It has an area of 1,569 square miles (or 4,064 sq. km) and is subject to earthquakes. The chief town is Gunung Sitoli on the northeast coast.2 1 Lee Ira Bruckner, “The History and Character of the Niasan People Movement in Indonesia, 1865-1940” (D.Miss. dissertation, Fuller Theological Seminary, 1979), p. 86. 2 “Nias,” The Encyclopedia Americana International Edition (Danbury, Conn.: Grolier, c1997), vol. 20, p. 300. 248 Asian Journal of Pentecostal Studies 6:2 (2003) 2.2 People Most of the 400,000 people are descendants of Proto-Malays who built megalithic tombs all over the island. -
Ethnoscape of Riverine Society in Bintulu Division Yumi Kato Hiromitsu Samejima Ryoji Soda Motomitsu Uchibori Katsumi Okuno Noboru Ishikawa
No.8 February 2014 8 Reports from Project Members Ethnoscape of Riverine Society in Bintulu Division Yumi Kato Hiromitsu Samejima Ryoji Soda Motomitsu Uchibori Katsumi Okuno Noboru Ishikawa ........................................ 1 Events and Activities Reports on Malaysian Palm Oil Board Library etc. Jason Hon ............................................................................................ 15 The List of Project Members ........................................................ 18 Grant-in-Aid for Scientific Research (S) In front of a longhouse of Tatau people at lower Anap River March 2013 (Photo by Yumi Kato) Reports from Project Members division has more non-Malaysian citizens, Iban and Ethnoscape of Riverine Society in Melanau people than other areas and less Chinese Bintulu Division and Malay residents. Yumi Kato (Hakubi Center for Advanced Research, Kyoto University) Hiromitsu Samejima (Center for Southeast Asian Studies, Historically, the riverine areas of the Kemena and Kyoto University) Ryoji Soda (Graduate School of Literature and Human Tatau were under the rule of the Brunei sultanate until Sciences, Osaka City University) the late 19th century and the areas were nothing but Motomitsu Uchibori (Faculty of Liberal Arts, The Open University of Japan) sparsely-populated uncultivated land (Tab. 1). Back Katsumi Okuno (College of Liberal Arts, J.F. Oberlin then the Vaie Segan and Penan inhabited the basin University) Noboru Ishikawa (Center for Southeast Asian Studies, Kyoto University) Other-Malaysian Introduction Citizens Non-Malaysian 0% Citizens The study site of this project is the riverine areas Orang Ulu 21% Iban 5% 40% Bidayuh 1% of the Kemena and Tatau Rivers in the Bintulu Divi- Malay 9% sion. This article provides an overview of the ethnic Melanau Chinese groups living along those rivers. -
Originating Outside the Island, Westerners As Well As Non-Westerners, on the Other
ACCULTURATION IN TANG NIHA (THE ISLAND OF NIAS)I James Danandj aj a University of Indonesia, Djakarta Acculturation on' Nias is discussed with special attention to religion and the role of missionaries as agents of change. The traditional social organization and religion are reviewed, followed by an examination of the processes of Dutch colonization and missionization by German Protest- ants. The role of an indigenous revitalization movement in the Christianization of Nias is dis- cussed at length. Finally, the Nias case is placed within a broader framework of acculturation and change. (acculturation, Christianity, colonial- ism, culture change, culture contact, Indonesia, Nias, religion, revitalization movements) I. INTRODUCTION The topic of this paper is acculturation on the island of Nias. Nias is a small island of 4,000 square kilometers, located off the west coast of Sumatra in the Republic of Indonesia. By acculturation I mean what Robert Redfield, Ralph Linton, and Melville J. Herskovits (1936) defined as: "Those phenomena which result when groups of individuals having different cultures come into continuous first-hand contact, with subsequent changes in the original cultural patterns of either or both groups." I shall discuss acculturation in terms of the culture of the indigenous people of Nias on the one hand, and the cultures of immigrants originating outside the island, Westerners as well as non-Westerners, on the other. The Westerners include Dutch and British colonial officers (civil as well as military) and German Protestant missionaries. The non-Westerners include other Indonesian ethnic groups, such as the Atjehnese traders and slavers, Minangkabau traders, Buginese migrants, Mr.