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Continue This app is only available in the App Store for iPhone and iPad. Introducing the COMICS app, a revolutionary new way to experience the on your iPhone, iPod Touch and iPad, featuring the world's most popular super heroes! Download hundreds of comics featuring your favorite characters, including , , , Spider-Man, and more - on your mobile device at the touch of a button. You'll experience Marvel's greatest series and stories like never before, with your choice of guided view (animated, panel-by-panel way through comics), or using regular device controls to zoom in and pan your way through pages of sizzling history and amazing artwork! Each of your downloads can be protected and backed up when you use your account Marvel.Com, that is the next time you lose or upgrade your device you will find your comics waiting to read again! Not sure? Check out our free downloads now and find out why everyone can't stop talking about the app! Take the Marvel universe with you anytime and anywhere! August 31, 2020 Version 3.11.11 New at 3.11.11- Now you can access archive books in the app. The Archive Books section of the app allows for unarchive selected books. New to 3.11: We present an updated library experience! Check out my books tab, explore your library, and tell us what you think. Switch between book groups and series. Click Refine to customize sorting and filtering or searching for a in your library. Marvel is by far my favorite comic book company, but I can't figure out how to get out of the comic book until I'm in the middle of reading. If I want to check out something else around the site it makes me finish the comic book first. Then I usually just scroll through it and do what I to do, then I have to re-open the comic book and find my place. I'm probably doing something wrong, but how can I get out of the comic book and get back to it later? Really enjoy this app and having my miracle comic collection digitally allows me to read almost anywhere. The app has many good options for viewing comics. I really like how it can zoom in on the page section to make it easy to read. Having a digital store also allows me to read some past/real comics I don't usually buy in a paper copy. I also find it useful to keep track of what I have or haven't read. It's also great for jumping into another issue to get a quick freshener on the back of the story. My collection easily approaches 500 comics digitally, and I notice more time lag to view your collection. In addition, there is no function built into the app to redeem your digital copy of your physical comic book. Finally, some of the old comics are not so clear or clean digital translations with some art and text a little fuzzy or difficult to read. In general, it is highly recommended for young and old fans. I've been reading comics for years. There was always a great joy going to the comic book store to pick up the latest comics that came out every week. But as I got older, got married, and running a business, I didn't have time to collect and pick up comics like I use. This Marvel Comics app is the best thing that happened to me. I was skeptical of this at first thinking it wouldn't be the same experience. But at the moment, I in love with this app. As someone who not only reads for great stories, with the app you can zoom in closely on detailed works of art that you may not always be able to see when reading physical comics. And best for me personally, easy access to all my comics on my iPhone or iPad. Whether I'm at work and need a quick break or travel. It's simple and easy to access my comics. Developer of the website App Support Privacy Policy This article is about a comic book company using this name since 1961. For an earlier comic book series, see Marvel Mystery Comics. The company that publishes comics and related Marvel ComicsParent companiesMarvel Entertainment, LLCStatusActiveFounded1939; 81 years ago (1939) (as )1947; 73 years ago (1947) (as a )1961; 59 years ago (1961) (as Marvel Comics)The founder of TheMartin GoodmanCountry-born United States Headquarters location is 135 W. 50th Street, New York CityDistributionDiamond Comic DistributorsHachette Customer Services. B. Cebulski (EIC)John Nee (Publisher) (Former EIC, Publisher, Writer)Publishing TypesComics/See. The List of Marvel ComicsFiction genres Science fiction Fantasy Action Imprintsimprint listOfficial websitewww.marvel.com Marvel Comics is the brand and the main imprint of Marvel Worldwide Inc., formerly Marvel Publishing, Inc. In 2009, acquired , the parent company of Marvel Worldwide. Marvel was founded in 1939 by Martin Goodman under the guidance of a number of corporations and prints, but is now known as Timely Comics, and by 1951, it usually became known as . The Marvel era began in 1961, when the company launched and other superhero titles created by Stan Lee, , and many others. The Marvel brand, which has been used for many years, has been solidified as the company's main brand. Marvel counts among its characters such famous superheroes as Spider-Man, Iron Man, , Thor, Captain America, Ant-Man, , Black Widow, Wolverine, Captain Marvel, Black Panther, Dr. Strange, The Phantom Rider, , Daredevil, and . Superhero teams exist, such as the , the X-Men, Four and Guardians of the Galaxy, as well as Dr. Doom, , , , , , , , , MODOC, Dr. Octopus, Kang, , Annihilus and . Most fictional Marvel characters operate in a single reality known as the Marvel Universe, with most locations reflecting real places; many of the main characters are based in New York. In addition, Marvel has published several licensed properties from other companies. This includes twice from 1977 to 1986 and again from 2015. History Timely Publishing Home Article: Timely Comics Marvel Comics #1 (October 1939), the first comic book from Marvel's predecessor Timely Comics. Cover: Frank R. Paul. The publisher of pulp and paper magazine Martin Goodman created a company later known as Marvel Comics called Timely Publications in 1939. Goodman, who began with Pulp in 1933, is expanding into a nascent, and by then, already very popular new comic book environment. Launching his new line from the offices of his existing company at 330 West 42nd Street, , he officially served as editor,editor-in-chief and business manager, with Abraham Goodman (Martin's brother). Timely's first publication, Marvel Comics #1 (the cover dated October 1939), included the of superhero android Carl Burgos The and the first performances of antihero Bill Everett Sub- Mariner, among other features. This issue has been very successful; it and the second print the following month sold a combined of almost 900,000 copies. While its contents came from an external packager, Funnies, Inc., Timely had its own staff in place by the following year. The company's first true editor, writer-artist , along with artist Jack Kirby created one of the first patriotically themed superheroes, Captain America, in Captain America Comics #1 (March 1941). It also proved to be a hit, with sales of nearly one million. Goodman founded Timely Comics, Inc., starting with a comic book cover dating back to April 1941 or the spring of 1941. While no other timely character would have achieved the success of these three characters, some famous characters, many of whom continue to appear in contemporary performances and memoirs, include Whizzer, Miss America, , Original and Angel. Timely also published one of the most famous features of the humorous cartoonist Basil Woolverton, Powerhouse Pepper, as well as a line of children's comics featuring such characters as Super Rabbit and duo Siggy Pig and Stupid Seal. Goodman hired his wife's cousin, Stanley Liber, as an assistant general office in 1939. When editor Simon left the company at of 1941, Goodman made Liber by that time he had written the pseudonym Stan Lee - the interim editor of the comic book line, a position that Lee retained for except for three years during his military service in World War II. Lee wrote extensively for timely, contributing to a range of different titles. Goodman's business strategy included publishing various magazines and comics by a number of corporations operating outside the same office and with the same staff. One of these shell companies through which Timely Comics was published was named Marvel Comics by at least Marvel Mystery Comics #55 (May 1944). In addition, some comic book covers, such as All Surprise Comics #12 (Winter 1946-1947), were labeled as A Marvel Magazine many years before Goodman officially adopted the title in 1961. Atlas Comics Home article: Atlas Comics (1950s) Postwar American Comic Market saw superheroes fall out of fashion. Goodman's line of comics dropped them for the most part and expanded into a wider range of genres than even timely published, featuring horrors, westerns, humor, funny animals, male adventure drama, giant monster, crime and war comics, and then adding jungle books, novel titles, espionage and even medieval adventures, biblical stories and sports. Goodman began using the logo of Atlas News Company, the newsagent distribution company he owned, on the cover of comics dating back to November 1951, even though another company, Kable News, continued to distribute its comics through August 1952. This Globe branding has combined a line put out by the same publisher, staff and freelancers through 59 shell companies, from Animirth Comics to zenith Publications. Atlas, instead of innovating, took a proven path, following popular trends in television and film - westerns and war dramas prevailing for a while, dominating the cinema monsters another time - and even other comics, in particular the EU horror line. Atlas has also published a slew of children's and teen humorous titles, including Dan DeCarlo's Homer the Lucky (similar to Casper Friendly Ghost) and Homer Hooper (a la Archie Andrews). Atlas unsuccessfully tried to revive superheroes from late 1953 to mid-1954, with a human torch (art by Sid Shores and Dick Ayers, in different ways), Sub-Mariner (drawn and most stories written by Bill Everett), and Captain America (writer Stan Lee, artist John Romita Sr.). Atlas did not achieve any breakthrough hits and, according to Stan Lee, Atlas survived mainly because it produced work quickly, cheaply and in passable quality. Fantastic Four with #1 (November 1961). Jack Kirby's cover (pencil) and unconfirmed inker. The first modern comics under the Marvel Comics brand were the sci-fi anthology #69 and the name of teen-humor #95 (both covers June 1961), each of which displayed a box of MC on the cover. Then, after the success of DC Comics in the revival of superheroes in the late 1950s and early 1960s, With Flash, Green Lantern, Batman, , Wonder Woman, Green Arrow and other members of the team of America, Marvel followed suit. (n 1) In 1961, writer-editor Stan Lee revolutionized by introducing superheroes designed to appeal to older readers than the predominantly children's audience, thus heralding what Marvel later called The of Comics. The first team of Modern Marvel superheroes, the titular stars of The Fantastic Four #1 (November 1961), broke the convention with other comic book archetypes of the time, holding grudges both deep and petty, and avoiding anonymity or secret identities in favor of celebrity status. Subsequently, Marvel comics have developed a reputation for focusing on specs and adult issues more than most superhero comics before them, a quality that a new generation of older readers have appreciated. This applies, in particular, to the name Amazing Spider-Man, which turned out to be Marvel's most successful book. His young hero suffered from self-confidence and mundane problems, like any other teenager, something with which many readers could identify. Stan Lee and freelance artist and eventual co-plotter Jack Kirby's Fantastic Four originated in Cold War culture, leading their creators to revise the superhero conventions of previous eras to better reflect the psychological spirit of their age. Avoiding such comics as secret personalities and even costumes at first, having a monster as one of the heroes, and with his characters arguing and complaining about what later called superheroes in a real-world approach, the series represents a change that has proved a great success. Marvel often represented imperfect superheroes, freaks and losers - unlike the perfect, beautiful, sporting heroes found in previous traditional comics. Some Marvel heroes looked like villains and monsters such as the Hulk and the Thing. This naturalistic approach has even extended to current politics. Comic book historian Mike Benton also noted that in the world of DC Comics' Rival Comics, Superman communism did not exist. Superman rarely crossed national borders or got involved in political disputes. From 1962 to 1965 there were more communists than in the signature of Pravda. Communist agents attack ant-man in his lab, henchmen jump the Fantastic Four on the moon, and Vietcong guerrillas take potshots at Iron Man. In 1965, Spider-Man and the Hulk were included in the list of 28 heroes of Esquire magazine's college campus, along with John F. Kennedy and Bob Dylan. In 2009, writer Jeff Boucher mused that Superman and DC Comics instantly seemed boring old Pat Boone; Marvel felt that and the British invasion. Was it Kirby's work with his tension and psychedelia that made him perfect for the time, or was it Lee's bravado and melodrama that was somehow insecure and brash at the same time? In addition to Spider-Man and The Fantastic Four, Marvel has begun publishing new superhero titles with heroes and antiheroes, as Hulk, Thor, Ant-Man, Iron Man, X-Men, Daredevil, , Black Panther, , Captain Marvel and , and memorable antagonists such as Dr. Doom, Magneto, Galactus, Loki, Green Goblin and Dr. Octopus, all existing in the common reality, all known as the All-Star Marvel even lampooned itself and other comic book companies in parody comics rather than the Echh brand (playing on Marvel's dubbing of other companies like Brand Echh, a la common phrase Brand X). The cover of The Avengers (#4, 1964), which features the return of Captain America. The art of Jack Kirby. Cadence Industries Property In 1968, selling 50 million comics a year, the founder of Goodman's company revised the restriction of distribution arrangement with independent news he reached under duress in the Atlas years, allowing him to now release as many titles as demand required. At the end of the same year, he sold Marvel Comics and its parent company, Magazine Management, Perfect Film and Chemical Corporation, and Goodman remained a publisher. In 1969, Goodman finally completed his distribution deal with The Independent by signing a contract with Curtis Circulation Company. In 1971, the U.S. Department of Health, Education and Welfare asked Marvel Comics editor-in-chief Stan Lee to make a comic about drug abuse. Lee agreed and wrote a three-part Spider-Man story depicting drug use as dangerous and unglamorous. However, the industry's self-censorship board, the Office of the Comic Code, refused to endorse the story because of the presence of drugs, deeming the context of the story inappropriate. Lee, with Goodman's approval, published the story no matter in The Amazing Spider-Man #96-98 (May-July 1971), without printing the comic book code. The market reacted well to the storyline, and CCA subsequently revised the Code in the same year. Goodman retired as a publisher in 1972 and installed his son, Chip, as a publisher. Soon after, Lee succeeded him as publisher and briefly became president of Marvel. During his presidency, he appointed his assistant editor, the prolific writer , as editor-in-chief. Thomas added Stan Lee Presents on the front page of each comic. Howard Duck Tewka #8 (January 1977). Cover By Gene Colan and Steve Leialoha A series of new editors-in-chief another slow time for the industry. Industry. again, Marvel tried to diversify, and with the update Comics Code published titles themed to horror (The Tomb of ), martial arts (Shang Chi: Master of Kung Fu), Sword and Witchcraft (Conan the Barbarian in 1970, 38 Red Sonia), satire (Howard Duck) and science fiction (2001: A Space Odyssey, Killraven's Amazing Adventures, Battlestar Galactica, Star Trek, and, at the end of the decade, a long-running Star Wars series. Marvel has managed to capitalize on its successful superhero comics of the previous decade by acquiring a new newsagent distributor and significantly expanding its comic book line. Marvel outperformed rival DC Comics in 1972, at a time when the price and format of the standard comic newsstand were on the move. Goodman increased the price and size of Marvel comics in November 1971 from 15 cents per 36 pages to 25 cents per 52 pages. DC followed suit, but Marvel the following month dropped its comics to 20 cents per 36 pages, offering a cheaper product with a higher discount distributor. In 1973, Perfect Film and Chemical renamed themselves Cadence Industries and renamed Magazine Management in The Marvel Comics Group. Goodman, now disconnected from Marvel, created a new company called Seaboard Periodicals in 1974, reviving the old Marvel Atlas name for the new Atlas Comics line, but it lasted only a year and a half. In the mid-1970s, the fall of the newsagent distribution network affected Marvel. Cult hits such as have fallen victim to distribution problems, with some titles reporting low sales when in fact the first specialty comic book stores resold them later. But by the end of the decade, Marvel's fortunes had revived, thanks to the rise of direct distribution in the market, selling through the same comics specialty stores instead of newsagents. Marvel ventured into audio in 1975 with a radio series and recordings, both were Stan Lee as the narrator. The radio series was Fantastic Four. The recording was Spider-Man: Rock Reflections of a Superhero concept album for music lovers. Marvel Super Heroes Secret Wars #1 (May 1984). The cover of Mike Sek depicting Captain America, Wolverine, , , , Ona-Hulk, Thing, , Monica Rambo, , Spider-Man, Torch, Hulk, Iron Man and . In the spring of 1975, Marvel hosted its own Marvelcon comics convention of '75 and promised Marvelcon '76. At the 1975 event, Stan Lee used the Fantastic Four debate to announce that Jack Kirby, one of the creators of most of Marvel's signature characters, was returning to Marvel after leaving in 1970 to work for a DC competitor In October 1976, Marvel, which had already licensed reprints in various countries, including The UK has created a superhero specifically for the British market. made his debut exclusively in the UK, and later appeared in American comics. During this time, Marvel and the Iowa-based Register and Tribune Syndicate have launched a number of syndicated comics - The Amazing Spider-Man, Howard Duck, Conan the Barbarian and The Incredible Hulk. None of the bands lasted in the past 1982, except for Amazing Spider-Man, which is still published. In 1978, became editor-in-chief of Marvel. Despite his controversial personality, Shooter has cured many of Marvel's procedural woes, including repeatedly missing deadlines. During Shooter's nine-year tenure as editor-in-chief, and 's run on Uncanny X-Men and 's run on Daredevil became critical and commercial success. Shooter brought Marvel into a fast-paced direct market, institutionalized creators' royalties, starting with the imprint for the creator-owned material in 1982; Presented the company's entire crossover story arc with a contest of champions and secret wars; and in 1986 launched the ultimately unsuccessful line to mark the 25th anniversary of the Marvel Comics imprint. , a child-focused line that differs from the usual Marvel titles, was briefly successful during that period. Marvel Entertainment Group in 1986, Marvel's parent, Marvel Entertainment Group, was sold to New World Entertainment, which sold it to MacAndrews and Forbes for three years, owned by Revlon CEO Ronald Perelman in 1989. In 1991, Perelman accepted the MEG public. After the rapid growth of these shares, Perelman issued a number of unwanted bonds, which he used to purchase other entertainment companies secured by MEG shares. The Marvel logo, circa the 1990s. Marvel has made a lot of money since their 1980s children's comics imprint on Star Comics, and they earned a lot more money and worldwide success during the comic book boom in the early 1990s, the launch of the successful 2099 line of comics set in the future (Spider-Man 2099, etc.) and creatively bold, albeit commercially imprint comics, created by novelist and director Clive Barker. In 1990, Marvel began selling Marvel Universe Cards with the manufacturer of SkyBox International trading cards. These were collectible trading cards depicting the characters and events of the Marvel Universe. The 1990s saw the growth of option covers, cover enhancements, swimsuit issues, and the entire company crossovers that influenced the overall of the Marvel Universe. Spider-Man #1, later renamed Peter Parker: Spider-Man (August 1990; second print). Cover of Todd Macfarlane. Marvel suffered a blow at the start seven of his most valuable artists are Todd MacFarlane (known for his work on Spider-Man), Jim Lee (X-Men), (X-Men), Liefeld (X-), Mark Silvestri (Wolverine), Eric Larsen (The Amazing Spider-Man), Jim Valentino (Guardians of the Galaxy), and Whilce Portacio (Uncanny X-Men) - left to form in a deal brokered by owner Scott Mitchell Rosenberg. Three years later, Rosenberg sold the Malibu Marvel on November 3, 1994, which acquired the then leading comic book coloring standard (developed by Rosenberg) in the process, but also integrating the into the Marvel and owning the Genesis Universe. In late 1994, Marvel acquired the Heroes World Distribution for its own exclusive distributor. As other major publishers in the industry made exclusive distribution deals with other companies, the ripple effect led to the survival of only one major distributor in North America, Diamond Comic Distributors Inc., and then, by the middle of the decade, the industry fell, and in December 1996 MEG filed for bankruptcy protection in Chapter 11. In early 1997, when Marvel Heroes World failed, Diamond also forged an exclusive deal with Marvel by giving the company its own section of its Previews comic book catalog. In 1996, Marvel took part in Heroes Reborn, a crossover that allowed Marvel to reboot some of its flagship characters, such as The Avengers and the Fantastic Four, and outsource them to the studios of two former Marvel artists, the founders of Image Comics, Jim Lee and . The renewed titles, which saw the characters transported to a parallel universe with a history apart from the mainstream Marvel Universe, were a solid success among the generally struggling industry, but Marvel abandoned the experiment after one year of running and returned the characters to the Marvel Universe correctly. Marvel Enterprises In 1997, bought Marvel Entertainment Group to end bankruptcy by forming a new corporation, Marvel Enterprises. Along with his business partner Avi Arad, publisher and editor-in-chief , Toy Biz co-owner helped stabilize the comic book line. In 1998, the company launched the , which ran close to Marvel's best-quality performance. The imprint was at the helm of soon-to-become editor-in-chief Joe Kesada; it featured tough, gritty stories showing off such characters as Daredevil, 65 Inhumans and Black Panther. With the new millennium, Marvel Comics came out of bankruptcy and again began to diversify its offerings. In 2001, Marvel withdrew from the Comic Code Office and created its own Marvel rating system for comics. The first title of this era not to have the code was the X-Force #119 (October 2001). Marvel has also created new prints such as explicit content) (designed for children's audience). In addition, the company created an alternative universe imprint, , which allowed the company to reboot its main titles by redesigning and updating its characters to get to know the new generation. Some of its characters have been turned into successful movie franchises such as Men in Black Movie Series starting in 1997, Blade Series films dating back to 1998, the X-Men film series dating back to 2000, and the highest-grossing Spider-Man series since 2002. The name Marvel Conan the Barbarian ceased in 1993 after 275 issues. Savage Sword of Conan had 235 issues. Marvel has published additional titles, including mini-series until 2000 with a total of 650 episodes. Conan was visiting the Dark Horse three years later. In a cross-promotion, on November 1, 2006, an episode of CBS soap opera The Leading Light titled She's a Marvel featured Harley Davidson Cooper's character (played by Beth Ehlers) as a superhero called The Leading Light. The character's story continued in the eight-page backup feature A New Light, which appeared in several Marvel titles published on November 1 and 8. Also that same year, Marvel created wikis on its website. In late 2007, the company launched Marvel Digital Comics Unlimited, a digital archive of more than 2,500 rear releases available for viewing, for a monthly or annual subscription fee. In December 2007, at NY Anime Fest, the company announced that was publishing two original Marvel manga books in English featuring the X-Men and Wolverine, which hit the podium in the spring of 2009. In 2009, Marvel Comics closed its Open View policy, in which the company accepted unsolicited samples from aspiring comic book artists, saying the laborious review process did not produce any professional work. That same year, the company celebrated its 70th anniversary, dating back to its launch as Timely Comics, by releasing a one-shot Marvel Mystery Comics 70th Anniversary Special #1 and a host of other special editions. The Disney Conglomerate (2009-present) Marvel Writers titles in the 2010s include (sitting from left to right) Ed Brubaker, Christos Gage, Matt Faction, and . On August 31, 2009, The Walt Disney Company announced that it would acquire Marvel Comics' parent corporation, Marvel Entertainment, for cash and shares worth about $4 billion, which would be adjusted at the close if necessary, giving Marvel shareholders $30 and 0.745 Disney shares for each Marvel share they owned. By 2008, Marvel and its main longtime competitor DC Comics shared more than 80% of the U.S. comic book market. As of September 2010, Marvel has switched its company of bookstores from Diamond Book distributors to Hachette Distribution Services. Marvel moved into the sports-illustrated building in October 2010. In March 2011, Marvel relaunched the CrossGen imprint, owned by Disney Publishing Worldwide. In May of that year, Marvel and Disney Publishing began co-publishing Disney/Pixar Presents. Marvel discontinued its Marvel Adventures imprint in March 2012 and replaced them with a line of two titles related to the Marvel Universe TV block. Also in March, Marvel announced its Marvel ReEvolution initiative, which included Infinite Comics, a line of digital comics, Marvel AR, a software app that provides augmented reality experience for readers and Marvel NOW!, restarting most of the company's major titles with different creative teams. [85] Marvel NOW! also saw the debut of new flagship titles including Uncanny Avengers and the all-new X-Men. In April 2013, Marvel and other Disney conglomerates began announcing joint projects. With ABC, the once graphic novel was announced for publication in September. With Disney, Marvel announced in October 2013 that it would release its first title in January 2014 under their joint imprint of Disney Kingdoms The Stranger Seekers, a five-episode miniseries. On January 3, 2014, a subsidiary of Disney Lucasfilm announced that the Star Wars comics would be re-published by Marvel from 2015. After the events of 2015, when the Secret Wars crossover was launched in 2015, the Marvel Universe, called All-New, All-Different Marvel, began relaunching in September 2015. Marvel Legacy was relaunched in the fall of 2017, starting sept. The banner had comic books with lenticular covers of options that required comic book stores to double their regular release to be able to order options. The owner of two Comix Experience stores has complained that they can't sell to retailers that they can't sell for an option they can sell. With other complaints too, Marvel did adjust the requirements for the new titles no adjustments were made for any other. So MyComicShop.com and at least 70 other comic book stores boycotted these options covers. Despite the release of Guardians of the Galaxy 2, Logan, Thor: and Spider-Man: Homecoming in theaters, none of these characters were included in the top 10 sales, and the comic book series Guardians of the Galaxy was canceled. On January 12, 2018, Conan Properties International announced that Conan would return to Marvel in early 2019. On January 19, 2018, Joshua El, editor of ign.com magazine, speculated about possible changes if Disney's proposed acquisition of 21st Century Fox was through. He expects the Fox franchise, licensed by other firms, to be relocated to Marvel, and that Fox Marvel movies will be better viewed by the publishing division. However, Marvel licenses Archie Archie to publish Marvel Digests collections for the newsagents market. While Disney has licensed IDW Publishing to produce classic Disney comics of all ages since the purchase of Marvel and the comic book Big Hero 6 to go along with the series, despite the fact that the Disney film was based on the Marvel comic book. Then, on July 17, 2018, Marvel Entertainment announced the licensing of Marvel idW characters for the mid-range comics line, which will be released in November 2018. On March 1, 2019, serial box, a digital book platform, announced a partnership with Marvel. They will publish new and original stories that will be tied to a number of popular Marvel franchises. The first series will be about Thor's character and is set to be released in the summer of 2019. Due to the fact that Diamond Comics distributors stopped distributing comics around the world as a result of the COVID-19 pandemic, Marvel Comics suspended the release of both physical and digital copies of its comics until further notice from April 15. , president of Marvel Entertainment said he will provide more information whenever possible. Officers Michael S. Hobson, Executive Vice President; Vice President of The Marvel Comics Group (1986) Stan Lee, Chairman and Publisher (1986) Joseph Kalamari, Executive Vice President (1986) Jim Shooter, Vice President and Editor-in-Chief (1986) Martin Goodman, 1939-1972 – 36th Charles Chip Goodman 1972 - Stan Lee, Stan Lee 1972 - October 1996, Shirrel Rhoades, October 1996 - October 1998 - Winston Foulkes, February 1998 - November 1999 - Bill Jemas, February 2000 - 2003 - 99-99 - Dan Buckley, 2 years. In January 2017, John Nee, January 2018, editor-in-chief of Marvel magazine, was originally an editor-in-chief. Subsequently, this editor-in-chief became chief editor. Joe Simon was the company's first true editor-in-chief, with publisher Martin Goodman, who served as title editor only and outsourced editorial operations. In 1994, Marvel briefly abolished the position of editor-in-chief, replacing Tom De Falco with five editors-in-chief of the group. As described the editorial arrangement of the 1990s: in the early 90s, Marvel had so many titles that there were three executive editors, each of whom oversaw roughly one-third of the lines. Bob Budyansky was the third executive editor after the previously appointed Mark Grunwald and Potts. We all responded to editor-in-chief Tom De Falco and publisher Mike Hobson. All three executive editors decided not to add our names to the already crowded credits on Marvel titles. Therefore, it was not easy for readers to say which titles were prepared, with which the executive editor ... At the end of '94, Marvel reorganized into a number of different publishing divisions, with his own editor-in-chief. Marvel reinstated the overall editor-in-chief in 1995 with Bob Harras. Editor Martin Goodman (1939-1940; only titular) Joe Simon (1939-1941) Stan Lee (1941-1942) Vincent Fago (acting editor during Lee's military service) (1942-1942)1945) Stan Lee (1945-1972) Roy Thomas (1972-1974) Len Wayne (1974-1975) (black and white magazines 1974-1975, The Whole Line 1975-1976) Jerry Conway (1976) (1976-1978) Editor-in-Chief Jim Shooter (1978-1987) Tom DeFalco (1987-1994) Not overall; individual editors-in-chief of the group (1994-1995) Mark Grunwald, Universe (Avengers and Space) Bob Harras, Bob Budyansky, Spider-Man Bobby Chase, Karl Potts, Epic Comics (1995-2000) Joe Kesada (2000-2011) (2011-2017) C. B Chebulsky (2017-present) - executive editor, originally called Assistant Editor-in-Chief of Marvel just served as editor-in-chief editor-in-chief, the position of chief editor-in-chief. The title of associate editor was later revived under the direction of the editor-in-chief as an editorial officer, responsible for several titles under the direction of the editor and without an assistant editor. Associate Editor Jim Shooter, January 5, 1976 – January 2, 1978[106] Executive Editor Tom DeFalco, 1987 , 1987–1994, senior editor: 1995–1996 Carl Potts, in charge of Epic Comics 1989–1994,[104] 1995–1996 , early '90s – 1994[104] Bobbie Chase, 1995–2001 , 2007–2011[107] Axel Alonso, 2010 – January 2011[108] Ownership Martin Goodman (1939–1968) Parent corporation Magazine Management Co. (1968–1973) Cadence Industries (1973–1986) Marvel Entertainment Group (1986–1998) Marvel Enterprises Marvel Enterprises, Inc. (1998–2005) Marvel Entertainment, Inc (2005–2009) Marvel Entertainment, LLC (2009–present, a wholly owned subsidiary of The Walt Disney Company) Offices Located in New York City, Marvel has had successive headquarters: in the McGraw-Hill Building,[5] where it originated as Timely Comics in 1939[109] in suite 1401 of the Empire State Building[109] at 635 Madison Avenue (the actual location although comics'indicia listed the parent publishing company address 625 Madison Ave.) 575 Madison Avenue; 387 Park Avenue South (109) 10 East 40th Street (109) 417 Fifth Avenue (109) 60,000 square feet (5,600 m2) at Sports Illustrated Building at 135 W. 50th Street (October 2010, 79-110) Productions TV Animated Series Aired Production Distributor Network Episodes Marvel Super Heroes 1966 Grantray-Lawrence Animation / Marvel Comics Group Krantz Films ABC 65 Fantastic Four 1967-68 Hannah-Barbera Productions / Marvel Comics Group Taft Broadcasting Spider-Man 1967-70 Grantray-Lawrence Animation/Krantz Films/Marvel Comics Group 52 New Fantastic Four 1978 DePatie-Freleng Enterprises / Marvel Comics Animation Marvel Entertainment NBC 13 Fred and Barney Meet The Thing 1 979 Hannah-Barbera Productions / Marvel Comics Group Taft Broadcasting 13 (26 segments of The Thing) Spider-Woman 1979-80 DePatie-Freleng Enterprises / Marvel Comics Comics Animation Marvel Entertainment ABC 16 Market Share This section appears to be tilted to the latest events. Please try to keep recent events in historical perspective and add more content related to non-recent events. (July 2017) (Learn how and when to remove this template message) In 2017, Marvel's share of the comic book market was 38.30%, compared to 33.93% for rival DC Comics. For comparison, in 2013 companies, respectively, held 33.50% and 30.33% of shares, and in 2008 - 40.81% and 29.94%. Marvel characters in other media characters and Marvel stories have been adapted for many other media. Some of these adaptations were produced by Marvel Comics and its sister company , while others were produced by companies licensing Marvel materials. Games In June 1993, Marvel released its collectible caps for milk caps game under the brand Hero Caps. In 2014, the Japanese TV series Marvel Disk Wars: The Avengers was launched along with a collectible game called Bachicombat, a game similar to the game of milk caps, Bandai. The collectible card game Industry RPG brought the development of collectible card games (CCG) in the early 1990s, which soon appeared Marvel characters were shown in CCG of their own, starting in 1995 with OverPower Fluer (1995-1999). Later collectible card game were: Marvel Superstars (2010-?) Upper Deck Company recharge collectible card games (2001-?) Marvel Vs. System (2004-2009, 2014-) Upper Deck Company X-Men Trading Card Game (2000-?) Wizards coast Marvel Champions: Card Game (2019-present) Fantasy Flight Games, live card game 115 Miniatures Marvel Crisis Protocol (Autumn 2019-) Atomic Mass Games 116 HeroClix, WizKids Role Game Home Article: List of Marvel RPG Supplements TSR published pen and paper role-playing game Marvel Super Heroes in 1984. TSR then released the 1998 Marvel Super Heroes Adventure Game, which used a different system, the SAGA card system, than their first game. In 2003, Marvel Publishing published its own role-playing marvelous game, Marvel Universe Roleplaying Game, which used a colorless stone pool system. In August 2011, Margaret Weiss Productions announced the development of a desktop role-playing game based on the Marvel Universe, which will be released in February 2012 using the system Cortex Plus. Main video game article: based on Marvel characters, fighting in 1984, and Atari, Atari, Since then, dozens of video games have been released, all of which have been released by outside licensees. In 2014, Disney 2.0: Marvel Super Heroes was released, bringing Marvel characters to the existing Disney Sandbox video game. Movies Home Article: A list of movies based on the Marvel Comics Home article: Marvel Cinematic Universe Home article: A list of Marvel Cinematic Universe movies As of early September 2015, movies based on Marvel properties represent the highest-grossing U.S. franchise, having grossed more than $7.7 billion. By May 2019, Marvel Cinematic Universe (MCU) has grossed more than $22 billion in Marvel Experience (2014-) Marvel Universe Live! (2014-) concert arena show Spider-Man Live! (2002-2003) Spider-Man: Turn Off Darkness (2011-2014) Broadway Musical Prose Novels Major Articles: Marvel Books and Marvel's First Licensed Two Prosaic Novels Bantam Books, which printed Avengers Battle of the Land Otto Binder (1967) and Captain America: The Great Golden Theft of Ted White (1968). Various publishers received licenses from 1978 to 2002. Also, with various licensed films released since 1997, various publishers put out film novelization. In 2003, after the publication of the prose novel for young adult Mary Jane with starring from the myths of Spider-Man, Marvel announced the creation of a publishing imprint of . However, Marvel returned to licensing Pocket Books from 2005 to 2008. With several books released under the imprint, Marvel and Disney Books Group resumed Marvel Press in 2011 with the Marvel Origin Storybooks line. Tv programs Home Article: A list of television series based on Marvel Comics Many television series, both live and animated, based their productions on Marvel Comics characters. These include TV series for popular characters such as Spider-Man, Iron Man, Hulk, Avengers, X-Men, Fantastic Four, Guardians of the Galaxy, Daredevil, , , , Punisher, S.H.I.E.L.D., Agent Carter, Deadpool, and others. In addition, several TV movies are usually also pilots based on Marvel Comics characters were made. Marvel theme parks have licensed their characters for theme parks and attractions, including Marvel's Super Hero Island adventure on 's In Orlando in Orlando, Florida, which includes rides based on their iconic characters and costumed performers, as well as the Amazing Adventures of Spider-Man ride cloned from adventure islands at . Years after Disney acquired Marvel in late 2009, Walt Disney Parks and Resorts plans to create original Marvel in theme parks, with The first Disney theme park with a Marvel attraction. Due to a licensing agreement with Universal Studios signed prior to the purchase of Disney Marvel, and , it is forbidden to have Marvel characters in their parks. However, this only includes the characters that Universal currently uses, other characters in their families (X-Men, Avengers, Fantastic Four, etc.), and villains associated with other characters. This position allowed Walt Disney World to meet and greet, merchandise, attractions and more with other Marvel characters unrelated to characters on the Adventure Islands, such as Star-Lord and Gamora from Guardians of the Galaxy. The Marvel Comics Marvel Press, a joint imprint with Disney Books Group Icon Comics (creator owned) by Infinite Comics Timely Comics Disney Kingdoms Marvel Worldwide with Disney announced in October 2013 that in January 2014 it would release its first comic title under their joint Disney Kingdoms imprint Of The Seekers of Weird, a five-edition miniseries inspired by the never-built Disneyland Museum of Weird. The disney imprint has since released comic adaptations of Big Thunder Mountain Railroad, Walt Disney's Enchanted Tiki Room, And Haunted Mansion, two series on Figment based on Journey to The Imagination. Defunct Amalgam Comics CrossGen Curtis Magazines/Marvel Magazine Group Marvel Monsters Group Epic Comics (1982-2004) Malibu Comics (1994-1997) Marvel 2099 (1992-1998) Marvel Absurd Marvel Age/Marvel Adventure Books Marvel Edge Marvel Knights Marvel Music Marvel Next Marvel UK Marvel FRONTIER MAX MC2 New Universe Paramount Comics (co-owner of Viacom's Paramount Pictures) Razorline Star Comics Ultimate Comics More List of magazines released by Marvel Comics in 1970s List of comic book characters, which have sprung up in other media notes and apocryphal legend has it that in 1961, either Jack Liebowitz or Irwin Donenfeld of DC Comics (then known as the National Periodicals) boasted of DC's success with the Justice League (which debuted in The Brave and the Bold #28 (February 1960) before moving into his own title) publisher Martin Goodman (whose holdings included the nascent Marvel comics) while playing golf. However, film producer and comic book historian Michael Uslan partially debunked the story in a letter published in Alter Ego #43 (December 2004), page 43-44 Irwin said he had never played golf with Goodman, so the story is untrue. I've heard this story more than a couple of times, sitting in the dining room at 909 Third Avenue DC and 75 Rockefeller Plaza office like Saul Harrison and Chief Jack Adler have been schmoozing with some of us... who worked for DC DC our college in the summer.... It's like I heard a story from Saul was that Goodman played with one of the executives of independent news, not DC Comics (although DC is owned by Independent News). ... As a distributor of DC Comics, this man certainly knew all the sales figures and was in a better position to say this piece of Goodman. ... Of course, Goodman would like to play golf with this guy and be in his grace. ... Sol worked closely with the independent news top lead over the decades and would get this story straight from the horse's mouth. Goodman, a publishing trend follower with knowledge of JLA's strong sales, confirmed that he had directed his comic book editor Stan Lee to create a comic book series about a team of superheroes. According to Lee in the origins of Marvel Comics (Simon and Schuster/Fireside Books, 1974), p. 16: Martin mentioned that he noticed one of the titles published by national comics seemed to sell better than most. It was a book called Justice League of America and consisted of a team of superheroes. ... If Justice League sells, he said, why don't we put out a comic book that shows a team of superheroes? Inquiries: Hahett - our customers. Archive from the original September 11, 2017. Received on September 17, 2017. a b c Daniels, Forest (1991). Marvel: Five fabulous decades of the greatest comics in the world. New York: Harry N. Abrams. 27 and 32-33. ISBN 0-8109-3821-9. The timely publications became the title by which Goodman first published a string of comics. Eventually he set up a number of companies to publish comics ... but timely was the name by which Goodman Golden Age comics were known... Marvel wasn't always Marvel; in the early 1940s, the company was known as Timely Comics, and some covers wore this shield. Peter Sanderson (November 20, 2007). Marvel Comics guide to New York. Book Gallery. - b c Postal Indition in the issue, in Marvel Comics #1 1st Print (October 1939) Archive 2014-11-03 in Wayback Machine in the Database Grand Comics: Vol.1, No.1, MARVEL COMICS, October 1939, monthly published by Timely Publications, ... Art and editorial Funnies Incorporated... - b c c d e Statement of Ownership, dated October 2, 1939, published in Marvel Mystery Comics #4 (February 1940), page 40; reissued in : The Golden Age of Marvel Comics Volume 1 (Marvel Comics, 2004, ISBN 0-7851-1609-5), page 239 - Bell, Blake; Michael J. Vassallo (2013). The Secret History of Marvel Comics: Jack Kirby and artists in Martin Goodman's empire. Books of science fiction. page 299. ISBN 978-1-60699-552-5.CS1 maint: ref'harv (link) - Writer-artist Bill Everett's Sub-Mariner was actually created for the undistributed cinema giveaway comic, Motion Picture Funnies Weekly earlier this year, with previously unseen, eight-page original expanded by four pages for Marvel Comics #1. a b Per researcher Keif Fromm, Alter Ego #49, p. 4 (signature), Marvel Comics #1, the cover dated October 1939, quickly sold 80,000 copies, prompting Goodman to release a second print dated November 1939. The latter looks identical, except for the black bar during the October date in the inside front cover of indicia, and the date of November is added at the end. It sold about 800,000 copies - a big number on the market at the time. Also in Fromm, the first issue of Captain America Comics has sold nearly a million copies. Goulart, Ron (2000). Comic culture: An illustrated story. Collectors Press, Inc. p.173. ISBN 978-1-888054-38-5. Previous Captain America were MLJ Comics' Shield and Minute-Man. Marvel : Timely Publications (Indicia Publisher) Archive 2012-01-28 on Wayback Machines in . This is the original name of the business under which Martin Goodman began publishing comics in 1939. It has been used on all issues before and including those cover from March 1941 or winter 1940-1941, covering a period from Marvel Comics #1 to Captain America Comics #1. It was replaced by Timely Comics, Inc., starting with all issues dated April 1941 or spring 1941. comics.org archive from the original on December 11, 2007. Received on April 4, 2007. Smithsonian Comic Book. Smithsonian Institution/Harry N. Abrams. 1981 - Lee, Stan; George Mair (2002). Excelsior!: The Amazing Life of Stan Lee. By the fireplace of the Book. page 22. ISBN 0-684-87305-2. Simon, Joe; with Simon, Jim (1990). Comic book creators. Crestwood/II Publications. page 208. ISBN 1-887591-35-4. Simon, Joe (2011). Joe Simon: My life in comics. London, UNITED Kingdom: Titan Books. 113-114. ISBN 978-1-84576-930-7. Cover, All Surprises Comics #12 Archive 2011-06-28 on Wayback Machines in Grand Comics Database - Wright, Bradford W. (2001). Comic Nation: Transforming Youth Culture in America. Johns Hopkins University Press. page 57. ISBN 978-0-8018-6514-5. a b c Marvel Entertainment Group, Inc.. International catalogue of company stories, Volume 10. Farmington Hills, Michigan: Gayle/St. James Press, via FundingUniverse.com. 1995. Archive from the original dated July 11, 2011. Received on September 28, 2011. - Marvel : Atlas (wireframe globe) (Brand) Archive 2012-01-17 in Wayback Machine in the database Of Grand Comics - Marvel Indicia Publishers. comics.org. Grand Comics Database. Archive from the original dated December 8, 2014. Received on November 18, 2011. Per Les Daniels in Marvel: Five fabulous decades of the greatest comics in the world, page 67-68: THE success of the EU has had some impact on Marvel. As Stan Lee recalls: Martin Goodman would say, Stan, let's make a different kind of book, and it was based on how the competition does. When we discovered that the EU horror books were good, for example, we published many horror books. - Boat, Darrell L. (December 1988). Stan Lee. Comics Interview (64). Science fiction books. 15-16. - Marvel : MC (Brand) Archive 2011-03-07 on Wayback Machines on Grand Comics Database. Marvel's Jack Kirby Legacy. Marvel. 2015. 50. ISBN 978-0-785-19793-5. Fantastic Four. Grand Comics database. Archive from the original on March 15, 2011. Received on March 25, 2011. Randy Roberts; Olson, James S. (1998). American Experience: Readings in American History: Since 1865 (4 ed.). Addison-Wesley. page 317. ISBN 978-0-321-01031-5. Marvel Comics used realism in both character and staging of its superhero titles, which were unequal in the comic book industry. Genter, Robert (2007). With great power comes a great responsibility: Cold War culture and the birth of Marvel comics. In the journal of Popular Culture. 40 (6): 953–978. doi:10.1111/j.1540-5931.2007.00480.x. Comic book historian Greg T keystoneed that the decision to include monsters and initially distance a new breed of superheroes from costumes was conscious and born of necessity. Since DC spread the Marvel outlet at the time, Theakston theorists that Goodman and Lee have decided to keep their superhero lines looking as much as their horror lines as they possibly could, downplaying the fact that Marvel is now creating heroes with the effect that they ventured into deeper waters where DC never thought to go. Cm. Roe, 87-88 and Benton, Mike (1991). Superhero Comics of the Silver Age: An Illustrated Story. Dallas, Texas: Taylor's Publishing Company. page 35. ISBN 978-0-87833-746-0. Benton, page 38. Howe, Sean (2012). Marvel Comics: An Untold Story. New York, NY: HarperCollins. page 4. ISBN 978-0-06-199210-0. Jeff Boucher (September 25, 2009). Jack Kirby, the abandoned hero of the great Hollywood adventure Marvel, and the search for his family. Los Angeles Times. Archive from the original dated July 25, 2011. Received on September 28, 2011. Real brand X. Time. October 31, 1960. Archive from the original on June 29, 2011. Received on April 27, 2010. Daniels, Les (September 1991). Marvel: Five fabulous decades of the greatest comics in the world, Harry N Abrams. page 139. Nyberg, Amy Kisle (1994). Seal Approval: The Origin and History of the Comic Code. University Press Mississippi. page 170. ISBN 9781604736632. a b c d e f Ro, (2004). Tales to surprise: Jack Kirby, Stan Lee and the American Revolution comics book. Bloomsbury Publishing. page 179. B Lee, Mair, page 5. b c Wickline, Dan (January 12, 2018). Conan the Barbarian returns to Marvel Comics - Bleeding Cool News. Bleeding Cool News and Rumors. Archive from the original on January 18, 2018. January 17, 2018. Levitz, Paul (2010). 75 years of DC Comics The Art of Modern Myth-making. Tachen America. page 451. ISBN 978-3-8365-1981-6. Marvel took this moment to surpass DC in title production for the first time since 1957, and in sales for the first time. Daniels, Marvel, p.154-155 and Rhoades, Shirrell (2008). The full story of American comics. New York, NY: Peter Lang Publishing. page 103. ISBN 9781433101076. John B. Cook (December 2011). Revenge, Incorporated: The Story of short-lived comic book publisher Atlas/Coast. Comic artist. No 16. Издание TwoMorrows. Archive from the original on December 1, 2010. Received on September 28, 2011. Macmillan, Graham (December 5, 2017). Marvel Partners with Stitcher for the script of the 'Wolverine' Podcast. The Hollywood Reporter. Archive from the original dated December 13, 2017. Received on December 12, 2017. - pencils and ink at UHBMCC; GCD remains uncertain on the inker. Bullpen ballots: The King is back! Enough said!, in the cover of Marvel Comics from October 1975, including Fantastic Four #163 - Specific Series- and Release Dates in the article collectively behind GCD and other data databases according to Links - Howe, Sean (August 20, 2014). After his public fall, Sin City's Frank Miller is back (and not sorry). Wired. Conde Nast. Archive from the original january 22, 2015. Received on January 21, 2015. Marvel focuses on direct sales. Comics magazine (59): 11-12. October 1980. b c Marvel reaches an agreement to end bankruptcy. . July 11, 1997. p. D3. Archive from the original on June 7, 2011. Clive Barker's official website: Comics. Clivebarker.com. 28 November 1999. Archive from the original on May 13, 2011. Received on August 10, 2012. Independent heroes from the United States: Clive Barker's razor. Internationalhero.co.uk archive from the original dated October 4, 2012. Received on August 10, 2012. So far Marvel; Here comes the image: Portacio, Claremont, Liefeld, Jim Lee Join McFarlane's New Imprint in Malibu. Comics magazine (48): 11-12. February 1992. Mulligan, Thomas S. (February 19, 1992). Holy Plot Twist: Marvel Comics' Parent Sees Artists Defect rival Malibu, stock dive. Los Angeles Times. ISSN 0458-3035. Archive from the original on May 10, 2017. Received on February 1, 2016. Ehrenreich, (November 11, 2007). PHENOMENON; Comic genius? New York Times Magazine. Archive from the original dated August 7, 2013. Received on February 11, 2017. Reynolds, Eric. Rumors are true: Marvel buys Malibu, Comics magazine #173 (December 1994), page 29-33. News! Indy magazine #8 (1994), page 7. Scott Rosenberg. A magical world. Archive from the original dated March 4, 2016. Received on October 14, 2015. Doin, Steve and Richardson, Mike. Horse Publishing, 1998) ISBN 1-56971-344-8, page 69 Diamond ended up with 50% of the comic book market. MileHighComics.com archive from the original dated July 16, 2011. Received on April 27, 2010. Diamond Distributors of Comics Acquires Capital City Distribution; The comic book distribution industry has stabilized through purchase. bNet: Business wire through Findarticles.com. July 26, 1996. Archive from the original on May 25, 2012. Received on April 27, 2010. Hello Again: Marvel Goes With Diamond, #193 (February 1997), page 9-10. Doin, Steve and Richardson, Mike (ed.s) Diamond Distributors Comics in Panels (Dark Horse Publishing, 1998) ISBN 1-56971-344-8, p. 125-126 - Miller, John Jackson. Capital Sale Tops turbulent year: Top 10 Comic News 1996. CBGXtra. Archive from the original on November 7, 2007. Received on December 20, 2007. Raviv, Dan (2001). Comic War: Marvel's Battle for Survival. Books of heroes. ISBN 978-0-7851-1606-6. Macmillan, Graham. Page 10. Archive Leaving an imprint: 10 non-existent MARVEL publishing lines 2014-10-12 on Wayback Machine. (January 10, 2013). Franchise: Marvel Comics. Box office . Archive from the original on March 1, 2012. Received on April 27, 2010. The guiding light comes to the comics! Marvel.com News. Marvel.com archive from the original on May 12, 2010. Received on April 27, 2010. Gustin, George (October 31, 2006). Pulpy TV and Soapy Comics find plenty to negotiate. The New York Times. Archive from the original on February 17, 2018. Received on February 11, 2017. Marvel Universe wiki. Marvel.com. June 11, 2007. Archive from the original on April 29, 2010. Received on April 27, 2010. David Colton (November 12, 2007). Marvel Comics shows its wonderful colors in the Internet archive. USA today. Archive from the original on December 23, 2011. Received on August 22, 2017. Heidi McDonald (December 11, 2007). Marvel, Del Rey team for the X-Men manga. Publishers Weekly. Archive from the original on February 28, 2020. Received on February 27, 2020. Michael Doran (April 3, 2009). C.B. Cebulski on Marvel's closed open view policy. Newsarama.com archive from the original on April 6, 2009. Received on April 5, 2009. Friske, Andy (June 6, 2009). Marvel Mystery Comics 70th Anniversary Special #1 (review). ComicBookBin. Archive from the original on August 12, 2011. Received on October 19, 2010. Celebrate Marvel's 70th anniversary with your local comic book store. Marvel Comics press release ComicBookResources.com. July 31, 2009. Archive from the original august 3, 2009. Fiscal year 2009 Annual Financial Report and Shareholders' Letter (PDF). ditm-twdc-us.storage.googleapis.com November 23, 2015 (2009-10-03 USSEC Form 10-K). page 78. Archive (PDF) from the original dated July 23, 2018. Wilkerson, David B. (August 31, Disney to acquire Marvel Entertainment for $4B. MarketWatch. Archive from the original on June 8, 2011. Received on April 26, 2020. Richard Siklos (October 13, 2008). Spoiler alert: Comics are alive and kicking. Cnn. Archive from the original March 17, 2010. Received on May 1, 2010. Marvel goes with Hachette. ICV2. May 12, 2010. Archive from the original on May 13, 2014. Received on May 12, 2014. b Marvel to move into new, 60,000-square-foot offices in October. . September 21, 2010. Archive from the original on October 24, 2010. Received on October 24, 2010. Reed, Calvin (December 21, 2010). Marvel is reviving CrossGen with new creators, new stories. Publishers Weekly. Archive from the original on January 17, 2012. Received on October 12, 2011. Creative team cars on the Pixar Marvel movement. Comic book resources. February 17, 2011. Archive from the original on November 19, 2011. Received on October 28, 2011. Marvel ends the current children's comic book line. Comic book resources. December 19, 2011. Archive from the original on April 15, 2012. Received on July 12, 2012. Marvel launches All-Ages Avengers - Ultimate Spider- Man Comics. Comic book resources. January 24, 2012. Archive from the original on May 11, 2012. Received on July 12, 2012. Marvel, the circus company join forces for the superhero arena show. Los Angeles Times. March 13, 2013. Archive from the original on May 16, 2013. Received on May 11, 2013. Marvel wants you to join the revolution. Comic book resources. March 12, 2012. Archive from the original dated July 8, 2012. Received on February 26, 2013. Alonso, Axel (August 17, 2012). Axel-In-Charge: Avengers vs. X-Men's Final Stage. Comic book resources. Archive from the original on May 14, 2013. Received on February 26, 2013. Ben Morse (July 5, 2012). Marvel now!. Marvel Comics. Archive from the original dated October 3, 2012. Received on August 7, 2012. Sands, Rich. (April 12, 2013) First Look: Once Upon a Time, a graphic novel archived 2013-11-04 on the Wayback Machine. The TV Guide.com. Access to access on November 4, 2013. a b Marvel, Disney introduced the first comic book under a new imprint. Seattle Post-Scout. The Associated Press. October 8, 2013. Archive from the original on October 18, 2013. Received on October 17, 2013. Star Wars comics move to Marvel in 2015, Dark Horse meets. A news frame. January 3, 2014. Archive from the original on January 4, 2014. Received on January 3, 2014. James Whitbrook (June 4, 2015). Marvel will launch an all-new, all-different universe this September. io9. Archive from the original on June 23, 2015. Received on June 4, 2015. Macmillan, Graham (August 25, 2017). Comic book store owners refuse to carry 'Marvel Legacy' questions. The Hollywood Reporter. Archive from the original dated January 3, 2018. Received on January 2, 2018. Macmillan, Graham (December 28, 2017). Dc Behind the market decline: Which comics sold best in 2017. The Hollywood Reporter. Archive from the original dated January 2, 2018. Received on January 2, 2018. Joshua Spruce (January 19, 2018). The big Marvel Comics Changes expect from the Disney/Fox deal - I have a problem. Ign. Archive from the original dated January 20, 2018. Received on January 20, 2018. b Macmillan, Graham (July 17, 2018). IDW for publishing middle-class comics featuring Marvel superheroes. The Hollywood Reporter. Archive from the original dated July 17, 2018. Received on July 17, 2018. - Hedin, Jesse (July 28, 2017). Between the panels: Why isn't there more Disney Comics on Marvel?. Ign. Archive from the original dated July 17, 2018. Received on July 17, 2018. Leon, Concepcion de (March 1, 2019). Digital Book Platform Serial Box will collaborate with Marvel to release new stories. The New York Times. ISSN 0362-4331. Archive from the original march 1, 2019. Received on March 1, 2019. Marvel has no plans to release new digital comics on April 15. Archive from the original on April 20, 2020. a b c d e Rhoades, Shirrell (2008). The full story of American comics. New York, NY: Peter Lang Publishing. pp. x-xi. ISBN 978-1-4331-0107-6. Archive from the original on May 27, 2013. Received on March 18, 2011. a b c d Gilroy, Dan (September 17, 1986). Marvel Now has $100 million Hulk: Marvel divisions and Top Execs. Different. page 81. Archive from the original (jpeg) February 14, 2012. Weiland, Jonah (October 15, 2003). Marvel confirms Buckley as the new publisher. Comic book resources. Archive from the original on August 19, 2014. Received on August 31, 2011. b Iescardi, James (January 16, 2018). Marvel hires John Nee as publisher (EXCLUSIVE). Marvel. Archive from the original january 8, 2019. Received on January 7, 2019. Keith, Boris (January 18, 2017). Dan Buckley has been appointed president of Marvel Entertainment (Exclusive). The Hollywood Reporter. Archive from the original january 29, 2017. Received on January 30, 2017. a b c d Interview: Karl Potts. May PopImage.com, 2000. Archive from the original on May 25, 2011. Macmillan, Graham (November 17, 2017). Marvel names the new editor-in-chief as Axel Alonso exits. The Hollywood Reporter. Archive from the original on January 27, 2018. Received on November 17, 2017. 1976-1979. DC timeline. dccomicsartists.com archive from the original on September 29, 2011. Received on October 21, 2011. Frankenhoff, Brent (January 4, 2011). Marvel editors Axel Alonso and Tom Breworth contributed. Comics Buyer Guide Extra. Archive from the original dated November 7, 2015. Received on October 10, 2011. Fegley, Kiel (January 4, 2011). Alonso has been appointed editor-in-chief of Marvel. Comic book resources. Archive from the original on October 14, 2012. Received on October 24, 2012. B c d e f Sanderson, Peter. Marvel Comics at the New York Archives 2016-06-30 at Wayback Machine, (Pocket Books, 2007) p. 59. ISBN 978-1-4165-3141-8 - Turner, zack (December 21, 2010). Where we work. The New York Observer. Archive from the original on December 28, 2011. Miller, John. 2017 Comics Sales Comic Shops. Comicalron. Archive from the original on January 23, 2018. Received on January 23, 2018. Share of common units - Marvel 38.30%, DC 33.93%; Share total dollars-Marvel 36.36%, DC 30.07% - Big Two Comic Publishers are losing a share. ICv2. January 8, 2014. Archive from the original on February 5, 2016. Received on September 22, 2015. Ruthhier, Ray (July 26, 1993). Will cardboard caps from milk bottles be the cream of all. Hartford Courant. Archive from the original on September 25, 2016. Received on June 3, 2016. Marvel Disk Wars: Avengers Anime and Game 1 promo streaming. Anime news network. February 10, 2014. Archive from the original on May 7, 2014. Received on May 12, 2014. Influenza, Milton (August 1, 2019). Fantastic flight to launch Marvel LCG. icv2.com archive from the original dated December 11, 2019. Received on December 11, 2019. Atomic Mass Game presents the 'Marvel Crisis Protocol Miniature Game'. icv2.com. August 4, 2019. Archive from the original on December 11, 2019. Received on December 11, 2019. Kim, John H. RPG Encyclopedia: M. Encyclopedia RPG. darkshire.net archive from the original dated February 4, 2012. Received on December 8, 2011. Holokhvost, George (August 5, 2011). Gen Con: The new Marvel Comics RPG game announced by Margaret Weiss Productions. MTV.com archive from the original on September 28, 2011. Received on September 28, 2011. Franchise index. Box office Mojo. Archive from the original dated February 1, 2016. Received on May 29, 2013. a b DeCandido, Keith R.A. Marvel Comics in Prose: Unofficial Guide. SFF.net archive from the original dated August 6, 2011. Received on October 4, 2011. Weiland, Jonah (May 26, 2004). Marvel announces the creation of a new prose Imprint, Marvel Press. Comic book resources. Archive from the original on August 19, 2014. Received on August 24, 2011. Alverson, Brigid (July 15, 2011). SDCC '11 Disney present Marvel Press imprint in San Diego. Comic book resources. Archive from the original on August 18, 2011. Received on September 28, 2011. b Marvel Agreement between MCA Inc. and Marvel Entertainment Group. sec.gov the U.S. Securities and Exchange Commission. Archive from the original dated March 23, 2016. Received on September 4, 2017. Universal Adventure Islands: (official website). Archive from the original on June 20, 2009. Dawn K. Hmelewski (March 14, 2012). Walt Disney plans to deploy Marvel superheroes in its theme parks. Los Angeles Times. Archive from the original dated November 7, 2012. Received on April 4, 2012. Disney Parks may soon Marvel Characters. The Huffington Post. March 20, 2012. Archive from the original on March 23, 2012. Received on April 4, 2012. Chu, Karen (October 8, 2013). Hong Kong Disneyland will open the in 2016. The Hollywood Reporter. Archive from the original dated March 28, 2014. Received on October 8, 2013. John Tsang (February 27, 2013). The budget for 2013-2014 is to promote the development of the tourism industry. The Hong Kong government. Archive from the original on January 17, 2016. Received on October 12, 2013. Munarris, Rick. Disney takes too long to add Marvel to Disneyland and Disney World. Motley the Fool. Archive from the original on January 21, 2016. Received on January 17, 2016. Guardians of the Galaxy theme park characters appear for the first time as Walt Disney World welcomes Marvel. Inside the magic. Archive from the original on January 29, 2016. Received on January 29, 2016. Exclusive Guardians of the Galaxy Sneak Peek Debuts July 4 at Disney Parks. Disney Parks Blog. Archive from the original on January 29, 2016. Received on January 29, 2016. Lee, Banks (November 16, 2014). The Big Thunder Mountain Railway is to become the next Disney Kingdom Marvel comic. The magazine's attractions. Received on March 10, 2020. First look at Disney Kingdom's new Enchanted Tiki Comic Room. The magazine's attractions. September 12, 2016. Archive from the original on November 9, 2016. Received on March 10, 2020. Lee, Banks (February 26, 2016). A preview of the Marvel Haunted Mansion #1 comic book. The magazine's attractions. Received on March 10, 2020. Lovett, Jamie (September 6, 2017). Disney Kingdom Figment #1 Preview: Spark Your Imagination. Comicbook.com archive from the original dated July 11, 2014. Received on March 10, 2020. Lee, Banks (June 28, 2015). Dreamfinder and Figment return in the sequel to the Marvel comic book series. The magazine's attractions. Archive from the original dated April 3, 2016. Received on March 10, 2020. Further reading George, Milo (2001). Jack Kirby: TCJ Interview. Books of science fiction. ISBN 1-56097-434-6.CS1 maint: ref'harv (link) Howe, Sean (2012). Marvel Comics: An Untold Story. Harper Collins. ISBN 978-0-06-199210-0.CS1 maint: ref'harv (link) Jones, Gerard (2004). The people of tomorrow: Geeks, gangsters, and the birth of comics. The main books. ISBN 0-465-03657-0.CS1 maint: ref'harv (link) Lupoff, Dick; Thompson, Don (1997). All in color for pennies. Krause Publications. ISBN 0-87341-498-5.CS1 maint: ref'harv (link) Sterank, James. The history of Theranos comics. 1. ISBN 0-517-50188-0.CS1 maint: ref'harv (link) External media links associated with Marvel Comics in the Wikimedia Commons, has quotes related to: Official website of Marvel Comics Vassallo, Michael J. A timely conversation with Allen Bellman. Comicartville.com page 2. Archive from the original on January 17, 2010. Full Marvel Reading from Travis Starnes sourced from

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