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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
The Charismatic Leadership and Cultural Legacy of Stan Lee
REINVENTING THE AMERICAN SUPERHERO: THE CHARISMATIC LEADERSHIP AND CULTURAL LEGACY OF STAN LEE Hazel Homer-Wambeam Junior Individual Documentary Process Paper: 499 Words !1 “A different house of worship A different color skin A piece of land that’s coveted And the drums of war begin.” -Stan Lee, 1970 THESIS As the comic book industry was collapsing during the 1950s and 60s, Stan Lee utilized his charismatic leadership style to reinvent and revive the superhero phenomenon. By leading the industry into the “Marvel Age,” Lee has left a multilayered legacy. Examples of this include raising awareness of social issues, shaping contemporary pop-culture, teaching literacy, giving people hope and self-confidence in the face of adversity, and leaving behind a multibillion dollar industry that employs thousands of people. TOPIC I was inspired to learn about Stan Lee after watching my first Marvel movie last spring. I was never interested in superheroes before this project, but now I have become an expert on the history of Marvel and have a new found love for the genre. Stan Lee’s entire personal collection is archived at the University of Wyoming American Heritage Center in my hometown. It contains 196 boxes of interviews, correspondence, original manuscripts, photos and comics from the 1920s to today. This was an amazing opportunity to obtain primary resources. !2 RESEARCH My most important primary resource was the phone interview I conducted with Stan Lee himself, now 92 years old. It was a rare opportunity that few people have had, and quite an honor! I use clips of Lee’s answers in my documentary. -
Includes Rarities from the STAN LEE ARCHIVES!
THE UNIVERSE Interviews with and mementos from “THE MAN” who changed comics and pop culture Includes rarities from THE STAN LEE ARCHIVES! edited by Danny Fingeroth and Roy Thomas CONTENTS About the material that makes up THE STAN LEE UNIVERSE Some of this book’s contents originally appeared in TwoMorrows’ Write Now! #18 and Alter Ego #74, as well as various other sources. This material has been redesigned and much of it is accompanied by different illustrations than when it first appeared. Some material is from Roy Thomas’s personal archives. Some was created especially for this book. Approximately one-third of the material in the SLU was found by Danny Fingeroth in June 2010 at the Stan Lee Collection (aka “ The Stan Lee Archives ”) of the American Heritage Center at the University of Wyoming in Laramie, and is material that has rarely, if ever, been seen by the general public. The transcriptions—done especially for this book—of audiotapes of 1960s radio programs featuring Stan with other notable personalities, should be of special interest to fans and scholars alike. INTRODUCTION A COMEBACK FOR COMIC BOOKS by Danny Fingeroth and Roy Thomas, editors ..................................5 1966 MidWest Magazine article by Roger Ebert ............71 CUB SCOUTS STRIP RATES EAGLE AWARD LEGEND MEETS LEGEND 1957 interview with Stan Lee and Joe Maneely, Stan interviewed in 1969 by Jud Hurd of from Editor & Publisher magazine, by James L. Collings ................7 Cartoonist PROfiles magazine ............................................................77 -
7.99 Us 59606 09854 00111
1 RATED T | $7.99 US 0 0 1 1 1 7 5 9 6 0 6 0 9 8 5 4 5 WRITER: CHRIS CLAREMONT • ARTISTS: JOHN BUSCEMA & BILL SIENKIEWICZ COLORIST: MIKE ROCKWITZ • LETTERER: KEN BRUZENAK COVER ART: BILL SIENKIEWICZ • EDITOR: BOB HARRAS 3D CONVERSION: ANOMALY PRODUCTIONS: JP JUPITER, HANNAH WALL & BRIAN HABERLIN COLLECTION EDITOR: JENNIFER GRUNWALD BOOK DESIGNER: JAY BOWEN ASSISTANT MANAGING EDITOR: MAIA LOY SVP PRINT, SALES & MARKETING: DAVID GABRIEL ASSISTANT EDITOR: CAITLIN O’CONNELL EDITOR IN CHIEF: C.B. CEBULSKI EDITOR, SPECIAL PROJECTS: MARK D. BEAZLEY VP PRODUCTION & SPECIAL PROJECTS: JEFF YOUNGQUIST WOLVERINE VS. SABRETOOTH 3D No. 1, March 2020. Contains material originally published in magazine form as WOLVERINE (1988) #10. Published as a One-Shot by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 1290 Avenue of the Americas, New York, NY 10104. © 2020 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $7.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. Printed in the USA. KEVIN FEIGE, Chief Creative Offi cer; DAN BUCKLEY, President, Marvel Entertainment; JOHN NEE, Publisher; JOE QUESADA, EVP & Creative Director; DAVID BOGART, Associate Publisher & SVP of Talent Affairs; TOM BREVOORT, SVP of Publishing; DAVID GABRIEL, VP of Print & Digital Publishing; JEFF YOUNGQUIST, VP of Production & Special Projects; DAN CARR, Executive Director of Publishing Technology; ALEX MORALES, Director of Publishing Operations; DAN EDINGTON, Managing Editor; SUSAN CRESPI, Production Manager; STAN LEE, Chairman Emeritus. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Wolverine & the X-Men: Vol. 2 Free
FREE WOLVERINE & THE X-MEN: VOL. 2 PDF Jason Aaron,Nick Bradshaw | 104 pages | 05 Sep 2012 | Marvel Comics | 9780785156819 | English | New York, United States Wolverine Vol 2 75 | Marvel Database | Fandom Two weeks ago, Logan and Bobby stood alone in the Westchester school ruins. Bobby says that it feels right to return to Westchester and he feels that they never should have left. Logan tells Bobby that the reason he asked him to come with him is because he needs him for the new school. Hank will build the school, Kitty Wolverine & the X-Men: Vol. 2 run it and Bobby will hold it all together. Saying that they can no longer afford untapped potential, Logan tells Bobby that he will need him for something amazing. In the present, Wolverine & the X-Men: Vol. 2 and Iceman try to rescue the kids after the earthquake hits the school. Logan also tells Rachel to warn every student and staff member that the school is under attack. The Hellfire Club, led by Kade Kilgore, continue the attack. Baron reveals that he placed special chemicals in the water suppAbigail Marigold and Eugene Culd, the officials visiting the Jean Grey school. When Kitty is helping Marigold and Culd, the chemicals take effect, causing Marigold and Culd to respectively transform into a Wendigo and a Sauron. Also, the Hellfire Club shoot special bullets that transform into soldiers based on Frankenstein Monsters. The X-Men defend the school from the Hellfire Club's forces. Logan orders Bobby to leave with the kids, Iceman unleashes a new power and creates several ice constructs that he can control at once. -
Universal's Islands of Adventure Park
PORT OF ENTRY THE WIZARDING WORLD OF HARRY POTTER™ – HOGSMEADE™ A Croissant Moon Bakery 17 Harry Potter and the Forbidden Journey™ B Confisco Grille 48"/122cm C Backwater Bar 18 Flight of the Hippogriff™ 36"/92cm D Starbucks® 19 Frog Choir / Triwizard Spirit Rally E Cinnabon® 20 Ollivanders™ MARVEL SUPER HERO ISLAND® 21 Hagrid’s Magical Creatures Motorbike The Incredible Hulk Coaster® 54"/138cm 1 Adventure™ 48"/122cm 22 Hogwarts™ Express – Hogsmeade™ Station Storm Force Accelatron® 2 Park-to-Park admission ticket or Annual/Seasonal 18 3 Doctor Doom’s Fearfall® 52"/133cm Pass required. Additional restrictions apply. M 17 19 L 14 Hog’s Head™ THE WIZARDING WORLD OF HARRY POTTER™ - HOGSMEADE™ P 13 4 The Amazing Adventures of Spider-Man® SKULL ISLAND: REIGN OF KONG 20 Q Three Broomsticks™ 12 40"/102cm 11 10 JURASSIC PARK O 21 THE LOST CONTINENT N 5 Meet the Marvel Super Heroes 15 P 23 The Mystic Fountain Q F Cafe 4™ 24 Poseidon’s Fury 22 G Auntie Anne’s Pretzels R Doc Sugrue’s Desert Kebab House 16 H Captain America Diner® 23 S Fire Eater’s Grill TOON LAGOON S R T Mythos Restaurant 6 Classic Comic Strip Characters SEUSS LANDING™ 7 Me Ship, The Olive® T 25 The High in the Sky Seuss Trolley Train Ride!™ 9 J 8 42"/107cm 8 Popeye & Bluto’s Bilge-Rat Barges® 36"/92cm THE LOST CONTINENT TOON LAGOON K 7 24 I 26 Caro-Seuss-el™ 9 Dudley Do-Right’s Ripsaw Falls® 44"/112cm Oh! The Stories You’ll Hear!™ 27 28 Dr. -
Books at 2016 05 05 for Website.Xlsx
Australian Lesbian and Gay Archives Book Collection Author or editor last Author or editor first name(s) name(s) Title : sub-title Place of publication Publisher Date Special collection? Fallopian Tube [Antolovich] [Gaby] Fallopian tube : fallopiana Sydney, NSW Pamphlet July, 1974 December, [Antolovich] [Gaby] Fallopian tube : madness Sydney, NSW Fallopian Tube Press 1974 GLBTIQ with cancer Network, Gay Men's It's a real bugger isn't it dear? Stories of Health (AIDS Council of [Beresford (editor)] Marcus different sexuality and cancer Adelaide, SA SA) 2007 [Hutton] (editor) [Marg] Your daughter's at the door [poetry] Melbourne, VIC Panic Press, Melbourne March, 1975 Inequity and hope : a discussion of the current information needs of people living [Multicultural HIV/AIDS with HIV/AIDS from non-English speaking [Multicultural HIV/AIDS November, Service] backgrounds [NSW] Service] 1997 "There's 2 in every classroom" : Addressing the needs of gay, lesbian, bisexual and Australian Capital [2001 from 100 [no author identified] transgender (GLBT) young people Territory Family Planning, ACT yr calendar] 1995 International Year for Tolerance : gay International Year for and lesbian information kit : milestones and Tolerance Australia [no author identified] current issues Melbourne, VIC 1995 1995 [no author identified] About AIDS in the workplace Massachusetts, USA Channing L Bete Co 1988 [no author identified] Abuse in same sex relationships [Melbourne, VIC] not stated n.d. Acquired Immune Deficiency Syndrome : [New York State [no author identified] 100 questions & answers : AIDS New York, NY Department of Health] 1985 AIDS : a time to care, a time to act, towards Australian Government [no author identified] a strategy for Australians Canberra, ACT Publishing Service 1988 Adam Carr And God bless Uncle Harry and his roommate Jack (who we're not supposed to talk about) : cartoons from Christopher [no author identified] Street Magazine New York, NY Avon Books 1978 [no author identified] Apollo 75 : Pix & story, all male [s.l.] s.n. -
Mark Hibbett in Search of Doom. Tracking a Wandering Character
[Table of Contents] Mark Hibbett In Search of Doom. Tracking a Wandering Character Through Data Abstract This paper will describe the process of generating a corpus of comics for an examination of the transmedial development of the character Doctor Doom during the period known as ›The Marvel Age‹. It will briefly define what ›The Marvel Age‹ means in these terms, and describe the rationale for choosing which items should be included in the corpus. It will then go into some detail about the use of online comics databases, notably The Grand Comics Data- base, and describe the many difficulties inherent in the use of a dataset that has been collaboratively generated over a long period of time without clear editorial guidance, and suggest data-cleaning methods by which these issues can be mitigated. Finally, it will discuss how this corpus will be used in future to analyse the progress of Doctor Doom’s characterisation through this period. 1. Introduction Ever since he was created in The Fantastic Four #5 (1962) Doctor Doom has been a recurring character in every aspect of Marvel’s transmedia universes. He has been the main villain in all four live action Fantastic Four films, including the unreleased Roger Corman movie (1994), featured in almost every Marvel cartoon series from The Marvel Superheroes (1966) to the current Avengers Assemble (2013), and has appeared in video games, trading cards, toy ranges, and even hip-hop tracks. In the core Marvel comics universe he has appeared in over a hundred separate series, but until the recent Infamous Iron Man series IMAGE | Issue 29 | Special Issue Recontextualizing Characters | 01/2019 81 Mark Hibbett: In Search of Doom (2016), he has only ever headlined one, short-lived, ongoing series of his own, set in the ›Marvel 2099‹ universe (2013). -
SW V27 1.Pdf
THE MAGAZINE OF 3-DIMENSIONAL IMAGING, PAST & PRESENT Volume 27 Number 1 A Publication of NATIONAL STEREOSCOPIC ASSOCIATION, INC. Last Minute Items of Interest ISU/Sydney/Sept./$OO 1 Stereo Print Lab! The flrst International Stereoscopic Union Con- As we hoped, the item about stereo print labs in gress in the new millennium and the flrst in the last issue's Loose Chips prompted members to con- southern hemisphere will be held in Sydney, Aus- tact us about labs offering this service. The one tralia from Sept. 19 to 24, 2001. confirmed (so far) mail-order source for color Headquarters hotel for the event is the Oxford prints from Realist or Nimslo format negatives Koala Hotel, Oxford Street, located in the CBD offers individual (not monolithic) prints suitable for area-a short walk or flve minute bus ride from the trimming and mounting on cards or in Q-Vue center of Sydney. The Hotel is part of the Best mounts. Film developing is $3.00 and prints are Western Chain and is situated in one of the major 386 each, making a pair 766. Reprints are 496 dining areas of Sydney with many reasonably each. Contact Larry Murrell at Leo's Camera Shop, priced restaurants, cafes, fast food outlets and cof- 1022 Main St., Klamath Falls, OR 97601, (541) fee shops. (Also nearby are the four and flve star 882-3331. Hyde Park Plaza and Sydney Marriott Hotels.) Prices for a lab offering a similar service on the Start planning (and saving) now for the stereo east coast should be available in the next issue event that could be the trip of a lifetime. -
Look Inside for All the Gory Details!
PRSRT STD US POSTAGE PAID ORLANDO, FL PERMIT NO. 1 2013 FALL FALL UNIVERSAL ORLANDO® RESORT 1000 Universal Studios Plaza B-1 Attn: Annual Pass Department Orlando, Florida 32819 IT’S GOING TO BE A GREAT AUTUMN PASSHOLDERS ANNUAL FOR FOR ANNUAL PASSHOLDER: EXCITING NEWS! • NEW Springfield Comes to Universal Studios® • Fall On-Site Hotel Rates • Details on A Celebration of Harry PotterTM at The Wizarding World of Harry PotterTM • PLUS LOOK INSIDE FOR ALL THE GORY DETAILS! Enter the world of The Simpsons™ like never before at Universal Studios Florida®! Now you 1 NEW! FAST FOOD BOULEVARD Springfield Comes To can visit downtown Springfield, hometown of America’s favorite animated family. Stroll Choose from an array of familiar eateries down Fast Food Boulevard and enjoy a “Genuine Clown-Endorsed Meal” at Krusty Burger, offering some of the most famous edible – Universal Orlando® Resort! grab a Homer-sized helping of donuts at Lard Lad, and imbibe at Moe’s Tavern. Crash and maybe not so edible – dishes featured through Krustyland on The Simpsons Ride™, then take an intergalactic spin on the brand on The Simpsons™ show, including: new Kang & Kodos’ Twirl ‘n’ Hurl. Visit the places that helped Springfield stake its claim as H 5 “Shelbyville by the Sea,” only at Universal Orlando® Resort. Krusty Burger H Moe’s Tavern 6 1 H Cletus’ Chicken Shack 7 H The Frying Dutchman H Luigi’s Pizza H 4 Lisa’s Teahouse of Horror H Flaming Moe’s 2 NEW! LARD LAD DONUTS 3 NEW! BUMBLEBEE MAN’S TACO TRUCK 4 NEW! DUFF BREWERY 5 KWIK-E-MART 6 THE SIMPSONS RIDE™ 2 7 NEW! KANG & KODOS’ TWIRL ‘N’ HURL Foolish humans! Aliens Kang and Kodos from The Simpsons™ take you on an intergalactic spin designed to send your lunch into orbit. -
Amc Theatres Announces Sold-Out Engagements of the Ultimate Marvel Marathon One Month Ahead of the Release of Marvel's the Avengers
Amc Theatres Announces Sold-Out Engagements Of The Ultimate Marvel Marathon One Month Ahead Of The Release Of Marvel's The Avengers Additional Shows Added at Participating Locations; May 3 Event Features Six Marvel Movies, Including Midnight Release of the Highly Anticipated MARVEL'S THE AVENGERS in RealD 3D, for just $40 Kansas City, Mo. (April 5, 2012) - AMC Theatres® announced today that advance tickets for MARVEL'S THE AVENGERS, which is the culmination of The Ultimate Marvel Marathon, have sold out at 10 AMC locations across the country, a month ahead of the event. Based on the high demand AMC is adding additional marathon shows at participating theatres. The definitive fan experience features six movies, including the May 4 midnight debut of the highly anticipated MARVEL'S THE AVENGERS. "In just three weeks since advance tickets went on sale, the response from Marvel fans and AMC guests has been tremendous - selling out screenings across the country. We are thrilled to meet the demand by adding additional shows of The Ultimate Marvel Marathon leading up to the midnight release of MARVEL'S THE AVENGERS at participating AMC Theatres," said Robert J. Lenihan, President of Film Programming at AMC Theatres. Tickets have sold out in the following locations: AMC Empire 25, New York AMC Downtown Disney 24, Orlando AMC Sunset Place 24, Miami AMC Downtown Disney 12, Los Angeles AMC Burbank 16, Los Angeles AMC Ontario Mills 30, Los Angeles AMC Loews Boston Common 19, Boston AMC Garden State 16, New Jersey AMC Loews Metreon 16, San Francisco AMC Courtney Park 16, Toronto The Ultimate Marvel Marathon begins May 3 at 11:30 a.m.