The Folk Music Revival and the Counter Culture: Contributions and Contradictions Author(s): Jens Lund and R. Serge Denisoff Source: The Journal of American Folklore, Vol. 84, No. 334 (Oct. - Dec., 1971), pp. 394-405 Published by: American Folklore Society Stable URL: http://www.jstor.org/stable/539633 . Accessed: 22/09/2011 16:11 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. American Folklore Society is collaborating with JSTOR to digitize, preserve and extend access to The Journal of American Folklore. http://www.jstor.org JENS LUND and R. SERGE DENISOFF The Folk Music Revival and the Counter Culture: Contributionsand Contradictions' OBSERVERS OF THE SO-CALLED "COUNTER CULTURE" have tended to portray this phenomenonas a new and isolated event. TheodoreRoszak, as well as nu- merousmusic and art historians,have cometo view the "counterculture" as a new reactionto technicalexpertise and the embourgeoismentof growing segmentsof the Americanpeople.2 This position,it would appear,is basicallyindicative of the intellectual"blind men and the elephant"couplet, where a social fact or event is examinedapart from otherstructural phenomena. Instead, it is our contentionthat the "counterculture" or Abbie Hoffman's"Woodstock Nation" is an emergent realityor a productof all that camebefore, sui generis.More simply,the "counter culture"can best be conceptualizedas partof a long historical-intellectualprogres- sion beginningwith the "Gardenof Eden"image of man.