Finalist List
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Tittarpuls Vecka 6, 2013
Tittarpuls Vecka 6, 2013 Uppdrag granskning engagerar mest Uppdrag granskning fick flest omnämningar i sociala medier under Uppdrag granskning toppar även listan över engagemang per 10 000 vecka 6 och toppar därför listan framför fotbollsmatchen mellan Sverige tittare, följt av Top Model Sverige. Nykomlingen Hissen ligger på tredje och Argentina. Melodifestivalen tappar två placeringar från förra veckans plats, följt av fotbollslandskampen och Debatt. Nya på listan är Rektorerna förstaplats och hamnar nu på plats tre, följt av Top Model Sverige, Debatt och Bygglov som tar sig in på åttonde respektive tjugonde plats. På och nykomlingen Hissen. På spåret backade till plats tio. Bygglov hamnar spåret tappar mot förra veckan och ligger på plats tjugotre. Minst på plats sexton följt av Agenda och Farmen. Minst antal omnämningar engagemang per tittare skapade Så ska det låta. på listan har Så ska det låta. Omnämningar Antal tittare Engagemang per tittare Program Antal inlägg Program Antal tittare i tusental* Program Inlägg per 10 000 tittare* 1. Uppdrag granskning (4) 4762 1. Melodifestivalen (1) 3670 1. Uppdrag granskning (7) 63,58 2. Fotboll (ny) 4210 2. På spåret (2) 2674 2. Top Model Sverige (2) 50,04 3. Melodifestivalen (1) 3755 3. Skavlan (3) 1779 3. Hissen (ny) 30,47 4. Top Model Sverige (8) 1261 4. Så ska det låta (4) 1703 4. Fotboll (ny) 25,83 5. Debatt (6) 961 5. Fotboll (ny) 1630 5. Debatt (3) 19,18 6. Hissen (ny) 777 6. Antikrundan (5) 1595 6. Melodifestivalen (4) 10,23 7. Gladiatorerna (5) 766 7. Veckans brott (7) 1245 7. Gladiatorerna (8) 9,11 8. -
Quick Reference Guide To: How to Deliver Content to ITV Your Programme Has Been Commissioned and You Have Been Asked by ITV to Deliver a Piece of Content
July 2020 Quick Reference Guide To: How to Deliver Content to ITV Your programme has been commissioned and you have been asked by ITV to deliver a piece of content. What do you need to do and who are the contacts along the journey?..... Firstly, you will need to know who your Compliance Advisor is. If you’ve not been provided with a contact then email [email protected]. Your Advisor will be able to provide you with legal advice along the journey and will be able to provide you with lots of key information such as your unique Production Number. Another key contact is your Commissioner. They may require some deliverables from you so it’s best to have that discussion directly with them. Within this guide you will find a list of frequently asked questions with links to more detailed documents. 1. My programme will be transmitted live. Does this make a difference? 2. My programme isn’t live; so what exactly am I delivering? 3. Where do I get my Production/Clock Numbers from? 4. Where can I get my tech spec to file deliver? 5. Where do I deliver my DPP AS-11 file to? 6. I need to ensure that my programme has the ITV ‘Look & Feel’. How do I make this happen? 7. Can I make amendments to my programme after I’ve delivered it to Content Delivery? 8. Where do I send my Post Productions Scripts to? 9. What do I do if I have queries around part durations and the total runtime of my programme? 10. -
DISCOVER NEW WORLDS with SUNRISE TV TV Channel List for Printing
DISCOVER NEW WORLDS WITH SUNRISE TV TV channel list for printing Need assistance? Hotline Mon.- Fri., 10:00 a.m.–10:00 p.m. Sat. - Sun. 10:00 a.m.–10:00 p.m. 0800 707 707 Hotline from abroad (free with Sunrise Mobile) +41 58 777 01 01 Sunrise Shops Sunrise Shops Sunrise Communications AG Thurgauerstrasse 101B / PO box 8050 Zürich 03 | 2021 Last updated English Welcome to Sunrise TV This overview will help you find your favourite channels quickly and easily. The table of contents on page 4 of this PDF document shows you which pages of the document are relevant to you – depending on which of the Sunrise TV packages (TV start, TV comfort, and TV neo) and which additional premium packages you have subscribed to. You can click in the table of contents to go to the pages with the desired station lists – sorted by station name or alphabetically – or you can print off the pages that are relevant to you. 2 How to print off these instructions Key If you have opened this PDF document with Adobe Acrobat: Comeback TV lets you watch TV shows up to seven days after they were broadcast (30 hours with TV start). ComeBack TV also enables Go to Acrobat Reader’s symbol list and click on the menu you to restart, pause, fast forward, and rewind programmes. commands “File > Print”. If you have opened the PDF document through your HD is short for High Definition and denotes high-resolution TV and Internet browser (Chrome, Firefox, Edge, Safari...): video. Go to the symbol list or to the top of the window (varies by browser) and click on the print icon or the menu commands Get the new Sunrise TV app and have Sunrise TV by your side at all “File > Print” respectively. -
Übersicht Der Kostenfreien TV-Sender
Übersicht der kostenfreien TV-Sender Die Sender sind alphabetisch sortiert. Die Nummerierung dient nur der Orientierung und entspricht nicht den Programmplätzen. 1. 1-2-3.tv 41. HSE24 EXTRA 81. QVC 2. 1-2-3.tv HD 42. HSE24 EXTRA HD 82. QVC Deutschland 3. 3sat 43. HSE24 HD 83. QVC HD 4. 3sat HD 44. HSE24 TREND 84. QVC Style 5. Al Jazeera Channel 45. Juwelo HD 85. QVC 2 6. Al Jazeera English 46. Juwelo TV 86. QVC 2 HD 7. ANIXE SD 47. kabel eins 87. Radio Bremen 8. ARD-alpha 48. kabel eins Doku 88. Radio Bremen TV 9. ARD-alpha HD 49. KiKA 89. rbb Berlin 10. arte 50. KiKA HD 90. rbb Berlin HD 11. arte HD 51. MDR Sachsen 91. rbb Brandenburg 12. AstroTV 52. MDR Sachsen HD 92. rbb Brandenburg HD 13. Baden TV 53. MDR S-Anhalt 93. rhein main tv 14. BBC World 54. MDR S-Anhalt HD 94. RTL Bayern 15. Bibel TV 55. MDR Thüringen 95. RTL HB NDS 16. Bibel TV HD 56. MDR Thüringen HD 96. RTL HH SH 17. Bloomberg 57. meinTVshop 97. RTL Regional NRW 18. BR Fernsehen Nord 58. Melodie TV NEU 98. RTL Television 19. BR Fernsehen Nord HD 59. MTV 99. RTLplus 20. BR Fernsehen Süd 60. N24 DOKU 100. RTL2 21. BR Fernsehen Süd HD 61. NDR FS HH 101. SAT.1 22. Canal Algérie 62. NDR FS HH HD 102. SAT.1 Bayern 23. Channel 21 Shop 63. NDR FS MV 103. SAT.1 Gold 24. CNN Int. 64. -
Tittarpuls Vecka 10, 2013
Tittarpuls Vecka 10, 2013 Schlagerfinalen dominerar Melodifestivalen fick flest omnämningar i sociala medier under vecka Melodifestivalen toppar även listan över engagemang per 10 000 tittare, tio och toppar därför listan framför Gladiatorerna. Uppdrag granskning följt av Top Model Sverige. Pluras kök intar tredje plats, följt av Agenda hamnar på plats tre, följt av Agenda, Debatt och Top Model Sverige. och Hissen. Nya på listan är Hissen och Fuskbyggarna som tar sig in Så ska det låta klättrar från plats 23 till plats sju. Hela Sveriges Fredag på femte respektive 21:a plats. Debatt klättrar från plats 14 till plats hamnar på plats 19 följt av Fuskbyggarna och Maria och Mindy. Minst sex. Minst engagemang per tittare på listan har Hela Sveriges Fredag. antal omnämningar på listan har Fråga Olle. Omnämningar Antal tittare Engagemang per tittare Program Antal inlägg Program Antal tittare i tusental* Program Inlägg per 10 000 tittare* 1. Melodifestivalen (1) 113422 1. Melodifestivalen (1) 4129 1. Melodifestivalen (1) 274,70 2. Gladiatorerna (4) 1690 2. Skavlan (5) 1759 2. Top Model Sverige (2) 30,43 3. Uppdrag granskning (7) 1544 3. Så ska det låta (4) 1633 3. Pluras kök (10) 26,93 4. Agenda (8) 1117 4. Hela Sveriges Fredag (2) 1627 4. Agenda (7) 23,03 5. Debatt (19) 1078 5. Veckans Brott (7) 1187 5. Hissen (ny) 21,29 6. Top Model Sverige (6) 855 6. Sveriges Mästerkock (8) 1154 6. Debatt (14) 19,74 7. Så ska det låta (23) 799 7. Uppdrag granskning (9) 931 7. Gladiatorerna (8) 19,36 8. Sveriges Mästerkock (12) 793 8. -
No. Channel Logo Features Comeback HD App TV
Features No. Channel Logo TV start TV comfort ComeBack HD App 1 SRF 1 HD 2 SRF zwei HD 3 Das Erste HD 4 ZDF HD 5 SAT.1 HD 6 ProSieben HD 7 RTL HD 8 3+ HD 9 4+ HD 10 RTL II HD 11 VOX HD 12 5+ HD 13 kabel eins HD 14 sixx HD 15 TV24 HD 16 S1 HD 17 ORF 1 HD 18 ORF 2 HD 19 ARTE HD 20 SRF info HD 21 TeleZüri 22 Nickelodeon CH HD 23 SUPER RTL HD 24 ServusTV HD 25 MTV CH HD 26 VIVA CH HD 27 RTL NITRO HD 28 Puls 8 HD 29 TV25 HD 30 ntv CH HD 31 Eurosport HD 33 Discovery Channel HD 34 Animal Planet HD 35 HISTORY HD 36 TNT Serie HD 37 TNT Film HD 38 AXN HD 39 MTV LIVE HD 40 FashionTV HD ftv 41 CHTV HD 42 3sat HD 43 KiKA HD 44 NDR HD 45 WDR Fernsehen HD 46 SWR HD 47 BR HD 48 ZDF Neo HD 49 ZDFinfo HD 50 PHOENIX HD 51 ANIXE HD 52 DMAX 53 TLC 54 ProSieben MAXX CH 55 SAT.1 Gold 56 TELE 5 57 gotv 58 DELUXE MUSIC 59 Schweiz 5 60 STAR TV HD 61 wetter.tv 62 Eurosport 63 SPORT1 64 Disney Channel 65 NATIONAL GEOGRAPHIC CHANNEL 66 TNT Serie 67 TNT Film 68 hr-fernsehen 69 MDR FERNSEHEN 70 rbb Fernsehen 71 ARD-alpha 72 tagesschau24 73 Einsfestival 74 N24 75 euronews 76 Deutsche Welle 77 Bloomberg TV 78 Bibel TV 79 HSE24 80 Teleclub Zoom 81 RTS Deux HD Features No. -
Channel 4 Playout Red Bee Media
CASE STUDY Channel 4 Playout Red Bee Media Summary Red Bee Broadcast Centre in White City, London is dedicated to providing a centralised playout facility for UK broadcasters. Custom built in 2003, its clients include the BBC and BBCHD, Channel Five, Virgin Media and Channel 4. One of the IDS displays in the new playout facility. The brief In 2009, Red Bee Media won the contract to host the playout services for Channel 4 and its family of channels including Film 4, E4 and More4. To fulfil the operational requirements, a large new central playout area was commissioned, supplemented by two reactive playout suites, each with an associated continuity booth with a third continuity booth situated outside the main area. We were asked to install an IDS system that met two main requirements: 1. Provide a visual link between network directors in the various playout positions and continuity announcers in their isolated booths. 2. Develop an IDS interface for the Snell Morpheus automation system to derive and display relevant next-event count-down information for in excess of 20 simultaneous channels. CASE STUDY What is IDS? The Network Director’s playout screen showing live streams from two continuity booths and a Continuity IDS is an extendable, network-based Announcer’s screen with visual link to Playout. control and display system designed specifically for the broadcast industry. The solution Consisting of dedicated software and Providing the visual link between the network directors in playout and the isolated hardware devices that use a standard TCP/IP backbone, IDS can be scaled continuity announcers was a straightforward exercise using our configuration software, to suit any installation, delivering IDS Core. -
Warum Seh' Ich Nicht So Aus? – Fernsehen Im Kontext Von Essstörungen
„Jede, die nicht mindestens so aussieht, „In meinem Kopf war / ist fest ist hässlich und dick.“ verankert: Wenn ich dünn bin, (Cassandra, 18 Jahre und dann ist alles einfacher. Das ganze seit 4 Jahren an Leben. Ich bin nicht wegen Germany’s Magersucht erkrankt) Next Topmodel magersüchtig geworden, dennoch hat es eine Rolle gespielt. Und heute schaue ich es bewusst NICHT WARUM mehr an! Denn es würde die Magersucht wieder so richtig pushen.“ (Lia, 18 Jahre alt und seit 3 Jahren „So wie die an Magersucht erkrankt) möchte ich gerne aussehen. Dafür muss ich SEH’ NICHT nur noch abnehmen. Und ICH dann kann man oft nicht mehr aufhören und rutscht in die Magersucht.“ FERNSEHEN IM KONTEXT VON ESSSTÖRUNGEN ESSSTÖRUNGEN VON FERNSEHEN IM KONTEXT (Denise, 14 Jahre und seit 2 Jahren an Magersucht – SO ? erkrankt) AUS „Warum seh‘ ich nicht so aus?“, fragt sich so manche junge Frau, wenn sie die Frauen in TV-Serien, die Bewerberin- FERNSEHEN IM KONTEXT nen beim Bachelor oder Deutschland sucht den Superstar sieht – und vor allem wenn sie sich mit den Kandidatinnen von Germany’s Next Topmodel vergleicht. Für die meisten Zuschauerinnen ist es „nur“ frustrierend und beeinflusst ihr Selbstvertrauen, dass sie der vorgegebenen Norm nicht genügen. Für andere kann dieser Gedanke und der Wille VON ESSSTÖRUNGEN sich zu ändern in schwere, langwierige Krankheiten führen: Essstörungen, wie Magersucht und Bulimie. Es sind natürlich nicht ausschließlich Fernsehsendungen oder Medienbilder, die zu diesen schweren psychosoma- tischen Störungen führen. Die Ursachen sind immer komplexer und viele Variablen und Problemlagen sind für die Entstehung von Essstörungen verantwortlich. Dennoch spielen Fernsehsendungen oftmals eine wichtige Rolle. -
Technical Specification for the Delivery of Live Television Programmes To
TECHNICAL SPECIFICATION FOR THE DELIVERY OF LIVE TELEVISION PROGRAMMES TO This document outlines the technical requirements for the delivery of Live programmes, as agreed by the Digital Production Partnership Broadcasters: BBC, BT Sport, Channel 4, Channel 5, ITV, Sky, STV and TG4 The document includes the technical parameters that all Ultra-High Definition (UHD)1, High Definition (HD) and Standard Definition (SD) file delivered programmes must meet to be acceptable by the DPP broadcasters. It is set out as follows: • Part 1 Picture and sound quality and QC requirements; • Part 2 Additional technical requirements for Live programme delivery; • Part 3 Broadcaster specific requirements that are unique to ITV; Please ensure you are using the current version of this document, available here ITV Notes This section is for broadcasters to highlight updates, special requirements or specific issues. 1 Ultra-High Definition programmes can only be delivered as Files or Live. Tape cannot be used. TECHNICAL SPECIFICATION FOR THE DELIVERY OF LIVE TELEVISION PROGRAMMES Contents PART 1 – GENERAL REQUIREMENTS 4 1. Video Technical Requirements ..................................................................................................................... 5 1.1. Video Formats ............................................................................................................................................................. 5 1.1.1. Ultra-High Definition ............................................................................................................................................. -
WEB TVANNUAL REPORT 2012 SWEDEN V
WEB TVANNUAL REPORT 2012 SWEDEN v Author & Design MMS - Mediamätning i Skandinavien Tigran Zakarian Drottningg 108, S-113 60 Stockholm +46 (0)8 736 10 00 Translation [email protected] Myriam Bawoua Marie Hallinan v Summary Period Participating parties 2012 SVT Weeks 1-52 MTG TV 2/1-30/12 TV4 SBS TV 615 597 112 Started streams 91 782 307 Hours spent 93 354 211 Published programmes and clips Notes - Historic data is presented from as far available. Since MMS has not been measuring Web TV for two full calendar years, the measurements from 2011 are not sufficient for comparison. - Between weeks 42 and 48 the measurement code for MTG TV was revised due to overall compli- cations in the user experience, meaning that measurement data from this period is incomplete. PREFACE The media landscape is constantly changing, and right now driving its development is Internet and Moving Picture content. As a result of this, we can look back at a truly amazing year for web-TV viewing. In 2012, a long series of records for TV-viewing via Internet were set. Almost 616 million streams were started and almost 92 million hours were spent on web TV during the year. The programme with the greatest web audience over the course of the year was the traditional Christmas Eve episode of “Julkalendern”, which was shown on SVT Play. “Julkalendern” attracted an audience of just under 468 000 during an eight day period. The record in terms of number of streams started was set by SVT and Sveriges Radio for the programme “Musikhjälpen”, which generated over 729 000 started streams in the week it aired. -
Can the BBC Survive the Digital Age?
Can the BBC survive the digital age? Laura Payne Neo: A Journal of Student Research March 2010 Abstract The BBC is a public service broadcaster that is highly regarded by the British television audience. However, it is subject to increasing threats to its continuing viability from digital private sector television providers. A part of the threat to the BBC is the way in which it is funded through the TV licence. This article examines the threats to the survival of the BBC through a review of relevant literature and with reference to a survey conducted by the author. The research confirms the high regard in which the BBC is held by the British public and argues for its continuing existence. 2 The BBC has been an extremely successful broadcasting company. However in the approach to the Digital Switchover it faces increasing uncertainty because of competition with new digital commercial channels which hold niche audiences. The future of broadcast television such as the BBC is uncertain, and there are many reasons why it may not survive; ‘the predictions of the death of broadcast television are every bit as loud now as were those of the end of cinema in the face of competition from television’ (Ellis, 2002, p.175). The BBC sees its purpose to support British interests in the world and has a reputation for its impartiality. The BBC is committed to the concept of public broadcasting, providing a platform for local and national debate. It has three main aims; to inform, educate and entertain. In 2001 and 2002 the BBC started operating four free to air digital television channels: ‘BBC 3, a mixed genre, entertainment-led youth channel; BBC 4, a channel for culture, science, the arts and ideas; and two children’s channels’ (Brown, 2004, p.486). -
An “Insourcing” First for the Broadcast Industry?
dB Broadcast at Red Bee Media An “insourcing” first for the Broadcast Industry? Red Bee Media and dB Broadcast established a framework agreement back in 2011, which in itself is not unusual. What is unusual, however, Some of dB Broadcast’s work is the unique way the agreement has developed at Red Bee into one which provides Red Bee with a range • Red Bee: the consolidation and of “insourcing” benefits which would be difficult technical refresh of core elements of to obtain without the investment of time and the broadcast infrastructure including the installation of a new AVID ISIS energy in relationship building that both system companies have shared in. • BBC World News: design, build and Insourcing is where a third party is brought in to test of a completely new playout system and control suite. work inside a company's facilities. Red Bee, one of the world’s leading media services • New channel BT Sport: design, build companies, has an impressive client list across and test new playout facilities for the leading broadcasters: from the BBC, UKTV, new sports channel. and Ch4 to Orange and Nike and, most • recently, BT Sport. New channel 4Seven (for Channel Four): the development and build of the continuity booth, and integration of “In October 2011 it was clear that the the new channel into the existing company’s business model needed to change Channel Four infrastructure. to manage and implement an increasing number of technical projects ,” says David • BBC Worldwide: a technical refresh of playout technology and support in Popper, Red Bee’s Head of Technology launching new service.