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Michael Schweikardt Design
Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019. “Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for King Lear at Quantum Theatre”, 2019. -
National Endowment for the Arts Annual Report 1982
Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per The diversity of artistic activity in America is cent gain over state appropriations for FY 81. -
1998 Acquisitions
1998 Acquisitions PAINTINGS PRINTS Carl Rice Embrey, Shells, 1972. Acrylic on panel, 47 7/8 x 71 7/8 in. Albert Belleroche, Rêverie, 1903. Lithograph, image 13 3/4 x Museum purchase with funds from Charline and Red McCombs, 17 1/4 in. Museum purchase, 1998.5. 1998.3. Henry Caro-Delvaille, Maternité, ca.1905. Lithograph, Ernest Lawson, Harbor in Winter, ca. 1908. Oil on canvas, image 22 x 17 1/4 in. Museum purchase, 1998.6. 24 1/4 x 29 1/2 in. Bequest of Gloria and Dan Oppenheimer, Honoré Daumier, Ne vous y frottez pas (Don’t Meddle With It), 1834. 1998.10. Lithograph, image 13 1/4 x 17 3/4 in. Museum purchase in memory Bill Reily, Variations on a Xuande Bowl, 1959. Oil on canvas, of Alexander J. Oppenheimer, 1998.23. 70 1/2 x 54 in. Gift of Maryanne MacGuarin Leeper in memory of Marsden Hartley, Apples in a Basket, 1923. Lithograph, image Blanche and John Palmer Leeper, 1998.21. 13 1/2 x 18 1/2 in. Museum purchase in memory of Alexander J. Kent Rush, Untitled, 1978. Collage with acrylic, charcoal, and Oppenheimer, 1998.24. graphite on panel, 67 x 48 in. Gift of Jane and Arthur Stieren, Maximilian Kurzweil, Der Polster (The Pillow), ca.1903. 1998.9. Woodcut, image 11 1/4 x 10 1/4 in. Gift of Mr. and Mrs. Frederic J. SCULPTURE Oppenheimer in memory of Alexander J. Oppenheimer, 1998.4. Pierre-Jean David d’Angers, Philopoemen, 1837. Gilded bronze, Louis LeGrand, The End, ca.1887. Two etching and aquatints, 19 in. -
March 2007 Issue Pdf
March 2007 Sightlines March 2007 News & Notices Distinguished Awards Plan for Scenofest Architecture Awards Announcements In Memoriam Seek Ideas for 50th Member Benefit Rising Star Winner The Last Word News From: Around The Institute Contributing Members Sustaining Members USITT's President Regional Sections Commissions Costume Database Sound Challenge This month's image of USITT Architecture Award winner, the Young Center for the Performing Arts, Lighting Sessions captures the exterior of the space in the distillery district in Toronto, Ontario, Canada. The new theatre is Developing Design the result of a partnership between a local theatre company and a college theatre training program. News Ideas: the Tempest about all the 2007 Architecture Awards winners can be found here. Conference & Photo/copyright Tom Arban Photography. Stage Expo Heading for Phoenix Sponsors Thanked What's At Stage Expo? International Sessions For the Record Leadership Honorary Lifetime Members Contributing Members Sustaining Members March 2007 issue pdf United States Institute for Theatre Technology, Inc.: © 2007 Volume XLVII, Number 3 http://wwwtest.usitt.org/sled/v47n03Mar2007/v47/n03/stories/MarchCover.html2/27/2007 12:38:22 PM Distinguished Achievement Awards March 2007 Seven to be Honored for News & Notices Distinguished Awards Distinguished Achievement Plan for Scenofest Barbara E.R. Lucas Architecture Awards Sightlines Editor Announcements Seven outstanding individuals will be honored with Distinguished In Memoriam Achievement Awards during the upcoming -
American Paintings, Furniture & Decorative Arts
AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS Wednesday, April 5, 2017 NEW YORK AMERICAN PAINTINGS, FURNITURE & DECORATIVE ARTS AUCTION Wednesday, April 5, 2017 at 10am EXHIBITION Saturday, April 1, 10am – 5pm Sunday, April 2, Noon – 5pm ?? ????????? ??????????????????????????????? Monday, April 3, 10am – 6pm LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com www.www.Doyle.com/BidLiveDoyleNewYork.com/BidLive Catalogue: $35 AMERICAN PAINTINGS & SCULPTURE INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF Paintings 1-102 Donald Brenwasser Prints 103-108 An Estate, Fifth Avenue, NY THE COLLECTION OF Dorothy J. Henry WILLA KIM & WILLIAM PÈNE DU BOIS 109-205 Mary Kettaneh Paintings & Print 109-131 The Collection of Willa Kim and William Pène du Bois Furniture & Decorations 132-171 Jan Adriaan Laan of Bloemendal, the Netherlands Toys 172-203 Anne Murray Furniture & Decorations 204-205 A New York and Connecticut Estate Furniture & Decorations 205-298 A New York Estate Silver & Silver Plate 299-322 A Private Collector, Ardsley, NY Furniture & Decorations 323-250 Dorothy Wassyng Carpets & Rugs 251-367 Eunice Johnson Winslow Helen R. Yellin INCLUDING PROPERTY FROM A Boston, Massachusetts Collector A Collector, Wisconsin An East Coast Museum A Gentleman, New Jersey Glossary I The Metropolitan Museum of Art Conditions of Sale II A Mid-Atlantic Museum to Benefit the Acquisitions Fund Terms of Guarantee IV A New England Collection Information on Sales & Use Tax V A New Jersey Collector Buying at Doyle VI A Private Collector, Long Island Selling at Doyle VIII A Private Collector, New Jersey Auction Schedule IX A Prominent New York Family Company Directory X The Collection of Bennett and Judie Weinstock Absentee Bid Form XII Lot 51 2 American School 19th Century Portrait Miniature of a Young Girl Watercolor on paper 2 1/2 x 2 1/8 inches Provenance: Mrs. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
The Rise of the Costume Designer: a Critical History of Costume on the New York Stage from 1934 to 1950
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1968 The Rise of the Costume Designer: a Critical History of Costume on the New York Stage From 1934 to 1950. Eelin Stewart Harrison Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Harrison, Eelin Stewart, "The Rise of the Costume Designer: a Critical History of Costume on the New York Stage From 1934 to 1950." (1968). LSU Historical Dissertations and Theses. 1444. https://digitalcommons.lsu.edu/gradschool_disstheses/1444 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 68-16,312 HARRISON, Eelin Stewart, 1915- THE RISE OF THE COSTUME DESIGNER: A CRITICAL HISTORY OF COSTUME ON THE NEW YORK STAGE F R O M 1934 TO 1950. Louisiana State University and Agricultural and Mechanical College, Ph.D., 1968 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan Co) EELIN STEWART HARRISON 1968 ALL RIGHTS RESERVED THE RISE OF THE COSTUME DESIGNER: A CRITICAL HISTORY OF COSTUME ON THE NEW YORK STAGE FROM 1934 TO 1950 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech by Eelin Stewart Harrison B.A., Brooklyn College, 1945 M.A., Louisiana State University, 1946 May, 1968 , ACKNOWLEDGMENTS The author wishes to express gratitude to all those who have so graciously given of their time and skill in the accomplishment of this task: To my esteemed professor, Claude L. -
ARMBRUSTER SCENIC STUDIO (Est. 1875-Closed 1958) Mathias Armbruster (1839-1920) Studied Art in His Native Germany and Paris Before Coming to the United States
ARMBRUSTER SCENIC STUDIO (est. 1875-closed 1958) Mathias Armbruster (1839-1920) studied art in his native Germany and Paris before coming to the United States. In Cincinnati he worked as an art-glass painter and theatrical designer, later settling in Columbus and establishing the Armbruster Scenic Studio. During the late nineteenth and early twentieth centuries he designed for many touring theatre companies including the Al G. Field, Modjeska, Robert Mantell, and Hanford-Tyler-MacLean companies. Armbruster became one of the largest scenic studios in America. Upon Mathias's death, his sons Emil, Otto and Albert took over the studio, designing for minstrel shows, vaudeville, and other entertainments, operating until Albert’s retirement. JOHN ARNONE (1949-) resides in New York City. Educated at Southern Methodist University, University of Michigan (M.F.A.). Arnone began as an actor, changing to set design in 1976. He has designed extensively for Broadway (recently including The Full Monty), Off- Broadway (numerous designs for the Joseph Papp Public Theater productions such as Twilight: Los Angeles, 1992, costume design by Toni-Leslie James), regional theatres (La Jolla Playhouse, Arena Stage, the Guthrie Theatre, Hartford Stage, American Conservatory Theater, the Huntington Theatre) and internationally (London, Vienna, Frankfurt, Berlin, Prague). He received the OBIE Award for Sustained Excellence, and numerous nominations and awards including the Tony for The Who’s Tommy. BORIS ARONSON (ca. 1900 – 1980) Educated in Russia, with major designer Alexandra Exter. In the United States, Aronson began his design career with the Yiddish Art Theater. While the majority of his work was as a set designer, Aronson also designed costumes and lighting. -
NEWS from the JEROME ROBBINS FOUNDATION Vol
Jerome Robbins in Paris. Photo by Jesse Gerstein. NEWS FROM THE JEROME ROBBINS FOUNDATION Vol. 1, No. 2 (2014) Paris Opera Ballet Receives The 2014 Jerome Robbins Award In 1995, Jerome Robbins wrote to the directors of his Foundation, “I would like there to be established a prize to some really greatly outstanding person or art institution. The prizes should lean toward the arts of dance and its associative collaborators but not necessarily be defined by that surround.” In explanation, he cited many callings, from teachers and designers to choreographers and presenting organizations, enjoining the directors to award the prize only when warranted by the distinction of the person, organization, or project. The Jerome Robbins Award was most recently presented to the Paris Opera Ballet at a reception on June 19, 2014 at the Palais Garnier in Paris. Jerome Robbins enjoyed a close relationship with the Paris Opera Ballet, which he often described as his second artistic home (after New York City Ballet). Since Robbins first presented his works at the Palais Garnier in 1974, the com- pany has had 14 of his ballets in its repertory. The presentation of the 2014 Jerome Robbins Award was preceded by a performance of Robbins’ ballet, Dances at a Gathering. The award was presented to Brigitte Lefèvre, the director of the Paris Opera Ballet, on behalf of the Company. (Upon Ms. Lefèvre’s retirement in October, 2014, Benjamin Millepied, former New York City Ballet principal dancer, became the new director.) At the reception, Ms. Lefèvre accepted the award — a statue of a sailor from Jerome Robbins’ ballet, Fancy Free, sculpted by Robin Heidi Kennedy. -
Into the Woods Study Guide
Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community. -
NEWS E INFORMATION T NEUIGKEITEN Wor1d Light Show 89
• NEWS e INFORMATION T NEUIGKEITEN Wor1d Light Show 89. HanoYer Fair gro.nds. HancM!r. ~ GenTlar¥ April 5-12 Contact ll!rence Coe. HanoYer Fairs USA. 1i1c. 103 Carnegie c~ Princeton. NJ ~. 6091'l87-1202 SEl. 89. Pan: de la Porre de ~ Pans April 9-12 Contact Bernard Bedc er Commumcac1ons. 161 Boulevard BROADWAY SPRINGS INTO A LIVELY 89 of Michael Anania, Joseph G. Aulisi, Lefebvre. 750 IS Pam. France. and Marilyn Rennagel. 145133-7+50. In director/adapter Stephen SlllMAGIS. Rim1n1 Trade Faw: Rlmn An unlucky 13 productions hit unprecedented 22-week rehearsal Berkoff's Metamorphosis, Mikhail ltaly.!.pril 10-13 Contact EnteAutcno Broadway in the 88 portion of the period, is the $7 million produc Baryshnikov makes his stage acting mo Fiera di Rimini. 47037 Rimn CP current 1988-89 season: the first tion,]erome Robbin's BroadUKJy. debut in the same role that Roman 300. R1min1. Italy. 0541 /782<XXJ. FN< half of the season was bookended In his first Broadway show since Polanski took in the recent Paris 05411 n4313. by spectacular musical catastrophes Fiddler on the Roof, the master production. Roland Petit's original Pub. Club. mcl .... Show, Olym that people still talk about with director-choreographer is recreat designs are being reconceived; still pli 2. l..onclth. '9if 11 13 Concac:t Sill wonderment: Carrie, a musicaliza ing the show-stoppingest moments stark, but the palette is being light Manis. Nigec Ud.. fl.IOpa House. St tion of the famous Stephen King from his greatest successes. ened from black to a pentimento Matthew St. -
Journeys: Treasures from the Ohio State University Libraries Special Collections
1 2 Journeys: Treasures from The Ohio State University Libraries Special Collections William Oxley Thompson Memorial Library Exhibition Gallery August 22, 2009-January 3, 2010 3 Journeys This exhibition celebrates the reopening of the William Oxley Thompson Memorial Library after its major three-year renovation. It was organized by Jenny Robb with invaluable assistance from Harry Campbell, Tamar Chute, and Gayle Strege. Special thanks to Predrag Matejic, who provided the theme of the exhibition. We are grateful to President E. Gordon Gee, former Libraries Director Joseph Branin, Libraries Interim Director Raimund Goerler, Libraries Communication Coordinator Larry Allen, Libraries Designer Pam McClung, the members of the Ohio State University Libraries Exhibits Committee and the curators and staff of the Special Collections for their contributions to the exhibition and the catalogue. Design by Pam McClung Photography by Harry Campbell © The Ohio State University Libraries 2009 4 Preface The Special Collections of The Ohio umes about the courage of the man. State University Libraries have long The marginal notes made by Samuel been a source of immense pride. It is Beckett in his journal expand our particularly appropriate that this ex- understanding of the writer’s physical hibition’s treasures, carefully gathered and intellectual path, as well as his and protected through the years, can remarkable creative endeavors. now be displayed for all to see in a splendidly reconfi gured library. As we refl ect on the journeys repre- sented within this exhibition, some The holdings enumerated in this cata- having lasted thousands of years, logue serve as tangible conservators others having traversed thousands of of our past and provide a prologue for miles, we gain insights into the bits our future.