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Into the Woods Study Guide

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Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community. MTI shares with these educators the goal of raising the next generation of theatre artists and audiences. To help these educators, it has taken a leading role in theatre education by creating MTI THEATRICAL RESOURCES, a “theatrical tool box” designed to help not only ensure the success of each musical production, but also to establish the study of musical theatre as a permanent part of the school curriculum. These resources include: STUDY GUIDES designed to bring the study of specific shows into the classroom; MTI REHEARSCORES® which provide unlimited rehearsal accompaniment via an easy-to-use, fully interactive computer program on disk; professional TV SPOTS allowing companies to affordably advertise on television in local markets; LOGO PACKS to aide in poster and program design; TRANSPOSITIONS- ON-DEMAND to allow flexibility in casting and musical key changes; and VIDEO CONVERSATIONPIECES™ featuring video seminars with artists such as Martin Charnin, Stephen Sondheim and Scott Ellis discussing the creation of their shows from inception to production. MTI is also a leader in providing materials to meet the increasing demand for symphonic arrangements of popular theatre music. The MTI CONCERT LIBRARY offers arrangements of selected songs, as well as full scores from Broadway shows. Musicals are America’s premiere contribution to the theatre and MTI is firmly committed to supporting and nurturing a musical theatre that will continue to develop and flourish into the next century. Music and Lyrics by Book by Stephen Sondheim James Lapine Study Guide by Sarah Schlesinger Into The Woods lyrics © 1987, 1988, 1989 by RILTING Music, Inc. Contents About Into The Woods ........................................................................................3 The Characters in Into The Woods ...................................................................4 Plot Synopsis........................................................................................................5 Themes and Topics to Explore (Questions and Assignments) The Structure, World and Point of View of Into The Woods ......................13 Wishes and Desires ........................................................................................14 Truth and Lies .................................................................................................15 The Individual versus the Community.......................................................16 The Breakdown of the Community .............................................................17 The Characters in Into The Woods .................................................................19 The Family in Into The Woods........................................................................20 Leadership and Community.........................................................................22 Quick Activity Prompts.................................................................................22 Morals and Meaning in Folk Literature ......................................................23 Oral Tradition/Collecting Tales ...................................................................24 Into The Woods As Musical Theatre ..............................................................25 Creating Your Own Show .............................................................................26 Critical Analysis .............................................................................................27 Appendix...............................................................................................................28 About the Creators .........................................................................................28 The Road To Broadway and The Broadway Production ..........................29 A Sample of the Critical Response...............................................................30 Folk Literature and Magic Tales...................................................................33 Giants and Witches In Magic Tales..............................................................34 Origins of Magic Tales ...................................................................................34 Written Versions of Magic Tales ...................................................................35 The Brothers Grimm ......................................................................................35 Resources ..............................................................................................................37 The MTI Study Guide for Into The Woods 3 About INTO THE WOODS Into The Woods, the 1988 Tony Award winner for both Score and Book of a musical, is a brilliantly conceived exploration of what happens after “happily ever after.” The show, which has an enchanting, moving and profound score by Stephen Sondheim, and a powerful, witty book by James Lapine, opened on Broadway on November 5, 1987, at the Martin Beck Theatre under the direction of Mr. Lapine. Into The Woods is a magical, imaginative adventure with a moral and political point of view. Employing sophisticated artistry and innovative craft, the show’s creators lead the audience on a journey to the darker side of fairy tales as they explore the pain of growing up, communal responsibility, and the values we pass on to our children. As the intricate, absorbing plot unfolds, a childless baker and his wife, cursed by a wicked witch, go off into the woods in hopes of ridding themselves of her evil influ- ence. There they encounter Cinderella, her Prince, Little Red Ridinghood, the Wolf, Jack the Giant Killer, Rapunzel, and other fairy tale characters who are attempting to realize wishes of their own. By the end of Act I, everything seems to be blissfully, happily resolved. But a destruc- tive, vengeful force looms in the woods which leads to tragic consequences in the sec- ond act, bringing the characters to a painful, but hopeful resolution. Filled with unexpected twists and dazzling insights, Into The Woods is a cautionary plea for commitment expressed through masterstrokes of theatrical magic. Subjects as diverse as the promise of perfect love, the foolhardiness of questing for material goods, and the loving but difficult relationship between parents and children are con- sidered in a landscape shaded with psychological undertones. With tenderness and laughter, Sondheim and Lapine bring us through a maze that mirrors the complexity of everyday existence. Like the characters in Into The Woods, we end this journey aware of the moral consequences of our actions and the power of tolerance, community and shared sacrifice. 4 The MTI Study Guide for Into The Woods Characters in INTO THE WOODS THE NARRATOR CINDERELLA JACK JACK’S MOTHER BAKER BAKER’S WIFE CINDERELLA’S STEPMOTHER FLORINDA (CINDERELLA’S STEPSISTER) LUCINDA (CINDERELLA’S OTHER STEPSISTER) CINDERELLA’S FATHER LITTLE RED RIDINGHOOD WITCH CINDERELLA’S MOTHER MYSTERIOUS MAN WOLF GRANNY RAPUNZEL RAPUNZEL’S PRINCE CINDERELLA’S PRINCE (BROTHER OF RAPUNZEL’S PRINCE) STEWARD GIANT SNOW WHITE SLEEPING BEAUTY The MTI Study Guide for Into The Woods 5 Plot Synopsis Act One We discover three dwellings in a large forest. In one, we see Cinderella cleaning; in the second, we see Jack trying to milk his pathetic-looking cow, Milky-White; and in the third, we see the Baker and the Baker’s Wife preparing tomorrow’s bread. The Narrator leads the company through “The Prologue” as we learn about a series of wishes that are more important than anything — even life itself — to these characters. Cinderella wants to go to the King’s Festival; Jack wishes his cow could give milk; and the Baker (who believes his parents were killed in a baking accident) wishes he and his Wife could have a child. As these characters express their wishes, we meet Cinderella’s Stepmother and stepsisters who laugh at the idea of her going to a ball; Jack’s aging mother who wishes for a lot of gold and a less foolish son; and Little Red Ridinghood, who comes to buy
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