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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
New Directions: Olivier, Branagh, and Shakespeare's "Henry V"
New Directions: Olivier, Branagh, and Shakespeare’s Henry V A Senior Honors Thesis By Michael Descy Under the Guidance of Professor William Flesch For The Department of English Brandeis University Spring 2000 -1- Shakespeare Versus Film Shakespeare’s ongoing popularity, durability, and quality make his plays popular source material for movies. Countless films, from Kurosawa’s Ran to the recent teen comedy 10 Things I Hate About You, are adaptations of Shakespeare plays. For the most part, though, these films tend to be as far away from Shakespeare as Shakespeare was from his source material—they are not Shakespeare films as academics define them. True Shakespeare films are adaptations that strive to retain as much of the language and carry the same intent of the original plays. Inevitably, they must also carry the vision of their directors, and the source material must be altered, sometimes drastically, to suit the screen. Putting Shakespeare on film is not easy. As adaptations go, they face a unique set of problems that are compounded by both the audience’s familiarity with the plays, which raises expectations for the movie, and with the audience’s unfamiliarity with Shakespeare’s Elizabethan language in film settings. The plays themselves also run far longer than the traditional movie length of two hours, which puts added strain on a typical movie audience. The language is far more dense, voluminous, and descriptive than normal movie dialogue, which makes the words seem redundant and the movie overly “talky.” Finally, the texts themselves are so entrenched in our culture that they approach sacred works, which renders the necessary cutting and continuity editing sacrilege. -
A Family Christmas Devotional
A FAMILY CHRISTMAS DEVOTIONAL 1 A devotional focused on the events of 2020 2 What a year … While it probably seems a little cliche at this point, we recognize that 2020 has been a year unlike any in recent memory. From a global pandemic, to civic unrest, to an extremely contentious election season, it has often seemed like Hell must be throwing everything at us (including the kitchen sink). We are all worn and weary, and in need of some rest and hope. Unfortunately, the holidays are often anything but restful, aren’t they? If anything, the days are filled with nonstop to-do’s, activities, more stress, and the rush to “fit everything in.” For many of us, it can feel like we’re just barely making it to New Year’s alive. And in the midst of the frenzy and stress, we often miss what this season is truly all about. Does the true meaning of Christmas even matter anymore? Are we just running around all month for silly, old-fashioned traditions? Most of us probably know that all of this began with a story in the Bible, but how do we know we can even trust that anymore? And if we can’t trust it, then why are we adding more stress and busyness at the end of a long, stressful year? If you’ve ever wondered in your own spirit if all of this really matters, don’t worry; you’re not alone! All of the questions are understandable – especially this year – but especially because of how stressful this year has been, we want to help point you and your loved ones back to the true meaning of Christmas. -
I Want My MTV”: Music Video and the Transformation of the Sights, Sounds and Business of Popular Music
General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 98T Course Title “I Want My MTV”: Music Video and the Transformation of The Sights, Sounds and Business of Popular Music 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This seminar will trace the historical ‘phenomenon” known as MTV (Music Television) from its premiere in 1981 to its move away from the music video in the late 1990s. The goal of this course is to analyze the critical relationships between music and image in representative videos that premiered on MTV, and to interpret them within a ‘postmodern’ historical and cultural context. 3. "List faculty member(s) who will serve as instructor (give academic rank): Joanna Love-Tulloch, teaching fellow; Dr. Robert Fink, faculty mentor 4. Indicate when do you anticipate teaching this course over the next three years: 2010-2011 Winter Spring X Enrollment Enrollment 5. GE Course Units 5 Proposed Number of Units: Page 1 of 3 6. Please present concise arguments for the GE principles applicable to this course. -
Download: Wfm 1991-04 Access.Pdf
.._,I t-- -- - ____. HERITAG~ROMISE W~c#~o/~~,-~~~ ~ Vol. 3 7 No. 4 April 1991 This special issue of Wake Forest University Magazine is dedicated with appreciation to Jeanne P. Whitman. Contributing writers: Kerry M. King, Adele LaBrecque, Cherin C. Poovey, Bernie Quigley, and Jeanne P. Whitman. Contributing photographers: Susan Mullally Clark, Julie Knight, and Grigg Studio. Typography: Rachel Lowry. Mechanical design: Lisa Kennedy. Production supervision: Teresa B. Grogan. Printing: Fisher-Harrison Corp. WAKE FOREST UNIVERSITY MAGA ZINE (USPS 664-520, ISSN 0279-3946) is published five times a year in Sep tember, November, February, April and July by Wake Forese Universiry. Second class postage paid ac Winscon-Salem, C, and additional mailing offices. Please send letters co the edicor and alumni news co WAKE FOREST UNIVERSITY MAGAZINE, 7205 Rey nolda Station, Winston-Salem, C 27109. POSTMASTER: Send address changes co the WAKE FOREST MAGA ZINE, 7227 Re ynolda Station, Winscon- alem, C 27109. ~ ¥~ ~ te~ ~to- aff~ ~ fYde iJ%teM. @if .MJZ.W o/~ and ~~ ta /te4£' i?v de edt - od/ and~/ /te4,-f and n&f/. ~ ~ ~ o/rf)f/de iff~~~~ 7/Ubt& de ~yo/~ and~~.· ~ ~~ pt fYde @%;-~ tudfjv~ o/ ~ o/cwt tejueae~ ~. ~t eduw-~ ~ ~de~t?vaffo/~. ~~~aff~ ~ ~ ~ cldicaM tfei,t ~ to- de .iju;td o/~ ~. 1 These remarks were delivered informally He looks back at them, and, think and without a 'text. They were meant ing partly about himself, he says about to be listened to rather than read. So these boys , " I hope that when they please do not expect a formal essay. It grow up, when they become men, they is really just a talk to friends who think will receive an education. -
New Directions in the Humanities Nuevas Tendencias En Humanidades
XVII Congreso Internacional sobre Seventeenth International Conference on Nuevas Tendencias New Directions in en Humanidades the Humanities El Mundo 4.0: Convergencias de The World 4.0: Convergences of máquinas y conocimientos Knowledges and Machines 3–5 de julio de 2019 3–5 July 2019 Universidad de Granada University of Granada Granada, España Granada, Spain Las-Humanidades.com TheHumanities.com facebook.com/NuevasTendenciasEnHumanidades facebook.com/NewDirectionsintheHumanities twitter.com/OnTheHumanities | #ICNDH19 twitter.com/OnTheHumanities | #ICNDH19 Seventeenth International Conference on New Directions in the Humanities “The World 4.0: Convergences of Knowledges and Machines” 3–5 July 2019 | University of Granada | Granada, Spain www.TheHumanities.com www.facebook.com/NewDirectionsintheHumanities @onthehumanities | #ICNDH19 XVII Congreso Internacional sobre Nuevas Tendencias en Humanidades “El Mundo 4.0: Convergencias de máquinas y conocimientoss” 3–5 de julio de 2019 | Universidad de Granada | Granada, España www.las-humanidades.com www.facebook.com/NuevasTendenciasEnHumanidades/ @onthehumanities | #ICNDH19 Seventeenth International Conference on New Directions in the Humanities www.thehumanities.com First published in 2019 in Champaign, Illinois, USA by Common Ground Research Networks, NFP www.cgnetworks.org © 2019 Common Ground Research Networks All rights reserved. Apart from fair dealing for the purpose of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please visit the CGScholar Knowledge Base (https://cgscholar.com/cg_support/en). Common Ground Research Networks may at times take pictures of plenary sessions, presentation rooms, and conference activities which may be used on Common Ground’s various social media sites or websites. -
Layout 1 (Page 1)
BUSINESS WITH PERSONALITY BRITS HEAD JULIA ROBERTS STARS FOR GAMES IN EAT, PRAY, LOVE COMMONWEALTH GETS OK BUT SITE WEEKEND FILM REVIEWS P33 STILL A MESS P38 Issue 1,227 Friday 24 September 2010 www.cityam.com FREE GEOGHEGAN QUITS AFTER MISSING OUT ON CHAIRMAN ROLE Profits hit GULLIVER TO BE CEO • FLINT IS NEW CHAIR • MACKAY TO BE CFO record high at Arsenal ▲ EXCLUSIVE BY FRANK DALLERES COUP▲ AT HSBC ARSENAL will today announce record BANKING BY VICTORIA BATES pre-tax profits of around £55m, an increase of £10m, as the football club HSBC CHIEF executive Michael continues to reap the rewards of mov- Geoghegan is set to step down from ing to the Emirates Stadium. his role before the end of the year to City A.M. understands that the make way for investment banker strong performance of Arsenal Stuart Gulliver, after a boardroom Holdings’ property development arm coup that will rock the banking sector. has driven an increase in revenue. Geoghegan’s ego will be dealt a fur- The north Londoners’ continued ther blow with the appointment of success off the field will see them HSBC’s finance director Douglas Flint record an increase in turnover for the as chairman, a role Geoghegan is fourth successive year since leaving understood to have coveted since Highbury for their new home. Stephen Green’s resignation earlier Pre-tax profit is significantly up on this month. last year’s figure of £45.5m for the HSBC’s nominations committee has year ending 31 May. That improve- submitted recommendations for ment has been aided by strong sales of Gulliver and Flint to the board, paving apartments in the group’s Highbury the way for official approval of the Square Development. -
Defining Music As an Emotional Catalyst Through a Sociological Study of Emotions, Gender and Culture
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 12-2011 All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture Adrienne M. Trier-Bieniek Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the Musicology Commons, Music Therapy Commons, and the Sociology Commons Recommended Citation Trier-Bieniek, Adrienne M., "All I Am: Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture" (2011). Dissertations. 328. https://scholarworks.wmich.edu/dissertations/328 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE. by Adrienne M. Trier-Bieniek A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of Sociology Advisor: Angela M. Moe, Ph.D. Western Michigan University Kalamazoo, Michigan April 2011 "ALL I AM": DEFINING MUSIC AS AN EMOTIONAL CATALYST THROUGH A SOCIOLOGICAL STUDY OF EMOTIONS, GENDER AND CULTURE Adrienne M. Trier-Bieniek, Ph.D. Western Michigan University, 2011 This dissertation, '"All I Am': Defining Music as an Emotional Catalyst through a Sociological Study of Emotions, Gender and Culture", is based in the sociology of emotions, gender and culture and guided by symbolic interactionist and feminist standpoint theory. -
Prince Saud Is Mourned
VOL XXXVIII No. 112 (GGDN 024) FRIDAY, 10th JULY 2015 200 Fils/2 Riyals ABC Ad new QRcode 6cm x 4col.pdf 1 2/19/15 3:48 PM Visit us at www.gdnonline.com WhatsApp us on 39451177 Millions hit Basma Ad.indd4m 1 have7/8/15 4:13 PM by London ed Syria Tube strike says UN 14 15 King hails spirit of unity MANAMA: Difficult times can always be over- the royal directives, support of the government come by reinforcing cohesion and social unity, led by His Royal Highness Prime Minister His Majesty King Hamad said last night. Prince Khalifa bin Salman Al Khalifa and fol- He was speaking as he received, at the low-up of His Royal Highness Prince Salman Muharraq Sports Club, Ramadan well-wishers. bin Hamad Al Khalifa, Crown Prince, Deputy The visit was part of the King’s meetings with Supreme Commander and First Deputy Premier. citizens of Bahrain. Dr Al Mudhahka welcomed the royal reforms He ordered that a multi-purpose hall be built and decisions made aimed at protecting the for the benefit of Muharraq citizens. homeland and citizens. His Majesty exchanged Ramadan greetings The King was presented with commemorative with the well-wishers. gifts by Muharraq Governor Salman Bin Hindi Dr Jawahir Shaheen Al Mudhahka, after recit- and Muharraq Sports Club chairman Shaikh ing verses from the Quran, hailed the develop- Ahmed bin Ali Al Khalifa. ment projects witnessed by Muharraq, thanks to More pictures – Page 2 n The King visits the Muharraq Sports Club Prince Saud is mourned RIYADH: Former Saudi Even before the 2011 MANAMA:RENTS Bahrain’s business- “This -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Active@ Livecd User Guide Copyright © 1999-2015, LSOFT TECHNOLOGIES INC
Active@ LiveCD User Guide Copyright © 1999-2015, LSOFT TECHNOLOGIES INC. All rights reserved. No part of this documentation may be reproduced in any form or by any means or used to make any derivative work (such as translation, transformation, or adaptation) without written permission from LSOFT TECHNOLOGIES INC. LSOFT TECHNOLOGIES INC. reserves the right to revise this documentation and to make changes in content from time to time without obligation on the part of LSOFT TECHNOLOGIES INC. to provide notification of such revision or change. LSOFT TECHNOLOGIES INC. provides this documentation without warranty of any kind, either, implied or expressed, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. LSOFT may make improvements or changes in the product(s) and/or the program(s) described in this documentation at any time. All technical data and computer software is commercial in nature and developed solely at private expense. As the User, or Installer/Administrator of this software, you agree not to remove or deface any portion of any legend provided on any licensed program or documentation contained in, or delivered to you in conjunction with, this User Guide. LSOFT.NET logo is a trademark of LSOFT TECHNOLOGIES INC. Other brand and product names may be registered trademarks or trademarks of their respective holders. 2 Active@ LiveCD User Guide Contents 1 Product Overview................................................................................................................ 4 1.1 About Active@ LiveCD .................................................................................................. 4 1.2 Requirements for Using Active@ Boot Disk .................................................................... 6 1.3 Downloading and Creating Active@ LiveCD.................................................................... 6 1.4 Booting from a CD, DVD or USB Media .........................................................................