C. E. C. G. 1984 - Xi CECG Number -1
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1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
NEWSLETTER Published by the Institute for Canadian Music, Faculty of Music, University of Toronto
Vol. 1, no. 1 · January 2003 ISSN 1705-1452 NEWSLETTER Published by the Institute for Canadian Music, Faculty of Music, University of Toronto Editor: Robin Elliott _______________________________________________________________________________________ The Institute for Canadian Music The aim of the Institute for Canadian Music larger community of those with an interest in music (ICM) is to promote, support, and produce scholarship both here in Canada and abroad. in all areas of Canadian music studies. The ICM was founded at the University of Toronto in 1984 at the This newsletter will feature current research in same time as the Jean A. Chalmers Chair in Canadian Canadian music and will include reports on important Music. John Beckwith served as the founding Director events such as publications, concerts, and celebratory of the ICM and was the first holder of the Chalmers milestones. Please contact the ICM at the address listed Chair; he was succeeded in both capacities by Carl below if you would like to receive a complimentary Morey in 1991. The ICM has sponsored or participated subscription to the Newsletter, inform the ICM about in conferences; has issued two series of publications, your own research on Canadian music, or submit an CanMus Documents (five vols., 1987-91) and CanMus article or report for publication in the Newsletter. The Handbooks (four vols., 1986-90); and has subsidized next issue will appear in May 2003; the deadline for recording and publishing projects. Robin Elliott submissions is April 15th, 2003. became the new Jean A. Chalmers Chair in Canadian Music and Director of the ICM on 1 July 2002. -
1 Dear Joint Review Panel Members, I'm Writing to Express Serious
Dear Joint Review Panel members, I’m writing to express serious concerns about the Frontier Oil Sands Mine Project, proposed by Teck Resources. The proposed mine would disrupt critical habitat for endangered caribou and bison herds and undermine the treaty rights of local First Nations who rely on them for food and cultural practices. In fact, the mine is proposed for an area that the Athabasca Chipewyan First Nation has declared off limits to industrial development. Both the Athabasca Chipewyan First Nation and the Mikisew Cree First Nation oppose the project, and I urge the panel to respect their opposition. Furthermore, the project would produce an unacceptable level of greenhouse gas emissions. The Frontier project is incompatible with Alberta’s 100 MT cap on oil sands emissions, and would undermine Canada’s ability to achieve the emissions reduction targets required to meet our Paris Climate Accord commitments. The Teck Frontier Oil Sands Mine would threaten endangered species, undermine Indigenous rights and unleash unacceptable levels of greenhouse gas emissions. I urge you to reject this project. Sincerely, 8069 Signatories A Conroy Abigail Jilesen Adrien De Ruyck A Fredette Abraham Masri Adrienne Montani A T David Hutchings Ada Vera Adrienne PAQUETTE A Wolfe Adam Deutsch Affolter Christine A. Cleary Adam Farrell Agnes Richard A. Garrison Adam Schell Agnes Riediger Riediger A. Goodwill Adam Van Es Agnes Watts A. Valent Addy Levadoux Agueda Shubert A.-J. Henderson adele reeves Aidan McQuarrie Aaron Barber Adele Stapleton AILEEN -
2005 Final Programopens in a New Window
dream. design. communicate. Teach design. (not design software) Award winning SketchUp presents a completely new way to design in 3D. This powerful, easy-to-learn software allows for quick and easy 3D form creation, modification and communication. Additionally, SketchUp exchanges data with all standard CAD, 3D modeling, image editing, and illustration applications. SketchUp is free for instructors. For information on SketchUp for Education, visit www.sketchup.com or email us at [email protected] 2005 Hawaii International Conference on Arts and Humanities Honolulu, Hawaii Welcome to the Third Annual Hawaii International Conference on Arts and Humanities Aloha! We welcome you to the Third Annual Hawaii International Conference on Arts and Humanities. This event offers a rare opportunity for academics and other professionals from around the world to share their broad array of perspectives. True to its primary goal, this conference provides those with cross-disciplinary interests related to arts and humanities to meet and interact with others inside and outside their own discipline. The international attendees to this conference bring a variety of viewpoints shaped by different cultures, languages, geography and politics. This diversity is also captured in the Hawaii International Conference’s unique cross-disciplinary approach. The resulting interaction energizes research as well as vocation. With Waikiki Beach, Diamond Head and the vast South Pacific as the backdrop, this venue is an important dimension of this conference. For centuries a stopping place of explorers, Hawaii has historically been enriched by the blend of ideas that have crossed our shores. The Hawaii International Conference on Arts and Humanities continues this tradition in the nurturing spirit of Aloha. -
KRISTI ALLIK Kristi A. Allik Was Born in Toronto, Canada. She Has Received Degrees from the University of Southern California, P
KRISTI ALLIK Kristi A. Allik was born in Toronto, Canada. She has received degrees from the University of Southern California, Princeton University and University of Toronto. Her teachers include John Weinzweig, James Hopkins, Frederick Leseman, Lothar Klein, Oskar Morawetz and Milton Babbit. She has received numerous commissions and awards including Canada Council Grants, Ontario Arts Council Grants, SSHRC Doctoral Fellowship, Chalmers Foundation Award, the Federation of University Women Award, and the Irving G. Mills Award. She has had performances of her works in Europe, USA and Canada. As a composer, Allik has always been fascinated with unusual sounds. She became interested in electronic music approximately six years ago and, since that time, much of her work has dealt with electroacoustic sound and its various timbral possibilities. Allik is also interested in combining music with other artistic media. She has written an opera, been involved with theatrical productions, and has written a number of integrated media works. Above all, she is interested in increasing general awareness with her art. Currently, Allik is on Faculty at Queen's University School of Music where she teaches composition, computer music and music theory. ROBERT MULDER Media artist Robert Mulder was born in Den Haag, Holland. Presently he lives in Kingston, Canada, where he operates the experimental LumiArt Audio-Visual Laboratory. Mulder is mainly self taught, but deeply indebted to the Dutch artists Van Gogh and Escher as well as many interdisciplinary artist and philosophers. Frustrated by "Flat And SilenT Art", he discovered the lumia technology of Thomas Wilfred in the early sixties. Since that time he has designed and built lumia performance instruments, worked with multi-image slide projections, video projections, and "living screen" stage techniques. -
Salvatore Sciarrino PROGRAMME: — Illuminating Introduction @ 7:15 —
46 th season | 387 th event Sunday February 5, 2017 Walter Hall, Edward Johnson Building, 80 Queen’s Park New Music Concerts pr esents : a portrait of Salvatore Sciarrino PROGRAMME: — Illuminating Introduction @ 7:15 — A Different Sound World with Salvatore Sciarrino and Robert Aitken — Concert @ 8:00 — Salvatore Sciarrino (Italy 1947) Roger D. Moore Distinguished Visitor in Composition, University of Toronto Faculty of Music Introduzione all’oscuro for 12 instruments (1981) Dianne Aitken flute Keith Atkinson oboe Max Christie clarinet Peter Lutek bassoon Chris Gongos horn James Gardiner trumpet Scott Good trombone Stephen Sitarski, Aysel Taghi-Zada violins Douglas Perry viola Amahl Arulanandam cello Roberto Occhipinti contrabass Robert Aitken direction Trovare un equilibrio, è necessario? for flute and string quartet (2015) Robert Aitken alto flute Stephen Sitarski, Aysel Taghi-Zada violins Douglas Perry viola Amahl Arulanandam cello Vagabonde Blu for accordion (1998) Branko Džinović accordion Archeologia del telefono concertante for 13 instruments (2005) Dianne Aitken flute Keith Atkinson oboe Max Christie clarinet Peter Lutek bassoon Chris Gongos horn James Gardiner trumpet Stephen Clarke piano Rick Sacks, David Schotzko percussion Stephen Sitarski, Aysel Taghi-Zada violins Douglas Perry viola Amahl Arulanandam cello Roberto Occhipinti contrabass Robert Aitken direction Wine and Cheese Reception courtesy of the Istituto Italiano di Cultura , at 496 Huron St. All are welcome. Ne wMusi cConcerts Robert Aitken, c.m., Artistic Director 157 Carlton Street, Ste. 203 • Toronto M5A 2K3 • 416–961–9594 e-mail: [email protected] • www.NewMusicConcerts.com Board of Directors: Edward Epstein , president • George Bulat , secretary–treasurer • Austin Clarkson Brian Current • David Jaeger • Doina Popescu • Joseph Macerollo , o.c. -
Name of Research Participant : Dr
Choral Works by Canadian Composers: A Selective Guidelist Phase 2: Published Choral Compositions by Ontario Composers A John Adaskin/Canadian Music Educators’ Association (CMEA/ACME) Project sponsored by the Ontario Music Educators’ Association (OMEA) Project Coordinator Dr. Rodger J. Beatty Project Consultant Dr. Patricia M. Shand Introduction Choral Works by Canadian Composers: A Selective Guidelist. Phase 2: Published Choral Compositions by Ontario Composers offers choral music educators and choral conductors a new useful resource for score study and rehearsal/lesson plan preparation. With the support of The John Adaskin Project of the Canadian Music Educators‘ Association (CMEA/ACME) and Canadian Music Centre (CMC), The Association of Canadian Choral Conductors (ACCC) and with the sponsorship of the Ontario Music Educators‘ Association (OMEA), this generative curriculum choral project marks the continuation of a long term project, the aim of which has been to catalogue Canadian composed choral music published since 1990 to assist teachers and conductors at all levels in selecting Canadian content for their programming. Historical perspectives The John Adaskin Project (JAP), under the direction of Dr. Patricia M. Shand, was initiated by the CMC in the early 1960's to provide music teachers with easy access to Canadian musical compositions. Since that time, there have been a number of publications of guidelists of Canadian repertoire that have resulted from collaborative initiatives with the CMEA/ACME. These guidelists have typically included a one-page evaluation of each piece of music that provided teachers with an overview of the musical characteristics of the composition, its degree of difficulty, the technical challenges, and the inherent pedagogical value. -
A Guide to the Fonds and Collections of the Association of Canadian Women Composers and Ina Dennekamp
A Guide to the fonds and collections of the Association of Canadian Women Composers and Ina Dennekamp December 2014 This project has been supported by a grant from the Alberta Historical Resources Foundation through the Archives Society of Alberta. ii Table of Contents ACWC. ASSOCIATION OF CANADIAN WOMEN COMPOSERS FONDS ............................ 1 ACWC01. Records of the ACWC President ......................................................... 1 ACWC02. Records of the ACWC Chair ................................................................ 2 ACWC03. Records of the ACWC Treasurer ......................................................... 5 ACWC04. Records of the ACWC Secretary ......................................................... 7 ACWC05. Records of the ACWC Concert Committee ......................................... 7 ACWC06. Records of the ACWC Newsletter Editor ............................................ 8 ACWC07. Records of the ACWC Archivist .......................................................... 8 ACWC08. Records of the ACWC BC Chapter ...................................................... 9 ACWC09. ACWC Board Minutes ......................................................................... 10 ACWC10. ACWC Membership Submission Files ................................................. 10 ACWC11. ACWC Newsletters ............................................................................. 14 ACWC12. ACWC Directories & Membership Lists .............................................. 14 ACWC13. ACWC Press Releases ........................................................................ -
Reviews/ Comptes- Rendus
26 Roumanianshtetl music, which I hired on the spot. Canadian klezmermusic, we should all live so long-or, The anniversaryparty was a huge success;everyone perhaps, seeinghow tv often treats music, we might be marvelled at the repertoire of familiar shtetl music. My better off without it! -G. W.L.) mother went over to one of the men to inquire how come he knew theseold songs. Guesswhat! He camefrom Botosani, Pleaseaccept my congratulations...for the excellent job a town near my parents' shtetl, and believe it or not, his that you've done in reviving the Bulletin. I really do father, a klezmer there, had played at my parents' wedding! believe that it's the life blood of the Societyand that the Keep up the good work. I feel that one of the reasons Society's future dependson a healthy Bulletin. It's the for much of our social malaisetoday is that the chain principal (almost the only) significant meansof betweengenerations is being severed.And folk lore in any communicationwith the membership-few memberscan form, but especially folk music, is the bond. afford to get to the Annual Meeting, and even if many could, a once-a-yearcommunication isn't enough. Thanks Ghitta Sternberg again and cheers! 359 WisemanAve Outremont QC Hugh Hendry H2V 317 313 Egbert Ave. SaskatoonSask. [We, of course, thank you for providing the centrepiece for S7N lX2 the issue. Your anecdoteis lovely; as corny as it may sound to say. this is a small world. Asfor televisedrecognition l?f Reviews/ Comptes-rendus Books An Unfinished Conversation: The Life and Music of Stan Rogers. -
Award Winning Teaching Frank Knox Teaching Award New – School of Music Teaching Award Dr
summer 2007, volume 11 www.queensu.ca/music award winning teaching Frank Knox Teaching Award New – School of Music Teaching Award Dr. Olga E. Malyshko has been awarded the 2006/07 Frank Knox Mr. Greg Runions has been awarded the first School of Music’s Teaching Award. Presented by the Alma Mater Society of Queen’s Award for Excellence in Teaching. The award was presented by University, the award honours two professors (one for the fall term Maggie Ho, B.Mus.’07, who was representing the School's Depart- and one for the winter term) who have demonstrated an outstanding mental Student Council, on April 4, 2007, in Grant Hall during the commitment to the education of students at Queen’s University Queen’s Symphony Orchestra concert. through their teaching excellence. The award is the highest honour In describing Mr. Runions’ contributions to the School of Music, given to instructors at Queen’s by students. During the announce- the DSC noted the following: “Throughout his time at Queen’s ment, the Alma Mater Society referred to many glowing letters that University, Mr. Runions has been eager to share his enthusiasm and they received from students in support of Dr. Malyshko’s nomination. expertise with students and has established an excellent rapport with In an article that appeared in the Queen’s Journal (April 5, 2007), every student that crosses his path. Through the use of diverse teach- Dr. Malyshko, said that she prefers to use the tried-and-true methods ing methods, this teacher instills in his students the desire to learn. -
Gijottjs JTION SWINGERS THAT PUNK RAWK MAGAZINE from Citr 101.9 Fm LIVE at 86 ST
FEBRUARY 1992 FREE • •' i ~* 'GIJOTtJS JTION SWINGERS THAT PUNK RAWK MAGAZINE FROM CiTR 101.9 fm LIVE AT 86 ST. MUSIC HALL Psychedelic Furs With Special Guests Pale Divine Friday F«b 14 Doors'8 pm Presented By CiTR 101.9 fM TICKETS ON SALE AT ALL ^g^ffi****** OUTLETS C R OR CHARGE BY PHONE 280-4444. VITH THE FAMILY DiScORDER ENNDYE FEBRUARY 1992 ISSUE #109... In other words not to get it wrong, it's , pointless to walk when it's past time to run. Secured under the ( weight of watchful eyess, lulled to , sleep under clear expansive skies. i - fugazi i IRREGULARS SWERVEDRIVER INTERESTEDINTHISACTOF LOVE THIS PROOF." GIVE GROTUS ME EVERYDAY LIFE-EN U.G.L.Y. You Ain't Got No Alibi You're Just HANCING CONSISTENT ACTION SWINGERS CHARM OLD BEAN GIVE Tarzan's Of The Rock N' Roil Jungle TIME ATTENTIVENESS IN NED'S ATOMIC DUSTBIN QUIRE AS TO THE STATE OF •y Grown Out Of Those Crimpin MY HEALTH OHO WRITE ME DELIGHTFUL LETTERS RE LATE YOUR MISFORTUNES IN AN EDIFYING OR ESPE 3 VANCOUVER SPECIAL....21 CIALLY A HILARIOUS MAN ...5-6 UNDER REVIEW 22-23 NER ID DO THE SAME FOR ...8-9 REAL LIVE ACTION ....11 SPINLIST ....20 ONTHEDIAL OF HABIT (IVE KNOWN DEAR OLD HORACE FOR YEARS) OR CONVENIENCE (SAME AGE, SAME LOOK, SAME SIZE. LET S SWAP DOOR MONEY by Gary Wildeman.... • CLOTHES DIG MY BOY- STUPID DUMMYHEDS...by Rob Adamson .. EVERYTHINGS DUCKY ....by Blaine Thur. JUNKFLESH...by Bryce Thing CHARI "; HAS NARDWUAR CHARW ING PEOPLE MAKE Yd WANT TO DO THINGS AC QUIRE ABILITIES SEE TH YOU HAVE THE ORDER TO DANCE OFFICE USE ONLY FEBRUARY ONL Kr SHELL BOOK YOUR OWN SHOCK FRIENDLY SLAMMING ALLOWED 99$ DRAFT BEER mm%*wm*wim $1.75 HIGHBALLS UNCI HYPER-ACTIVE ALTERNATIVE HDK+ALTERHi HUE ME ICE J TRACKS NEW AND OLD BATTLE OF THE D.J.S BZZR BASH $1.25 CAGED GMO DANCERS #7 ALEXANDER STREET GASTOWN 682-8550 between Twerdocleb and Atomic 61, tainer but not a prophet, he is not P.S. -
Concordi a Electro-Acoustic Com Posers I Group 1985
1985 - i Number 00001 Concordi a Electro-acoustic Com posers I Group This is the C. E. Co Go Newsletter Issue Number .0001 (*L This issue will be mailed to approximately 160 people, 95% being composers/ composer-organizerso There are still problems in getting addresses for people in the Maritimes and the Prairieso Within the attached, please note especially the application form, (dupl icate at wi 11), for the Brock University Tape Music Competition. Also, information on the International Computer Music Conference 1985. Digicon 85 is around the same time, also in Vancouver, but I have not received dates or informationo Note also the Brave New \~aves press releaseo This programme plays virtually anything/everything that could be put into the category of 'the new music'. They will be celebrating their first birthday in the first week of Februaryo HAPPY BIRTHDAY and THANK YOU VERY MUCHo Tapes can be submitted directly to the programme, using the complete address provided at the bottom of the press releaseo As usual, 19 em/sec or 38 em/sec (71 - 15), 1 track stereo, ~ ~ ~ HEAD UP or TAIL OUT iJ 0 Always pack tapes well 11 4/10/7 11 The C.EoC.G. summer series II 4/10/7 II dates are almost finalized see the Montreal Calendar sectiono (*) Sorry, but I'm somewhat squeamish about calling 'a· a number, especially in the company of -2, -1, ( ),1,2 etc. There is no Roman Numeral for 'a'; nor for 00001 for that matteroo o ed o Programmes from recent concerts, announcements and various notices (as usual), form the bulk of the Newsletter.