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Experiências Sensíveis Em Realidade Aumentada Móvel

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Experiências Sensíveis Em Realidade Aumentada Móvel UNIVERSIDADE DE BRASÍLIA INSTITUTO DE ARTES DEPARTAMENTO DE ARTES VISUAIS PROGRAMA DE PÓS-GRADUAÇÃO EM ARTE CAMILA CAVALHEIRO HAMDAN CORPOS TATUADOS: Experiências Sensíveis em Realidade Aumentada Móvel Brasília - DF 2015 CAMILA CAVALHEIRO HAMDAN CORPOS TATUADOS: Experiências Sensíveis em Realidade Aumentada Móvel Tese apresentada ao Programa de Pós- Graduação em Arte da Universidade de Brasília como requisito parcial para a obtenção do título de Doutor em Arte. Área de concentração: Arte Contemporânea Linha de Pesquisa: Arte e Tecnologia Orientadora: Professora Dra. Maria Beatriz de Medeiros Brasília – DF 2015 Ficha catalográfica elaborada automaticamente, com os dados fornecidos pelo(a) autor(a) Hamdan, Camila Cavalheiro HH211c Corpos Tatuados: Experiências Sensíveis em Realidade Aumentada Móvel / Camila Cavalheiro Hamdan; orientador Maria Beatriz de Medeiros. -- Brasília, 2015. 344 p. Tese (Doutorado - Doutorado em Arte) -- Universidade de Brasília, 2015. 1. Experiências Sensíveis. 2. Realidade Aumentada. 3. Dispositivos Móveis. 4. Corpos Tatuados. 5. Visão Computacional. I. Medeiros, Maria Beatriz de, orient. II. Título. A todxs aquelxs que contribuem para a transformação da realidade! AGRADECIMENTOS Aos familiares, que se fazem (tele)presentes a minha vida, aos amigxs, que nos momentos difíceis trouxeram lucidez/embriaguez à minha razão apaixonada, aos professorxs, que compartilharam dos mesmos ideais e que fazem parte desta trajetória e memória, aos coletivos artísticos e políticos, que encaram e subvertem os padrões, otimistas em relação ao futuro da criação e pesquisa em Arte e Tecnologia no país. São muitos os que contribuíram para a realização da presente tese de doutorado, em diferentes contextos e situações que tangenciam a minha própria realidade, os quais destaco: Profa. Dra. Maria Beatriz de Medeiros, pela confiança, respeito e profissionalismo à orientação ministrada, trazendo-me o fio de Ariadne para que pudesse achar o caminho nesta jornada; Profa. Dra. Luisa Angélica Paraguai Donati, pelos momentos de encontro e troca de saberes; Profa. Dra. Diana Domingues, pela força vital em superar todos os limites e desafios que a vida nos apresenta, pelos ensinamentos, práticas e teorias que estão incorporados a mim; Profa. Dra. Lourdes Mattos Brazil, pela oportunidade de compartilhar conhecimentos das artes e engenharias de propostas criativas de pesquisa, produção e docência como minha tutora durante o doutorado. Aos professores: Dra. Maria Luiza Fragoso (UFRJ) e Dr. Cleomar Rocha (UFG), pelo carinho, conselhos, e referências memoráveis à qualidade de pesquisa e ensino no Brasil; Dra. Daniela Fávaro Garrossini e Dra. Fátima Aparecida dos Santos, pelas orientações e disposição; Sr. Jorge Luiz Santana, pela compreensão e confiança durante a minha docência no curso de Jogos Digitais no Centro Universitário do Distrito Federal – UDF; e Dr. Paulo Rogério Foina, pela atual confiança e fomento à pesquisa em Realidade Aumentada Móvel no curso de Jogos Digitais do Centro Universitário de Brasília – UniCEUB. Ao suporte familiar: Dr. Amer Hamdan, Dra. Eli Mara Hamdan, Zarife Cristina Hamdan, Samir Hamdan, Glaciele Ribeiro Hamdan, Emilia Hamdan Bacha, Paulo Bacha, Margarida Cavalheiro, a minha mãe, Carmem Hamdan, e ao meu pai, Jamil Salim Hamdan (in memoriam). Aos amigxs que compartilharam da minha realidade e do corpo aberto em conexão: Alexandre Ataíde, Dr. Tiago Franklin Lucena, Dra. Leci Augusto, Cinthia Galeno, Juan Pablo Henrique Assunção, Susana Nascimento, Andreia Cidade Marinho, Bárbara Lopes, Çakya Figur, Airton Raes Fernandes, Ariadna Alvin, Nádia Luna, Valdeci Marcelino, Carol Souza e Anne Sygrid Henchen. Ao Colegiado Setorial de Arte Digital do Conselho Nacional de Política Cultural – CNPC: Paulo Amoreira; Profa. Dra. Andreia Oliveira; Profa. Dra. Nara Cristina Santos; Maria Stela Cabral; Rafael Dias; Bruno Saraiva; Paulo Victor Vaz; Jacson Espírito Santo; Pedro Ivan Olaia e Bruna Suelen Silva Barros. À empresa Ânima, ao Sr. José Sanchez e ao Instituto de Arte Tecnologia e Inovação – IATI, pela confiança e desejo de mudar a realidade do Brasil. Agradecimentos às agências de fomento à pesquisa: CAPES (Coordenação de Aperfeiçoamento de Pessoal de Nível Superior), pela bolsa REUNI (Reestruturação e Expansão das Universidades Federais) de doutorado na Engenharia Elétrica, da Universidade de Brasília, Campus Gama – FGA; UnB Idiomas da Universidade de Brasília, ao Programa de Pós-Graduação em Arte/UnB, ao Fundo de Apoio à Cultura do Distrito Federal – FAC/DF e ao Ministério da Cultura – MinC, pelos auxílios à tradução, à realização e à participação de eventos nacionais e internacionais. Se alguém o acompanha em seu voo, é antes o silfo ou a sílfide, uma nuvem, uma sombra; é um eu, uma forma aérea envolvida, envolvente, feliz por ser vaga, por viver no limite do visível e do invisível. GASTON BACHELARD RESUMO O corpo do ser humano contemporâneo testemunha o fim das fronteiras do sujeito envelopado pela pele. Cada indivíduo pode produzir sua própria identidade, atribuir determinado significado, que lhe permita reconhecer-se e ser identificado por meio da construção de sua imagem corporal. Para isso, são realizadas modificações corporais (body modification), com o uso da tatuagem, demarcadas pelo peso social e cultural próprio de seu tempo; são questões que problematizam o corpo carnal, por reflexões que envolvem o imaginário do corpo humano, a extensão da percepção visual e espacial com uso de dispositivos móveis que o tornam participante de experiências sensíveis em novas realidades. As consequências ruptoras sobre os limites corporais da carne são caracterizadas pelas revoluções tecno-científicas dos mecanismos para a visão, dos dispositivos tecnológicos analógicos que iniciam o processo de mecanização e consequente automatização da percepção visual humana, que permitem descorporificar a visão pela extrusão do olhar mediado pelos dispositivos móveis. Corpos Tatuados: Experiências Sensíveis em Realidade Aumentada Móvel é o título da presente tese de doutorado, que se centra numa prática artística, derivada da conjunção entre arte e tecnologia, direcionada para o tema do corpo tatuado em performance, utilizando a tecnologia e o conceito da Realidade Aumentada em dispositivos móveis como celulares, tablets, Head- Mounted Displays e óculos digitais. O ponto de partida foi a seguinte pergunta: como se dá a experiência estética da modificação corporal pela tatuagem na Realidade Aumentada Móvel? Nesse sentido, buscou-se a pesquisa teórica e empírica para comprovar a hipótese de que o corpo tatuado na Realidade Aumentada Móvel é uma experiência sensível na arte contemporânea, num contexto de interação lúdica. Essa hipótese configura-se numa formulação de reflexão sobre os caminhos da arte contemporânea, em específico das modificações do corpo carnal pela tatuagem relacionada às tecnologias móveis de interação, que permitem constituir uma suposição admissível de ser demonstrada ou verificada. Palavras-chave: Experiências Sensíveis. Realidade Aumentada. Dispositivos Móveis. Corpos Tatuados. Visão Computacional. Modificação Corporal. ABSTRACT The contemporary human body is witness to end of the boundaries of the subject encased in the skin. Every individual is now able to construct his own identity, attributing specific meaning to it and, allowing him to be aware of himself and to identify himself by means of construction of his own body image. For this, body modifications are performed, through the use of tattoo, marked by social and cultural weight of their own time; issues that question the carnal body, reflections involving the imagination of the human body, the extent of visual perception using mobile devices that allow it to participate in sensitive experiences in new realities. The disrupting consequences over the bodily limits of flesh are characteristic of the scientific and technological revolution of the visual mechanisms, of the analog technological devices that initiate the process of mechanization and therefore automation of human visual perception, that allow the disembodiment of vision through the extrusion of sight mediated by mobile devices. Tattoo Bodies: Sensitive Experiences in Mobile Augmented Reality is the title of the current doctorate thesis, which focused on an artistic practice, derived from the combination of art and technology, directed towards the subject of the tattooed body in performance art, using augmented reality technology on mobile devices, like smartphones, tablets, Head-Mounted Displays and digital glasses. The starting point was the following question: how the aesthetic experience of body modification using tattoo arises in the context of mobile augmented reality technology? In this regard, theoretical and empirical research was employed to verify the hypotheses that the tattoo body using Mobile Augmented Reality technology is a sensitive experience in contemporary art, in a context of ludic interaction. This hypothesis is based upon the formulation of a conjecture on the paths of contemporary art, in the context of art and technology specifically that of flesh body modification using interactive technology, supporting the formulation of a permissible assumption, to be demonstrated or verified. Keywords: Sensitive Experiences. Augmented Reality. Mobile Devices. Tattoo Bodies. Computer Vision. Body Modification. LISTA DE ILUSTRAÇÕES Figura 1: Telesphere Mask, Morton Heilig, 1960 ....................................................... 59 Figura 2: Videoplace, Myron Krueger, 1974 .............................................................
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