HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies Volume 22 Number 1 Himalayan Research Bulletin No. 1 & Article 7 2 2002 The Nine Witch Sisters: Gender and identity in a Shaman's Song from Nepal Linda L. Iltis University of Washington Follow this and additional works at: https://digitalcommons.macalester.edu/himalaya Recommended Citation Iltis, Linda L.. 2002. The Nine Witch Sisters: Gender and identity in a Shaman's Song from Nepal. HIMALAYA 22(1). Available at: https://digitalcommons.macalester.edu/himalaya/vol22/iss1/7 This Research Article is brought to you for free and open access by the DigitalCommons@Macalester College at DigitalCommons@Macalester College. It has been accepted for inclusion in HIMALAYA, the Journal of the Association for Nepal and Himalayan Studies by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact
[email protected]. The Nine Witch Sisters: Gender and Identity in a Shaman 's Song f rom Nepal Linda L. litis University ofWashington In 1974, John T. Hitchcock published "A Shaman's Song nature and origins of sickness and suffering. While the song and some Implications for Himalayan Research," and in is about shamans and witch-evil, it appears to be influenced cluded a brief summary of a lengthy shaman's song that he by the broader Hindu and Buddhist worldview which Magars had recorded during the course of his field research among also encounter and embrace in other ritual contexts. In this the Magars in Nepal's Bhuji Valley. 1 He compared the pat story, characters with classical Hindu names-Manu, Rama, terns of ambiguity found in the song with the ambiguities in Parmeswar, and Sita-interact with other characters hav the shaman's social status and those associated with wife ing local Magar names, bridging this story with other clas givers and wife-receivers in the "system of .