Windows to the Past 1960-1969
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Still Competition : the Listeners Guide to Cheap Trick Kindle
STILL COMPETITION : THE LISTENERS GUIDE TO CHEAP TRICK PDF, EPUB, EBOOK Professor of Psychology Robert Lawson | 282 pages | 20 Nov 2017 | Friesenpress | 9781525512261 | English | none Still Competition : The Listeners Guide to Cheap Trick PDF Book Nice book of different licks alot of what Rick uses in his music. Refresh and try again. View Product. The Joe Budden Network. Questlove Supreme. A must read for hardcore Cheap Trick fans and even for the casual fan or, especially any new, first-time fans. About this product Product Information Guitar Educational. Although, the author doesn't pull any punches about some of CT's failings in the mid thru late '80s. Short and sweet, about 25 minutes per. Fresh new killer format for a rock book - I learned a ton about Cheap Trick from this book. Barstool Sports. Pepper Live. Surrender Outtake Carlton Duff. Highly recommend this publication. Return to Book Page. Apparently the co. Obviously, the song makes the story sound like it's about a young woman. Rush: The Illustrated History 4. Lawson, but the Cheap Trick fan community, too. June 9 Ken can I buy you a beer?! Since the s, Cheap Trick has entertained countless audiences across the world with their unique brand of rock 'n' roll, featuring the eccentric stylings of guitarist Rick Nielsen. Mind you, I understand personal opinions will vary tremendously when it comes to music. December 8, Format: Paperback This book is a must buy! Still Competition : The Listeners Guide to Cheap Trick Writer Cheeeek that out dude. Warner Bros. Add Comment. Help Learn to edit Community portal Recent changes Upload file. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
THE NCTCE DAME <^^O
// ^ THE NCTCE DAME <^^^o. =^^%^o^ LITTLE HANDS LILT TO LITTLE'S BAND In This Issue: NEWS SPORTS Juniors Set for Prom Tonight . • • University Theatre Cagers Invade Madison Square Garden . Thinlies Readies Season's Opener . Debussy's "Prodigal Son" Point West for Drake . Winter Sports Program Set.. Here Next Week . Bengal Boxers Shape Up Well . Irish Six Defeats lllini Hockey Hopes . Introducing . The Week . Man About. Splinters. Februory 25, 1938 RICHARD, for whom girls fell Uke leaves in the wind. MEET GEORGE-ANN,a raving beauty IHEGMrBANDim even before breakfast. HEY match their wits against a lonely old lady's heart. You Twill find them irresistible, this family of engaging fakers, who live by their charm and off their friends and chance acquain ^^\ tances. The author of "Furious Young Man" and "To The Van INARMY. who has lost every quished" has written a truly lovely story of the four Carlyons. thing but her appetite. A New Novel ''I.A.R.WYLIE s ••.-?•% Start it in this week's Post •••• CAPTAIN CARLYON, "late cf Bini AfflUTE? the—er—Bengal Lancers." male a*let^^^^/young the neck, indutogy^^^^ t^a HE SHOT IHE WORLDlS EllenCharles. He P newgolftneteoronth P^,^ ndlether sizzle^^.^ DANGEROUS ...alone/ In a homemade boat, young Buzz Holmstrom shoved off last fall to do what no man ever did before: run the Colorado Interview River alone, from Wyoming to Boulder Dam—and live! It fc, BROOKE HANLOM took him 52 days to cover those 1100 miles, and an accident meant death by drowning or slow starvation. Here is the story of that incredible trip. -
Be My Baby”—The Ronettes (1963) Added to the National Registry: 2006 Essay by Cary O’Dell
“Be My Baby”—The Ronettes (1963) Added to the National Registry: 2006 Essay by Cary O’Dell The Ronettes Original label Phil Spector Instantly infectious and memorable, “Be My Baby” has been described as the “Record of the Century” and the “greatest pop record ever made.” It was recorded by the Ronettes in 1963. It was written by Phil Spector, Jeff Barry and Ellie Greenwich and was produced by Phil Spector. It was named to the National Recording Registry in 2006. The Ronettes were a group of girls from Spanish Harlem, sisters Veronica (“Ronnie”) and Estelle Bennett and their cousin Nedra Talley. Before becoming a trio, the young women were a group of five joined by two other cousins, Elaine and Diane. (Sometimes they were also joined by their male cousin, Ira.) They sang together and perfected their harmonies at their grandmother’s house before branching out to play local dances and talent contests. Along with refining their line-up and sound, the girls also defined their look. In his biography of Phil Spector, author Mick Brown says of the group: The standard demeanor of girl groups of the day was one of demure innocence…But the Ronettes looked as if it was a Saturday night and they were cruising for trouble—figure- hugging dresses, hair piled into improbable beehives and lashings of mascara, which transformed the youthful high school girls into vamps. Today, the Ronettes are nearly as remembered for their look (which would later be largely carbon-copied by Amy Winehouse) as for their sound. After first being signed by and recording for the Colpix label (under the name Ronnie and the Relatives), the Ronettes came to the attention of Phil Spector who immediately took a liking to the group and especially to its de facto leader Ronnie. -
Marzo 2016 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1
Número 58 - marzo 2016 CULTURA BLUES. LA REVISTA ELECTRÓNICA Página | 1 Contenido Directorio PORTADA El blues de los Rolling Stones (1) …………………………...... 1 Cultura Blues. La Revista Electrónica CONTENIDO - DIRECTORIO ..……………………………………..…….. 2 “Un concepto distinto del blues y algo más…” EDITORIAL Al compás de los Rolling Stones (2) .......................…. 3 www.culturablues.com SESIONES DESDE LA CABINA Los Stones de Schrödinger Número 58 – marzo de 2016 (3) ..…………………………………………..……..…..………………………………………... 5 Derechos Reservados 04 – 2013 – 042911362800 – 203 Registro ante INDAUTOR DE COLECCIÓN El blues de los Rolling Stones. Parte 3 (2) .……..…8 COLABORACIÓN ESPECIAL ¿Quién lo dijo? 4 (2) ………….…. 17 Director general y editor: José Luis García Fernández BLUES EN EL REINO UNIDO The Rolling Stones – Timeline parte I (4) .......................................... 21 Subdirector general: José Luis García Vázquez ESPECIAL DE MEDIANOCHE Fito de la Parra: sus rollos y sus rastros (5) ……………….…….…..…….…. 26 Programación y diseño: Aida Castillo Arroyo COLABORACIÓN ESPECIAL La Esquina del Blues y otras músicas: Blues en México, recuento Consejo Editorial: de una década I (6) …………………………………………………………………….…. 34 María Luisa Méndez Flores Mario Martínez Valdez HUELLA AZUL Castalia Blues. Daniel Jiménez de Viri Roots & The Rootskers (7, 8 y 9) ………………………………………..……………..….… 38 Colaboradores en este número: BLUES A LA CARTA 10 años de rock & blues (2) .……………..... 45 1. José Luis García Vázquez CULTURA BLUES DE VISITA 2. José Luis García Fernández Ruta 61 con Shrimp City Slim (2 y 9) ................................................. 52 3. Yonathan Amador Gómez 4. Philip Daniels Storr CORTANDO RÁBANOS La penca que no retoña (10) ............ 55 5. Luis Eduardo Alcántara 6. Sandra Redmond LOS VERSOS DE NORMA Valor (11) ..………………………………… 57 7. María Luisa Méndez Flores 8. -
MLK Tennis Buffs History Project Document 12-31-2019
1 A HISTORY OF TENNIS IN SAINT PAUL’S BLACK COMMUNITY MLK Tennis Buffs, Inc. Supported by a Grant from the Minnesota Historical Society MLK Tennis Buffs | G-MHCG-1810-22677 2 A HISTORY OF TENNIS IN SAINT PAUL’S BLACK COMMUNITY Table of Contents Oral History Interviews, 2019 Lucille Bryant Little 3 Nina Zachary 11 Ozzie Johnson 20 Sondra Hickman 31 Vanne Owens Hayes 39 Hattie Black 50 Harold Bridgeman 59 Stephanie Reid 67 Roz Batson 77 Riley Washington 86 Tyrone Terrill 95 Georgia Ulmer 103 Archival Materials Ernest A. Greene Bio Note 111 Mr. Greene’s Farewell Message to the Buffs 112 Portrait of Ernie “Duke” Greene 113 Twin City Tennis Club, 1924–1928 114 MLK Tennis Buffs | G-MHCG-1810-22677 A HISTORY OF TENNIS IN SAINT PAUL’S BLACK COMMUNITY 3 Interview with Lucille Bryant Little 14 September 2019, at 3055 NE Columbia Ave., Minneapolis, MN 55418 Maya Washington: Could you tell me your name please? Lucille Bryant Little: Yes, my name is Lucille Bryant Little. Maya Washington: And can you tell me your earliest memory of tennis? Lucille Bryant Little: We did not have tennis courts in my neighborhood. I think I was introduced to tennis when, in high school where it was a part of the curriculum to have a, you know, unit on tennis. We did have tennis courts at the school. And the tennis kids did go out and play tennis. But the activities were for after school, which I did not participate in because our school was so far from my home. -
Freeing Voices of Dissent in the Underground Newspaper Collection
Laurie Charnigo Prisoners of Microfilm Freeing Voices of Dissent in the Underground Newspaper Collection “We are a people, and a people must have their own voice, and that voice is the underground press.”1 - Thomas King Forcade 1. Bad juju I put the finishing touch on the display case in the lobby of our library, a sign in bold newsprint: “Come Explore the UPS Underground Newspaper 41 Collection (1963-1975)!” Stepping back to admire my creation, I almost had to brace myself against the dizzying psychedelic collage of graphics. This display screamed not only “Look at me!” but “Damn! I’m cool!” And oh how cool it was covered with photos, comics, and covers from a wide range of colorful Vietnam-era ‘underground’ newspapers. The bright art of Black Panther’s Emory Douglas shouted “Power to the People!” Psychedelic covers of the San Francisco Oracle flashed Vedic Motifs, bearded gurus, and hookah- smoking shamans. Gilbert Sheldon’s Fabulous Furry Freak Brothers and Trina Robbins’ feminist superheroes playfully danced throughout the display. There were photos of protesters marching for civil rights, gay rights, women’s rights, and in opposition to the war in Vietnam. There were raised fists of solidarity, peace signs, concert posters, a real lava lamp (which I hoped wouldn’t burn the library down), and covers of the Berkeley Barb, Avatar, the Los Angeles Free Press, and many others. Books about the Vietnam-era underground press were featured prominently throughout the display, such as Ken Wachsberger’s extensive Voices from the Underground series and John McMillian’s Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media Laurie Charnigo is education librarian at Jacksonsville State University in Alabama. -
Miroslava Lukic Krstanovic, Spektakli 20 Veka:Raspored 1.Qxd
ISBN 978–86–7587–060–9 Мирослава Лукић Крстановић СПЕКТАКЛИ XX ВЕКА МУЗИКА И МОЋ SERBIAN ACADEMY OF SCIENCES AND ARTS INSTITUTE OF ETHNOGRAPHY SPECIAL EDITIONS Volume 72 Miroslava Lukić Krstanović TWENTIETH CENTURY SPECTACLE MUSIC AND POWER Editor Dragana Radojičić BELGRADE 2010 СРПСКА АКАДЕМИЈА НАУКА И УМЕТНОСТИ ЕТНОГРАФСКИ ИНСТИТУТ ПОСЕБНА ИЗДАЊА Књига 72 Мирослава Лукић Крстановић СПЕКТАКЛИ XX ВЕКА МУЗИКА И МОЋ Уредник Драгана Радојичић БЕОГРАД 2010 Издавач ЕТНОГРАФСКИ ИНСТИТУТ САНУ Кнез Михајлова 36/IV, Београд, тел. 011 26 36 804 [email protected], www.etno-institut.co.rs За издавача Драгана Радојичић Рецензенти академик Гојко Суботић проф. др Иван Ковачевић проф. др Бојан Жикић Секретар редакције: Марија Ђокић Лектор Ивана Башић Коректор Марија Ђокић Превод на енглески Богдан Петровић Корице Игор Васиљев Техничка припрема Београдска књига Штампа Будућност Нови Сад Тираж 500 примерака Штампање публикације финансирано је из средстава Министарства за науку и технолошки развој Републике Србије Примљено на II седници Одељења друштвених наука САНУ одржаној 23. фебруара 2010. године, на основу реферата академика Гојка Суботића САДРЖАЈ Предговор.....................................................................................9 I. ТЕОРИЈА СПЕКТАКЛА Морфологија појма .................................................................15 Теоријско мапирање ...............................................................20 Спектакл – друштво .........................................................22 Спектакл – бирократија ..................................................27 -
1969 Free Concert
1969 free concert click here to download The Altamont Speedway Free Festival was a counterculture-era rock concert in in the United States, held at the Altamont Speedway in northern California Jefferson Airplane · Rolling Stones/Grateful · Security · Reactions. Meredith Curly Hunter, Jr. (October 24, – December 6, ) was an year-old African-American man who was killed at the Altamont Free Concert. The Stones in the Park generally refers to a free outdoor festival held in Hyde Park on 5 July , headlined by The It was the Stones' first public concert in over two years, and was planned as an introduction of new guitarist, Mick Taylor. Death of Meredith Hunter during the Rolling Stones concert Rolling Stones - Altamont Speedway Free. Music fans dance and sing to the Rolling Stones at a free concert at the Altamont Raceway Park near Livermore, Calif. on Dec. 6, It's festival time! Find and share Altamont Free Concert setlists. Find a The Rolling Stones & Guests* - Altamont Free Concert first pressing or reissue. Complete your The Rolling Stones & Guests* collection. Shop Vinyl. It was rock 'n' roll's darkest day, Saturday December 6, , when the Rolling Stones decided to play a 'free' concert at an abandoned. The Rolling Stones' US Tour was a remarkable tour at a remarkable time. Some say Altamont – the free concert tacked on to the end. Do you intend to go to any more of these mass concerts? 1) Promise a free concert by a popular rock group which rarely appears in this. During the Stones' American tour in , they faced repeated In response, the band decided to end the tour with a free concert in San. -
Exploring the Effects of Operating Procedures on Occupational Stress and Performance Outcomes in Temporary Organizations
i PLEASE TELL ME WHAT TO DO: EXPLORING THE EFFECTS OF OPERATING PROCEDURES ON OCCUPATIONAL STRESS AND PERFORMANCE OUTCOMES IN TEMPORARY ORGANIZATIONS A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree Doctor of Business Administration by David C. F. Williamson Temple University, Fox School of Business August 2018 Review Committee: David Schuff, Advisory Chair, Department of Management Information Systems Lynne Andersson, Human Resources Management TL Hill, Strategic Management ii ABSTRACT Music festivals have become big business, bringing in $8.79B in global revenue in 2017, and continuing to grow with projected 2022 revenues of $13.7B. However, these events still function mostly as “temporary organizations,” with employees coming together for the distinct period of time that the event takes place in and fulfilling the tasks that need to be accomplished for the production to be successful. The process of festival production can be stressful, requiring the implementation of operating procedures and other guidelines to ensure that employees produce an optimal guest experience. Through a grounded theory study of managers and employees at three different music festivals and an historic case study, this work seeks to understand how operating procedures impact workers in temporary organizations. The results reveal a relationship between operating procedures and employee stress as well as guest experiences that suggest the more an organization is able to communicate procedures the less likely employees are to suffer stress. In addition, analysis unveiled the presence of “compensation anxiety” among festival employees as an occupational stressor not traditionally considered in the occupational stress or temporary organization literatures. -
Scholastic" in Its Annual R Tonight:- Charity Show, Presents the Top- Town Meeting Notch Boxing Talent of the Campus in Notre Tuesday Dame's Celebrated Bengal Bouts
Volume 84. No. 7 Notre Dame, Indiana •' .'-^i^ --^nv/^-^J-^' It- •1; i. r. I' The "Scholastic" in its annual r Tonight:- charity show, presents the top- Town Meeting notch boxing talent of the Campus in Notre Tuesday Dame's celebrated Bengal Bouts. I I I • s !.-f il Chief Durdach and Instruc tor Buono demonstrate to a 3roup of boxers the art o? self-protection. Home of Famous Names in Quality Clothing \ First Choice Among College Men! SPORT COATS by SOCIETY BRAND $ 25 Others $15 to $40 ASY-fitting sport coats in fine, lux E urious all-wool fabrics ... all done up handsomely by Society Brand in perky patterns, solid tones and pleasing plaids. Intelligently tailored for freedom - of - action, at - ease comfort and sparkling good looks. ALL WOOL SLACKS Bedford Cords, Flannels, Gabardines Others $5.85, $7.85 to $20 MEN'S SHORTS, 45e to $2 Including Boxer Shorts with elastic waists It's Taxi Free On Saturdays in Soudi Bend see the N. D. CILBERrs Representative — to Gilbert's 813 - 817 S. Michigan Street SOUTH RENT'S LARGEST STORE FOR MEN! THE NOTRE DAME SCHOLASTIC Entered as second-class matter at Notre Dame, Indiana. Acceptance for mailing at special rate of postage. Section 1103, Oct. 3, 1917. Authorized June 25, 1918. VOL. 84 MAY 4. 1945 NO. 7 the presence of Captain J. Sichard Colorful Gathering to Witness Barry, U.S.N., Commandant of the U.S.N. Midshipmen's Training School "Scholastic" Boxing Show Tonight on the campus, and by the presence of Mayor Jesse I. -
A Spatial History of Arena Rock, 1964–79 Michael Ethen Schulich School
A Spatial History of Arena Rock, 1964–79 Michael Ethen Schulich School of Music McGill University, Montreal August 2011 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Michael Ethen, 2011 Table of Contents List of Musical Examples / iv List of Illustrations / v List of Tables / vi Abstract / vii Abrégé / ix Acknowledgements / xi Introduction / 1 Genealogy of Arena Rock / 13 “Arena Rock”: Ambiguity Before 1977 / 26 1977 and “Arena Rock” / 30 Literature / 35 The Spatial Turn / 37 Space and Music / 41 Chapter Outlines / 46 Chapter One: In the Beginning Was the Beatles: Security and Intimacy of Live Performance, 1964–66 Introduction / 50 Security / 53 Expansion and Extension / 56 Expansion, Extension, and Intimacy / 60 Intimacy and the Washington Coliseum / 63 Security and Carnegie Hall / 70 Security and Empire Stadium / 74 Intimacy and Spectacular Transportation / 79 Shea Stadium, 1965 / 82 Shea Stadium, post-1965 / 86 Conclusion / 89 ii Chapter Two: Sounding Live: Led Zeppelin and the Echo-poetics of Arena Rock Introduction / 91 Context / 92 Live Performance as Self-promotion / 100 Studio Recordings as Concert Recreations / 115 Manufactured Audience Participation / 122 Compensating for Intimacy Lost / 127 Conclusion / 135 Chapter Three: An American Beauty: Grateful Dead, “Truckin',” and a Question of Routine Introduction / 137 Context / 141 Commercialism and Routine / 145 Forging a Routine / 156 Formal properties of the Routine / 157 The Crescendo-climax / 164 Extra-musical Technologies / 173 “Wall of Sound” as Prop / 174 Conclusion / 180 Chapter Four: The Festival is Dead, Long Live the “Festival” Introduction / 182 Context: 1969 Festivals and Security / 184 “Free Music” / 193 “Woodstock Laws” / 198 Innovation after Altamont / 203 Goose Lake / 208 Erie Canal: A Case Study / 211 Long Live the “Festival” / 220 Conclusion / 224 iii Chapter Five: “Spend a Week in St.