Galleries & Museums

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Galleries & Museums 24 CHICAGO READER | DECEMBER 2,2005 | SECTION T WO Galleries & Museums installation; work by Elvia Rodriguez- Skestos Gabriele 212 N. Peoria. Beverly Ochoa, through Sat 12/24. E Opens Fri Fishman, screen prints on vinyl, through 12/2, 6-10 PM. Sat noon-5. 773-344-1940 Sat 12/31. Tue-Fri 11-6, Sat noon-5. 312-243- 1112 Portals 742 N. Wells. Jorge Simes, paint- ings and works on paper, through Wed 3/1. South Side Community Art Center 3831 Tue-Fri 10-5, Sat 11-5. 312-642-1066 S. Michigan. Elizabeth Catlett, prints, through Sat 12/3 C . Wed noon-5, Sat 9-5, Practical Angle 161 E. Erie. Work by Vlado Sun 1-5. 773-373-1026 Ketch and Stuart Brent, through Fri 12/16. Mon-Fri 10-6, Sat 10-5. 312-280-8118 Steelelife 4655 S. King, 2nd fl. Max Sansing, paintings, through Sat 12/10. Tue- Printworks 311 W. Superior #105. “The Art Sat 1-8. 773-538-4773 of the Bookplate,” work by 72 artists, through Sat 2/4. E Opens Fri 12/2, 5-8 PM. Stutz Studiowerks 5303 N. Clark. Deanna Tue-Sat 11-5. 312-664-9407 Andrews, photos, through Mon 12/12. Wed, Fri & Sun 11-5, Thu 1-7. 773-907-8889 Byron Roche 750 N. Franklin. Rebecca Shore, Paul Hunter, Jiwon Son, paintings, 33 Collective 1029 W. 35th, 3rd fl. “Post through Sat 12/31. Tue-Sat 11-6. 312-654- Abstraction Figuration,” work by members 0144 of the Midwest Paint Group; Marivi Ortiz, photos, through Thu 12/22. E Opens Fri Rowland Contemporary 1118 W. Fulton. 12/2, 6-10 PM. Fri 3-6, Sat 1-5. 708-837- Amy Talluto, paintings and drawings, 4534 through Sat 12/3 C . Sat 11-5. 312-421 6275 3Arts Club 1300 N. Dearborn. Marva Pitchford Jolly, ceramic sculpture; Rhonda Judy A. Saslow 300 W. Superior. “Scene in Wheatley, paintings, through Thu 12/15. Chicago,” work by locals; work by members Mon-Fri 9-5. 312-944-6250 of the Chicago Furniture Designers Association, through Fri 12/30. Tue-Sat 10- Three Walls 119 N. Peoria #2A. Tessa 6. 312-943-0530 Windt, sculpture; Jenny Walter, photos of empty blankets, through Sat 12/17. Wed-Sat Schneider 230 W. Superior. Fred Cray, noon-6. 312-432-3972 Donna Hamil Talman, photos, through Sat 12/31. E Opens Fri 12/2, 5-7:30 PM. Tue-Fri Univ. of Illinois Art Lounge Student 10:30-5, Sat 11-5. 312-988-4033 Center West, 828 S. Wolcott. Work by George Stamp, through Fri 12/9. Mon-Fri 9- School of the Art Institute Gallery 2 847 5. 312-413-5180 Circle of Life, painting by Samuel Leopold, in a group show opening Friday at Lenz Studio John David Mooney Foundation 114 W. Kathleen Vojta, paintings, through Sat Nicole 2 4653 S. King. Akinola Ebinezer, Kinzie. “Asylum,” photos and video by Mary 12/17. Sat noon-5. 312-738-1620 paintings, through Sat 1/14. E Opens Fri Kelly; “Fortitude,” photos and sculpture by 12/2, 5:30-8:30 PM. Tue-Sat 11-5:30. 773- Abigail O’Brien, through Sat 12/3 C . Tue-Fri Ann Nathan 212 W. Superior. Jim Zasoski, 373-4700 11-6. 312-822-0483 paintings; work by James Tyler, Tom McKee, and Tatiana Revskaya, Sat 12/3- G.R. N’Namdi 110 N. Peoria. Richard Morpho 5216 N. Damen. Work by Steven Sat 12/31. E Opens Sat 12/3, 11 AM-5 PM. Mayhew, paintings, through Fri 12/2 C . Tue- Hazard, Elke Claus, Alex Abajian, Danny Tue-Fri 10-5:30, Sat 11-5. 312-664-6622 Sat 11-6. 312-563-9240 Mansmith, and Bert Menco, through Thu 12/8. E Reception Sat 12/3, 6-11 PM. Fri 6- Nicole 230 W. Huron. Ifeyinwa Umeike, North Lakeside Cultural Center 6219 N. 11, Sat noon-11, Sun 11-4. 773-551-4850 paintings; work by gallery artists, Sheridan. Jan de Goede, paintings and through Sat 12/31. Tue-Sat 11-5:30. 312- watercolors, through Fri 1/13. Mon-Fri 3:15- Nab 1117 W. Lake. Susan Sensemann, 787-7716 6. 773-517-7619 Northern Illinois Univ. Art Gallery 215 W. Superior, 3rd fl. Work by Eduardo Kac, Rashid Johnson, and others, through Sat 12/17. Wed-Sat 11-5. 312-642-6010 Nova Project Space 840 W. Washington, 2nd fl. Moss Intermezzo: Part I—Bears, audio installation by Malin Lindelow, through Sun 12/11. Fernando David Orellana, paintings, through Sat 12/17. Thu- Sun noon-5. 312-421-2227 One Fine Art 209 W. Huron. Leslie Cohen, Jennifer Scott-McLaughlin, paintings, through Fri 12/30. Tue-Sat 10-5. 312-654- 8004 Aron Packer 118 N. Peoria. Michael Ferris, sculpture and drawings, through Sat 12/3 C . Tue-Sat 11-5:30. 312-226-8984 Photo by Tricia Sweeney, at Schopf Palette and Chisel 1012 N. Dearborn. W. Jackson. “I Saw You,” art by SAIC stu- UIC Ward Gallery Student Center East, Andrea Vincent, paintings, through dents inspired by Reader personals; 750 S. Halsted. Work by Michael Young, Mon 12/12. E Reception Fri 12/2, 5-8 PM. “Knock Knock,” work from a class on through Fri 12/9. Mon-Thu 11-8, Fri 11-5. 312- Mon-Fri 1-6, Sat-Sun noon-4. 312-642- humor in art and photography; student 413-5070 4400 video installations; design and writing by MFAs, through Sat 12/3 C . E Reception Vespine 1907 S. Halsted. “Horst Janssen Parts Unknown 645 W. 18th. Ken Keirns, Fri 12/2, 6-9 PM. Tue-Sat 11-6. 312-563-5162 Tribute Show,” work by Elizabeth Ockwell, paintings, through Sat 12/3 C . Sat noon-5. Audrey Niffenegger, and Jay Ryan, 312-492-9058 SAIC Betty Rymer Gallery 280 S. through Sat 12/31. Fri 4-9, Sat 10-4. 312- Columbus. Work made by faculty members 962-5850 Perimeter 210 W. Superior. Neil Goodman, while on sabbatical, Wed 12/7-Fri 2/24. sculpture; Bill Zima, paintings and works E Opens Wed 12/7, 5-7 PM. Tue-Sat 10-5. Vonzweck 1626 N. Humboldt. on paper, through Wed 12/28. Tue-Sat 312-443-3703 “Ahbyezyana,” installation, described as a 10:30-5:30. 312-266-9473 “telekinetic haunting,” by Deborah Schopf 942 W. Lake. “Constructing Stratman and Rob Ray, through Thu 1/12. Maya Polsky 215 W. Superior. Jose Cobo, Gender,” photos by Tricia Moreau Sweeney; Thu 6-9. 773-208-7222 sculpture, through Sat 12/31. Tue-Fri 10-5, photos by Indiana Univ. MFAs, through Sat Sat 10:30-5. 312-440-0055 12/10. Tue-Sat 11-5. 312-432-1630 Walsh 118 N. Peoria. “Tattoo You,” digital photos and a video by Kim Joon; Polvo 1458 W. 18th. “Fumed,” work refer- Carrie Secrist 835 W. Washington. “Street Stories,” “unconventional views” Early-to-mid-20th-century Yoruba “shrine jar,” in “For Hearth and Altar,” a show encing graffiti by Jessica Aiken, Mike “Tiny/Huge,” group show, through Sat of Chicago by eight artists, through Fri of African ceramics starting Saturday at the Art Institute Genovese, Victor Lopez, and Nino 1/14. Tue-Fri 10:30-5:30, Sat 11-5. 312-491- 12/2 C . Tue-Sat 10:30-5:30. 312-829- Rodriguez; Marcela Chaidez de Nunez, 0917 3312 CHICAGO READER | DECEMBER 2,2005 | SECTION TWO 25 Linda Warren 1052 W. Fulton. “Cul de Sac,” paintings by Peter Drake, through Sat 1/7. Tue-Sat 11-5. 312-432-9500 Now Showing Western Exhibitions 1648 W. Kinzie, 2nd fl. “Mixed Baggage,” images by Adriane Herman “re-creating found lists from anonymous writers”; John Parot, photos; Stan Shellabarger, photos and drawings documenting his projects, through Sat Found in Translation 12/17. Fri-Sat noon-6. 312-307-4685 Donald Young 933 W. Washington. Robert Mangold, works on paper, through Sat 12/3 C . Tue-Fri 10-5:30, Sat 11-5:30. 312- 455-0100 Zg 300 W. Superior. “Working Process,” group show, through Fri 12/30. E Reception Fri 12/2, 5:30-8 PM. Tue-Sat 10-5:30. 312-654-9900 Zolla Lieberman 325 W. Huron. John Buck, woodcuts, rubbings, and bronze and wood sculpture, through Sat 12/10. Tue-Fri 10- 5:30, Sat 11-5:30. 312-944-1990 Suburban Art House 43 Harrison, Oak Park. “The Visual Word,” art inspired by local high schoolers’ poems, through Fri 1/13. TRAIT), FRED CAMPER E Opens Fri 12/2, 7-10 PM. Fri 5-9, Wed-Thu & Sat-Sun noon-5. 708-386-5261 Y (POR Cafe Express 615 Dempster, Evanston. Rickey Lewis Jr., paintings of the Mississippi Kate McQuillen with Letter in Stars, Flower Letter JIM NEWBERR coast pre-Katrina, through Sat 12/31. E Opens Fri 12/2, 7-10 PM. 847-864-1868 ost of Kate McQuillen’s 13 watercolors, wall alphabet in an e-mail on a rising and falling line. ent size squares of different colors, one type for each College of DuPage Gahlberg Gallery installations, and silk screens at Caro d’Offay During a school trip to China a month later, she letter, and pinned the sheets to the wall to make M are “translations” of e-mails, letters, and voice McAninch Arts Center, Park & Fawell, Glen found she loved the different styles of calligraphy at words. The source was a handwritten letter from the Ellyn. Art by part-time studio faculty, mails she’s received. McQuillen used a different the Shanghai Museum. “They took words and gave shoe box, sent when her boyfriend was overseas, through Sat 1/7.
Recommended publications
  • Download Rashid Johnson Résumé
    177 NW 23rd Street, Miami, Florida 33127 (786) 332-4736 Rashid Johnson Born in Chicago IL, 1977 EDUCATION Bachelor of Arts, Columbia College, Chicago IL, 2000 School of the Art Institute, Chicago, Chicago IL, 2004 – 2005 Lives and works in New York NY SELECTED SOLO EXHIBITIONS 1999 Seen In The Dark, G.R. N’Namdi Chicago, Illinois 2000 Seen In The Dark G.R. N’Namdi, Detroit, Michigan 2000 National Black Fine Art Show, G.R. N’Namdi, New York, New York 2001 Manumission Paper, G.R. N’Namdi Chicago, Illinois 2001 Manumission Paper, G.R. N’Namdi, Detroit, Michigan 2013 Ballroom Marfa, ‘New Growth’, Texas TX High Museum of Art, Atlanta ‘Rashid Johnson: Message to Our Folks’, Atlanta GA Kemper Art Museum, ‘Rashid Johnson: Message to Our Folks’, St. Louis MO 2012 David Kordansky Gallery, ‘Coup d’état’, Los Angeles LA Miami Art Museum, ‘Rashid Johnson: Message to Our Folks’, Miami FL South London Gallery, ‘Shelter’, London, England Hauser & Wirth, ‘Rumble’, New York NY Museum of Contemporary Art Chicago, ‘Rashid Johnson: Message to Our Folks’, Chicago IL 2010 Massimo De Carlo, ‘25 Days after October’, Milan, Italy Carlson/Massimo De Carlo, ‘Between Nothingness and Eternity’, London, England Galerie Guido W. Baudach, ‘There are Stranger Villages’, Berlin, Germany Salon 94, ‘Our Kind of People’, New York NY 2009 David Kordansky Gallery, ‘Other Aspects’, Los Angeles CA Sculpture Center, ‘Smoke and Mirrors’, Long Island City NY Power House Memphis, ‘The Dead Lecturer: Laboratory, Dojo, and Performance Space’, Memphis TN 2008 Richard Gray Gallery, ‘Cosmic
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  • Rashid Johnson: Message to Our Folks September 20, 2013 – January 6, 2014
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  • Storm King Art Center to Stage Live, Site-Responsive Performances of Rashid Johnson’S the Hikers, in Collaboration with Choreographer Claudia Schreier
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  • Once Overlooked, Black Abstract Painters Are Finally Given Their
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  • Rashid Johnson
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  • Look at Me Now! Rashayla Marie Brown, Hassan Hajjaj, Rashid Johnson, Ebony G
    FOR IMMEDIATE RELEASE Look At Me Now! Rashayla Marie Brown, Hassan Hajjaj, Rashid Johnson, Ebony G. Patterson, Amy Sherald, William Villalongo on the wall Nina Chanel Abney porcelain projects William Villalongo, Water Root June 13 – August 23, 2015 Reception: Saturday, June 13, 4-7pm Artist talk: 4-5pm Moderated by Grace Deveney, MCA Chicago Susman Curatorial Fellow Curated by Allison Glenn CHICAGO – Monique Meloche Gallery is pleased to present, Look At Me Now!, a group exhibition of artists working internationally, who are presenting various perspectives on the history of portraiture through the construction of a new gaze. Throughout the exhibition, subtle hints of allegory give way to overt pop-culture references. It is through this lens that Rashayla Marie Brown, Hassan Hajjaj, Rashid Johnson, Ebony G. Patterson, Amy Sherald, William Villalongo, and Nina Chanel Abney produce, creating imagery that references, disarms, and reframes the canon of portraiture. Rashid Johnson’s Self-Portrait as the black Jimmy Connors in the finals of the New Negro Escapist Social and Athletic Club Summer Tennis Tournament was created for the artist’s 2008 solo exhibition at moniquemeloche. The New Negro Escapist Social and Athletic Club is a fictional African American secret society, a parallel universe which embodies Johnson’s desire to upend the conventions of history and the idea of a legacy. Inspired by the construction and performance of identity, Amy Sherald paints portraits of strangers whose characteristics immediately resonate with her. Similarly influenced by the performance of identity, Rashayla Marie Brown works to reveal the projection of cultural myths and desires on the collective consciousness, often using her body as a source and subject.
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  • Rashid Johnson
    RASHID JOHNSON born 1977, Chicago IL lives and works in New York, NY EDUCATION 2004 MFA, School of the Art Institute of Chicago, Chicago, IL 2000 BA, Columbia College, Chicago, IL SELECTED SOLO / TWO PERSON EXHIBITIONS (* indicates a publication) 2021 Black and Blue, David Kordansky Gallery, Los Angeles, CA The Crisis, Storm King Art Center, New Windsor, NY Summer Projects: Rashid Johnson, Creative Time, New York, NY The Bruising: For Jules, The Bird, Jack and Leni, Crystal Bridges Museum of American Art, Bentonville, AR Capsule, National Gallery of Canada, Ottawa, Canada 2020 Waves, Hauser & Wirth, London, England Stage, PS1 COURTYARD: an experiment in creative ecologies, MoMA PS1, Long Island City, NY 2019 The Hikers, Museo Tamayo, Mexico City, Mexico The Hikers, Aspen Art Museum, Aspen, CO It Never Entered My Mind, Hauser & Wirth, St. Moritz, Switzerland Anxious Audience, Fleck Clerestory Commissioning Project, curated by Lauren Barnes, The Power Plant, Toronto, Canada The Hikers, Hauser & Wirth, New York, NY 2018 *No More Water, Lismore Castle Arts, Lismore, Ireland *The Rainbow Sign, David Kordansky Gallery, Los Angeles, CA Provocations: Rashid Johnson, Institute for Contemporary Art, Virginia Commonwealth University, Richmond, VA 2017 Anxious Audience, organized by Annin Arts, Billboard 8171, London Bridge, England [email protected] www.davidkordanskygallery.com T: 323.935.3030 F: 323.935.3031 Stranger, Hauser & Wirth Somerset, Bruton, England Rashid Johnson: The New Black Yoga and Samuel in Space, McNay Art Museum,
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  • Cheryl Pope Just Yell June 22Nd - August 3Rd
    FOR IMMEDIATE RELEASE Monique Meloche is pleased to announce that Cheryl Pope is now represented by the gallery and will present her first solo exhibition at moniquemeloche Just Yell opening Saturday, June 22nd from 4-7pm. Cheryl Pope Just Yell June 22nd - August 3rd Reception for the artist Saturday, June 22, 4-7pm moniquemeloche, 2154 W Division, Chicago, IL 60622 In 1880, a student at Princeton University stood before the crowd and began to yell -- the crowd answered and thus began the Yellers (later to become cheerleaders). Just Yell, the title of Cheryl Pope's first solo exhibition in Chicago at moniquemeloche uses the framework of American High School: yellers (cheerleaders), yearbooks, Varsity patches, and car culture to contain reactions to the current gun violence that is plaguing our city and our nation. Through a collaboration with over 400 teens city-wide from Farragut Career Academy, Lindblom Math and Science Academy, William Taft Academic Center, Walter Payton College Prep, Alfred Nobel Elementary, and Phoenix Military Academy, Pope does not seek to offer solutions but rather to make the invisible visible in a less temporal space and format than the morning news. These yells ask each of us to confront a reality that is both present and absent simultaneously. On opening night Saturday, June 22nd, Phoenix Military Academy will perform along with a selection of young poets performing their spoken word to viewers as they ride in classic muscle cars, through Wicker Park and Humboldt Park, in a piece titled Drive by in 5 Acts. A series of public events will continue each Saturday during the run of the exhibition starting with the Teen Creative Agency (TCA) from the Museum of Contemporary Art, who will be installing their "Living Room" program at the gallery on Saturday, June 29th; additional events to be announced.
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  • Collector's Issue
    / Fall • Winter Winter • Fall 2005–06 The Studio Museum in Harlem Magazine / Fall • Winter 2005–06 COLLECTOR’S ISSUE From the Director SMH Board of Trustees wide variety of media. However, It is with great pride that I also Raymond J. McGuire I do believe that Frequency is a congratulate artist Julie Mehretu Chairman snapshot of the current moment on her being awarded a Carol Sutton Lewis Vice-Chair we live in, and just as Freestyle MacArthur “genius” grant this Reginald Van Lee ushered in a new generation of past September. Julie has a Treasurer artists, I believe we are about to long, rich history with the Studio Gayle Perkins Atkins become acquainted with some Museum as an Artist-in-Resi- Kathryn C. Chenault of the most exciting new voices dence (2000-2001) and as a Paula R. Collins in contemporary art. part of 2001’s Freestyle. I am Gordon J. Davis thrilled that the MacArthur Foun- Anne B. Ehrenkranz dation recognized the talents of Susan Fales-Hill an important artist such as Julie Dr. Henry Louis Gates, Jr. Sandra Grymes Mehretu. Joyce Haupt Arthur J. Humphrey,Jr. George L. Knox When it comes to art, never say Nancy L. Lane never. After the tremendous Dr. Michael L. Lomax success of Freestyle in 2001, I I want to thank all of the support- Tracy Maitland had both privately and publicly ers of the Frequency exhibition Rodney M. Miller acknowledged that there might for their unwavering support and Eileen Harris Norton no longer be a need for me to their considerable generosity: Corine Pettey organize group shows featuring The Andy Warhol Foundation David A.
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  • Barkley L. Hendricks on “The Fucked-Up-Ness of American Culture” by Lee Ann Norman on April 7, 2016
    A Masterful Portrait Painter, Barkley L. Hendricks Produced an Early Series of Basketball Paintings Grounded in Abstraction KS by VICTORIA L. VALENTINE on Mar 6, 2020 • 12:58 pm “Father, Son, and…” (1969) by Barkley L. Hendricks ONE OF THE BIG DRAWS at the Jack Shainman booth at Frieze Los Angeles last month was a triptych by Barkley L. Hendricks (1945-2017) called “Father, Son, and…” Given the title and the artist’s renown for making masterful portraits that convey his subject’s cool style and mien, it would be safe to assume the 1969 painting was figurative. In fact, the figure is absent from the work, which portrays a sport to which many in the African American community are devoted, and some might even say worship: basketball. Before he developed a practice focused on portraiture, Hendricks made a series of basketball paintings grounded in abstraction. He was still in school at the time, working as an arts and crafts teacher at the Philadelphia Department of Recreation, between his years at the Pennsylvania Academy of the Fine Arts (1963-67) and Yale University, where he earned both his BFA and MFA degrees in 1972. Offering the work for sale at the Los Angeles art fair was a precursor to a more fulsome presentation planned at the New York gallery in May. About a dozen paintings made between 1967 and 1970 will be on view Jack Shainman, most shown publicly for the first time, along with related ephemera and documentary . photographs by Hendricks. The gallery provided a description of the exhibition.
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  • Washingtonpost.Com, July 3, 2019
    Smee, Sebastian, “A vital voice of his generation,” WashingtonPost.com, July 3, 2019 A vital voice of his generation Rashid Johnson is blowing open the idea of Africanness By Sebastian Smee | July 3, 2019 Artist Rashid Johnson, 42, in front of one of his works in his Brooklyn studio. (Chris Sorensen for The Washington Post) BROOKLYN — It’s raining heavily when I emerge from the subway at Grand Street in Brooklyn, so for $2.50 I buy a black umbrella from a Chinese thrift store. I’m already damp, but the umbrella gets me in a presentable state the two or three blocks — past the Grand Street Campus High School and a parking lot full of police cars — to the studio of Rashid Johnson. Tall and well-built, Johnson is moving around the sprawling, street-level space with the help of a Knee- Rover — a scooter with a padded platform for his knee. He broke a bone in his foot fooling around on a soccer pitch with his 7-year-old son, and the recovery has taken months. Johnson’s work is intense- ly physical so the whole thing has been a “nightmare” — but he says it rolling his eyes and with a self-mocking smile. The studio is busy. Several assistants are moving things around. The space is filled with wooden crates, tall shelves, mixed-media paintings made with black soap and wax stacked against walls, trestle tables Smee, Sebastian, “A vital voice of his generation,” WashingtonPost.com, July 3, 2019 Johnson uses unusual materials in his works, such as shea butter, plants and black soap.
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