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Arnold) Glimcher, 2010 Jan
Oral history interview with Arne (Arnold) Glimcher, 2010 Jan. 6-25 Funding for this interview was provided by the Widgeon Point Charitable Foundation. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Arne Glimcher on 2010 January 6- 25. The interview took place at PaceWildenstein in New York, NY, and was conducted by James McElhinney for the Archives of American Art, Smithsonian Institution. Funding for this interview was provided by the Widgeon Point Charitable Foundation. Arne Glimcher has reviewed the transcript and has made corrections and emendations. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. Interview JAMES McELHINNEY: This is James McElhinney speaking with Arne Glimcher on Wednesday, January the sixth, at Pace Wildenstein Gallery on— ARNOLD GLIMCHER: 32 East 57th Street. MR. McELHINNEY: 32 East 57th Street in New York City. Hello. MR. GLIMCHER: Hi. MR. McELHINNEY: One of the questions I like to open with is to ask what is your recollection of the first time you were in the presence of a work of art? MR. GLIMCHER: Can't recall it because I grew up with some art on the walls. So my mother had some things, some etchings, Picasso and Chagall. So I don't know. -
The Art Show 2018 Program Highlights
The ADAA Announces Program Highlights for the 30th Annual Edition of The Art Show, February 28 – March 4, 2018 The Art Show 2018 Celebrates Three Decades of Partnership Between the ADAA, Henry Street Settlement, and the Park Avenue Armory Eleven Galleries from the Founding 1989 Fair and Many First-time Exhibitors to Showcase Ambitious Solo Shows, Curated Group Presentations, and Never-Before-Seen Works New York, January 17, 2018—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 30th edition of The Art Show, the nation’s longest-running and most respected art fair. Open to the public February 28 – March 4, 2018, The Art Show 2018 marks an unprecedented three decades of partnership between three major cultural organizations, the ADAA, the venerable community nonprofit Henry Street Settlement and New York City’s foremost cross-disciplinary cultural institution, the Park Avenue Armory. Since the fair’s inception, The Art Show has raised nearly $30 million for Henry Street Settlement through fair admission and proceeds from the annual Gala Preview, which kicks off this year’s fair on February 27. AXA Art Americas Corporation, the world’s premier insurance specialist for art and collections, continues its decade-long support of the ADAA and serves for the seventh year as Lead Partner of The Art Show. Organized by the ADAA, a nonprofit membership organization of art dealers across the country, The Art Show 2018 welcomes eleven returning galleries from the first fair in 1989, as well as many first-time exhibitors presenting ambitious solo shows, curated group presentations and never-before-seen works. -
Gallery AD PDF3
The new Pace Gallery headquarters at 540 West 25th Street in New York City, designed by Bonetti/Kozerski Architecture. Photo: Photo: Thomas Loof / Courtesy of Pace The new Pace Gallery headquarters at 540 West 25th Street in New York City, designed by Bonetti/Kozerski Architecture. ART + AUCTIONS Photo: Photo: Thomas Loof / Courtesy of Pace The Top 8 Fall ArtART Shows + AUCTIONS for Architecture The Top 8 Fall ArtLovers Shows for Architecture This autumn heralds the opening of several projects that celebrate the relationship betweenLovers art and building design This autumn heralds the opening of several projects that celebrate the By Liddy Berman relationship between art and building design September 12, 2019 By Liddy Berman September 12, 2019 Prepare to explore spectacular new building debuts and exhibitions that illuminate the works of artists inspired by architects, offering a closer look at how these The new Pace Gallery headquarters at 540 West 25th Street in New York City, designed by Bonetti/Kozerski Architecture. Preparedisciplines to explorecomplement spectacular and strengthen new building one another.debuts and Herewith, exhibitions AD highlightsthat illuminate eight Photo: Photo: Thomas Loof / Courtesy of Pace theunmissable works of openings artists inspired for art andby architects, architecture offering buffs toa closer enjoy. look at how these disciplines complement and strengthenART +one AUCTIONS another. Herewith, AD highlights eight unmissableThe Top openings 8 forFall art and Art architecture Shows buffs to for enjoy. -
Brice Marden Bibliography
G A G O S I A N Brice Marden Bibliography Selected Monographs and Solo Exhibition Catalogues: 2019 Brice Marden: Workbook. New York: Gagosian. 2018 Rales, Emily Wei, Ali Nemerov, and Suzanne Hudson. Brice Marden. Potomac and New York: Glenstone Museum and D.A.P. 2017 Hills, Paul, Noah Dillon, Gary Hume, Tim Marlow and Brice Marden. Brice Marden. London: Gagosian. 2016 Connors, Matt and Brice Marden. Brice Marden. New York: Matthew Marks Gallery. 2015 Brice Marden: Notebook Sept. 1964–Sept.1967. New York: Karma. Brice Marden: Notebook Feb. 1968–. New York: Karma. 2013 Brice Marden: Book of Images, 1970. New York: Karma. Costello, Eileen. Brice Marden. New York: Phaidon. Galvez, Paul. Brice Marden: Graphite Drawings. New York: Matthew Marks Gallery. Weiss, Jeffrey, et al. Brice Marden: Red Yellow Blue. New York: Gagosian Gallery. 2012 Anfam, David. Brice Marden: Ru Ware, Marbles, Polke. New York: Matthew Marks Gallery. Brown, Robert. Brice Marden. Zürich: Thomas Ammann Fine Art. 2010 Weiss, Jeffrey. Brice Marden: Letters. New York: Matthew Marks Gallery. 2008 Dannenberger, Hanne and Jörg Daur. Brice Marden – Jawlensky-Preisträger: Retrospektive der Druckgraphik. Wiesbaden: Museum Wiesbaden. Ehrenworth, Andrew, and Sonalea Shukri. Brice Marden: Prints. New York: Susan Sheehan Gallery. 2007 Müller, Christian. Brice Marden: Werke auf Papier. Basel: Kunstmuseum Basel. 2006 Garrels, Gary, Brenda Richardson, and Richard Shiff. Plane Image: A Brice Marden Retrospective. New York: Museum of Modern Art. Liebmann, Lisa. Brice Marden: Paintings on Marble. New York: Matthew Marks Gallery. 2003 Keller, Eva, and Regula Malin. Brice Marden. Zürich : Daros Services AG and Scalo. 2002 Duncan, Michael. Brice Marden at Gemini. -
Link to Full Exhibition History
TERRY WINTERS 1. Biography 2. Individual Exhibitions 3. Group Exhibitions 4. Projects by Terry Winters (Sets, Costumes, Design) BIOGRAPHY Born 1949 in Brooklyn B.F.A., Pratt Institute, Brooklyn, 1971 Elected to the American Academy of Arts and Letters, 2013 Lives and works in New York City and Columbia County, NY INDIVIDUAL EXHIBITIONS 1982 Sonnabend Gallery, New York. “Terry Winters”, October 30 – November 20 1983 Vollum Center Gallery, Reed College, Portland. “Terry Winters: Paintings and Drawings”, September 3 – October 2 1984 Sonnabend Gallery, New York. “Terry Winters”, February 4 – 25 Daniel Weinberg Gallery, Los Angeles. “Terry Winters”, May 26 -June 23 1985 Kunstmuseum Luzern. “Terry Winters: Paintings and Drawings”, October 12 – November 24 (catalogue) 1986 Castelli Graphics, New York. “Terry Winters: Lithographs”, February 1 – 22 Sonnabend Gallery, New York. “Terry Winters: Paintings”, February 8 – March 1 Tate Gallery, London. “Terry Winters: Eight Paintings”, May 14 – July 20 (catalogue) Barbara Krakow Gallery, Boston. “Terry Winters: Drawings and Lithographs”, May 17 – June 11 Yellowstone Art Center, Billings. “Focus: Terry Winters”, November 2 – December 31 (Traveled to Georgia State University Art Gallery, Atlanta, February 26 – March 29) (brochure) 1987 Georgia State University Art Gallery, Atlanta. “Focus: Terry Winters”, February 26 – March 29 (brochure) 1 Gallery Mukai, Tokyo. “Terry Winters”, February 7 –21 (catalogue) Saint Louis Art Museum, Saint Louis. “Currents 33: Terry Winters”, February 26 – March 29 (brochure) Sonnabend Gallery, New York. “Terry Winters: Drawings”, March 14 – April 18 Mario Diacono Gallery, Boston. “Terry Winters”, May 7 – 30 (brochure) Daniel Weinberg Gallery, Los Angeles. “Terry Winters: Paintings”, May 23 – June 20 Walker Art Center, Minneapolis. -
JR Eye to the World Tehachapi
FOR IMMEDIATE RELEASE JR Eye to the World June 4 – July 3, 2021 6 Burlington Gardens London Opening Day: June 4, 2021, 10 AM – 8 PM London Gallery Weekend Tehachapi June 4 – August 21, 2021 540 West 25th Street New York Top to bottom: JR, The Chronicles of New York City, Domino Park, USA, 2020 © JR, courtesy Pace Gallery; JR, Tehachapi, Daytime, Triptych, U.S.A., 2019 © JR, courtesy Pace Gallery Pace is delighted to present two exhibitions of leading contemporary artist, JR—JR: Eye to the World in London, and JR: Tehachapi in New York. Marking the gallery’s first London exhibition with the artist, JR: Eye to the World will open on June 4 on the occasion of London Gallery Weekend. JR’s practice is rooted in his deep commitment to collaborating with individuals and communities alike. His work is characterised by large-scale photographic interventions in urban environments that address cultural and political issues, often with an emphasis on social justice. Each portrait holds a multitude of stories as JR expertly balances the macroscopic with the microscopic, the individual experience with the universal. An extensive online catalogue of accompanying videos, images and texts will be found via the exhibition pages on the Pace website to coincide with the exhibition opening. FOR IMMEDIATE RELEASE Bringing together artworks from several significant bodies of work,JR: Eye to the World explores JR’s unique view of humanity as he transcends borders, politics, and cultural identity through the camera lens. This exhibition coincides with the artist’s largest solo museum show to date, JR: Chronicles, opening this June at Saatchi Gallery, London. -
Kelly A. Reynolds
Kelly A. Reynolds LinkedIn profile: http://www.linkedin.com/in/reynoldskelly Professional Experience: Pace Gallery, New York 2018–2020 Head Registrar • Department Head; managed fifteen registrars; nine in New York, and six globally • Oversaw the preparation and launch of new gallery locations • Served as Project Manager for extremely high-level VIP projects • Offered Collections Management assistance to high-level VIP clients • Led departmental initiatives and responsibilities, and advised team on high-level projects • Managed all exhibitions in New York and Geneva, and other global locations as needed • Developed and maintained departmental policies and procedures; collaborated with other Art Resources Team managers on gallery-wide issues and policies • Prepared departmental budgets and managed expenditures • Advised on insurance matters and assessed conservation mattters • Supervised annual inventory • Monitored and evaluated storage locations and composed/updated facilities report as needed Pace Gallery, New York 2014–2018 Senior Registrar for Susan Dunne, President • Registrar for Pace Artists: Robert Irwin, Isamu Noguchi, Robert Ryman, Kiki Smith, Richard Tuttle, Robert Whitman, and the Tony Smith Estate. Liaise with these artists/studios/estates to facilitate loans and sales of their works in and out of Pace inventory. Other artists/foundations/estates with non-exclusive representation include Agnes Martin, Louise Nevelson, and Lucas Samaras • Managed multiple exhibitions and art fairs each year • International and domestic courier -
Adam Pendleton Our Ideas
FOR IMMEDIATE RELEASE Adam Pendleton Our Ideas 6 Burlington Gardens, London W1S 3ET 2 October – 9 November 2018 Opening Reception: Monday 1 October, 6–8 PM London—Pace Gallery is honoured to present Adam Pendleton: Our Ideas, an exhibition spanning the artist’s practice. The exhibition will be on view from 2 October to 9 November 2018 at 6 Burlington Gardens, London. A catalogue will accompany the exhibition and include essays by Suzanne Hudson and Alec Mapes-Frances, as well as a conversation between Adam Pendleton, Yvonne Rainer, and Adrienne Edwards. Pendleton, a New York-based artist, is known for work animated by what the artist calls “Black Dada,” a critical articulation of blackness, abstraction, and the avant-garde. Drawing from an archive of language and images, he makes conceptually rigorous and formally inventive paintings, collages, videos, and installations that insert his work into broader conversations about history and contemporary culture. Pendleton’s multilayered visual and lexical fields often reference artistic and political movements from the 1900s to today, including Dada, Minimalism, the Civil Rights movement, and the visual culture of decolonization. In his own words: Black Dada is an idea. When pressed, I often say it’s a way to talk about the future while talking about the past. It surfaced in a conversational space, when I was just talking to friends. I had Amiri Baraka’s book The Dead Lecturer, which contains the poem “Black Dada Nihilismus.” I found the language striking: “Black Dada.” Just that. The “Black” and the “Dada.” “Black” as a kind of open-ended signifier, anti-representational rather than representational. -
Sale of the Donald B. Marron Family Collection to Be Handled by Acquavella Galleries, Gagosian and Pace Gallery in a Collaboration to Honor His Legacy
FOR IMMEDIATE RELEASE Sale of the Donald B. Marron Family Collection to be Handled by Acquavella Galleries, Gagosian and Pace Gallery in a Collaboration to Honor his Legacy “Good contemporary art reflects the society, and great contemporary art anticipates.” —Donald B. Marron Left: Don Marron, Catie Marron © Patrick McMullan Right: Mark Rothko, Number 22 (reds), 1957 © 2020 Kate Rothko Prizel and Christopher Rothko / ARS, New York Courtesy the Donald B. Marron Family Collection, Acquavella Galleries, Gagosian, and Pace Gallery In an unprecedented move, Acquavella Galleries, Gagosian, and Pace Gallery have joined forces with the Marron family to handle the sale of the Donald B. Marron Family Collection. The collaboration will pay homage to Don Marron’s (1934–2019) legacy as one of the 20th and 21st centuries’ most passionate and erudite collectors, a pioneer of corporate collections, a family man, and a dedicated philanthropist. Over the course of six decades, Marron acquired over 300 modern and contemporary masterworks. In May 2020, the three galleries will organize a joint exhibition in New York to showcase the breadth of the Marron family collection. The exhibition will be divided into three significant phases of Marron’s collecting activities, including his work as a young collector in the 1960s and 1970s, as a museum steward, and as a pioneer in reinventing how corporations build art collections around a singular vision. The exhibition will include works from the family collection as well as loans from institutions. The Marron family collection includes two major paintings by Pablo Picasso, Femme au béret et la collerette (Woman with Beret and Collar) (March 6, 1937) and Femme assise (Jacqueline) (May 13–June 16, 1962); Mark Rothko’s Number 22 (reds) (1957); Cy Twombly’s Untitled (Camino Real) (2011); paintings by Willem de Kooning and Gerhard FOR IMMEDIATE RELEASE Richter, and significant works by Brice Marden, including Complements (2004–2007). -
Download Rashid Johnson Résumé
177 NW 23rd Street, Miami, Florida 33127 (786) 332-4736 Rashid Johnson Born in Chicago IL, 1977 EDUCATION Bachelor of Arts, Columbia College, Chicago IL, 2000 School of the Art Institute, Chicago, Chicago IL, 2004 – 2005 Lives and works in New York NY SELECTED SOLO EXHIBITIONS 1999 Seen In The Dark, G.R. N’Namdi Chicago, Illinois 2000 Seen In The Dark G.R. N’Namdi, Detroit, Michigan 2000 National Black Fine Art Show, G.R. N’Namdi, New York, New York 2001 Manumission Paper, G.R. N’Namdi Chicago, Illinois 2001 Manumission Paper, G.R. N’Namdi, Detroit, Michigan 2013 Ballroom Marfa, ‘New Growth’, Texas TX High Museum of Art, Atlanta ‘Rashid Johnson: Message to Our Folks’, Atlanta GA Kemper Art Museum, ‘Rashid Johnson: Message to Our Folks’, St. Louis MO 2012 David Kordansky Gallery, ‘Coup d’état’, Los Angeles LA Miami Art Museum, ‘Rashid Johnson: Message to Our Folks’, Miami FL South London Gallery, ‘Shelter’, London, England Hauser & Wirth, ‘Rumble’, New York NY Museum of Contemporary Art Chicago, ‘Rashid Johnson: Message to Our Folks’, Chicago IL 2010 Massimo De Carlo, ‘25 Days after October’, Milan, Italy Carlson/Massimo De Carlo, ‘Between Nothingness and Eternity’, London, England Galerie Guido W. Baudach, ‘There are Stranger Villages’, Berlin, Germany Salon 94, ‘Our Kind of People’, New York NY 2009 David Kordansky Gallery, ‘Other Aspects’, Los Angeles CA Sculpture Center, ‘Smoke and Mirrors’, Long Island City NY Power House Memphis, ‘The Dead Lecturer: Laboratory, Dojo, and Performance Space’, Memphis TN 2008 Richard Gray Gallery, ‘Cosmic -
Rashid Johnson: Anxious Men October 2–December 20, 2015
Rashid Johnson: Anxious Men October 2–December 20, 2015 Drawing Room Opening Reception: Thursday, October 1, 6–8pm For further information and images, please contact Molly Gross, Communications Director, The Drawing Center 212 219 2166 x119 | [email protected] August 5, 2015 New York – The Drawing Center will present Rashid Johnson: Anxious Men, a site-specific installation created by Johnson for the Drawing Room gallery. Universally accessible and employing common visual tropes such as the monochrome and the grid, Johnson’s work is also self- referential, making specific allusion to his upbringing in Chicago in the late seventies and eighties and the Afro-centric values of his parents. The core of the exhibition is a new series of black-soap- and-wax-on-tile portraits that Johnson calls his “anxious men.” Executed by digging into a waxy surface, they enact a kind of drawing through erasure and represent the first time Johnson has worked figuratively outside of photography or film, and on such a small scale. Whereas Johnson’s Rashid Johnson, Untitled previous work has taken a more cerebral approach to questions of race and political identity, the Anxious Men, 2015. White ceramic tile, black soap, drawn portraits confront the viewer with a visceral immediacy. wax, 47 1/2 x 34 1/2 x 2 inches. © Rashid Johnson, Courtesy the artist and Hauser & Wirth. Photo by The portraits will be set within a multi-sensory environment that includes wallpaper depicting a Martin Parsekian. photograph of the artist’s father from the year Johnson was born, and an audio sound track comprised of Melvin Van Peebles’s “Love, That’s America,” a song originally featured in Peebles’s 1970 film Watermelon Man and that was recently pressed into service by the Occupy Wall Street movement. -
Galleries & Museums
24 CHICAGO READER | DECEMBER 2,2005 | SECTION T WO Galleries & Museums installation; work by Elvia Rodriguez- Skestos Gabriele 212 N. Peoria. Beverly Ochoa, through Sat 12/24. E Opens Fri Fishman, screen prints on vinyl, through 12/2, 6-10 PM. Sat noon-5. 773-344-1940 Sat 12/31. Tue-Fri 11-6, Sat noon-5. 312-243- 1112 Portals 742 N. Wells. Jorge Simes, paint- ings and works on paper, through Wed 3/1. South Side Community Art Center 3831 Tue-Fri 10-5, Sat 11-5. 312-642-1066 S. Michigan. Elizabeth Catlett, prints, through Sat 12/3 C . Wed noon-5, Sat 9-5, Practical Angle 161 E. Erie. Work by Vlado Sun 1-5. 773-373-1026 Ketch and Stuart Brent, through Fri 12/16. Mon-Fri 10-6, Sat 10-5. 312-280-8118 Steelelife 4655 S. King, 2nd fl. Max Sansing, paintings, through Sat 12/10. Tue- Printworks 311 W. Superior #105. “The Art Sat 1-8. 773-538-4773 of the Bookplate,” work by 72 artists, through Sat 2/4. E Opens Fri 12/2, 5-8 PM. Stutz Studiowerks 5303 N. Clark. Deanna Tue-Sat 11-5. 312-664-9407 Andrews, photos, through Mon 12/12. Wed, Fri & Sun 11-5, Thu 1-7. 773-907-8889 Byron Roche 750 N. Franklin. Rebecca Shore, Paul Hunter, Jiwon Son, paintings, 33 Collective 1029 W. 35th, 3rd fl. “Post through Sat 12/31. Tue-Sat 11-6. 312-654- Abstraction Figuration,” work by members 0144 of the Midwest Paint Group; Marivi Ortiz, photos, through Thu 12/22.