Kelly A. Reynolds

LinkedIn profile: http://www.linkedin.com/in/reynoldskelly

Professional Experience:

Pace Gallery, New York 2018–2020 Head Registrar • Department Head; managed fifteen registrars; nine in New York, and six globally • Oversaw the preparation and launch of new gallery locations • Served as Project Manager for extremely high-level VIP projects • Offered Collections Management assistance to high-level VIP clients • Led departmental initiatives and responsibilities, and advised team on high-level projects • Managed all exhibitions in New York and Geneva, and other global locations as needed • Developed and maintained departmental policies and procedures; collaborated with other Art Resources Team managers on gallery-wide issues and policies • Prepared departmental budgets and managed expenditures • Advised on insurance matters and assessed conservation mattters • Supervised annual inventory • Monitored and evaluated storage locations and composed/updated facilities report as needed

Pace Gallery, New York 2014–2018 Senior Registrar for Susan Dunne, President • Registrar for Pace Artists: Robert Irwin, , , Kiki Smith, Richard Tuttle, Robert Whitman, and the Estate. Liaise with these artists/studios/estates to facilitate loans and sales of their works in and out of Pace inventory. Other artists/foundations/estates with non-exclusive representation include , Louise Nevelson, and Lucas Samaras • Managed multiple exhibitions and art fairs each year • International and domestic courier • Managed two dealer assistants and four registrars • Generated incoming/outgoing loan, consignment, approval, and gift agreements; evaluated insurance policies and facility reports; executed condition reports; composed installation and packing instructions; liaised with conservators, fabricators, and collectors • Registrar for Geneva location and provided support for and Paris locations

Bruce Silverstein Gallery, New York 2012–2014 Executive Assistant to Bruce Silverstein • Generated consignment agreements, receipts, invoices, appraisals, and offering presentations • Cultivated client relationships and facilitated sales of contemporary and vintage photography

Jason McCoy Gallery, New York 2012 Registrar • Coordinated packing, shipping and insurance for loans and sales • Prepared exhibition press releases, checklists, receipts, loan/consignment agreements, condition reports, and client offer letters; liaison with artists, museums, and galleries • Conducted research—biographical, bibliographical, provenance history, and exhibition history—on gallery artists, and works in inventory • Worked directly with artists on upcoming exhibitions, and conducted studio visits Kelly A. Reynolds Page 2

Donald Judd Foundation, New York 2012–2013 Registration / Collections Management (Freelance) • Conducted research and created registration files on all artwork in the New York inventory • Assessed conservation needs of works in storage • Spring 2013—member of the team to reinstall the collection in the newly renovated building

Museum of Fine Arts, St. Petersburg, FL 2006–2010 Exhibitions Coordinator • Curated four exhibitions. Managed over thirty exhibitions. • Courier for collection and exhibitions; liaison with visiting couriers • Maintained the curatorial master calendar; coordinated the booking and scheduling of all exhibitions • Negotiated contracts and prepared checklists, receipts, loan agreements, condition reports, correspondence, and budgets for special exhibitions • Coordinated packing, shipping, insurance, and courier arrangements for special exhibitions; including in- house, traveling, and borrowed exhibitions, both domestic and international • Composed exhibition abstracts for press releases, website, grants, and other printed and digital material. Composed didactic materials including exhibition labels and text panels • Initiated traveling exhibition program; composed brochure and developed contract • Provided assistance to Chief Curator: researched new and potential acquisitions; provided editorial support; and assisted with exhibition research, development, and design • Served as personal registrar (contracted) for board member with a private collection of photography (over 20,000 works), and ancient American Southwestern pottery

Salvador Dalí Museum, St. Petersburg, FL 1995–2004 Assistant Curator • Curated six exhibitions. Managed over fifty exhibitions • Authored and designed a 32-page catalogue for the exhibition Love and Death • International and domestic courier for collection and exhibitions, liaison with visiting couriers • Assisted Preparator with archival framing and fabrication of display elements • Provided assistance to Curator of Exhibitions: Including exhibition research, development, and design; editorial support; and catalogue research and design • Prepared exhibition-related budgets and annual budgets for curatorial department • Contributing editor to Museum’s published conference proceedings (2005) • Organized 2004 International Dalí Conference (3-day event). Designed the format of the conference, acted as Museum liaison with scholars/artists, prepared and edited the proceedings for publication, and was responsible for overall organization of the event • Escorted journalists on tour of Barcelona & Catalonia (2004) • Teaching assistant for Surrealism classes at USF (1999–2001) • Co-produced an educational video, Get Surreal! with Salvador Dalí

Education and Foreign Language Skills:

Sotheby’s Institute of Art, New York Master of Arts in Art History, Contemporary Art. Thesis awarded distinction. University of South Florida, Tampa, FL Bachelor of Arts in Art History, magna cum laude Foreign language skills: intermediate reading knowledge of French