Gaylen Gerber
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Anna Kunz Studio
Anna Kunz Studio - 5333 W. Lake Street, Chicago, IL 60644 Email - [email protected] EDUCATION 2009 The Skowhegan School of Painting and Sculpture, Skowhegan, ME MFA, Northwestern University, Evanston, IL BFA, The School of the Art Institute of Chicago, Chicago, IL SOLO EXHIBITIONS 2019- upcoming, Galleri Urbane Dallas/Marfa, September 2019 2018 Color Cast, The Hyde Park Art Center, Chicago, IL 2017 HEROES FOR GHOSTS, Galleri Urbane, Dallas TX 2017 Physical Sunshine, The Riverside Art Center, Riverside, IL 2017 Venus, Providence College Galleries, Providence, RI, curated by Jamilee Lacy 2017 Color Scores, The University Club of Chicago, Chicago, IL 2017 Yellow Pinto, McCormick Gallery, Chicago, IL 2014 Paintings for other Places, 737 N. Michigan Avenue, Chicago, IL 2010 Eidolon, Commissioned Courtyard Installation, Smart Museum of Art, University of Chicago, IL 2009 Do I make you Happy, Installation at Robin Richman, Chicago,IL 2008 New Paintings, Tory Folliard Gallery, Milwaukee, WI 2007 Illinois State University Gallery, Normal, IL 2006 Eastern Illinois University, Tarble Arts Center, Charleston, IL 2005 Dayfield, Illinois State Museum, Springfield, IL 2002 Pink, Green, Mixture Contemporary Art, Houston, TX 2001 Painting Lounge, Special Project for the Elmhurst Art Museum, Elmhurst, IL 2000 Paintings, Thomas McCormick Gallery, Chicago, IL 2000 Feelie, Northwestern University, Dittmar Memorial Gallery, Evanston,IL GROUP EXHIBITIONS Upcoming- 2019- Inquiry, University of Cincinati, OH Made in Paint, Golden Fountation, New Berlin, NY Group Show, Berlin 2018 Hover, Vibrate, Swell, Reverse, TSA LA, Los Angeles, CA, curated by Claudine Isé, including works by Lecia Dole-Recio, Yunhee Min, Josue Pellot, and Michelle Wasson 2017 Tetrachromat Seeing Color Differently, Metropolitan Capital Bank, Chicago, IL 2017 Invisible. -
Interviste E Conversazioni
Interviews with Michelangelo Pistoletto Marcello Venturoli, Dialogo con Pistoletto, in “Tutti gli uomini dell’arte”, Milano, 1968 Guido Boursier, Far scattare nella gente meccanismi di liberazione, in “Sipario”, n. 276, Milano, April 1969 Germano Celant, Intervista con Michelangelo Pistoletto, Genova, February 1971, in Germano Celant, “Michelangelo Pistoletto”, catalogue of the exhibition, Palazzo Grassi, Venezia, 1976 (Ed. Electa) Achille Bonito Oliva, Michelangelo Pistoletto, Torino 1972, in “Enciclopedia della parola. Dialoghi d'artista. 1968-2008”, ed. Skira, Milano 2008 Mirella Bandini, Torino 1960-73, in “Nac”, n. 3, Bari, March 1973, re- published in Mirella Bandini, “1972 - Arte Povera a Torino”, Allemandi Editore, Torino, 2002 Mirella Bandini, Il significato di Gallizio per la nuova generazione, in “Pinot Gallizio e il laboratorio sperimentale d’Alba”, catalogue of the exhibition, Galleria Civica d’Arte Moderna, Torino 1974 Umberto Allemandi, Specchio delle mie brame, in “Bolaffi Arte”, anno VII, n. 57, Milano, February - March 1976 Francesco Prestipino, Viaggio nelle stanze di Michelangelo Pistoletto, in “Le Arti”, anno XXVI, n. 4, Milano, April 1976 l.k.. Un palcoscenico tutto bianco, in “La Repubblica”, Roma, 10 June 1977 Giuseppe Risso, Pistoletto. Datemi uno specchio, in “Gazzetta del Popolo”, Torino, 4 May 1978 no author (the name of the author of the interview is not mentioned in the publication, henceforth abbreviated n.a.), Pistoletto an 14 Orten in Berlin, transcript of the conference/debate with Pistoletto at Hochschule der Künste, 3 November 1978, in “Kunstmagazin”, n. 4, Mainz, 1978 Anne Livet, An Interview with Maynard Jackson and Michelangelo Pistoletto, in “Contemporary Art/Southeast, Volume II, n. 2, Michelangelo Pistoletto in the South”, Atlanta 1979 Michael Auping, Venus of the rags, 18 December 1979, Berkeley, in 30 years interviews and outtakes, ed. -
CV Photo/Ciel Variable, Montreal, No
A N G E L A G R A U E R H O L Z Recognition and Awards (Visual Arts) 2018 Honorary Doctorate Emily Carr University of Art + Design, Vancouver 2017 150 Years of Photography / Canada 150 Commemorative Collection, 2017 Canada Post, Ottawa 2015 Recipient of the Scotiabank Photography Award, Toronto 2014 Recipient of the Governor General Award in Visual and Media Arts, Canada Council for the Arts, Ottawa 2013 Shortlisted for the Scotiabank Photography Award, Toronto 2006 Awarded the Prix Paul-Émile Borduas, Government of Quebec, Quebec Solo exhibitions 2019 The Empty S(h)elf – First iteration, Artexte, Montreal The Book is the Book, installation at the Madras Literary Society (library), 2019 Chennai Photo Biennale, Chennai Angela Grauerholz: Écrins, écrans, McIntosh Gallery, Western University, London, ON 2018 Scotiabank Contact Festival / Olga Korper Gallery, Toronto Art 45, Montréal 2016 Angela Grauerholz (Scotiabank Photography Award), Ryerson Image Centre, Toronto Angela Grauerholz/Écrins, écrans, Canadian Cultural Centre/Centre culturel canadien, Paris 2014 Olga Korper Gallery, Toronto 2012 Art 45, Montreal 2011 Olga Korper Gallery, Toronto Angela Grauerholz: The inexhaustible image…épuiser l’image, University of Toronto Art Centre (UTAC), Toronto 2010 Angela Grauerholz: The inexhaustible image…épuiser l’image, National Gallery of Canada/Musée des beaux-arts du Canada, Canadian Museum of Contemporary Photography/Musée canadien de la photographie contemporaine (CMCP), Ottawa (book/catalogue) McMaster Museum of Art, McMaster University, -
KUB 09 Program 2009
Kunsthaus Bregenz KUB 09 Program 2009 Kunsthaus Bregenz Kunsthaus Bregenz “The Kunsthaus Bregenz is an open platform for both artwork and audience.” Eckhard Schneider With its long-term basic idea of work oriented on the core of art, the Kunsthaus Bregenz has achieved an unmistakable profile and a solid place amongst the leading exhibition spaces in Europe. It is the mutually fructifying blend of architecture, programming, curatorial practice, communication, education, and publications that has made KUB a distinctive model in the ar t world. This carefully elaborated Maurizio Cattelan plat form with its radical demands on the work continues to challenge and Ku n s th a u s B re g e n z, 02.02. – 24.0 3. 20 0 8 Installation view 3rd floor set standards as a dynamic model. 2 3 K U B P r o g r a m 2 0 0 9 Taking Stock 2008 General Facts 2008 Visitors: ca, 59,000 anticipated C o ntr i b u ti o n f ro m th e S t ate of Vo r a r l b e rg: 1.8 6 8,0 0 0 e u ro s (6 0.7%) Share covered by proceeds: 1.230,000 euros (39.3%) In 2008 we were able to continue the positive trend of our anniversary year in all areas. Not only will 20 08 close as quite a successful year econom- ically, but KUB was also able to reconfirm its international standing as one of the leading exhibition halls in Europe with large -scale shows by Maurizio Cattelan, Carsten Höller, and Jan Fabre. -
Rainer Ganahl Biography
RAINER GANAHL Born in Austria. Lives and works in New York 1990/91 Whitney Museum Independent Study Program, New York 1986-91 HAK, Vienna (P. Weibel), Akademie Düsseldorf (N. J. Paik) Master of Philosophy and History at the University of Innsbruck SELECTED SOLO EXHIBITIONS 2010 Alex Zachary, New York Hospitalhof, Stuttgart Elaine Levy Projects, Art Brussels Tea Party, Werkstatt Graz, Graz 2009 MAK, Vienna, October 2009/2010 Toxic Assets, Galerie NŠchst St. Stephan, Rosemarie Schwarzwaelder, Login Elaine Levy Projects, Brussels 2008 Fruit and Flower Deli, New York DADALENIN, Tensta Konsthall, Stockholm Paul Petro Gallery, Toronto Les Laboratoires, Aubervilliers, Paris (a theater production, a film) Kunstverrein SchwŠbisch Hall, SchwŠbisch Hall G126, Galway, Ireland Ce qui roule - That Which Rolls, Early Form's of Rollin' Rock, Les Laboratoire, Aubervilliers, Paris 2007 Rainer Ganahl, The Apprentice in the Sun, Kunstmuseum Stuttgart, Stuttgart, catalog Rainer Ganahl, Reading, Riding and other Recent Works, Duncan of Jordanstone Colege of Art and Design, Dandee 2006 From Vatican to Piazza della Repubblica with no return, RAM, radioartemobile, Rome 2005 The Wallach Art Gallery, Columbia University Museum, New York , catalog Museum of Modern Art, MUMOK, Vienna, catalog Gregoire Maisonneuve, Paris Roellinduerr, St. Gallen Artist Commune, Hong Kong Baumgartner Gallery, New York 2004 le consortium, Dijon bicycle, Paul Petro Contemporary Art, Toronto 2003 Gesellschaft für Aktuelle Kunst, GAG, Bremen, cataog Kunstbüro, Vienna Casco, Utrecht Maisonneuve, Paris vertretung des landes niedersachsen beim bund , Berlin Das Zählen der letzten Tage der Sigmund Freud Banknote, project wall, Kunsthalle Wien, Vienna 2002 Base, Florence, Italy Baumgartner Gallery, New York 2001 Baumgartner Gallery, New York Galerie Nächst St. -
![Biography [PDF]](https://docslib.b-cdn.net/cover/3957/biography-pdf-963957.webp)
Biography [PDF]
B A R B A R A G R O S S G A L E R I E LOUISE BOURGEOIS 1911 Geboren in Paris, Frankreich (25. Dezember 1911) Born in Paris, France (December 25th, 1911) 2010 Gestorben in New York, USA (31. Mai 2010) Died in New York, USA (May 31, 2010) 1932 Sorbonne, University of Paris (Baccalauréate in Philosophy) 1934 Paul Colin 1936-1937 Atelier Roger Bissière dell'Académie Ranson Académie of D'Espagnat École du Louvre 1936-1938 École Nationale Supérieure des Beaux-Arts (studying with André Devambez) Académie de la Grande-Chaumière, as an assistant or massière to Yves Brayer 1937-1938 École Municipale de Dessin & d'Art Académie de la Grande-Chaumière, studying painting with Othon Friesz and sculpture with Robert Wlérick Docent at the Musée du Louvre 1938 Moved to New York, USA Académie Scandinavie with Charles Despiau Studied with Fernand Léger Marcel Gromaire and André Lhote 1938-1939 L'Académie Ranson 1939-1940 Vaclav Vytlacil 1946 Art Student's League of New York 1955 On October 5th, Louise Bourgeois becomes an American citizen Preise und Auszeichnungen / Awards and Distinctions 2009 Inducted into National Women’s Hall of Fame, Seneca Falls, New York NY 2008 Aragon-Goya Award, Goya Foundation, Aragon Government, Zaragoza, Spain French Legion of Honor medal presented by President Sarkozy to Louise Bourgeois, Artist’s Chelsea home, France 2007 The "Woman Award", The United Nations and Women Together, New York NY Österreichisches Ehrenzeichen für Wissenschaft und Kunst (Austrian Honour Medal for Science and Arts) 2002 Wolf Foundation Prize in the -
Contemporary Art and Anthropology
COURSE PLAN Arnd Schneider Anthropologists as Artists, Artists as Anthropologists? New Approaches to the Anthropology of Contemporary Art Contemporary art has only recently become a concern for anthropologists. For a long time, the anthropology of art has investigated the art of entire, often small-scale non-western societies, and put less emphasis on individual artists. This course will look at recent overlaps between art and anthropology. Following the so-called „ethnographic turn‟, contemporary artists have adopted an „anthropological‟ gaze, and even sometimes methodologies, such as fieldwork, in their appropriation of other cultures. Anthropologists, on the other hand, in the wake of the „writing culture‟ critique of the 1980s, are starting to explore new forms of visual research and representation beyond written texts. This course will explore the potential for future collaborations between art and anthropology, based on an examination of key texts and review of a number of paradigmatic artists. SESSION 1 18 January, 14.15 – 16.15 Introduction to the course by the course leader: issues in the anthropology of art, definitions of art, contemporary art Allocation of student presentations for sessions 2 , 3 & 4 Discussion of the following readings (you must read these before the session): Schneider, Arnd & Wright, Christopher (eds.). 2006. Contemporary Art and Anthropology. Oxford: Berg. Chs. 1 & 2 Schneider, Arnd. 2006. Appropriation as Practice: Art and Identity in Argentina. New York: Palgrave.ch.2 Marcus, George & Myers, Fred. 1995. “The Traffic in Art and Culture: An Introduction”, The Traffic in Culture, eds. George Marcus& Fred Myers. Berkeley: University of California Press. pp. 1-51 SESSION 2 1 February, 14.15 – 18.15 Discussion of the following readings 1 Schneider, Arnd. -
Documenta 5 Working Checklist
HARALD SZEEMANN: DOCUMENTA 5 Traveling Exhibition Checklist Please note: This is a working checklist. Dates, titles, media, and dimensions may change. Artwork ICI No. 1 Art & Language Alternate Map for Documenta (Based on Citation A) / Documenta Memorandum (Indexing), 1972 Two-sided poster produced by Art & Language in conjunction with Documenta 5; offset-printed; black-and- white 28.5 x 20 in. (72.5 x 60 cm) Poster credited to Terry Atkinson, David Bainbridge, Ian Burn, Michael Baldwin, Charles Harrison, Harold Hurrrell, Joseph Kosuth, and Mel Ramsden. ICI No. 2 Joseph Beuys aus / from Saltoarte (aka: How the Dictatorship of the Parties Can Overcome), 1975 1 bag and 3 printed elements; The bag was first issued in used by Beuys in several actions and distributed by Beuys at Documenta 5. The bag was reprinted in Spanish by CAYC, Buenos Aires, in a smaller format and distrbuted illegally. Orginally published by Galerie art intermedai, Köln, in 1971, this copy is from the French edition published by POUR. Contains one double sheet with photos from the action "Coyote," "one sheet with photos from the action "Titus / Iphigenia," and one sheet reprinting "Piece 17." 16 ! x 11 " in. (41.5 x 29 cm) ICI No. 3 Edward Ruscha Documenta 5, 1972 Poster 33 x 23 " in. (84.3 x 60 cm) ICI /Documenta 5 Checklist page 1 of 13 ICI No. 4 Lawrence Weiner A Primer, 1972 Artists' book, letterpress, black-and-white 5 # x 4 in. (14.6 x 10.5 cm) Documenta Catalogue & Guide ICI No. 5 Harald Szeemann, Arnold Bode, Karlheinz Braun, Bazon Brock, Peter Iden, Alexander Kluge, Edward Ruscha Documenta 5, 1972 Exhibition catalogue, offset-printed, black-and-white & color, featuring a screenprinted cover designed by Edward Ruscha. -
Patrick Painter, Inc
PATRICK PAINTER, INC A. R. PENCK Born October 05, 1939 Currently lives and works in Ireland and Germany BIOGRAPHY 2004 Patrick Painter Inc., Santa Monica, Ca. 1999/2000 Exhibition of bronze sculptures in Heilbronn, Bremen, Recklinghausen, Luxembourg, Berlin and Bad Homburg. 1998 Extensive travelling exhibition throughout Japan. 1992 Takes part in documenta 9 in Kassel. 1989 Becomes Professor of Art at the Kunstakademie in Düsseldorf. 1987 Receives the Nord/LB Prize for art. 1986 First Carrara marble sculptures appear. 1985 Awarded the artist’s prize by the city of Aachen. 1984/85 Various miniature sculptures in bronze. 1984 Participation in the 41st art festival in Venice together with Lothar Baumgarten. Increased interest in music. Joins work on the production of numerous Free Jazz Recordings. 1983 Extended visit to Israel. Settles in London and later in Ireland. 1982 Participation in documenta 7 in Kassel. Starts working with iron and bronze. First publication of the newspaper >Krater und Wolke< which is edited by A.R. Penck. 1980 On 3rd August travels to Lörsfeld/Kerpen (near Cologne) in the German Federal Republic. Awarded the Rembrandt Prize by the Goethe Foundation in Basel. Friendship with Markus Lüpertz and Per Kirkeby. Visits Joseph Beuys. 1979 Releases the first recording of >Gostritzer 92<. 1977 First wooden sculpture. Participation in documenta 6 in Kassel. First meeting with Jörg Immendorff in East Berlin. 1975 First major retrospective work at the Bern Kunsthalle. Awarded the Will Grohmann Prize by the Akademie der Künste in West Berlin. 1973/74 Spends six months working as a reserve for the People’s Army in the (former) German Democratic Republic. -
The Work of Giorgos Kontis (B.1981 Athens) Focuses on Abstract Painting and on Its Function As an Image
The work of Giorgos Kontis (b.1981 Athens) focuses on abstract painting and on its function as an image. It becomes a contemplation on the autonom! the painted image gains, triggering #uestions on authenticity and the artistic agency. Giorgos studied at the Athens $chool of %ine Arts, at the Academ! of &isual Arts (Ad'K) in Munich and at the Uni*ersity of Arts (UdK) in 'erlin. +e did a (%A at $t.Joost Academ! in 'reda" -etherlands, and he holds a practice based .h/ in Painting" from the 0oya 1ollege of Art in 2ondon" on the notion of Authenticity. +e li*es and works in 'erlin and Athens. $o o $hows 3419 Mother Tongue" 1ru5 Galerie" Athens, Greece. 1urated b! Katerina -ikou The Threatening Image" Ph/ &i*a 65hibition" +ockne! Galler!" 01A, 2ondon" UK 3417 Ian Kiaer Presents Giorgos Kontis" Ian Kiaer8s studio, 'ow Arts 2ondon" UK 3419 0" Galerie Kunstbuero, &ienna Art %oundation (with Just :uist)" &ienna" Austria 341; Winter Kept Us Warm" 6urocontrol +ead#uarters, 'russels, 'elgium Let Gooo project" 0uimte 1aesuur" Middelburg" -etherlands. 1urated b! Just :uist 3414 Kaplanon < Galler!" Athens, Greece Group $hows 3434 The Space of Emplacement (works from the 1hristos 1hristofis 1ollection)" $tudio53 Galler!" Athens, Greece Art-Athina !"nline E#ition$" 1ru5 Galerie" Athens" Greece -ationa Theatre of -orthern Greece" 65hibition accompan!ing the pla! =The 'irds” %uarantine E&hi'ition !"nline$" $tudio53 Galler!" Athens, Greece. 1urated b! /ionisis 1hristophilogiannis, $otirios 'ahtsetzis, 2!dia Pribisova" -icolas &am*ouklis In Praise of Sha#ows" Ione and Mann Galler!" 'elgra*ia 2ondon" UK Someone Else)s *ostalgia" 1ru5 Galerie" Athens" Greece. -
Download Rashid Johnson Résumé
177 NW 23rd Street, Miami, Florida 33127 (786) 332-4736 Rashid Johnson Born in Chicago IL, 1977 EDUCATION Bachelor of Arts, Columbia College, Chicago IL, 2000 School of the Art Institute, Chicago, Chicago IL, 2004 – 2005 Lives and works in New York NY SELECTED SOLO EXHIBITIONS 1999 Seen In The Dark, G.R. N’Namdi Chicago, Illinois 2000 Seen In The Dark G.R. N’Namdi, Detroit, Michigan 2000 National Black Fine Art Show, G.R. N’Namdi, New York, New York 2001 Manumission Paper, G.R. N’Namdi Chicago, Illinois 2001 Manumission Paper, G.R. N’Namdi, Detroit, Michigan 2013 Ballroom Marfa, ‘New Growth’, Texas TX High Museum of Art, Atlanta ‘Rashid Johnson: Message to Our Folks’, Atlanta GA Kemper Art Museum, ‘Rashid Johnson: Message to Our Folks’, St. Louis MO 2012 David Kordansky Gallery, ‘Coup d’état’, Los Angeles LA Miami Art Museum, ‘Rashid Johnson: Message to Our Folks’, Miami FL South London Gallery, ‘Shelter’, London, England Hauser & Wirth, ‘Rumble’, New York NY Museum of Contemporary Art Chicago, ‘Rashid Johnson: Message to Our Folks’, Chicago IL 2010 Massimo De Carlo, ‘25 Days after October’, Milan, Italy Carlson/Massimo De Carlo, ‘Between Nothingness and Eternity’, London, England Galerie Guido W. Baudach, ‘There are Stranger Villages’, Berlin, Germany Salon 94, ‘Our Kind of People’, New York NY 2009 David Kordansky Gallery, ‘Other Aspects’, Los Angeles CA Sculpture Center, ‘Smoke and Mirrors’, Long Island City NY Power House Memphis, ‘The Dead Lecturer: Laboratory, Dojo, and Performance Space’, Memphis TN 2008 Richard Gray Gallery, ‘Cosmic -
Rainer Ganahl: El Mundo Saturday, April 19Th – Saturday, May 24Th, 2014 Inaugural Opening Reception: April 19Th, from 7-9:30 Pm
April 1st, 2014 Pre-Opening Press Release Kai Matsumiya For Press inquiries: 153 ½ Stanton Street m. 617 678 4440 New York, New York 10002 w. 646 455 3588 www.kaimatsumiya.com [email protected] Gallery Hours: Tue-Sat: 12-8pm Rainer Ganahl: El Mundo Saturday, April 19th – Saturday, May 24th, 2014 Inaugural Opening Reception: April 19th, from 7-9:30 pm Kai Matsumiya is pleased to announce its inauguration with an exhibition of Rainer Ganahl’s El Mundo. The original project, an ad hoc, classical music performance, staged at the now-defunct El Mundo discount store, encapsulates the history of an East Harlem building as it passes through diverse incarnations that trace economic, demographic, and cultural shifts on both the local and global scene. Reflecting on the event, Ganahl writes: “Many opera pieces bring us back to politics, to emerging working-class cultures in which slaves and exploited people play a role, mirroring the industrialization of Europe in the 19th century with the rather under-privileged context in which El Mundo was built and functioned in Spanish Harlem.” The exhibition reenacts the event through photographs and film and runs from, Saturday, April 19th through May 24th. The space at 153 1⁄2 Stanton Street retains the left-over remains of the former tenant, Rocksmith, which sold merchandise from the Wu-tang clan among the other hip-hop retail items. The back space is graced with a genuine graffiti tag by “Mathematics”, the producer at Wu-Tang, and other remnants. Ganahl’s El Mundo piece at Kai Matsumiya will include a film projection of the live performance, and photographs of El Mundo.