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RUSSIAN ART & HISTORY HÔTEL MÉTROPOLE MONACO 7-8 JULY 2020 FRONT COVER: LOT 217 - SOVIET PORCELAIN Propaganda Plate ‘History of the October Takeover. 1917’ ABOVE: LOT 18 - NIKOLAY ROERICH The Borodin’s opera “Prince Igor”, 1914 LOT 333 - BALMONT K.D., AUTOGRAPH Handwritten collection of poems PAR LE MINISTERE DE MAITRE CLAIRE NOTARI HUISSIER DE JUSTICE A MONACO RUSSIAN ART & HISTORY RUSSIAN ART TUESDAY JULY 7, 2020 - 14.00 FINE ART & OBJECTS OF VERTU WEDNESDAY JULY 8, 2020 - 14:00 AUTOGRAPHS, MANUSCRIPTS AND PHOTOGRAPHS WEDNESDAY JULY 8, 2020 - 17:00 Hotel Metropole - 4 avenue de la Madone - 98000 MONACO PREVIEW BY APPOINTMENT www.hermitagefineart.com Inquiries - tel: +377 97773980 - Email: [email protected] 25, Avenue de la Costa - 98000 Monaco Tel: +377 97773980 www.hermitagefineart.com Sans titre-1 1 26/09/2017 11:33:03 SPECIALISTS AND AUCTION ENQUIRIES In-house experts Hermitage Fine Art expresses its gratitude to Anna Burovа for help with descriptions of the decorative objects of art. Hermitage Fine Art would like to express its gratitude to Igor Elena Efremova Maria Lorena Anna Chouamier Evgenia Lapshina Sergey Podstanitsky Kouznetsov for his Director Franchi Deputy Director Expert Specially Invited support with IT. Deputy Director Manuscripts & Expert and Advisor rare Bookes Paintings (Moscow) Catalogue Design: Darya Spigina Photography: François Fernandez Eric Teisseire Yolanda Lopez Franck Levy Elisa Passaretti Georgy Latariya Yana Ustinova Administrator Accountant Auction assistant Expert Invited Expert Icons Russian Decorative Arts Ivan Terny Stephen Cristea Sergey Cherkashin Auctioneer Auctioneer Invited Advisor Translator and Editor (Moscow) TRANSPORTATION LIVE AUCTION WITH 8 1• AFTER GÉRARD DE LA BARTHE (1730-1810), EARLY XIX C. View Of Moscow Signed with monogram ‘cw’ (lower left) Oil on canvas 66.5 x 111.5 cm Painted in the early XIX century КОПИЯ С ЖЕРАРА ДЕЛАБАРТА (1730-1810). НАЧАЛО XIX ВЕК Вид Москвы Монограмма ‘cw’ (слева внизу) Холст, масло 66.5 x 111.5 см Начало XIX века 15,000 - 17,000 € 9 МОСКВА, 1856 ДАР русского купца Герасима Ивановича Хлудова (1821-1885) английскому индустриалисту и коллекционеру Джону Хику 2• VLADIMIR FEDOROVICH AMMON (1826-1879) ВЛАДИМИР ФЕДОРОВИЧ АММОН (1826-1879) View of Moscow from Vorobyovy Gory Москва. Вид с Воробьевых гор Signed and dated ‘1856’ (lower right), further inscribed Подпись и дата ‘1856’ (справа внизу), надпись « à Monsieur John Hick. Gerassim Kloudoff Moscou « à Monsieur John Hick. Gerassim Kloudoff Moscou 2/14 Fevrier 1857 » 2/14 Fevrier 1857 » Oil on canvas Холст, масло 40 x 60 cm 40 x 60 см Provenance: Провенанс: A gift from Gerasim Ivanovich Khludov to John Hick MP, Дар русского купца Герасима Ивановича Хлудова Moscow, 1857 (1821-1885) английскому промышленнику и Christie’s London, 27 July 1955 коллекционеру Джону Хику (1815-1894), Москва, 1857 Mr F. Dent Наследники Джона Хика Mr Herbert Bier Аукцион Christie’s London, 27 июля 1955 Private European collection Коллекция Ф. Дент Коллекция Херберт Бьер Частная европейская коллекция 60,000 – 80,000 € 10 11 12 3• SERGEY ARSENYEVICH СЕРГЕЙ АРСЕНЬЕВИЧ ВИНОГРАДОВ VINOGRADOV(1869–1938) (1869–1938) Birch trees on a sunny day Березы. Солнечный день Signed ‘Serge Vinogradoff’ (lower right) Подпись ‘Serge Vinogradoff’ (справа внизу) Oil on canvas Холст, масло 60 x 73 cm 60 x 73 см Provenance: Провенанс: Private Collection Частная коллекция, Европа Formerly from Ziedonis Liger’s Collection, Latvia Ранее из коллекции Зиедониса Лигерса (1917-2001) Ziedonis Ligers (1917–2001) was a Latvian ethnographer, Зиедонис Лигерс - латышский этнограф, юрист и искусствовед. lawyer and art historian. He first moved to Germany, where Родился 27 февраля 1917 года в Петрограде, после окончания he received a degree in criminal law and after the WWII Первой мировой войны семья вернулась в Латвию. Учился he moved to France. Liger’s hobby was art. In his youth he на факультете экономики и права, также получил диплом по painted himself and was known to many notable Latvian уголовному праву. Лигер всегда интересовался искусством. artists. In France, in his house, he created a large collection В молодости он сам рисовал и был знаком со многими of paintings by Latvian artists. Ligers was also the owner of известными латышскими художниками. Во Франции, в своем an extensive and valuable library. доме, он создал большую коллекцию картин латышских художников. Лигер также владел обширной и ценной библиотекой. 55,000 - 70,000 € 13 4• IVAN FEDOROVICH CHOULTSE (1874 - 1939) Winter in the forest. 1925 Signed and dated (lower right) Oil on board laid on canvas 32 x 42 cm Provenance: Private Collection, Germany ИВАН ФЕДОРОВИЧ ШУЛЬТЦЕ (1874-1939) Зимний лес. 1925 Подпись и дата (справа внизу) Холст на картоне, масло 32 х 42 см Провенанс: Частная коллкция, Германия 17,000 - 20,000 € 14 15 5• FEDOT VASILIEVICH SYCHKOV ФЕДОТ ВАСИЛЬЕВИЧ СЫЧКОВ (1870-1958) (1870 – 1958) Girl With Scarf Девушка в платке Signed in Cyrillic ‘Ф. Сычковъ’ (lower left) Подпись «Ф. Сычковъ» (справа внизу) Oil on canvas Холст, масло 50 х 40 cm 50 х 40 см Provenance: Провенанс: Bukowskis, Helsinki, 15.12.2010, lot 395. Bukowskis, Хельсинки, 15.12.2010, lot 395. Private collection, Europe Частная коллекция, Европа 20,000 - 22,000 € 16 6• KONSTANTIN ALEKSEYEVICH KOROVIN (1861-1939) Troika in a Russian village Signed ‘Constant Konstantin Korovine, Russie’ (lower left) Oil on board 58 x 67 cm КОНСТАНТИН АЛЕКСЕЕВИЧ КОРОВИН (1861-1939) Тройка зимой в деревне Подпись ‘Constant Konstantin Korovine, Russie’ (слева внизу) Картон, масло 58 х 67 см 35,000 - 50,000 € 17 18 7• JULIUS KLEVER (1850-1924) A village on Nargen Island Signed and dated ‘1880 J Klever’ (lower left) Oil on canvas 29 х 61 cm Painted in 1880 ЮЛИУС КЛЕВЕР (1850-1924) Деревня на острове Нарген Подпись и дата ‘1880 J Klever’ (слева внизу) Холст, масло 29 х 61 см 1880 год Работа из этой серии хранится в Государственном Русском музее 7,000 - 7,500 € 19 Особое место в творчестве И. А. Тюрина занимают созданные им портреты императоров и членов их семей. Благодаря этим работам художник получил широкую известность и популярность в высшем обществе. Наиболее известные из них: портреты императора Александра II (1874, ГМЗ «Царское Село» и ГИМ), портреты императрицы Марии Александровны (1880, ГЭ и ГМЗ «Павловск»), портрет цесаревича Николая Александровича (1865, ГИМ), портрет цесаревны Марии Федоровны (1869, ГИМ), портрет великого князя Константина Николаевича (Государственный комплекс «Дворец Конгрессов» (Константиновский дворец), Стрельна), портрет великой княгини Александры Петровны (1880, ГМЗ «Павловск»). ТЮРИН ИВАН АЛЕКСЕЕВИЧ (1824, с. Галядкино Ардатовского уезда Нижегородской губ. - 30.12.1904 (12.01.1905), Павловск) Живописец. Портретист, автор иконостасов и религиозных образов, реставратор. Из обер-офицерских детей. Образование получил в одной из московских гимназий. С 1845 г. - вольноприходящий ученик ИАХ. С 1841 - при классе исторической живописи у А. Т. Маркова. В 1850 получил звание свободного художника. В 1855 г. открыл фотоателье в доме 25/1 на углу Невского пр. и Казанской ул. в С.-Петербурге с вывеской «Светописный Салон господина Тюрина». Уже через год газеты писали, что «... он был первым мастером фотопортрета - кажется, его ателье в Петербурге было одним из первых по времени, и уж точно - самым известным... Таких фотографий на бумаге, как у нас нет нигде. В особенности убедили нас в этом фотографии художника Академии И.А.Тюрина. Эти фотографии привели нас еще к одному заключению, что и в технической 8• деятельности необходимо эстетическое образование, TYURIN IVAN ALEXEEVITCH (1824-1904/1905) необходимы познания в искусстве и в науках, и в этом Portrait of Alexander III of Russia with the Signal Tower of случае каждый, зайдя в фотографию господина The Gatchina Palace in the background. 1881 Тюрина, с первого шага уразумеет, что он имеет дело Signed and dated «1881» (lower left) не с техником-ремесленником, а с художником...» (Р- Oil on canvas въ. К - й // Северная пчела. 11.7.1856). 153 х 112 cm Кроме портретов Тюрин является автором около Restauration needed. 200 образов. Так, в 1860-1861 им написаны иконы для дома министра путей сообщения. В 1865 г. снаружи Казанского собора, на алтарной стене, под металлическим козырьком был помещен ТЮРИН ИВАН АЛЕКСЕЕВИЧ (1824-1904/1905) образ Казанской Божией Матери. В конце 1860- Портрет Императора Александра III на фоне х гг. им написаны образа для церкви Апостолов Сигнальной Башни Гатчинского Дворца. 1881 Петра и Павла при Детской больнице принца П. Г. Подпись и дата «И. Тюринъ 1881» (cлева внизу) Ольденбургского, а в 1894-1895 гг. - для иконостаса Холст, масло. часовни «В память спасения императорской семьи 153 х 112 см. в Борках», находящейся напротив Свято-Троицкого Требует косметической реставрации. Измайловского собора. Также писал образа для провинциальных храмов. 50,000 - 60,000 € Жил и работал главным образом в Петербурге. 20 21 9• JOHANN FRIEDRICH AUGUST ИОГАНН ФРИДРИХ АВГУСТ TISCHBEIN ТИШБЕЙН (ТИШБЕЙН- Portrait of Augustus Kotzebue. 1808 ЛЕЙПЦИГСКИЙ) (1750–1812) oil on canvas Портрет Августа Коцебу. 1808 72.5 х 58.5 см Холст, масло painted in 1808 72,5 х 58,5 см 1808 год 20,000 - 25,000 € 22 А́ вгуст Фри́ дрих Фе́рдинанд фон Коцебу́ (August Friedrich Fer- dinand von Kotzebue)(1761—1819) — знаменитый немецкий драматург и романист. Автор ряда драм, получивших огромную популярность и затмивших Гёте или Шиллера. Обучался в университетах Йены и Дуйсбурга. В 1781 приехал в Санкт-Петербург, был секретарём генерала Ф. Бауэра и стал его помощником по дирекции существовавшего
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    The Russian Sale New Bond Street, London | 28 November 2018 Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Malcolm Barber Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Matthew Girling CEO, Emily Barber, Antony Bennett, Charlie O’Brien, Giles Peppiatt, India Phillips, Patrick Meade Group Vice Chairman, Matthew Bradbury, Lucinda Bredin, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Asaph Hyman, Caroline Oliphant, Simon Cottle, Andrew Currie, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Edward Wilkinson, Geoffrey Davies, James Knight, Charles Graham-Campbell, Matthew Haley, Ralph Taylor, Charlie Thomas, David Williams, Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Richard Harvey, Robin Hereford, Michael Wynell-Mayow, Suzannah Yip. Rupert Banner, Shahin Virani, Simon Cottle. Charles Lanning, Grant MacDougall, The Russian Sale New Bond Street, London | Wednesday 28 November 2018 at 3pm BONHAMS BIDS ENQUIRIES ILLUSTRATIONS 101 New Bond Street +44 (0) 20 7447 7447 London Front cover: Lot 29 London W1S 1SR +44 (0) 20 7447 7401 fax Daria Khristova Back cover: Lot 80 (detail) To bid via the internet please visit +44 (0) 20 7468 8338 Inside front: Lot 13 www.bonhams.com www.bonhams.com [email protected] Inside back: Lot 43 Opposite page: Lot 33 VIEWING Please provide details of the Cynthia Coleman Sparke Sunday 25 November lots on which you wish to place +44 (0) 20 7468 8357 To submit a claim for refund of 11am to 3pm bids at least 24 hours prior to [email protected] VAT, HMRC require lots to be Monday 26 November the sale.
  • Women in Nineteenth-Century Russia: Lives and Culture

    Women in Nineteenth-Century Russia: Lives and Culture

    To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/98 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Wendy Rosslyn is Emeritus Professor of Russian Literature at the University of Nottingham, UK. Her research on Russian women includes Anna Bunina (1774-1829) and the Origins of Women’s Poetry in Russia (1997), Feats of Agreeable Usefulness: Translations by Russian Women Writers 1763- 1825 (2000) and Deeds not Words: The Origins of Female Philantropy in the Russian Empire (2007). Alessandra Tosi is a Fellow at Clare Hall, Cambridge. Her publications include Waiting for Pushkin: Russian Fiction in the Reign of Alexander I (1801-1825) (2006), A. M. Belozel’skii-Belozerskii i ego filosofskoe nasledie (with T. V. Artem’eva et al.) and Women in Russian Culture and Society, 1700-1825 (2007), edited with Wendy Rosslyn. Women in Nineteenth-Century Russia: Lives and Culture Edited by Wendy Rosslyn and Alessandra Tosi Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2012 Wendy Rosslyn and Alessandra Tosi Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial
  • Romanov News Новости Романовых

    Romanov News Новости Романовых

    Romanov News Новости Романовых By Paul Kulikovsky №90 September 2015 Monument to H.H. Prince of Imperial Blood Oleg Konstantinovich was opened in Tsarskoye Selo September 29, in Tsarskoye Selo, in the territory of the St. Sophia Cathedral was inaugurated a monument to the son of Grand Duke Konstantin Konstantinovich - Prince Oleg Konstantinovich, who participated in the First World War and was mortally wounded during a battle, and died a few days later. He gave his life for the Faith, Tsar and Fatherland. The monument is made on the initiative of the Fund Ludvig Nobel. The location for the monument is well chosen and not at all accidental. St. Sophia cathedral was the regimental church of the Life-Guard Hussar Regiment, in which served Prince Oleg. The sculpture is not entirely new, as it is cast after the pre-revolutionary model by the sculptor Vsevolod Lishev. Anna Yakovleva, Ludvig Nobel Foundation: "The sketch of the monument was designed by sculptor Lishev in 1915. But after the events that followed, it could not be put, but it was casted. By the way, the sketch was approved by the father of Oleg Konstantinovich." The new monument is made by sculptor Yaroslav Borodin. The ceremony began with a memorial service at the St. Sophia Cathedral, which was headed by Dean of the Tsarskoye Selo district Archpriest Gennady (Zverev). Chairman of the Imperial Orthodox Palestine Society, Sergey Stepashin said - "Today is a truly historic day. It is a day when we remember the wonderful and worthy representative of the Romanov dynasty, who died at age 22 on the front of the First World War.
  • The 12 Days of Christmas

    The 12 Days of Christmas

    MOSCOW DECEMBER 2010 www.passportmagazine.ru THE 12 DAYS OF CHRISTMAS Why Am I Here? The Master of Malaya Bronnaya The 1991 Coup from atop the White House Sheffi eld Joins the Space Race Christmas Tipples The English word for фарт December_covers.indd 1 22.11.2010 14:16:04 December_covers.indd 2 22.11.2010 14:57:06 Contents 3. Editor’s Choice Alevitina Kalinina and Olga Slobodkina 8. Clubs Get ready Moscow, nightlife’s evolving! Max Karren- berg, DJs Eugene Noiz and Julia Belle, Imperia, Poch Friends, Rai Club, Imperia, Harleys and Lamborghinis, Miguel Francis 8 10. Theatre Review Play Actor & Uncle Vanya at the Tabakov Theatre. Don Juan at The Bolshoi Theatre, Our Man from Havanna at The Malaya Bronnaya Theatre, Por Una Cabeza and Salute to Sinatra at The Yauza Palace, Marina Lukanina 12. Art The 1940s-1950s, Olga Slobodkina Zinaida Serebriakova in Moscow, Ross Hunter 11 16. The Way it Was The Coup, John Harrison Inside the White House, John Harrison UK cosmonaut, Helen Sharman, Helen Womack Hungry Russians, Helen Womack 20. The Way It Is Why I Am Here part II, Franck Ebbecke 20 22. Real Estate Moscow’s Residential Architecture, Vladimir Kozlev Real Estate News, Vladimir Kozlev 26. Your Moscow The Master of Malaya Bronnaya, Katrina Marie 28. Wine & Dining New Year Wine Buyer Guide, Charles Borden 26 Christmas Tipples, Eleanora Scholes Tutto Bene (restaurant), Mandisa Baptiste Restaurant and Bar Guide Marseille (restaurant), Charles Borden Megu, Charles Borden 38. Out & About 42. My World Ordinary Heroes, Helen Womack 38 Dare to ask Deidre, Deidre Dare 44.
  • Resilient Russian Women in the 1920S & 1930S

    Resilient Russian Women in the 1920S & 1930S

    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 8-19-2015 Resilient Russian Women in the 1920s & 1930s Marcelline Hutton [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/zeabook Part of the European Languages and Societies Commons, Modern Art and Architecture Commons, Modern Literature Commons, Russian Literature Commons, Theatre and Performance Studies Commons, and the Women's Studies Commons Recommended Citation Hutton, Marcelline, "Resilient Russian Women in the 1920s & 1930s" (2015). Zea E-Books. Book 31. http://digitalcommons.unl.edu/zeabook/31 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Marcelline Hutton Resilient Russian Women in the 1920s & 1930s The stories of Russian educated women, peasants, prisoners, workers, wives, and mothers of the 1920s and 1930s show how work, marriage, family, religion, and even patriotism helped sustain them during harsh times. The Russian Revolution launched an economic and social upheaval that released peasant women from the control of traditional extended fam- ilies. It promised urban women equality and created opportunities for employment and higher education. Yet, the revolution did little to elim- inate Russian patriarchal culture, which continued to undermine wom- en’s social, sexual, economic, and political conditions. Divorce and abor- tion became more widespread, but birth control remained limited, and sexual liberation meant greater freedom for men than for women. The transformations that women needed to gain true equality were post- poned by the pov erty of the new state and the political agendas of lead- ers like Lenin, Trotsky, and Stalin.
  • Contemporary American Painting and Sculpture

    Contemporary American Painting and Sculpture

    ILLINOIS Liahy^BY AT URBANA-CHAMPAIGN AnoMiTEGTURE t/livMwir Of kill NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost BooK is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^ RPR^ ^ a:C 2 1998 L161—O-1096 LJj^«-*v Umermfi Paintm^ UNIVERSITY OF ILLINOIS / 1^ m II IK WA.NUKRKKS Jovii- 1 iciin.m UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING College of Fine and Applied Arts Architecture Building Sunday, March 4, through Sunday, April 15, 1951 UNIVERSITY OF ILLINOIS PRESS, URBANA IHtUSRARYOfTHt MAn G .j51 OHivERSirr OF laiNois COPYRIGHT 1951 BY THE UNIVERSITY OF ILLINOIS PRESS MANUFACTURED IN 1 UK UNITED STATES ( )l AMIRKA (jV-/vtXv RICKER LIBRARY ARCHITECTURE is, L>- UNIVERSJT^ OF lUINfUS -t-^ UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDARD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts OPERATING COMMITTEE N. Britsky H. A. Schultz J. D. Hogan A. S. Weller J. W. Kennedy N. V. Ziroli E. C. Rae C. \'. Dono\an, Chairman STAFF COMMITTEE MEMBERS L. F, Bailey J. H. G. Lynch E. H. Betts M. B. Martin C. E. Bradbury R. Perlman E. J. Bransby A. J. Pulos C. W. Briggs J. W. Raushenberger L. R.