The Making of an Animated Documentary
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Overview of History of Irish Animation
Overview of History of Irish Animation i) The history of animation here and the pattern of its development, ii) ii) The contemporary scene, iii) iii) Funding and support, iv) iv) The technological advancement, which can allow filmmakers do more and do it more excitingly, v) v) The educational background. i) History and Development. The history of animation in Ireland is comparable to the history of live action film in Ireland in that in the early years it offered the promise of much to come and stopped really before it got started; indeed in the final analysis animation has even far less to show for itself than its early live action cousin. One outstanding exception is the pioneering work of James Horgan. Horgan became involved in cinema at the end of the 19th century when he acquired a Lumiere camera and established his own moving picture exhibition company for the south show to his audiences - mostly religious events. However soon his eager mind began to turn to the Munster region. As well as projecting regular international shows, Horgan shot local footage to look into cinematography in a scientific way and in fact he made some money by patenting a cog for film traction in the camera, which was widely used. He also experimented with Polaroid film. He then began to dabble in stop frame work - animation - around the year 1909 and considering that the first animation was made in 1906, this is quite significant. His most famous and most popular piece was his dancing Youghal Clock Tower - where the town's best known landmark has to hop into the frame and "manipulate" itself frame by frame into its rightful place in the main street in Youghal. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
A Hybrid Documentary Genre: Animated Documentary and the Analysis of Waltz with Bashir (2008) Movie Barış Tolga Ekinci, [email protected]
A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) movie Barış Tolga Ekinci, [email protected] Volume 6.1 (2017) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2017.144 | http://cinej.pitt.edu Abstract The word documentary has been described as an advice in “Oxford English Dictionary” in the late 1800s. Document is a main source of information for lawyers. And in cinema, basic film forms are defined with their own properties. The common sense is to seperate documentary from fiction, experimental from main current and animation from the live action films. While these definitions were being made, it has been considered that which expression methods were used. The film genre which is called documentary has been defined in many different ways. In this study, animated documentary genre which is a form of hybrid documentary has been concerned with Baudrillard’s theory. In this context, Ari Folman’s animated documentary Waltz with Bassir (2008) has been analyzed with genre criticism method. Keywords: Documentary, animated documentary, Waltz with Bassir, reality, hybrid genres. New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press. A Hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) movie Barış Tolga Ekinci Introduction History of animated documentary1 is old as much as history of traditional documentary. However, in any period, animated documentaries have not been reached the popularity of traditional documentaries. -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
NAME E-Book 2012
THE HISTORY OF THE NAME National Association of Medical Examiners Past Presidents History eBook 2012 EDITION Published by the Past Presidents Committee on the Occasion of the 46th Annual Meeting at Baltimore, Maryland Preface to the 2012 NAME History eBook The Past Presidents Committee has been continuing its effort of compiling the NAME history for the occasion of the 2016 NAME Meeting’s 50th Golden Anniversa- ry Meeting. The Committee began collecting historical materials and now solicits the histories of individual NAME Members in the format of a guided autobiography, i.e. memoir. Seventeen past presidents have already contributed their memoirs, which were publish in a eBook in 2011. We continued the same guided autobiography format for compiling historical ma- terial, and now have additional memoirs to add also. This year, the book will be combined with the 2011 material, and some previous chapters have been updated. The project is now extended to all the NAME members, who wish to contribute their memoirs. The standard procedure is also to submit your portrait with your historical/ memoir material. Some of the memoirs are very short, and contains a minimum information, however the editorial team decided to include it in the 2012 edition, since it can be updated at any time. The 2012 edition Section I – Memoir Series Section II - ME History Series – individual medical examiner or state wide system history Presented in an alphabetic order of the name state Section III – Dedication Series - NAME member written material dedicating anoth- er member’s contributions and pioneer work, or newspaper articles on or dedicated to a NAME member Plan for 2013 edition The Committee is planning to solicit material for the chapters dedicated to specifi- cally designated subjects, such as Women in the NAME, Standard, Inspection and Accreditation Program. -
Interrogations and Confessions
CHAPTER 16 INTERROGATIONS AND CONFESSIONS Did the police constitutionally obtain the defendant’s confession to murder? Dr. Jeffrey Metzner, a psychiatrist employed by the state hospital, testified that respondent was suffering from chronic schizophrenia and was in a psychotic state at least as of August 17, 1983, the day before he confessed. Metzner’s interviewsdistribute with respondent revealed that respondent was following the “voice of God.” This voice instructed respondent to withdraw money from the bank, to buy an airplane ticket, and to fly from Boston to Denver. When respondent arrived from Boston, God’s voice became stronger and told respondent either to confess to the killing or to commit suicide. Reluctantly following the command of the voices, respondent approached Officeror [Patrick] Anderson and confessed. Dr. Metzner testified that, in his expert opinion, respondent was experiencing “command hallucinations.” This condition interfered with respondent’s “volitional abilities; that is, his ability to make free and rational choices.” (Colorado v. Connelly, 479 U.S. 157 [1986]) CHAPTER OUTLINE post, Introduction Case Analysis Due Process Chapter Summary The Right Against Self-Incrimination Chapter Review Questions Miranda v. Arizona copy, Legal Terminology Sixth Amendment Right to Counsel: Police Interrogations not DoTEST YOUR KNOWLEDGE 1. Do you know the role of confessions in the criminal investigation process, the potential challenges and problems presented by confessions, and the explanations for false confessions? 2. Are you able to discuss the protections provided by the Fifth Amendment right against self-incrimination and what is protected by the Fifth Amendment and what is not protected? 3. Can you explain how Miranda v. -
View Entire Issue As
Volume 15 Issue 14 September 11 - 24, 2008 The Milwau ee LGBT Film/Video Festival Final Days • Complete Guide Inside iR i t Orf LIM nI ' i FALL ARTS PREVIEW WRAP UP LOGO Star Jennie McNulty Shines Bright in Superior Plus lots more in entertainment inside! WHY BE SHY? GET TESTED for HIV, at BESTD Clinic. It's free and it's fast, with no names and no needles.We also provide free STD testing, exams, and treatment. Staffed totally by volunteers and supported by donations, BESTD has been doing HIV outreach since 1987. We're open: Mondays 6 PM-8:30 PM: Free HIV & STD testing Tuesdays 6 PM-8:30 PM: All of the above plus STD exams and treatment Some services only available for men; visit our web site for details. BESTD cum(' Brady East STD Clinic 1240 E. Brady Street Milwaukee, WI 53202 414-272-2144 www.bestd.org DIES "Legal couple status may support a relationship," LESBIAN RIGHTS PIONEER DEL MARTIN researcher Robert-Jay Green said in a statement an- Lesbian Rights Pioneer Del Mar- things. nouncing the findings. tin Dies "I also never imagined there Surprise! Log Cabin Republicans Endorse Mc- San Francisco - Just two months would be a day that we would ac- Cain-Palhi Ticket: The Log Cabin Republicans after achieving a life-long dream, tually be able to get married," Lyon (LCR), who refused to endorse George W. Bush for the legal marriage to her partner of wrote. "I am devastated, but I take reelection in 2004, announced their endorsement of 55 years, lesbian rights pioneer Del some solace in knowing we were Senator John McCain for President of the United Martin - whose trailblazing activism able to enjoy the ultimate rite of States on September 2: LCR's board of directors spanned more than a half century - love and commitment before she voted 12-2 to endorse both McCain and Alaska Gov- died August 27 at a local hospice. -
California Institute of the Arts
Ismael Sanz-Pena ismaelsanzpena.com California Institute of the Arts • 2008-11 MFA in Experimental Animation Los Angeles Central Saint Martins School of Arts and Design • 2007-08 Postgraduate Diploma in Character Animation London Thames Valley University • 2004-07 BA(Hons) Digital Animation London • 2018- Maryland Institute College of Art Professor Animation department . • 2016-18 Kansas City Art Institute Assistant Professor Animation department t • 2015/16 Klipp og Lim Media AS Animator Short films, music videos and commercial work . • 2013/14 Promatica AS UX/UI Designer Interface and web design for a marketing and date management software . m • 2011/12 Maryland Institute College of Art University of Maryland, Baltimore County Adjunct Professor Animation and Foundation Departments Visual Arts Department. m • 2008-10 CalArts Arts Partnership Animation Instructor Workshops for High School Students at the Inner City Arts, Los Angeles m • 2008 Lister Community School, London Assistant Teacher at Performing Arts Specialized School m • 2007-08 Chiang Mai University, Thailand Animation Instructor Media Department m • 2016 - Kunstakademiet I Trondheim, guest lecturer, Norway - Høyskolen Kristiania, guest lecturer, Norway. - Norges Kreative Høyskole, guest lecturer, Norway. • 2014 - Norges Kreative Fagskole, guest lecturer, Norway. • 2013 - Lademoen Kunstnerverksteder, workshop, Norway. - Noroff, guest lecturer, Norway. - Diploma, The Visuelt Competition. Oslo, Norway. - Best International Very Short Films Competition: Sommets du Cinema d’Animation, Canada. (2017) - ARTfest Digital, Highly Commended (2017) - Stipend, Norwegian Film Institute (2017) - Stipend, Midtnorsk Film (2017) - British Animation Awards, Public choice (2016) - Film grant, Stipend, Midtnorsk Filmsenter Trondheim (2016) - Artist grant, Tilskudd til Kunstner Trondheim (2015) - Artist grant, Cultiva Ekspress Kristiansand (2013) - Artist grant, Tilskudd til Kunstner Kristiansand (2013) - Full Scholarship to study at the Mahindra United World College of India (02-04). -
Beyond Self-Images: the Context and Development of Animated Documentaries, the Cornerstones of Mode
Ajanovi#-Ajan, Midhat. "Beyond Self-images: The Context and Development of Animated Documentaries, the Cornerstones of Modern Animation in Sweden." Global Animation Theory: International Perspectives at Animafest Zagreb. Ed. Franziska Bruckner, Nikica Gili#, Holger Lang, Daniel Šulji# and Hrvoje Turkovi#. New York: Bloomsbury Academic, 2019. 99–114. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781501337161.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 16:02 UTC. Copyright © Franziska Bruckner, Nikica Gili#, Holger Lang, Daniel Šulji#, Hrvoje Turkovi#, and Contributors and Cover image Zlatka Salopek 2019. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 7 Beyond Self- images The Context and Development of Animated Documentaries, the Cornerstones of Modern Animation in Sweden Midhat Ajanovi´ c -Ajan It seems that the fi rst decades of the new millennium have brought about a small renaissance of documentaries, especially those that combine live action and animated pictures and even those visualized totally by employment of various animation techniques. My concern in the following chapter is the conspicuous propensity in Swedish animation towards animated documentary. In my view Sweden is the country that, besides Canada and Great Britain, has developed the most prolifi c production of fi lms that merge documentary purposes and animated imagery. In this chapter I defi ne animated documentary, as I understand it. I will also take a look into the history of Swedish animation and documentary, with an emphasis on the features that might be the base for the development of the animated documentary. -
22 Innovation Cases
22 INNOVATION CASES in Micro, Small, Medium and Large-sized Enterprises 22 INNOVATION CASES in Micro, Small, Medium and Large-sized Enterprises CNI – National Confederation of Industry Brazil Robson Braga de Andrade President SESI – Social Service of Industry Robson Braga de Andrade Director SENAI – National Service of Industrial Training Rafael Esmeraldo Lucchesi Ramacciotti General-Director SEBRAE – Brazilian Micro and Small Business Support Service Guilherme Afif Domingos President 22 INNOVATION CASES in Micro, Small, Medium and Large-sized Enterprises Brasília 2017 © 2017. CNI – National Confederation of Industry. © 2017. SESI – Social Service of Industry. © 2017. SENAI – National Service of Industrial Training. © 2017. SEBRAE – Brazilian Micro and Small Business Support Service. Any part of this publication may be reproduced, provided the source is cited. CNI Innovation Board – DI SEBRAE Technical Board – DITEC CATALOGING IN PUBLICATION DATA C748i National Confederation of Industry. Innovate to add value. 22 innovation cases in micro, small, medium and large-sized enterprises / National Confederation of Industry, Social Service for Industry, National Service of Industrial Learning, Brazilian Service of Support to Micro and Small-Sized Enterprises. Brasília: CNI, 2017. 272p. : il. 1.Innovation. 2. Micro, small, medium, and large-sized enterprises. I. Title. CDU: 347.77 CNI SEBRAE National Confederation of Industry Brazilian Micro and Small Business Support Service Headquarters Setor Bancário Norte Headquarters Quadra 1 – Bloco C SGAS