2018 Gala Program
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Opening Remarks
Opening Remarks Lawrence Adams was Amy Bowring’s revered mentor; his example has guided and encouraged her to tackle, with determination and purpose, assorted pursuits in dance. As Research Co-ordinator at Dance Collection Danse, Amy has been working with the organization, on contract, for five years. Many of you may know Amy through some of the projects in which she has been involved, and also as founder of the Society for Canadian Dance Studies which can boast a solid and active membership under her direction. First introduced to Dance Collection Danse in 1993 as a student undertaking research through York University’s dance programme, Amy’s passion for dance history triggered her interest in becoming seriously involved with DCD. After completing her BA in Fine Arts, Amy earned an MA in journalism from the University of Western Ontario. She is copy editor for The Dance Current magazine, has written various dance articles and encyclo- pedia entries, and is researching and writing a book on the 1948-1954 Canadian Ballet Festival phenomenon. And, to add more ingredients to the mix, she is a whiz at the computer! As Dance Collection Danse undergoes its planning process for upcoming and future activities, you can expect to see Amy’s involvement with DCD increase. To work with someone who is dedicated and skilled is a blessing, but to have someone on board who is also mindful and gracious is the best. The Editoral Committee and Board of Directors of Dance Collection Danse have dedicated this issue to Lawrence Adams, whose contribution to Canadian dance makes him deserving of .. -
Living It up After Dark: Vancouver's Nightlife
21_836849 ch15.qxd 6/9/05 6:37 PM Page 200 Chapter 15 Living It Up After Dark: Vancouver’s Nightlife In This Chapter ᮣ Getting down with the music scene ᮣ Visiting the best clubs and bars ᮣ Discovering the city’s performing arts et’s get one thing straight from the start: Nightlife isn’t hard to find Lin Vancouver, but it takes limited forms. Basically, I’m talking about a few true dance clubs — quite hip, mind you — plus a good supply of live music venues (where the city shines), and bars and pubs with char- acter. You also find a decent slate of theater offerings. In fact, in an effort to support the performing arts, the tourism folks have developed an entire entertainment season (a.k.a. fall and winter), and Yaletown’s been dubbed the city’s “entertainment district” because of its proximity to many event venues. Where should you go to find nightlife? Dance clubs increasingly litter the Yaletown, Robson Street, and downtown districts, while Kitsilano is more a place for an organic brew or a glass of wine. More upscale areas, such as South Granville and the West End, offer the sorts of bars where you may want to wear a jacket or at least shuck your sneakers — places where a drink can cost more than a meal sets you back in other parts of town. Finally, strip joints have long been fixtures on the fringes of down- town, Yaletown, and East Hastings — not that you were thinking of going to one ofCOPYRIGHTED those. -
Embassy Theatre
Dining Club Cards Make Great Christmas Gifts! DECEMBER Dining Club Cards Make Great Christmas Gifts! 3-9, 2015 FACEBOOK.COM/WHATZUPFORTWAYNE WWW.WHATZUP.COM WWW.WHATZUP.COM FACEBOOK.COM/WHATZUPFORTWAYNE Colin Mochrie & Brad Sherwood Page Two Also Inside Holiday Pops Gene Marcus Piano Competition Straight No Chaser Art & Entertainment Calendars Music, Movie & Theater Reviews ------------Feature • Colin Mochrie & Brad Sherwood --------- Comedy Without a Net By Steve Penhollow audience,” Sherwood said. “It’s as if we are locking arms with them and saying, ‘Let’s go on a journey! Improv comics Brad Sherwood and Colin Moch- We’re going to make this funny together!’ rie try to swap out the games they play in their live “It’s not like a stand-up routine where you cross shows as often as possible to avoid getting bored. your arms and say, ‘I hope this guy’s funny,’” he But there’s one bit they’ll probably never be able said. to retire. Asked if improv is the “trust fall” or “Outward It involves the duo exploring a relatively mundane Bound” of comedy, Sherwood said, “I think that’s a premise while walking, blindfolded and barefooted, very good description. We do depend on each other around a stage that has been covered with more than that way. We’re like two comedic martial artists. We 100 armed mousetraps, Sherwood said in a phone in- have to be prepared for anything.” terview. In a sense, “I think S h e r w o o d it’s a total said, bring- regression to ing audience childhood,” members up he said, refer- on stage is ring to the au- not so much dience’s vis- about increas- ceral reaction ing the humor to the sketch. -
A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. -
Song and Nationalism in Quebec
Song and Nationalism in Quebec [originally published in Contemporary French Civilization, Volume XXIV, No. 1, Spring /Summer 2000] The québécois national mythology is dependent on oral culture for sustenance. This orality, while allowing a popular transmission of central concepts, also leaves the foundations of a national francophone culture exposed to influence by the anglophone forces that dominate world popular culture. A primary example is song, which has been linked to a nationalist impulse in Quebec for over thirty years. What remains of that linkage today? Economic, cultural, political and linguistic pressures have made the role of song as an ethnic and national unifier increasingly ambiguous, and reflect uncertainties about the Quebec national project itself, as the Quebec economy becomes reflective of global trends toward supranational control. A discussion of nationalism must be based on a shared understanding of the term. Anthony Smith distinguishes between territorial and ethnic definitions: territorially defined nations can point to a specific territory and rule by law; ethnies, on the other hand, add a collective name, a myth of descent, a shared history, a distinctive culture and a sense of solidarity to the territorial foundation. If any element among these is missing, it must be invented. This “invention” should not be seen as a negative or devious attempt to distort the present or the past; it is part of the necessary constitution of a “story” which can become the foundation for a national myth-structure. As Smith notes: "What matters[...] is not the authenticity of the historical record, much less any attempt at 'objective' methods of historicizing, but the poetic, didactic and integrative purposes which that record is felt to disclose" (25). -
Oshkosh Waterfest in August
TO THE MUSIC MUSIC MOVES OUTDOORS 10+ SUMMER FESTIVALS Get Out & Do What You Like to do JUNE 2018 Colin Mochre Warming up to Wisconsin weather by default LOVERBOY Reliably rocking Oshkosh Waterfest in August FOX CITIES PAC Music for all this fall UPcomiNG EVENts: PLUS! Fox Cities | Green Bay MARK’S Marshfield | Oshkosh Stevens Point | Waupaca EAST SIDE NO Detail too small Wausau | Wisconsin Rapids FOR success Waterfest Tickets Celebrates on sale now Summer C l i c k h e r e BY ROCKING THE FOX Advance Ticket Availability Also appearing VIP & General Admission Season Passes The Producers Thomas Wynn & Copper Box (On Line, Oshkosh Chamber & Bank First) Single Event VIP Admission Paul Sanchez and The Believers The Legendary (On Line, Oshkosh Chamber, Bank First) The Rolling Road Show Davis Rogan Band Shadows of Knight Single Event General Admission (On Line-only) The Tin Men REMO DRIVE Brett Newski & No Tomorrow Admissions are also available at the gate day of show Questions: Call Oshkosh Chamber (920) 303-2265 Alex McMurray Road Trip The Pocket Kings For Group Discounts, Gazebo & Stage Right admissions The Lao Tizer Quartet Nick Schnebelen And more! Sponsorships: Mike at (920) 279-7574 or John at (920) 303-2265 x18 WATERFEST.ORG FOR MORE INFO Get Out & Do What You Like to Do JUNE 2018 p.12 COLIN MOCHRE PROFESSES HE HAS NO PLANS P. 4 P. 8 P.18 P.28 DEPARTMENTS LOWDOWN LOVERBOY MUSIC FEsts FALL FOX PUBLISHER’S NOTE p. 2 BRASS Still lovin’ every 11 Wisconsin CITIES PAC A little of everything minute of summer festivals Musical variety SUPPER CLUB - musical in Milwaukee working for the on sale now Mark’s East Side weekend in Appleton p.24 EVENts CALENdaR p.34 PUBLISHER’S NOTE Move It Outdoors JuneFa mily2018, Fu Vol.n Edit2, Issueion 6 June is here and it is time to get Supper Club Guy- David Brierely PUBLISHERS NORMA JEAN FOCHS outside and enjoy some warm goes German at Mark’s East Side PATRICK BOYLE weather and sunshine. -
Which Way to the Future? Dancing with Lizards: The
CINEMA CAN •A D A No. 160 FEBRUARY·MARCH 1989 PUBLISHER Jean·Pierre Tadros EDITOR Jean·Pierre Tadros TORONTO EDITOR Tom PenmuHer ASSOCIATE EDITOR Frank Rackow NEWS EDITOR JohnT immins REPORTER Wyndham Wise (Toronto) EDITORIAL ASSISTANT Zachary Ansley, Genevie ve Bujold, Jeremy Mary J. Martin Irons, Jackie Burroughs, Elias Koteas, Myma Bell (tntem) Kerrie Keane, Jan Rubes, Josette Simon, CONTRIBUTING EDITOR Saul Rubinek, Monique Spaziani, Ron White. Michael Dorland COLUMNISTS Michael Bergman, Unda Ean, George L George, Greg Klymkiw, CMs Majka, Chanes Mandel, Mar'< O'Neill, Barbara Sternberg, Pat Thompson PRODUCTION GUIDE Jim Levesque ART DIRECTION ClaireB aron The 1989 Genie nominees for Best Actor/Actress. On the cover are AC8deftIw ......... DINctor ............. President AI Waxm.n and Director of lIIIItlotl... ond eo_unlcMlona ...... Till· .... ADVERTISING Diane Maass (5 t4 ) 272·5354 Marcia Hackbom(416) 596-6829 RhondaO lson (604) 688-6796 Genie turns 10 21 The Academy of Canadian Cinema and Television and its showcase, the Genie awards for Canadian film, are one decade old. Pa t Thompson Founde<l by the Canadian Socie~ 01 looks back over the Academy's first 10 years. As well, Gerald Pratley of the Ontario Film Institute remembers the pre-Academy era of the Cinematographers, is published by the Cinema Canada Ma9azine Foundatlon. President, Canadian Film Awards. And, finally, past winners speak out about what it means to win a Genie. Jean-Pierre Tadros : VICe-President, George Csaba KaUer ; Secretary-Treasurer, Connie . Tadros : Director, George Campbell Miller. The NFB at 50: Which way to the future? SUBMISSIONS All manuscrip~ , drawings and photographs Filmmaker Bob Verrall, a now retired 40-year employee of the NFB, makes an impassioned plea for renewed commitment to the Film Board. -
Productions in Ontario 2006
2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P. -
Tegan and Sara Return with New Album; Love You to Death to Be Released June 3, 2016 New Music to Come April 8Th
TEGAN AND SARA RETURN WITH NEW ALBUM; LOVE YOU TO DEATH TO BE RELEASED JUNE 3, 2016 NEW MUSIC TO COME APRIL 8TH March 11, 2016 - Tegan and Sara have announced their forthcoming album Love You to Death today. Recorded in Los Angeles, Love You to Death is the band's 8th studio album and once again finds the group working with producer Greg Kurstin (Adele, Sia, Beck, Ellie Goulding). It is slated for release on June 3rd while the first taste of music from the album is due April 8th, the same day that pre-orders begin. Love You to Death is the follow up to Tegan and Sara's pop breakthrough album Heartthrob, which featured the singles "Closer", which was certified gold in the US, and "I Was a Fool". In addition to this, the band were featured on the LEGO Movie single "Everything is Awesome" with The Lonely Island, and were invited to perform that song as part of the 2015 Oscar telecast. Born in Calgary, Alberta and now residing in Vancouver, BC, Tegan and Sara have sold over 1 million albums and collected 7 Gold certifications, 1 Double Platinum certification, 3 Juno Awards, 2 Polaris Prize nominations, and a Grammy nomination. Tegan and Sara are playing sold-out intimate shows in Los Angeles and New York in May. Full list below and more info here. More tour dates will be announced soon. 5/2 @ The Roxy Theatre in Los Angeles, CA 5/3 @ Teragram Ballroom in Los Angeles, CA 5/9 @ Le Poisson Rouge in New York, NY More info: http://teganandsara.com/ https://www.instagram.com/teganandsara/ https://twitter.com/teganandsara https://www.facebook.com/TeganandSara ### For media requests, please contact Brooke Black / [email protected] For regional requests, please contact Jasmine Lywen-Dill / jasmine.lywen- [email protected] . -
Law Center Renovations to Cost $25 Million
University of South Carolina Scholar Commons February 2013 2-4-2013 The aiD ly Gamecock, MONDAY, FEBRUARY 4, 2013 University of South Carolina, Office oftude S nt Media Follow this and additional works at: https://scholarcommons.sc.edu/gamecock_2013_feb Recommended Citation University of South Carolina, Office of Student Media, "The aiD ly Gamecock, MONDAY, FEBRUARY 4, 2013" (2013). February. 16. https://scholarcommons.sc.edu/gamecock_2013_feb/16 This Newspaper is brought to you by the 2013 at Scholar Commons. It has been accepted for inclusion in February by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. dailygamecock.com UNIVERSITY OF SOUTH CAROLINA MONDAY, FEBRUARY 4, 2013 VOL. 111, NO. 15 ● SINCE 1908 Law Center renovations to cost $25 million USC likely to take on $44 million College of Hospitality, Retail and delaying work on other buildings accessible and has been worn down in debt for new building Sport Management and add general around campus. signifi cantly, Gruner said. classroom space, said Ed Walton , Tackling issues in the Law Center, A renovation would convert the USC’s chief fi nancial offi cer. USC’s third-largest classroom law library into classroom space, Thad Moore [email protected] The university will also likely need building, would require the potentially add laboratories, plant to renovate the Taylor and Horry- university to take on additional debt, grass in place of the building’s Guignard houses, which will share he said. parking lot and build a two-story Moving the School of Law could a block with the new law school and The building is currently worth lobby between its two main wings, trigger a need for $30 million of could house new initiatives, Walton $35 million, said Derek Gruner, Gruner said. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Interiors by Coleman Lemieux & Compagnie
INTERIORS by Coleman Lemieux & Compagnie An NAC co-production STUDY GUIDE National Arts Centre, Dance 2008–2009 Season Cathy Levy Producer, Dance Programming This study guide was prepared by Coleman Lemieux & Compagnie, DanceWorks education consultant Laurence Siegel and NAC Outreach Coordinator Renata Soutter for the National Arts Centre Dance Department, October 2008. This document may be used for educational purposes only. INTERIORS STUDY GUIDE TABLE OF CONTENTS About the NAC ……………………………………………… 1 Dance at the NAC ……………………………………………... 2 Theatre Etiquette ………………………………………….…. 3 Interiors Artistic Team and Synopsis .……………………. 4 What students can expect ………………………………..…… 5 About the Company …………………………………….. 7 About the Artistic Directors …………………….………………. 8 About the Dancers …………………………………….. 9 An interview with Laurence Lemieux …………………….. 10 Appreciating Contemporary Dance …………………….. 12 How to watch a performance ……….………….… 13 Pre- and post-performance activities ……………….……. 14 Bibliography/internet sites of interest …………………..… 18 1 Canada’s National Arts Centre Officially opened on June 2, 1969, the National Arts Centre was one of the key institutions created by Prime Minister Lester B. Pearson as the principal centennial project of the federal government. Built in the shape of a hexagon, the design became the architectural leitmotif for Canada's premier performing arts centre. Situated in the heart of the nation's capital across Confederation Square from Parliament Hill, the National Arts Centre is among the largest performing arts complexes in Canada. It is unique as the only multidisciplinary, bilingual performing arts centre in North America and features one of the largest stages on the continent. Designed by Fred Lebensold (ARCOP Design), one of North America's foremost theatre designers, the building was widely praised as a twentieth century architectural landmark.