THE BROTHERS KARAMAZOV by Fyodor Dostoevsky
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Rebellion Brothers Karamazov
Book V, Chapter IV. Rebellion from The Brothers Karamazov (Fyodor Dostoyevsky) Trans: Constance Garnett Project Gutenber Edition “I must make you one confession,” Ivan began. “I could never understand how one can love one's neighbors. It's just one's neighbors, to my mind, that one can't love, though one might love those at a distance. I once read somewhere of John the Merciful, a saint, that when a hungry, frozen beggar came to him, he took him into his bed, held him in his arms, and began breathing into his mouth, which was putrid and loathsome from some awful disease. I am convinced that he did that from ‘self-laceration,’ from the self-laceration of falsity, for the sake of the charity imposed by duty, as a penance laid on him. For any one to love a man, he must be hidden, for as soon as he shows his face, love is gone.” “Father Zossima has talked of that more than once,” observed Alyosha; “he, too, said that the face of a man often hinders many people not practiced in love, from loving him. But yet there's a great deal of love in mankind, and almost Christ-like love. I know that myself, Ivan.” “Well, I know nothing of it so far, and can't understand it, and the innumerable mass of mankind are with me there. The question is, whether that's due to men's bad qualities or whether it's inherent in their nature. To my thinking, Christ-like love for men is a miracle impossible on earth. -
Dostoevsky's Ideal
Student Publications Student Scholarship Fall 2015 Dostoevsky’s Ideal Man Paul A. Eppler Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Philosophy Commons Share feedback about the accessibility of this item. Eppler, Paul A., "Dostoevsky’s Ideal Man" (2015). Student Publications. 395. https://cupola.gettysburg.edu/student_scholarship/395 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 395 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Dostoevsky’s Ideal Man Abstract This paper aimed to provide a comprehensive examination of the "ideal" Dostoevsky human being. Through comparison of various characters and concepts found in his texts, a kenotic individual, one who is undifferentiated in their love for all of God's creation, was found to be the ultimate to which Dostoevsky believed man could ascend. Keywords Dostoevsky, Christianity, Kenoticism Disciplines Philosophy Comments This paper was written for Professor Vernon Cisney's course, PHIL 368: Reading- Dostoevsky, Fall 2015. This student research paper is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/ student_scholarship/395 Dostoevsky’s Ideal Man Paul Eppler Professor Vernon Cisney Reading Dostoevsky I affirm that I have upheld the highest principles of honesty and integrity in my academic work and have not witnessed a violation of the Honor Code. -
Christ and the Temptations of Modernity
9 Christ and the Temptations of Modernity David Hawkin One of the trUly great short stories of Western literatUre is “The Grand InqUisitor” which is foUnd in Fyodor Dostoevsky’s novel, The Brothers Karamazov . In the novel the story of the Grand InqUisitor is told by one of the brothers, Ivan, to another brother, Alyosha. It is set in the sixteenth centUry in Seville in Spain, at the height of the InqUisition. Ivan, the storyteller, tries to envisage what woUld have happened had Christ reappeared at this time. Ivan says, ‘He came Unobserved and moved aboUt silently bUt, strangely enoUgh, those who saw him recognized him at once.’ 1 Having recognized him, a woman in the crowd, in the process of bUrying her dead daUghter, beseeches Christ to raise her daUghter from the dead. Christ does so. It is at this point that the Grand InqUisitor, a wizened 90 year old, appears. He sees Christ raise the girl from the dead. At once he orders Christ to be arrested and imprisoned. Ivan continUes— The Grand InqUisitor’s power is so great and the people are so sUbmissive and tremblingly obedient to him that they immediately open Up a passage for the gUards. A death like silence descends Upon [the gathered crowd] and in that silence the gUards lay hands on [Christ] and lead him away. Then everyone in the crowd, to a man, prostrates himself before the Grand InqUisitor. The old man blesses them in silence and passes on. 2 At night, the old man visits Christ in prison. He knows who Christ is, bUt he does not fall down and worship him. -
Nietzschean Types in the Brothers Karamazov 139817 –Dr
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. Patrick Durkin Nietzschean Types in The Brothers Karamazov 139817 –Dr. William Angus th 11 February 2019 For the Masters of Arts, English Durkin 1 Abstract Nietzsche and Dostoevsky were contemporaries, and Nietzsche especially was known to admire Dostoevsky’s work. Both authors were interested in the study of the basis for human morality, and the search for a redirection of human morality; one in which the problems they saw with the current understanding of acceptable behaviour according to laws, religion and might is right, could be melded in with their own beliefs and struggles with their own mortality and morality. Although Nietzsche’s collection of essays The Genealogy of Morals, (1887) was written 7 years after Dostoevsky’s The Brothers Karamazov (1880), it is interesting to note that the main character types that Nietzsche believed created hierarchies that developed and sustained the morality of his time, appear in the form of the main characters in The Brothers Karamazov. This thesis will be looking at the The Brothers Karamazov through the different character ‘types’ and the resulting psychomachia of the three legitimate brothers, the older brothers Dmitri and Ivan, and especially that of Alyosha, the youngest brother. The thesis will focus on both elder brothers’ evolution of thought and action through the progress of the novel, and, importantly, on each brothers’ interactions with Alyosha and the turbulent state of mind they regularly leave their younger sibling in. -
By Fyodor Dostoevsky
“The Problem of Evil ” by Fyodor Dostoevsky Dostoevsky, (detail) portrait by Vasily Perov, The State Tretyakov Gallery About the author.. The novelist Fyodor Dostoevsky (1821-1881) spent four years in a Siberian prison and four more years in the army as punish- ment for his role in a clandestine Utopian-socialist discussion group. He became scornful of the rise of humanistic science in the West and chron- icled its threat to human freedom. Dostoevsky’s writings challenged the notion of the essential rationality of human beings and anticipated many ideas in existential psychoanalysis. For Dostoevsky, the essence of being human is freedom. About the work. In the The Brothers Karamazov,1 Dostoevsky reveals deep psychological insight into the nature of human morality. In this, his greatest work, he expresses the destructive aspects of human freedom which can only be bound by God. In Chapter 4 of that work, the death of an innocent child is seen to be an inescapable objection to God’s good- ness. In this chapter Alyosha is the religious foil to Ivan, his intellectual older brother. 1. Fyodor Dostoevsky. “Rebellion” in the The Brothers Karamazov (1879). Trans. by Constance Garnett. 1 “The Problem of Evil ” by Fyodor Dostoevsky From the reading. “But then there is the children, and what am I to do about them? That’s a question I can’t answer.” Ideas of Interest from The Brothers Karamazov 1. Why does Ivan think that children are innocent and adults are not? Why does he think we can love children when they are close, but we can only love our neighbor abstractly? 2. -
Dostoevsky's Greatest Characters
Dostoevsky’s Greatest Characters ALSO BY BERNARD J. PARIS Experiments in Life: George Eliot’s Quest for Values (1965) A Psychological Approach to Fiction: Studies in Thackeray, Stendhal, George Eliot, Dostoevsky, and Conrad (1974) Character and Conflict in Jane Austen’s Novels: A Psychological Approach (1978) Third Force Psychology and the Study of Literature, Ed. (1986) Shakespeare’s Personality, Ed. with Norman Holland and Sidney Homan (1989) Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His Plays (1991) Character as a Subversive Force in Shakespeare: The History and the Roman Plays (1991) Karen Horney: A Psychoanalyst’s Search for Self-Understanding (1994) Imagined Human Beings: A Psychological Approach to Character and Conflict in Literature (1997) The Therapeutic Process: Essays and Lectures by Karen Horney, Ed. (1999) The Unknown Karen Horney: Essays on Gender, Culture, and Psychoanalysis, Ed. (2000) Rereading George Eliot: Changing Responses to Her Experiments in Life (2003) Conrad’s Charlie Marlow: A New Approach to “Heart of Darkness” and Lord Jim (2005) Dostoevsky’s Greatest Characters: A New Approach to “Notes from Underground,” Crime and Punishment, and The Brothers Karamazov Bernard J. Paris DOSTOEVSKY’S GREATEST CHARACTERS Copyright © Bernard J. Paris, 2008. Softcover reprint of the hardcover 1st edition 2008 All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2008 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. 10010 and Houndmills, Basingstoke, Hampshire, England RG21 6XS. Companies and representatives throughout the world. -
The Grand Inquisitor,” Is Told by Ivan Karamazov to His Younger Brother Alyosha
Fyodor Dostoevsky (1821-1881), author of such works as Crime and Punishment, The Idiot, and The Possessed, is considered by many to be one of the world’s greatest writers, and the novel The Brothers Karamazov is universally recognized to be one of genuine masterpieces of world literature. Within this novel the story, “The Grand Inquisitor,” is told by Ivan Karamazov to his younger brother Alyosha. The two brothers had just been discussing the problem of evil—the classic problem of Christian theology: if God is really all powerful, all knowing, and truly loving, then why does evil exist? If God could not have prevented evil, then he is not all powerful. If evil somehow escapes his awareness, then he is not all knowing. If he knew, and could do something about it, but chose not to, then how can he be considered a loving God? One solution to this problem is to claim that evil does not really exist, that if we were to see the world Portrait of Fyodor Dostoyevsky, 1872 from God’s perspective, from the perspective of eternity, then everything comes out well in the end. Another response is to claim that it really isn’t God’s fault at all, it is ours. God gave us free-will and evil is the result of our misuse of that gift. Ivan will have none of these arguments. He brings up the particularly troubling case of the suffering of innocent children—how can they be blamed and punished if they are innocent? Ivan cannot accept that the suffering of an innocent child will be justified in the end. -
Trial and Error the Malleability of Truth in the Conviction of Dmitri Karamazov
Trial and Error The Malleability of Truth in the Conviction of Dmitri Karamazov monica coscia Fyodor dostoevsky’s timeless novel, The BroThers Karamazov, explores the eternal question oF whether judicial systems can actually attain justice and truth. set in nineteenth-century russia, the novel tells the story oF Fyodor pavlovich and his sons: the rationalist ivan, the religious alyosha, the sensualist dmitri, and the ille- gitimate smerdyakov. the sudden murder oF Fyodor spawns Familial and societal dis- cord, and dmitri is charged with patricide. the novel culminates in a thrilling court- room drama that captures the attention oF the karamazov Family’s entire community. this discourse views dostoevsky’s jury trial in The BroThers Karamazov not only as the trial oF dmitri karamazov, but also as a trial oF russian culture, pitting tradi- tionalism against modernity. this paper assesses how russia’s dualistic culture sets the stage For dostoevsky to invent attorneys, witnesses, judges, and spectators who illustrate the various Facets oF late-nineteenth-century russian society at its pivotal crossroads. the article ultimately explains how dostoevsky’s thrilling legal battle reveals his doubt that the russian courts, or any arbitrarily established legal sys- tem, could ever achieve true justice. During the latter part of Fyodor Dostoevsky’s life, Russia Russia and in Europe.”4 Accordingly, Dostoevsky read in- lays “between a past which has not quite ended and a fu- numerable types of literature from all regions of the cul- ture which has not quite begun.”1 The beauty of Dosto- tural spectrum-novels, periodicals, Christian literature, evsky’s literature lies in its depiction of both sides of this classic Western works, psychological treatises, and tradi- turning point in Russian history: on one hand, he writes of tional Russian literature.5 Dostoevsky learned about West- Russia’s rich, unique national identity and traditional val- ern liberalism and idealism and contrasted it with Russian ues. -
Download the Idiot, Fyodor Dostoyevsky, Alan Myers, William
The Idiot, Fyodor Dostoyevsky, Alan Myers, William Leatherbarrow, Oxford University Press, 2008, 0199536392, 9780199536399, 658 pages. The Idiot (1868), written under the appalling personal circumstances Dostoevsky endured while travelling in Europe, not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most powerful indictment of a Russia struggling to emulate contemporary Europe while sinking under the weight of Western materialism. It is the portrait of nineteenth-century Russian society in which a "positively good man" clashes with the emptiness of a society that cannot accommodate his moral idealism. Meticulously faithful to the original, this new translation includes explanatory notes and a critical introduction by W.J. Leatherbarrow. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.. DOWNLOAD HERE Dostoevsky's The Idiot A Critical Companion, Liza Knapp, 1998, Literary Criticism, 274 pages. This book is designed to guide readers through Dostoevsky's The Idiot, first published in 1869 and generally considered to be his most mysterious and confusing work. The volume .... Persuasion , Jane Austen, 1947, English fiction, 254 pages. The House of the Dead and Poor Folk , Fyodor Dostoyevsky, 2004, Fiction, 446 pages. In "The House of the Dead, Dostoevsky give vent to his perceptions of prison life, writing from his grueling experience in a Siberian camp, and introduces a gallery of boastful ... -
Legend of the Grand Inquisitor’ Reconsidered Literary Irony and Theological Seriousness in Its Representation of Christ
Journal of Eastern Christian Studies 59(1-2), 103-121. doi: 10.2143/JECS.59.1.2023429 T©HE 2007 ‘LEGEND by Journal OF THE of EasternGRAND Christian INQUISITOR Studies.’ RECONSIDERED All rights reserved. 103 THE ‘LEGEND OF THE GRAND INQUISITOR’ RECONSIDERED LITERARY IRONY AND THEOLOGICAL SERIOUSNESS IN ITS REPRESENTATION OF CHRIST WIL VAN DEN BERCKEN* The chapter ‘The Grand Inquisitor’ in Dostoevsky’s novel The Brothers Karamazov is one of the most intriguing religious-philosophical pieces in lit- erature. It is an original interpretation of the figure of Christ and of the na- ture of Christian belief. The story has been commented on by many inter- preters but was more often used as an argument for or against a certain ec- clesiastical theological standpoint, rather than appreciated as an autono- mous piece of literature. In order to make a sound theological evaluation, however, one must first approach the story within its own literary frame- work. What literary means does Dostoevsky use to convey his view of Christ and Christianity? Before analysing the theological content of the story, I would like to treat three aspects of literary style in ‘The Grand Inquisi- tor’1: irony in the presentation of the story, the anti-iconographical picture of Christ and the indirect method of presenting his message. IRONY First a word on the general structure of the story of ‘The Grand Inquisitor’ itself. It is a story within the larger story of the novel and is not part of the plot. As regards content, it is linked to the discussion between the brothers, Ivan and Aleksei, on the suffering in the world, described in the previous chapter. -
ABSTRACT Dostoevsky's View of the Russian Soul and Its Impact on the Russian Question in the Brothers Karamazov Paul C. Schlau
ABSTRACT Dostoevsky’s View of the Russian Soul and its Impact on the Russian Question in The Brothers Karamazov Paul C. Schlaudraff Director: Adrienne M. Harris, Ph.D Fyodor Dostoevsky, one of Russia’s most renowned novelists, profoundly affected the way that Russia would think of itself in the years following his death. One of the most important issues for Dostoevsky and other authors at the time was the reconciliation of the peasant and noble classes in the aftermath of the serf emancipation in Russia. Dostoevsky believed that the solution to this issue would come from the Russian peasantry. My research investigates Dostoevsky’s view of the “Russian soul”, which is the particular set of innate characteristics which distinguishes Russians from other nationalities. Furthermore, it examines how Dostoevsky’s view of the Russian soul affected his answer to the question of Russia’s ultimate destiny. During the 19th century, socialism was an especially popular answer to that question. Dostoevsky, however, presented an entirely different solution. Through a thorough examination of Dostoevsky’s final novel, The Brothers Karamazov, my thesis demonstrates this alternative solution and its significance in light of competing Russian theory during the 19th century. APPROVED BY DIRECTOR OF HONORS THESIS ______________________________________________________ Dr. Adrienne M. Harris, Department of Modern Languages APPROVED BY THE HONORS PROGRAM: ______________________________________________ Dr. Andrew Wisely, Director DATE: ________________________ DOSTOEVSKY’S VIEW OF THE RUSSIAN SOUL AND ITS IMPACT ON THE RUSSIAN QUESTION IN THE BROTHERS KARAMAZOV A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Paul C. -
Michael Makin Great Books 291 Five Lectures on Crime and Punishment
Michael Makin Great Books 291 Five Lectures on Crime and Punishment You may find the following chronology, with links, of use in guiding your study of Dostoevsky’s novel F. M. Dostoevsky -- Chronology through 1866 1821 3 October, born, Moscow. Father -- Mikhail, doctor (son of priest), who had risen through service to acquire noble status; mother of merchant stock. Former Mariinskii Hospital for the Poor, Moscow, where FMD’s father worked as a doctor, at the time of FMD’s birth. 1825 [Death of Alexander I; accession of Nicholas I; Decembrist revolt.] 1826 [Death of Karamzin (born 1766), author of "Poor Liza" («Бедная Лиза», 1792), History of the Russian State (1818-26).] 1830 [Aleksandr Pushkin's Tales of Belkin, «Повести Белкина».] 1831 Dostoevskii family buys small estate at Darovoe, 150 miles from Moscow. 1833 FMD goes away to school. 1834 [Pushkin's "Queen of Spades", «Пиковая дама».] 1836 Death of mother. [Nikolai Gogol' (1809-52) publishes "The Nose", «Нос»] 1837 FMD goes to St Petersburg, enters Academy of Engineers, housed in the Mik- hailovskii Castle. [Death of Pushkin (born 1799), after a duel, partly as the result of a malicious conspiracy.] 1839 Death of father, possibly murdered. 1841 Promoted to ensign. Plans romantic tragedies. [Death of Mikhail Lermontov (born 1814).] 1842 [Gogol' publishes first part of Dead Souls («Мертвые души»), and "The Over- coat" («Шинель»).] 1844 First published work: a translation of Balzac's Eugénie Grandet. Work on Poor Folk. 1845 Completes Poor Folk («Бедные люди»), which is greeted ecstatically (prior to publication) by Nikolai Nekrasov (1821-1877), Dmitrii Grigorovich (1822-1900), and Vissarion Belinskii (1811-1848), leaders of liberal thought and writing, whose enthusiasm guarantees FMD popularity in their literary circles.