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Alums & Faculty Showcased at EXPO CHICAGO 2019

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GALLERIES 139 RICHARD GRAY GALLERY, 201 KASMIN GALLERY, NEW YORK Stephen Eichhorn (BFA 2006) CHICAGO, NEW YORK Robert Indiana (BFA 1954) Andrew Holmquist (BFA 2008, MFA 2014) 442 ASCASO GALLERY, MIAMI Valerie Carberry (BFA 1993), Partner Matvey Levenstein (BFA 1982) Dannielle Tegeder (MFA 1997) Jeff Koons (SAIC 1975–76, HON 2008) Raven Munsell (Dual MA 2014), Associate Director 241 MATTHEW MARKS GALLERY, 225 JACK SHAINMAN GALLERY, 309 BORTOLAMI, NEW YORK NEW YORK, KINDERHOOK Lauren Anderson (BFA 2006), LOS ANGELES, NEW YORK Ivan Morley (BFA 1989) Gallery Assistant Martin Puryear (HON 1992) Nick Cave (SAIC Faculty) Rebecca Morris (MFA 1994) Suellen Rocca (BFA 1964, HON 2016) Kerry James Marshall (HON 2017) Magdalena Abakanowicz (HON 2002) 339 JAMES COHAN, NEW YORK 332 PHILIP MARTIN GALLERY, 200 WILLIAM SHEARBURN Michelle Grabner (SAIC Faculty) Theaster Gates (HON 2014) LOS ANGELES GALLERY, ST. LOUIS Philip Hanson (BFA 1969, SAIC Faculty) David Klamen (MFA 1985) Kristy Luck (MFA 2014, SAIC Faculty) Eric Fischl (HON 2012) Ellen Lanyon (BFA 1948, HON 2007) Ellsworth Kelly (HON 2010) 111 CORBETT VS. DEMPSEY, CHICAGO 255 MCCORMICK GALLERY, CHICAGO Jim Lutes (MFA 1982) Claes Oldenburg (SAIC 1951– John Corbett (former SAIC Faculty), Owner Anna Kunz (BFA 1991) Jaume Plensa (HON 2005) 54, HON 1979) James Dempsey (BFA 1991), Owner Robert Natkin (DIP 1952) Evelyn Statsinger (BA 1949) Donald Sultan (MFA 1975) Katie Cato (MA 2018), Registrar Gordon Powell (BFA 1975) Megan Finch (BFA 2016), Preparator 121 KAVI GUPTA, CHICAGO Darrell Roberts (BFA 2000, MFA 2003) 233 JESSICA SILVERMAN GALLERY, Jessica Moss (MA 2006), Principal/Head of SAN FRANCISCO Robert Barnes (BFA 1956) Exhibitions 267 MILES MCENERY Judy Chicago (HON 2018) GALLERY, NEW YORK Margot Bergman (SAIC Unknown) David Mitchell (BFA 2012), Exhibition/ Matthew Angelo Harrison (BFA 2012) Tom LaDuke (MFA 1994) Brian Calvin (MFA 1994) Operations Manager Margo Wolowiec (BFA 2007) Annie Lapin (SAIC 2003–04) Robert Donley (BFA 1960, MFA 1966) Ryan Nault (BFA 2014), Head Preparator 369 SMITH-DAVIDSON GALLERY, Ed Flood (BFA 1967, MFA 1969) 325 MONIQUEMELOCHE, CHICAGO Roger Brown (BFA 1968, MFA 1970) AMSTERDAM, MIAMI Magalie Guérin (MFA 2011) Monique Meloche (SAIC 1991–94), Jeffrey Gibson (BFA 1995) Robert Indiana (BFA 1954) Philip Hanson (BFA 1969) Owner Richard Hunt (BA 1957, HON 1979) Jeff Koons (SAIC 1975–76, HON 2008) David Hartt (MFA 1994) Allison Moore (SAIC 2008–09), José Lerma (SAIC Faculty) Thomas Kapsalis (BA 1949, MA 1957) Gallery Manager 344 FREDRIC SNITZER GALLERY, MIAMI Jeffly Gabriela Molina (BFA 2013) Gina Litherland (BFA 1984) Maria Martinez-Canas (MFA 1984) Angel Otero (BFA 2007, MFA 2009) Arocha/Schraenen: Carla Arocha (BFA 1991) Alums & Faculty Showcased Robert Lostutter (SAIC 1958–62) Hiejin Yoo (BFA 2014, Post-Bac 2015) Scott Reeder (SAIC Faculty) and Stéphane Schraenen Rebecca Morris (MFA 1994) Clare Rojas (MFA 2002) Sanford Biggers (MFA 1999) 133 HOLLIS TAGGART, NEW YORK Albert Oehlen (HON 2015) Joan Mitchell (BFA 1947) at EXPO CHICAGO 2019 Claire Sherman (MFA 2005) Justin Cooper (MFA 2005) Celeste Rapone (MFA 2013) Tony Tasset (MFA 1985) Dan Gunn (Post-Bac 2005, MFA 2007, Christina Ramberg (BFA 1968, MFA 1973) 169 SUNDARAM TAGORE GALLERY, NEW SAIC Faculty) YORK, SINGAPORE, HONG KONG Seymour Rosofsky (BFA 1949, MFA 1951) 231 HAUSER & WIRTH, LONDON, HONG Sheree Hovsepian (MFA 2002) Donald Sultan (MFA 1975) KONG, LOS ANGELES, NEW YORK, Barbara Rossi (MFA 1970) Rashid Johnson (SAIC 2003– SOMERSET, ST. MORITZ, ZURICH Rebecca Shore (BFA 1981) 04, HON 2018) 262 TANDEM PRESS, MADISON Ida Applebroog (SAIC 1965) Diane Simpson (BFA 1971, MFA 1978) Cheryl Pope (BFA 2003, MDes 2010, Jennifer Angus (MFA 1991) Karl Wirsum (BFA 1962, HON 2016) Rashid Johnson (SAIC 2003– SAIC Faculty) Michelle Grabner (SAIC Faculty) 04, HON 2018) Jimmy Wright (BFA 1967) Karen Reimer (SAIC Faculty) José Lerma (SAIC Faculty) Molly Zuckerman-Hartung (MFA 2007) 346 RICHARD HELLER GALLERY, Carrie Schneider (MFA 2007) 255 VALLARINO FINE ART, NEW YORK SANTA MONICA Emerson Woelffer (SAIC 1937–38) 143 STEPHEN DAITER Orkideh Torabi (Post-Bac 2014, MFA 2017) 214 DAVID NOLAN GALLERY, NEW YORK GALLERY, CHICAGO David Hartt (MFA 1994) 301 VIELMETTER LOS ANGELES, Dawoud Bey (HON 2019) 131 RHONA HOFFMAN Jim Nutt (BFA 1967, HON 2016) LOS ANGELES GALLERY, CHICAGO Ariel L. Pittman (Dual MA 2011), 115 DC MOORE GALLERY, NEW YORK Rhona Hoffman (HON 2015), Owner 275 RICHARD NORTON Claire Sherman (MFA 2005) GALLERY, CHICAGO Exhibitions Director Rodney McMillian (Post-Bac 2000) Jimmy Wright (BFA 1967) Luis Gispert (BFA 1995) Claude Bentley (SAIC 1945–48) Angel Otero (BFA 2007, MFA 2009) Leon Golub (BFA 1949, MFA Francis Chapin (DIP 1925) 167 CATHERINE EDELMAN GALLERY, CHICAGO 1950, HON 1982) William Dalziel (BA 1963, MFA 1966) 341 WEINSTEIN HAMMONS GALLERY, Catherine Edelman (MFA 1987), Owner Jacob Hashimoto (BFA 1996) Harold Haydon (SAIC 1933–37) MINNEAPOLIS Judy Ledgerwood (MFA 1984) Richard Hunt (BA 1957, HON 1979) Charles Biederman (SAIC 1930) 360 LUIS DE JESUS, LOS ANGELES John Preus (SAIC 2002–03) Max Kahn (SAIC 1926–28) 209 YARES ART, NEW YORK, SANTA FE, Caitlin Cherry (BFA 2010) Jackie Saccoccio (MFA 1998) William S. Schwartz (SAIC 1915–18) PALM SPRINGS Josh Reames (Post-Bac 2010) Vaclav Vytlacil (SAIC 1906–08) Nancy Spero (BFA 1949) Joan Mitchell (BFA 1947) Siebren Versteeg (BFA 1995) 247 TORY FOLLIARD 335 PRAZ-DELAVALLADE, PARIS, 239 DAVID ZWIRNER, PARIS, GALLERY, MILWAUKEE LOS ANGELES 329 GALLERY HYUNDAI, SEOUL NEW YORK, HONG KONG Laurie Hogin (Post-Bac 1987, MFA 1989) Amanda Ross-Ho (BFA 1998) Robert Indiana (BFA 1954) Branwen Jones (MA 2005), Director 163 FORUM GALLERY, NEW YORK 457 THE HOLE, NEW YORK 408 QG GALLERY, BRUSSELS Jonathan Laib (SAIC 1992), Director Benny Andrews (BFA 1958) Evan Gruzis (SAIC Faculty) Rashid Johnson (SAIC 2003– Kim Piotrowski (BFA 1987) 04, HON 2018) Jeff Koons (SAIC 1975–76, HON 2008) 259 JENKINS JOHNSON GALLERY, Kerry James Marshall (HON 2017) 348 GAVLAK, LOS ANGELES, BROOKLYN, SAN FRANCISCO 137 CARRIE SECRIST GALLERY, CHICAGO Joan Mitchell (BFA 1947) PALM BEACH Chanel Chiffon Thomas (BFA 2014) Britton Bertran (MA 2003), Director Candida Alvarez (SAIC Faculty) Austin White (BFA 2018) 473 469 467 457 441 437 435 433 415 EDITIONS + BOOKS /Dialogues Editions + Books showcases a cross section of established and emerging artists. 4 456 5 476 0 442 408 134 ART+CULTURE PROJECTS 369 329 Katherine Bernhardt (BFA 1997) 341 339 335 325 309 301 476 FRONT INTERNATIONAL Michelle Grabner (SAIC Faculty) Kay Rosen (SAIC 1967–71) 360 348 346 344 332 435 ISLAND PRESS 267 255 241 239 231 209 201 Diana Guerrero-Maciá (SAIC Faculty) 275 259 247 233 225 Richard Hull (MFA 1980, SAIC Faculty) Gary Justis (MFA 1979) Judy Ledgerwood (MFA 1984) 262 214 200 132 RENÉ SCHMITT Kay Rosen (SAIC 1967–71) 147 169 157 139 131 121 111 167 163 143 137 133 115 433 SPUDNIK PRESS COOPERATIVE Angee Lennard (BFA 2004, SAIC Faculty), Founder and Director 174 142 134 132 120 Judith Brotman (BFA 1989, MFA 1994, SAIC Faculty) Elijah Burgher (MFA 2004) Lilli Carré (BFA 2006, SAIC Faculty) ENTRANCE Karolina Gnatowski (MFA 2007, 467 HUMAN RIGHTS WATCH SAIC Faculty) The School of the Art Institute of Chicago (SAIC) has shaped 441. SCHOOL OF THE ART INSTITUTE ART AFTER HOURS Unsuccessful Jump Richard Hull (MFA 1980, SAIC Faculty) OF CHICAGO Rebuild Foundation world-changing artists and ideas since 1866. As a top-ranked Maryam Taghavi (MFA 2017, SAIC Faculty) Kelly Kaczynski (SAIC Faculty) Engaging a broad scope of material inquiry and Stony Island Arts Bank, 6760 S. Stony Island Ave. Viraj Mithani (BFA 2015) art and design college with a campus that includes the Art research, the following 2019 MFA graduates 469 HYDE PARK ART CENTER, CHICAGO September 19–December 29 exemplify SAIC’s core values, offering a Jeroen Nelemans (MFA 2007) Ariel Gentalen (MA 2015), Residency and Artist Theaster Gates (HON 2014), collector Institute of Chicago, SAIC has educated alums who have made glimpse into our contemporary moment, where Public Programs Manager Paul Nudd (SAIC Faculty) meaning and making are inseparable: Julie Beth Rudin DeWoody, and curator Laura Dvorkin Alex Herrera (BFA 2011), Teen Programs William J. O’Brien (MFA 2005, Boldt, Rosemary Hall, Ed Oh, Parvin Peivandi, have organized In The Absence of Light: Gesture, significant artistic and cultural contributions throughout the Coordinator SAIC Faculty) and Marie Ségolène. This exhibit is curated by Humor and Resistance In The Black Aesthetic, Kay Rosen (SAIC 1967–71) Sarah Skaggs (MA 2016) and current student Tracy Montes (SAIC 2015), Marketing and an exhibition featuring works from DeWoody’s world. See some of their work here at EXPO CHICAGO. Alice Tippit (BFA 2009, MFA 2013) Sophie Jenkins. Communications Coordinator significant contemporary African and African Mike Nourse (Post-Bac 2000, MFA 2002), diaspora collection. Orkideh Torabi (Post-Bac 2014, MFA 2017) Director of Education Brittney Leeanne Williams (SAIC 2008–09) FRIDAY Asha Iman Veal (MA 2017), Residency and PROFILE /DIALOGUES IN/SITU Exhibitions Coordinator A Constellation of Instances 437 WHITECHAPEL GALLERY Opening reception: Friday, 6:00–9:00 p.m. Ida Applebroog (SAIC 1965) 120 ANAT EBGI, LOS ANGELES Panel discussions, conversations, and provocative In/Situ features large-scale, suspended Sullivan Galleries, 33 S. State St., 7th floor Sarah Ann Weber (BFA 2009) artistic discourse with leading artists, curators, sculptures and site-specific works including Time as a Tool designers, and arts professionals on the current Rodney McMillian (Post-Bac 2000), Scott Reeder Time as a Tool is a collaboration that through October 18 BOOK SIGNINGS 415 WESTERN EXHIBITIONS, CHICAGO issues that engage them. Presented by SAIC and (SAIC Faculty), and Kay Rosen (MA 1971). navigates the language of presentation Featuring current SAIC students Alina Orlov, SATURDAY Richard Hull (MFA 1980, SAIC Faculty) EXPO CHICAGO. of artifacts to reconsider human Bun Stout, E. Saffronia Downing, Jennifer perception of history.
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  • In a Conversation with Judith Russi Kirshner, Recorded

    In a Conversation with Judith Russi Kirshner, Recorded

    In a conversation with Judith Russi Kirshner, recorded May 5, 2017, artists Tony Tassett and Kay Rosen discuss the group of Chicago artists called neo-conceptual and how the Midwest shaped their work. Judith Russi Kirshner: Let’s begin with early experiences in Chicago. Tony Tasset: I went to a little school—the Art Academy of Cincinnati-- with Judy Ledgerwood and Gregory Green. Judy was a year ahead of me. She went to SAIC for graduate school. I chased her to Chicago. I wasn’t accepted to SAIC my first try so I went to Northwestern for a semester and studied with Ed Paschke. Ed was great but SAIC was the dream. I got into SAIC on my second try and studied painting with Ray Yoshida, Phil Hanson and others. This was the ‘80s, and Rhona Hoffman and Donald Young were showing Sol Lewitt and Cindy Sherman at their gallery. Hudson, who Judy and I knew from Cincinnati opened Feature (gallery) in 1984 and he brought Charles Ray, Raymond Pettibon and Louise Lawler to Chicago. It felt like it was a very specific time that sig- naled an important shift away from the Imagist work that had dominated Chicago. Al- though I loved much of the Imagist’s work, I saw it as primarily a regional movement and I recognized the art world becoming increasingly global. Me and some buddies--Judy, Jeanne Dunning, Gaylen Gerber, Mitchell Kane, Hirsch Perlman and Peter Taub--set out to distinguish ourselves from regionalism. I met the art critic Kathryn Hixson in an art history class you taught, Judith.
  • T H E W O R K O F R O B E R T Bl an Ch

    T H E W O R K O F R O B E R T Bl an Ch

    PAGE 1 (MIGHTY REAL) (MIGHTY REAL) WORK ON PAPER FOR WORK ONPAPER PATTEN AS MARY SELF-PORTRAIT WHITEWALLS, 1994 THE WORK OF ROBERT BLANCHON YOU MAKE ME FEEL (MIGHTY REAL) THE WORK OF ROBERT BLANCHON NOVEMBER 19, 2009 – FEBRUARY 26, 2010 TRACEY/BARRY GALLERY, BOBST LIBRARY NEW YORK UNIVERSITY PAGE 10 YOU MAKE ME FEEL FOREWORD ) Queer. If I had to use one word to describe Robert Blanchon’s work, it’s queer. I don’t mean queer only in the sense that he was a man who loved other men, though his sex- uality is an integral part of his art; but rather, that he has a queer approach to the world. He sees things askew, askance, catty-corner—perverse in the epistemological MIGHTY REAL ( sense. Thoroughly postmodern in his approach, Blanchon is a profound prankster. All structures of culture and art, bodies and desire are fodder for his parodies. At the moment we engage his vision, we stand in that liminal, fl eeting space of the queer. I fi rst encountered Blanchon’s work when Mary Ellen Carroll, executor of the Blanchon estate, contacted me about the possibility of placing Robert’s papers here in the Fales Library. Fales is the primary special collection for literature and the arts at New York University. Over the past fi fteen years, we have become a leading repository for the work of New York artists from the 1970s-1990s who worked in downtown New York and who directly engaged critical theo- ry in their art practices. Blanchon’s work fi ts perfectly with that of artists such as Dennis Cooper, Richard Foreman, Gary Indiana, Frank Moore, Lynne Tillman, and David Wojnarowicz—all of whose papers are at the library.