WHO KNOWS?.... MODERN/POST-WAR
WHAT’S NEXT.... WHAT’S ABSTRACT ADDICTIONS:
VALLARINO FINE ART ABSTRACT ADDICTIONS: ...WHAT’S NEXT ....WHO KNOWS?.... 2020 VALLARINO FINE ART FINE VALLARINO STREET 49TH 222 EAST 10017 YORK, NY NEW VALLARINOFINEART.COM 2020
MODERN/POST-WAR
222 EAST 49TH STREET, NEW YORK, NY 10017
212.628.0722
66 ROUTE 343, MILLBROOK, NEW YORK 12545
VALLARINOFINEART.COM
ABSTRACT ADDICTIONS: WHAT’S NEXT....WHO KNOWS?....
What’s Next…..Who Knows?? Is a very fitting subtitle for our annual catalogue. What has happened in the past four-five months seems unimaginable, then again, it could be a blessing in disguise, a kind of wake-up call for all of us. Our global treatment of humanity, our planet’s environment, economic collapse, civil rights and politics have caused a boiling point in our society and then add the Covid-19 Pandemic to top things off and there you have “What’s Next…..Who Knows? One thing I know is art and the art market has literally been around forever and has weathered centuries of wars, economic crashes and many other global disasters and will continue to prevail perhaps in new ways to which it will need to reinvent itself. I believe a correction is taking place as has happened in every market throughout history when strained by historic events. The brick & mortar gallery model is becoming a thing of the past and the existence of art fairs in the near future is questionable regarding the current health situations for the dealers and the collectors who attend. I believe that a large group of galleries are going to close as their business models aren’t strong enough to survive these extreme times. It is my opinion the galleries that will prevail are the ones who have “skin in the game”, own what they sell and have weathered difficult times before. These are the individuals who have spent their lives deep within the passion of art. I have been in the art business for the past 50 years and own everything we sell as we believe in our expertise through our knowledge, scholarship and taste which is reassured by our experience and foresight. Fifteen years ago we became a private gallery because it was apparent that our audience was focused on what we owned and represented making our business intimate and personable unlike many larger galleries. We have a beautiful 3,000 square foot townhouse located at 222 East 49th Street next door to Kathryn Hepburn’s old residence. There you will find our in-situ viewing with mid-century furnishings as one would in their own home instead of a white box gallery setting. VFA also has a 6,000 square foot studio in Millbrook, New York 85 miles north of the city in the Hudson River Valley which was originally VINCENT VALLARINO part of Henry Flagler’s family’s estate. (shown in photos on left) Our two private destination locations are PRINCIPAL, the perfect settings for viewing our vast inventories of Post War and Modern Art in the most private and [email protected] safe accommodations one could dream of. MASHA STROGANOVA DIRECTOR, VFA’s annual catalogue is our signature statement that no other gallery comes close to producing. It shows [email protected] our vast inventories along with our taste and vision revealing itself. We are now deep in production of a JORDAN HUTTON series of short films regarding what we do, how we do it and will focus on the wonderful works of art we STUDIO MANAGER, [email protected] possess. Once again, our goal is to produce something uniquely our own showing how art has been part of our lifestyle over the past fifty years. ETHAN VALLARINO CONSULTANT, For me art is the purist addiction that exists, and overtime have realized that its eclectic relationship with [email protected] color, form and space connect everything in mysterious ways. Once again, we have put our heart and VANESSA VALLARINO soul into what we believe to be a complete statement for you to appreciate. Hopefully our passion and PROJECT DIRECTOR, enthusiasm will fuel your quest to absorb new ideas as the mystery of art unfolds around you. [email protected] I continue to believe that the future is all about the past.
Vincent Vallarino, Millbrook, New York 2020 Vincent Vallarino in our studio located on the Vallarino Millbrook property
2 3 ESTEBAN VICENTE SPANISH/AMERICAN, 1903-2001
BY THE SIDE, 1983
OIL ON CANVAS 52 X 40 INCHES SIGNED, TITLED AND DATED VERSO PROVENANCE: PRIVATE COLLECTION, SCOTTSDALE, AZ EXHIBITED AND ILLUSTRATED IN CATALOG, PAINTINGS AND CONSTRUCTIONS, MARCH 4-30, 1984 AT YARES GALLERY, SCOTTSDALE, ARIZONA
4 5 ABSTRACT COMPOSITION, C. 1956-58 ABSTRACT COMPOSITION, C. 1956-58
MICHAEL ACRYLIC AND COLLAGE ON CARD ACRYLIC AND COLLAGE ON BOARD 10 ¾ X 8 ¾ INCHES 8 ¾ X 11 ½ INCHES GOLDBERG SIGNED LOWER CENTER SIGNED LOWER LEFT PRIVATE COLLECTION, STOCKHOLM, SWEDEN AMERICAN, 1924-2007 PROVENANCE: PROVENANCE: PRIVATE COLLECTION, STOCKHOLM, SWEDEN
66 77 JOHN MCLAUGHLIN AMERICAN, 1898-1976
UNTITLED, 1950 OIL ON CANVAS 20 X 24 INCHES SIGNED LOWER LEFT PROVENANCE: ANDRE EMMERICH GALLERY, NYC (LABEL VERSO) PRIVATE COLLECTION, PALM BEACH, FL EXHIBITED: PASADENA MUSEUM OF ART, 1955 (LABEL VERSO)
8 9 AURORA, 1977
WILL BARNET OIL ON CANVAS AMERICAN, 1911-2012 42 ½ X 102 ¾ INCHES SIGNED AND DATED UPPER RIGHT PROVENANCE: THE ARTIST HIRSCHL & ADLER GALLERIES, INC., NY ACQUIRED BY THE LATE OWNER FROM THE ABOVE, 1979
10 11 UNTITLED, C. 1952-53 PAYSAGE, 1974
MICHAEL OIL ON BOARD JEAN COLORED PENCILS AND BLACK PEN PASTED ON BLACK PAPER 7 ¼ X 8 ¾ INCHES 18 X 12 ¾ INCHES GOLDBERG SIGNED LOWER RIGHT DUBUFFET INITIALED AND DATED LOWER LEFT AMERICAN, 1924-2007 PROVENANCE: FRENCH, 1901-1985 PROVENANCE: THE WADDINGTON GALLERIES, LONDON PRIVATE COLLECTION, STOCKHOLM, SWEDEN POSNER GALLERY, MILWAUKEE, WISCONSIN RICHARD GRAY GALLERY, CHICAGO LITERATURE: LOREAU, MAX, CATALOGUE DES TRAVAUX DE JEAN DUBUFFET, CRAYONNAGES, RÉCITS, CONJECTURES, FASCICULE XXIX, PARIS, 1979, P. 56, NO. 117, ILLUSTRATED EXHIBITED: PARIS, MUSÉE D’ART MODERNE DE LA VILLE DE PARIS, SAN LAZZARO ET SES AMIS, NOVEMBER 19, 1975 - JANUARY, 11, 1976 BASEL, GALERIE BEYELER, AUTRES DIMENSIONS: COLLAGES, ASSEMBLAGES, RELIEFS..., JUNE - SEPTEMBER 1976, NO. 23
12 13 WOLF KAHN AMERICAN, B. 1927
ADVANCING SHADOWS, 1984 OIL ON CANVAS 36 X 44 INCHES SIGNED LOWER RIGHT PROVENANCE: THE ARTIST JERALD MELBERG GALLERY (LABEL VERSO)
14 15 BALL MOUNTAIN BROOK, 1943 UNTITLED, 1957
MILTON AVERY WATERCOLOR ESTEBAN INK AND PAPER COLLAGE ON PAPERBOARD AMERICAN, 1893-1965 22 X 30 INCHES 32 X 30 INCHES SIGNED AND DATED LOWER RIGHT VICENTE SIGNED AND DATED VERSO PROVENANCE: MARIANNE FRIEDLAND SPANISH/AMERICAN, 1903-2001 PROVENANCE: GALLERY K, PHILADELPHIA GALLERY (LABEL VERSO) ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER IN 1986
16 17 GENE DAVIS AMERICAN, 1920-1985
RENOIR’S CURTAIN, 1977
ACRYLIC AND GRAPHITE ON CANVAS 58 ¾ X 94 ¼ INCHES SIGNED, TITLED, AND DATED VERSO PROVENANCE: PRIVATE COLLECTION, NY ACQUIRED DIRECTLY FROM THE ABOVE BY THE PRESENT OWNER
18 19 ELAINE DE KOONING AMERICAN, 1918-1989
BLACK MOUNTAIN #14, 1948
OIL ON PAPER LAID DOWN ON CANVAS 32 X 38 INCHES SIGNED VERSO PROVENANCE: JOAN WASHBURN GALLERY, NY (LABEL) CLINE FINE ART, NEW MEXICO (LABEL) J. DONALD NICHOLS, TN
20 21 ABSTRACTION, 1939-40 UNTITLED, 1967
ILYA OIL ON CANVAS ESTEBAN MIXED MEDIA COLLAGE ON CANVAS 22 X 30 INCHES 22 X 16 INCHES BOLOTOWSKY SIGNED LOWER RIGHT VICENTE SIGNED AND DATED VERSO RUSSIAN/AMERICAN, 1907-1981 PROVENANCE: LESLIE JOHNSON SPANISH/AMERICAN, 1903-2001 PROVENANCE: COLLECTION, OHIO ACQUIRED BY PRESENT OWNER CARL SOLWAY GALLERY, OHIO FROM PRIVATE COLLECTION IN EAST LYNNE MYERS GORDON ESTATE, OHIO HAMPTON, NY
22 23 JEROME KIRK AMERICAN, B. 1923
MAQUETTE FOR SOLAR SEMAPHORE, 1979 ALUMINUM 60 H X 33 W X 13 ½ D INCHES SIGNED “KIRK 79” ON ALUMINUM BASE PROVENANCE: PRIVATE COLLECTION, LINCOLN, NE
“SOLAR SEMAPHORE,” IS AN ALUMINUM KINETIC SCULTPURE WITH FOUR MOVING ELEMENTS AND IS THE MAQUETTE FOR THE 19 FOOT TALL, 1200 POUND OUTDOOR SCULTPURE INSTALLED IN LINCOLN, NEBRASKA ON THE SOUTHWEST CORNER OF 12TH AND O STREETS IN 1979.
24 25 JULIAN STANCZAK POLISH-AMERICAN, 1928-2017
STRATIFIED, 1978 ACRYLIC ON CANVAS 50 X 80 INCHES SIGNED, TITLED AND DATED VERSO PROVENANCE: PROPERTY OF A FRANKLIN, MICHIGAN COLLECTOR, ACQUIRED FROM LONDON FINE ARTS GALLERY, DETROIT
26 27 ROGER BROWN AMERICAN, 1941-1997
DANCING HOUSES-THE EARTHQUAKE OF 1994, 1994
OIL ON CANVAS 48 X 72 INCHES TITLED AND DATED VERSO PROVENANCE: PHYLLIS KIND GALLERY, CHICAGO ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER IN 1994 EXHIBITED: CHICAGO, PHYLLIS KIND GALLERY, APRIL 8 - MAY 6, 1994 SANTA BARBARA, CALIFORNIA, SANTA BARBARA CONTEMPORARY ARTS FORUM, ROGER BROWN: CALIFORNIA DREAMIN’, NOVEMBER 1996 - JANUARY 26, 1997 A PRELIMINARY SKETCH OF THIS PAINTING IS INCLUDED IN THE 1993-1997 ROGER BROWN SKETCHBOOK, LOCATED IN THE ROGER BROWN STUDY COLLECTION, CHICAGO
28 29 RUNIC II, 1962 INDIAN WITH PAPOOSE, 1952 PETER BUSA OIL ON CANVAS ROY LICHTENSTEIN OIL ON CANVAS 72 X 52 INCHES 24 X 18 INCHES AMERICAN, 1914-1985 AMERICAN, 1923-1997 SIGNED LOWER RIGHT SIGNED LOWER RIGHT PROVENANCE: COLLECTION OF JOHN KLUGE PROVENANCE: PRIVATE COLLECTION (DIRECT FROM THE ARTIST, 1953) PRIVATE COLLECTION, KY (DESCENT FROM ABOVE)
30 31 VIVIAN SPRINGFORD AMERICAN, 1914-2003
UNTITLED (VSF343), C. 1970S
ACRYLIC ON CANVAS 89 ½ X 89 ½ INCHES ESTATE STAMPED VERSO PROVENANCE: THE ESTATE OF THE ARTIST
32 33 CROSSWAYS, 1979 UNTITLED, C. 1960
IBRAM LASSAW GILT BRONZE ALMA THOMAS WATERCOLOR ON PAPER AMERICAN, 1913-2003 18 X 20 X 20 INCHES AMERICAN, 1891-1978 22 X 30 INCHES INCISED WITH ARTIST’S SIGNATURE, DATE AND TITLE SIGNED LOWER RIGHT PROVENANCE: ZARBRISKIE GALLERY, NY PROVENANCE: THE ARTIST PRIVATE COLLECTION, MIAMI PRIVATE COLLECTION, GEORGIA (PURCHASED FROM ABOVE, EARLY 1980S) ART 70TH GALLERY, NEW YORK, NY JASON H. WRIGHT, NY
34 35 NORMAN BLUHM AMERICAN, 1921-1999
ARONDITE, 1963
OIL ON CANVAS 114 ¼ X 96 ¼ INCHES SIGNED AND DATED LOWER RIGHT PROVENANCE: NORMA AND CLEMENT OGDEN, STOCKBRIDGE BENNINGTON COLLEGE (GIFTED BY THE ABOVE IN 1993) CHRISTIE’S, NEW YORK, NOVEMBER 16, 2018, LOT 750 ACQUIRED AT THE ABOVE SALE BY THE PRESENT OWNER
36 37 CONRAD MARCA-RELLI AMERICAN, 1913-2000
PASSION J-L-I-18-59-89, 1959-89
OIL AND COLLAGE ON CANVAS 57 ½ X 72 INCHES SIGNED BOTTOM LEFT; DATED VERSO PROVENANCE: THIS WORK IS REGISTERED IN THE ARCHIVIO MARCA-RELLI, PARMA UNDER N. MARE-9488 EXHIBITED: DARMSTADT, INSTITUT MATHILDENHÖHE, CONRAD MARCA-RELLI: WORKS 1945-1996, 2000 KOLN, LUDWIG MUSEUM KOLN; ROMA, SCUDERIE DEL QUIRINALE, BURRI. GLI ARTISTI E LA MATERIA 1945-2004, 2005, P. 83, ILLUSTRATED LITERATURE: KLAUS WOLBERT, CONRAD MARCA-RELLI: WORKS 1945-1996, DARMSTADT 2000, P.111 ILLUSTRATED MARCO VALLORA, MARCA-RELLI L’AMICO AMERICANO. SINTONIE E DISSONANZE CON AFRO E BURRI, PARMA 2002, P. 261, ILLUSTRATED DAVID ANFAM, MAGDALENA DABROWSKI, CONRAD MARCA-RELLI - PROTAGONISTA DELL’ESPRESSIONISMO ASTRATTO AMERICANO, MILANO 2008, ILL. P. 184, 301, ILLUSTRATED
38 39 NAIMA, 1998 UNTITLED, 1961
ELIZABETH BRONZE GERTRUDE OIL ON BOARD 9 ¾ X 6 X 9 INCHES 8 X 10 INCHES CATLETT SIGNED WITH EC MONOGRAM ABERCROMBIE SIGNED AND DATED LOWER RIGHT AMERICAN, 1915-2012 PROVENANCE: ELIZABETH CATLETT, AMERICAN, 1909-1977 PROVENANCE: PRIVATE COLLECTION, UK PRIVATE COLLECTION, MEXICO CITY GINSENG ANTIQUES, ST LEONARDS ON SEA, UK PRIVATE COLLECTION, BERKELEY, CALIFORNIA
40 41 HANS HOFMANN AMERICAN, 1880–1966
COMPOSITION NO. 43, C. 1942
OIL ON PANEL 35 ½ X 41 ½ INCHES SIGNED BOTTOM RIGHT PROVENANCE: THE ARTIST. THE COLLECTION OF CLEMENT GREENBERG. NOAH GOLDOWSKY GALLERY, NEW YORK, NEW YORK. PRIVATE COLLECTION, DAYTON, OHIO. SOTHEBY’S, NEW YORK, “CONTEMPORARY PAINTINGS, DRAWINGS AND SCULPTURE,” NOVEMBER 9, 1983, LOT 43. PRIVATE COLLECTION. CHRISTIE’S, NEW YORK, “CONTEMPORARY ART,” FEBRUARY 8, 1986, LOT 101. THE ESTATE OF LEE & GILBERT BACHMAN, ATLANTA, GEORGIA & BOCA RATON, FLORIDA (ACQUIRED DIRECTLY FROM THE ABOVE SALE). LITERATURE: SUZI VILLIGER, HANS HOFMANN CATALOGUE RAISONNÉ OF PAINTINGS, VOLUME II: CATALOGUE ENTRIES P1-P846 (1901–1951), BURLINGTON: LUND HUMPHRIES, 2014, CATALOGUE NO. P436 (ILLUSTRATED).
42 43 KENNETH NOLAND AMERICAN, 1924-2010
BRAZILIAN LIGHT, 1964
ACRYLIC ON CANVAS 45 X 45 INCHES SIGNED, TITLED, AND DATED VERSO PROVENANCE: SOLD: SOTHEBY’S NEW YORK, MAY 9, 1996, LOT 93
44 45 VIRGINIA SPRING, 1960 SUNROY, 1959-60
LYNNE MAPP OIL ON CANVAS OIL ON CANVAS 30 ½ X 36 INCHES 58 X 61 INCHES DREXLER SIGNED, TITLED, AND DATED VERSO SIGNED, TITLED AND DATED VERSO AMERICAN, 1928- 1999 PROVENANCE: PROVENANCE: THE ESTATE OF THE ARTIST THE ESTATE OF THE ARTIST PRIVATE COLLECTION, VIRGINA PRIVATE COLLECTION, MONTREAL, CANADA
46 47 UNTITLED, 1971 UNTITLED, C.1970S
GIORGIO OIL ON CANVAS VIVIAN ACRYLIC ON CANVAS 50 ½ X 42 INCHES 60 X 56 INCHES CAVALLON SIGNED AND DATED LOWER RIGHT SPRINGFORD SIGNED AND ESTATE STAMPED VERSO AMERICAN, 1904-1989 PROVENANCE: AM SACHS GALLERY, NY AMERICAN, 1914-2003 PROVENANCE: THE ESTATE OF THE ARTIST EXHIBITED: GIORGIO CAVALLON: A RETROSPECTIVE VIEW, MAR. 19 - MAY 20, 1990, THE WILLIAM BENTON MUSEUM OF ART, UNIVERSITY OF CONNECTICUT, STORRS, CT, CAT NO. 48 THE ESTATE OF ELIZABETH H. FULLER
48 49 VALLEY, 1996 MT. PINATUBO (FROM MEXICO), 1996
WOLF KAHN PASTEL ON PAPER PASTEL ON PAPER AMERICAN, B. 1927 22 X 30 INCHES 22 X 30 INCHES SIGNED LOWER RIGHT SIGNED LOWER LEFT PROVENANCE: MANGEL GALLERY, PROVENANCE: MANGEL GALLERY, PHILADELPHIA, PA PHILADELPHIA, PA CORRINE STONE, PHILADELPHIA, PA CORRINE STONE, PHILADELPHIA, PA
50 51 HOWARD MEHRING AMERICAN, 1931-1978
UNTITLED, C. 1962 OIL ON COLLAGED UNPRIMED CANVAS 44 X 44 INCHES PROVENANCE: COLLECTION OF GILBERT & SANDRA OKEN
52 53 UNTITLED, 1961 UNTITLED, C. 1960
PIETRO BRONZE ALMA THOMAS WATERCOLOR ON PAPER 15 H X 14 W X 1½ D INCHES AMERICAN, 1891-1978 22 X 30 INCHES CONSAGRA SIGNED AND DATED SIGNED LOWER RIGHT ITALIAN, 1920-2005 PROVENANCE: RALEY ESTATE, HARRISVILLE, NH PROVENANCE: THE ARTIST PRIVATE COLLECTION, GEORGIA ART 70TH GALLERY, NEW YORK, NY JASON H. WRIGHT, NEW YORK
54 55 ESTEBAN VICENTE SPANISH/AMERICAN, 1903-2001 LEON GOYAESCAS, 1984
OIL ON CANVAS BERKOWITZ 27 X 38 INCHES AMERICAN, 1919-1987 SIGNED, TITLED, AND DATED VERSO PROVENANCE: GREUNEBAUM GALLERY, NEW YORK THE POOL I, 1976
OIL ON CANVAS 110 X 58 INCHES SIGNED VERSO PROVENANCE: BAUMGARTNER GALLERIES, INC., DC; THE ARTS CLUB OF CHICAGO; ACA GALLERIES, NY (LABELS VERSO)
56 57 PAUL REED AMERICAN, 1921-2006
INTERCHANGE X, 1966
OIL ON CANVAS 62 ½ X 106 ½ INCHES SIGNED, TITLED AND DATED VERSO PROVENANCE: PROPERTY FROM THE SHIRLEY RYAN ABILITY LAB, CHICAGO, ILLINOIS
58 59 PARADOX NO. 2, DELICATE COMPASS, 1969 PAINTING 1963 (II), 1963
ALICE OIL ON CANVAS CHARLES OIL ON CANVAS 25 ½ X 22 ½ INCHES 33 X 45 ¾ INCHES TRUMBULL INITIALED AND DATED LOWER RIGHT HOWARD SIGNED WITH INITIALS AND DATED ‘CH/63’ PROVENANCE: WASHBURN GALLERY, NEW YORK AMERICAN, 1899-1978 PROVENANCE: MCROBERTS & TUNNARD LIMITED, MASON EXHIBITED: “THE PRIVATE EYE,” 8-10 JUNE 1984, LONDON.PROPERTY FROM THE COLLECTION OF ELIZABETH AMERICAN, 1904-1971 NEUBERGER MUSEUM, STATE UNIVERSITY OF NEW YORK, BROOKE BLAKE PURCHASE, NY
60 61 ILYA BOLOTOWSKY RUSSIAN/AMERICAN, 1907-1981
WHITE HORIZONTAL WITH BLUE, RED, AND YELLOW, 1973
ACRYLIC ON CANVAS 30 X 65 INCHES SIGNED AND DATED LOWER RIGHT PROVENANCE: GRACE BORGENICHT GALLERY, INC., NEW YORK YARES GALLERY, SCOTTSDALE SOTHEBY’S, NEW YORK, OCTOBER 5, 1989,LOT 98 ACQUIRED AT THE ABOVE SALE BY THE PRESENT OWNER EXHIBITED: FORT WAYNE ART INSTITUTE MUSEUM OF ART, ILYA BOLOTOWSKY: ARTIST IN RESIDENCE, APRIL 21 - MAY 28, 1978
62 63 PAUL JENKINS AMERICAN, 1923-2012
PHENOMENA TRACES OF THE TIDE, 1969
ACRYLIC ON CANVAS 80 X 40 INCHES SIGNED LOWER LEFT PROVENANCE: MARTHA JACKSON GALLERY, NEW YORK ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER
CADENCE, 1985
ESTEBAN MIXED MEDIA AND COLLAGE ON CANVAS VICENTE 29 ½ X 33 ½ INCHES SPANISH/AMERICAN, 1903-2001 SIGNED LOWER LEFT PROVENANCE: PRIVATE COLLECTION, MADRID, SPAIN
64 65 NORMAN BLUHM AMERICAN, 1921–1999
UNKNOWN NATURE, 1956
OIL ON CANVAS 51 X 76 ½ INCHES SIGNED, TITLED AND DATED VERSO PROVENANCE: IRVING GALLERIES, PALM BEACH ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER
66 67 GLOUCESTER CALIMAN COXE AMERICAN, 1907-1999
FROM A WINDOW, 1969
OIL ON CANVAS 72 ½ X 31 ½ INCHES SIGNED LOWER RIGHT PROVENANCE: THE JOHNSON PUBLISHING COMPANY, INC., CHICAGO
RAY PARKER GREEN AND RED, 1960 OIL ON CANVAS AMERICAN, 1922-1990 65 X 65 INCHES SIGNED AND DATED VERSO PROVENANCE: PAUL KANTOR GALLERY, LOS ANGELES, CA PRIVATE COLLECTION, PALM BEACH, FLORIDA
68 69 DETOUR, 1965 WAYCROSS, 1962
FRANK OIL ON CANVAS FRIEDEL DZUBAS OIL ON CANVAS 30 X 40 INCHES GERMAN/AMERICAN, 1915-1994 72 X 65 INCHES WIMBERLEY SIGNED LOWER RIGHT SIGNED, TITLED, AND DATED VERSO PRIVATE COLLECTION, MAINE AMERICAN, B. 1926 PROVENANCE: PROVENANCE: AMERINGER & HOWARD FINE ART, BOCA RATON, FLORIDA EXHIBITED: FRIEDEL DZUBAS: A RETROSPECTIVE EXHIBITION, MUSEUM OF FINE ARTS, HOUSTON, OCTOBER-NOVEMBER 1974, CAT. NO. 9, P. 26 (ILLUSTRATED) FRIEDEL DZUBAS: PAINTINGS OF THE 1960S, AMERINGER/HOWARD FINE ART, NEW YORK, MARCH-APRIL 2001
70 71 ROY LICHTENSTEIN AMERICAN, 1923-1997
MODERN TAPESTRY, 1968
WOOL, CUT PILE WEAVE TAPESTRY 107 ½ X 144 ¾ INCHES SIGNATURE STITCHED VERSO; EDITION OF 20 PROVENANCE: MODERN MASTER TAPESTRIES INC. NEW YORK, NY; SPERRY DIVISION OF SPERRY RAND, GREAT NECK, NY, 1972; NORTHRUP GRUMMAN, BETHPAGE, NY; EAC GALLERY, ROSLYN HEIGHTS, NY, 1999 (AUCTION SALE NR. AND LOT NO. UNKNOWN); ROBERT HEARLE, NEW YORK, NY; MARINA HEARLE, 2012 (BY DESCENT). REFERENCE: LC 531; SKN 38; RL 0181.UNKN15
72 73 ELIZABETH CATLETT AMERICAN, 1915–2012
STEPPING OUT, 1987 FOOTBALL PLAYERS, 1966
BRONZE SCULPTURE ERNIE BARNES OIL ON CANVAS 30 X 9 ½ X 7 INCHES AMERICAN, 1938–2009 32 X 38 INCHES INSCRIBED “EC” SIGNED LOWER RIGHT PROVENANCE: PRIVATE COLLECTION, PROVENANCE: MEXICO CITY, MEXICO PRIVATE COLLECTION, LOS ANGELES
74 75 ROBERT NATKIN AMERICAN, 1930-2010
UNTITLED, 1957
OIL ON CANVAS 74 ½ X 86 ½ INCHES SIGNED AND DATED UPPER RIGHT PROVENANCE: ESTATE OF BEN AND NATALIE HEINEMAN
76 77 UNTITLED, 1985 ULYSSES III, 1959 ESTEBAN VICENTE PASTEL, COLLAGE AND WASH ON PAPER ROBERT OIL ON CANVAS 30 X 22 INCHES 54 X 60 INCHES SPANISH/AMERICAN, 1903-2001 SIGNED AND DATED LOWER RIGHT GOODNOUGH SIGNED AND DATED LOWER RIGHT INSCRIBED TO DAVID LOWER LEFT PRIVATE COLLECTION, AMERICAN, 1917-2010 PROVENANCE: PROVENANCE: PRIVATE COLLECTION, CHICAGO NEW YORK
78 79 CLEVE GRAY AMERICAN, 1918–2004
RAQIA, 1994
ACRYLIC ON CANVAS 45 X 72 INCHES SIGNED AND DATED VERSO PROVENANCE: PRIVATE COLLECTION, CT
80 81 EDWARD DUGMORE AMERICAN, 1915-1996
UNTITLED, 1953 CHECKER PLAYERS, 1961
OIL ON CANVAS MARCH AVERY OIL ON CANVAS 90 1/4 X 58 1/8 INCHES AMERICAN, BORN 1932 31 ½ X 47 ½ INCHES SIGNED AND DATED VERSO SIGNED AND DATED BOTTOM LEFT PROVENANCE: COLLECTION OF PROVENANCE: PRIVATE COLLECTION, THE ARTIST, NEW YORK PENNSYLVANIA PRIVATE COLLECTION, CONNECTICUT MANNY SILVERMAN GALLERY, LOS ANGELES ACQUIRED DIRECTLY FROM THE ABOVE BY THE PRESENT OWNER
82 83 JOHN LITTLE AMERICAN, 1907 - 1984
SINHALA, 1970 TEMPERA ON CANVAS 56 X 60 INCHES SIGNED AND DATED LOWER LEFT PROVENANCE: THE ESTATE OF THE ARTIST
84 85 PALE TONDO, 1961 RED TONDO, 1977
ILYA OIL ON CANVAS OIL ON CANVAS 23 ½ INCH DIAMETER 20 INCH DIAMETER BOLOTOWSKY SIGNED AND DATED LOWER RIGHT SIGNED LOWER RIGHT AMERICAN, 1907-1981 PROVENANCE: PRIVATE COLLECTION PROVENANCE: F.B.HOROWITZ FINE ART, HOPKINS, MN GRACE BORGENICHT GALLERY, INC., NEW YORK PRIVATE COLLECTION, ST.LOUIS, MO PRIVATE COLLECTION, NEW YORK
86 87 MICHAEL LOEW AMERICAN 1907-1985
CUBIST NUDES, 1950-1951
INK ON PAPER 9 X 6 INCHES EACH SIGNED AND DATED PROVENANCE: THE ESTATE OF THE ARTIST
88 89 ANTOINE PONCET SWISS, B. 1928
ECHOSILLOGIQUES, 1976
WHITE MARBLE ON A MARBLE BASE 22 ¾ X 15 ¾ X 11 ½ INCHES WITH BASE: 26 X 15 ¾ X 11 ½ INCHES SIGNED LOWER EDGE “AP”, SIGNED ON BASE “PONCET” PROVENANCE: PRIVATE COLLECTION, NEW YORK
SUSAN AND FRIEND, 1948 WALTER OIL ON BOARD 30 X 24 INCHES SANFORD SIGNED AND DATED UPPER RIGHT PROPERTY FROM THE COLLECTION AMERICAN, 1912-1987 PROVENANCE: OF KENNETH AND SHIRLEY BUTLER, CHICAGO, ILLINOIS
90 91 PAUL KELPE GERMAN/ AMERICAN, 1902-1985
STILL LIFE WITH BOTTLES, GLASS AND GRATER, C. 1922
OIL ON WOOD PANEL 19 ¼ X 35 INCHES SIGNED LOWER LEFT PROVENANCE: PRIVATE COLLECTION, NEW ORLEANS
92 93 STILL LIFE WITH GUITAR, 1930 LE MATIN, C. 1930
ISMAEL OIL ON CANVAS OIL ON CANVAS 31 ½ X 23 INCHES 31 7/8 X 21 1/4 INCHES DE LA SERNA SIGNED AND DATED LOWER LEFT SIGNED LOWER RIGHT PROVENANCE: PROVENANCE: HAMMER GALLERIES, NEW YORK SPANISH, 1898-1968 PROVENANCE: HAMMER GALLERIES, NEW YORK (STAMP ON VERSO STRETCHER) (STAMP ON VERSO STRETCHER) COLLECTION OF INTERNATIONALLY RENOWNED VIOLIN EXPERT JACQUES FRANCAIS COLLECTION OF INTERNATIONALLY RENOWNED VIOLIN EXPERT AND TELEVISION ACTRESS, BROADWAY, FILM AND CABARET STAR LYNNE CHARNAY JACQUES FRANCAIS AND TELEVISION ACTRESS, BROADWAY, FILM FRANCAIS AND CABARET STAR LYNNE CHARNAY FRANCAIS
94 95 EMILIO CRUZ AMERICAN, 1938-2004
FIGURATIVE COMPOSITION #5, 1964
OIL ON CANVAS 32 X 40 INCHES SIGNED & DATED, ROME, ITALY ON VERSO PROVENANCE: MARTHA JACKSON GALLERY, NEW YORK (LABEL VERSO) PRIVATE COLLECTION, MAINE
96 97 COLUMN #11, 1963
ILYA BOLOTOWSKY ACRYLIC ON WOOD AMERICAN, 1907–1981 18¼ X 3¼ X 3¼ INCHES SIGNED AND DATED BOTTOM RIGHT ILYA BOLOTOWSKY PROVENANCE: PRIVATE COLLECTION, AMERICAN, 1907–1981 COLORADO (ACQUIRED DIRECTLY FROM THE ARTIST IN 1991)
UNTITLED, C. 1965
ACRYLIC ON WOOD 13 ¾ X 2 X 2 INCHES SIGNED PROVENANCE:ALBERT GOLDMAN GALLERY, FLORIDA ERIC COLLINS, DELAWARE BETH URDANG FINE ART, CHICAGO
ORANGE, YELLOW AND BLUE TONDO, 1976
ACRYLIC ON CANVAS 39 ½ INCH DIAMETER SIGNED, DATED AND TITLED ON STRETCHER VERSO PROVENANCE: ACQUIRED DIRECTLY FROM THE ARTIST IN 1979 BY DR. AND MRS. SANFORD WEINGER, EDISON, NJ. THE WEINGER’S WERE FRIENDS OF THE ARTIST, AND THEIR COLLECTION INCLUDES A 1977 EXHIBITION POSTER PERSONALLY INSCRIBED BY THE ARTIST
98 99 THREE RELATED STRUCTURES, C. 1930’S PARIS, 1928 ALEXANDER OIL ON CANVAS VERNON OIL ON LINEN 30 X 40 INCHES 32 X 24 INCHES CORAZZO SIGNED ON SIDE NEWSWANGER SIGNED, TITLED AND DATED LOWER LEFT FRENCH/AMERICAN, 1908-1971 PROVENANCE: AMERICAN, 1901-1980 PROVENANCE: PRIVATE COLLECTION, MINNESOTA PRIVATE COLLECTION, NEW JERSEY
100 101 GENE DAVIS AMERICAN, 1920–1985
QUEEN BEE, 1975
ACRYLIC ON CANVAS 68 ½ X 89 ½ INCHES SIGNED, TITLED, AND DATED VERSO PROVENANCE: PRIVATE COLLECTION, GREAT FALLS CHARLES COWLES GALLERY, NEW YORK
102 103 UNTITLED, 1963 UNTITLED, 1943-1983
RAY PARKER ACRYLIC ON CANVAS ESPHYR OIL ON CANVAS 46 X 48 INCHES AMERICAN, 1922-1990 41 X 53 INCHES SIGNED AND DATED VERSO SLOBODKINA SIGNED AND DATED LOWER CENTER PROVENANCE: KOOTZ GALLERY, NEW YORK RUSSIAN/AMERICAN, 1908-2002 PROVENANCE: PRIVATE COLLECTION, NEW YORK PPRIVATE COLLECTION, MIAMI
104 105 BENNY ANDREWS AMERICAN, 1930-2006
THE OFFERING, 1964
OIL ON CANVAS 24 ½ X 38 ½ INCHES SIGNED, TITLED AND DATED VERSO PROVENANCE: PRIVATE COLLECTION, CHICAGO, IL
106 107 JAZZ SINGER, 1948 WOMEN IN INTERIOR, 1981
VICTOR SEACH OIL ON LINEN CANVAS WILLIAM OIL ON MASONITE 30 X 23 ¾ INCHES AMERICAN, 1918-1991 31 X 42 INCHES SIGNED LOWER RIGHT SYLVESTER SIGNED AND DATED LOWER CENTER PROPERTY FROM THE COLLECTION PROVENANCE: PRIVATE COLLECTION, PROVENANCE: EAST HAMPTON, NY; PRIVATE COLLECTION, CARTER OF KENNETH AND SHIRLEY BUTLER, CHICAGO, ILLINOIS BOSTON (1995) AMERICAN, 1909-1996
108 109 THEODOROS STAMOS GREEK/AMERICAN, 1922-1997
INFINITY FIELD, (LEFKADA SERIES), 1979
ACRYLIC ON CANVAS 76 X 58 INCHES ROBERT SIGNED, TITLED, AND DATED VERSO PROVENANCE: DORSKY GALLERIES LTD., MOTHERWELL NEW YORK AMERICAN, 1915–1991 CHRISTIE’S, NEW YORK, 22 FEBRUARY 1996, LOT 7 PRIVATE COLLECTION CHRISTIE’S, NEW YORK, 15 MARCH 2005, LOT 147 ACQUIRED AT THE ABOVE SALE BY THE PREVIOUS OWNER
110 111 SEASIDE ROAD (BLUES), C. 1975 SUMMER, 1969
SALLY OIL ON CANVAS OIL ON CANVAS BOARD 30 X 40 INCHES 19 7/8 X 23 7/8 INCHES MICHEL AVERY SIGNED LOWER LEFT SIGNED AND DATED LOWER RIGHT AMERICAN 1902-2003 PROVENANCE: PROVENANCE: THE ARTIST PROPERTY FROM A MARYLAND COLLECTION ACQUIRED FROM THE ARTIST, CIRCA 1980-85
112 113 MILTON AVERY AMERICAN, 1893-1965
TREES AND TREES, 1962
OIL ON PAPER 22 ½ X 34 ½ INCHES SIGNED AND DATED LOWER RIGHT PROVENANCE: MARIANNE FRIEDLAND GALLERY, NAPLES, FLORIDA PRIVATE COLLECTION, TORONTO, ONTARIO
114 115 SEAGULL, 1939 SUB-ZERO TECHNOLOGY, 1982
ESPHYR OIL ON CANVASBOARD OIL ON BOARD 16 1/8 X 18 INCHES 48 X 24 INCHES SLOBODKINA SIGNED VERSO SIGNED LOWER RIGHT EDWARD REYNOLDS DOWNE, JR. RUSSIAN-AMERICAN, 1908-2002 PROVENANCE: PROVENANCE: THE ESTATE OF THE ARTIST ACQUIRED BY THE PRESENT OWNER, 1989
116 117 THE COUCH, 1950S BUTTON DOWN JAZZ, 1957
GEORGE VRANESH OIL ON CANVAS OIL ON CANVAS AMERICAN, 1926 - 2014 26 X 36 INCHES 28 X 36 INCHES SIGNED UPPER RIGHT SIGNED AND DATED LOWER RIGHT PROVENANCE: THE ESTATE OF THE ARTIST PROVENANCE: THE ESTATE OF THE ARTIST EXHIBITED: MONTANARO GALLERY, NEWPORT, RI EXHIBITED: MONTANARO GALLERY, NEWPORT, RI
118 119 BALCOMB GREENE AMERICAN, 1904–1990
BALANCED MOVING, 1938 OIL ON CANVAS 32 X 48 INCHES INITIALED AT LOWER RIGHT; SIGNED AND TITLED VERSO PROVENANCE: ARTHUR AND ANITA KAHN COLLECTION, NEW YORK
120 121 CHARLES GREEN SHAW AMERICAN, 1892-1974
POLYGON IN SPACE, 1969 OIL ON CANVAS 40 X 30 INCHES SIGNED AND DATED VERSO PROVENANCE: THE ESTATE OF THE ARTIST BLACK - YELLOW, 1962 CHARLES CARPENTER, BY BEQUEST ALEXANDER OIL ON CANVAS PRIVATE COLLECTION, NEW JERSEY 24 X 24 INCHES EXHIBITED: LIBERMAN SIGNED, DATED AND TITLED VERSO SPANIERMAN GALLERY, NEW UKRAINIAN, 1912-1999 PROVENANCE: YORK, IMPACT, MOVEMENT, AND PRIVATE COLLECTION, HAWAII SIMPLIFICATION: PAINTINGS BY CHARLES GREEN SHAW, FEBRUARY 23–MARCH 24, 2012.
122 123 JOHN HENRY AMERICAN, B. 1943
MICHAEL CORINNE WEST AMERICAN, 1908-1991 ZEFFIRELLI’S EASEL, 2012
PAINTED ALUMINUM 58 ½ X 17 X 13 INCHES SIGNED ON BASE PROVENANCE: THE ARTIST
JUNE 1964, SPACE STUDY (GOOD MORNING), 1964 OIL ON CANVAS 75 ½ X 50 ¾ INCHES SIGNED AND DATED LOWER RIGHT PROVENANCE: PRIVATE COLLECTION, CA
UNTITLED, C. 1980
JAY ROSENBLUM OIL ON CANVAS AMERICAN, 1933-1989 34 ¾ X 39 ¾ INCHES PROVENANCE: PRIVATE COLLECTION, NEW YORK
124 125 JULIAN STANCZAK POLISH-AMERICAN, 1928-2017
SHARING IN ORANGE, 1970
ACRYLIC ON CANVAS 42 X 42 INCHES SIGNED VERSO; SIGNED, TITLED AND DATED ON STRETCHER PROVENANCE: MARTHA JACKSON GALLERY, NEW YORK ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER IN FEBRUARY 1971 EXHIBITED: NEW YORK, MARTHA JACKSON GALLERY, JULIAN STANCZAK, 1971
126 127 UNTITLED, 1969 JOSE PEDRO OIL ON CANVAS 39 ½ X 39 ½ INCHES COSTIGLIOLO SIGNED AND DATED LOWER RIGHT URUGUAYAN, 1902-1985 PROVENANCE: PURCHASED BY PREVIOUS OWNER FROM THE BRUZZONE GALERIA DE ARTE (URUGUAY) IN THE 1970S
FIFTH STREET PAINTING C02.31, 2002
CAIO POLYMER, POWDERED PIGMENTS AND WAX ON CANVAS 37 ¼ X 49 INCHES FONSECA SIGNED LOWER LEFT AMERICAN, B. 1959 PROVENANCE: ACQUIRED DIRECTLY FROM THE ARTIST BY THE PRESENT OWNER
128 129 JOHN FERREN AMERICAN, 1905-1970
MOJAVE #1, 1954
OIL ON CANVAS 50 X 82 INCHES SIGNED, DATED AND TITLED VERSO PROVENANCE: STABLE GALLERY, NEW YORK; AM SACHS GALLERY, NEW YORK; MARVIN KOENIG; CARNEGIE INSTITUTE, PITTSBURGH, PA (1955)
130 131131131 ILYA BOLOTOWSKY RUSSIAN/AMERICAN, 1907-1981
CARL HOLTY AMERICAN, 1900-1973 GOLDEN TONDO B, 1974
ACRYLIC ON WOOD 30 INCH DIAMETER UNTITLED, 1959 SIGNED AND DATED LOWER RIGHT OIL ON CANVAS PROVENANCE: THE COLLECTION OF TAMARA 76 X 60 INCHES AND NORMAN BOLOTOW, RHODE ISLAND SIGNED LOWER RIGHT SOTHEBY’S LOT 278, NOVEMBER 5TH, 1987 PROVENANCE: SPEED ART MUSEUM, EXHIBITED: GRACE BORGENICHT GALLERY, NY LOUISVILLE, KY
132 133 JANE PIPER AMERICAN 1916-1991
RED AT THE CENTER, C.1980 OIL ON CANVAS 48 X 60 INCHES SIGNED LOWER LEFT PROVENANCE: VEERHOFF GALLERIES (LABEL VERSO) PRIVATE COLLECTION, BERKELEY, CALIFORNIA
134 135 HELEN LUNDEBERG AMERICAN, 1908-1999
WINDBLOWN, 1964
OIL ON CANVAS 40 X 60 INCHES SIGNED AND DATED VERSO; TITLED ON LABEL PROVENANCE: ANKRUM GALLERY, LOS ANGELES, CA (LABEL VERSO)
ANDREW DASBURG AMERICAN, 1887-1979
STILL LIFE, 1934 PAUL BURLIN PASTEL ON PAPER AMERICAN, 1886-1969 17 X 19 INCHES SIGNED AND DATED LOWER LEFT PROVENANCE: PRIVATE COLLECTION, NEW YORK
136 137 ROBERT RAUSCHENBERG AMERICAN, 1925-2008
UNTITLED, 1979
SOLVENT TRANSFER AND FABRIC COLLAGED ON PAPER 23 X 31 ½ INCHES SIGNED LOWER CENTER PROVENANCE: THE ARTIST GIFT FROM THE ARTIST TO TIM PHARR PRIVATE COLLECTION, PALM BEACH, FL
138 139 UNTITLED, C. 1957 GAREE, 1969
NICOLAS OIL ON CANVAS JAMES BROOKS ACRYLIC ON CANVAS 32 X 38 INCHES 19 X 23 INCHES AMERICAN, 1906-1992 CARONE SIGNED LOWER RIGHT SIGNED LOWER LEFT MARTHA JACKSON GALLERY, AMERICAN, 1917-2010 PROVENANCE: WASHBURN GALLERY, PROVENANCE: NEW YORK (LABEL VERSO) NEW YORK. ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER
140 141 MICHAEL CORINNE WEST AMERICAN, 1908-1991
CYTHERA SHRINE, 1979
OIL ON CANVAS 74 ½ X 48 INCHES SIGNED, TITLED AND DATED VERSO PROVENANCE: THE ESTATE OF THE ARTIST
SONAMBIENT WITH HEAVY HARRY BERTOIA CATTAILS, C. 1970 BERYLLIUM COPPER RODS AND AMERICAN, 1915-1978 CYLINDERS SILVERED TO BRASS BASE 22 ¾ X 7 X 7 INCHES PROVENANCE: PRIVATE COLLECTION, HAVERFORD, PENNSYLVANIA ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY
142 143 JACK ROTH AMERICAN, 1927-2004
UNTITLED, 1964 OIL ON CANVAS 93 X 119 INCHES SIGNED AND DATED LOWER CENTER PROVENANCE: THE ESTATE OF THE ARTIST
144 145 ROBERT MOTHERWELL AMERICAN, 1915–1991
CABARET #4, 1974
COLLAGE WITH GERMAN SHEET MUSIC, UNTITLED, C. 1950S TORN PAPER, PENCIL AND ACRYLIC NICOLAS OIL ON CANVAS 22 X 10 ½ INCHES 19 X 23 INCHES INITIALED RM AND DATED LOWER RIGHT CARONE SIGNED LOWER RIGHT PROVENANCE: THE (HANNELORE) AMERICAN, 1917-2010 PROVENANCE:WASHBURN GALLERY, SCHULHOF COLLECTION NEW YORK (LABEL VERSO)
146 147 WAITING NO. L-10-81-82, 1981-82 THE POOL GAME, 1981
CONRAD MIXED MEDIA COLLAGE ON CANVAS OIL ON BURLAP, FABRIC, PAPER, PRINTED PAPER, 46 ½ X 41 1/5 INCHES AND NEWSPRINT COLLAGE ON CANVAS MARCA-RELLI SIGNED LOWER RIGHT 48 X 55 5/8 INCHES AMERICAN, 1913-2000 PROVENANCE: ATELIER OF THE ARTIST SIGNED LOWER CENTER MARLBOROUGH GALLERY, NEW YORK (LABEL VERSO) PROVENANCE: PRIVATE COLLECTION, NEW YORK PRIVATE COLLECTION, WAYNE, NJ
148 149 FRANÇOIS AUBRUN FRENCH, 1934-2009
UNTITLED, #431, 1987
OIL ON CANVAS 38 1/8 X 51 1/8 INCHES SIGNED VERSO PROVENANCE:THE ESTATE OF THE ARTIST
150 151 VIVIAN SPRINGFORD AMERICAN, 1914-2003
UNTITLED (VS 019), C. 1961-62 ACRYLIC ON CANVAS 48 X 58 INCHES ESTATE STAMPED VERSO PROVENANCE: THE ESTATE OF THE ARTIST
152 153 DISC #3, 1970 DISC #2, 1971
JOHN STEPHAN ACRYLIC ON CANVAS ACRYLIC ON CANVAS AMERICAN, 1906–1995 68 X 70 INCHES 70 X 68 INCHES SIGNED, DATED AND ESTATE STAMPED VERSO SIGNED, DATED AND ESTATE STAMPED VERSO THE ESTATE OF THE ARTIST PROVENANCE: THE ESTATE OF THE ARTIST PROVENANCE:
154 155 PAUL BURLIN AMERICAN, 1886 - 1969
SAID COULDN’T BE DONE, 1959 OIL ON CANVAS 84 X 66 INCHES SIGNED AND DATED AT LOWER RIGHT PROVENANCE: THE ESTATE OF THE ARTIST
156 157 ANNE RYAN AMERICAN, 1889-1954
UNTITLED, 1951 MIXED MEDIA COLLAGE ON PAPER 8 ½ X 11 INCHES SIGNED LOWER RIGHT PROVENANCE: PRIVATE COLLECTION, PALM BEACH, FL
CONRAD MARCA-RELLI AMERICAN, 1913–2000
COMPOSITION, 1947
ADOLPH GOTTLIEB INK ON PAPER UNTITLED 4484, C. LATE 1950S AMERICAN, 1903-1974 8 ¾ X 12 INCHES FABRIC COLLAGE AND INK ON BOARD SIGNED, INSCRIBED, AND DATED UPPER LEFT 9 X 9 INCHES PROVENANCE: DAVID KLEIN GALLERY, MI SIGNED LOWER LEFT PROVENANCE: PRIVATE COLLECTION, NEW YORK GARY SNYDER FINE ART, NEW YORK ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER THIS WORK IS REGISTERED WITH THE ARCHIVIO MARCA-RELLI, PARMA AS ARCHIVE NUMBER MR-6194 / © ARCHIVIO MARCA- RELLI, PARMA.
158 159 UNTITLED II, 1968
RICHARD ACRYLIC ON PANEL 16 5/8 X 16 5/8 INCHES ELLIPSE WITH YELLOWS, 1977 ANUSZKIEWICZ SIGNED, DATED AND DEDICATED ‘TO MATT’ ON VERSO ILYA ACRYLIC ON CANVAS PRIVATE COLLECTION, CONNECTICUT AMERICAN, B. 1930 PROVENANCE: 51 ½ X 35 ½ INCHES SOTHEBY’S, NEW YORK, 19 OCTOBER 1995, LOT 392 BOLOTOWSKY PROVENANCE: PROVENANCE: RIVA YARES PRIVATE COLLECTION, OHIO GALLERY, SCOTTSDALE, AZ AMERICAN, 1907-1981 ACQUIRED FROM THE ABOVE BY THE PRESENT OWNER PRIVATE COLLECTION, NEW HAMPSHIRE LITERATURE: DAVID MADDEN AND NICHOLAS SPIKE, ‘ANUSKIEWICZ: PAINTINGS AND SCULPTURES 1945–2001’, FLORENCE 2011, CAT. NO. 1968.52, P. 157
160 161 JACK ROTH AMERICAN, 1927–2004
CATHEDRAL #12, 1967 CATHEDRAL #14, C. 1966 LEON OIL ON CANVAS OIL ON CANVAS 90 X 72 INCHES 90 X 72 INCHES BERKOWITZ PROVENANCE: THE ESTATE OF THE ARTIST PROVENANCE: THE ESTATE OF THE ARTIST BAUMGARTNER GALLERIES BAUMGARTNER GALLERIES AMERICAN, 1919-1987 EXHIBITED: EXHIBITED: WASHINGTON, DC WASHINGTON, DC
162 163 JACK ROTH AMERICAN, 1927-2004
ROPE DANCER #11, 1980
ACRYLIC ON CANVAS 50 X 67 INCHES SIGNED AND DATED LOWER RIGHT PROVENANCE: THE ESTATE OF THE ARTIST
164 165 JOHN LITTLE AMERICAN, 1907-1984
RESOLUTION, 1957
OIL ON CANVAS 50 ½ X 82 ¾ INCHES SIGNED, TITLED AND DATED VERSO PROVENANCE: THE ESTATE OF THE ARTIST EXHIBITED: AMERICAN FEDERATION OF ARTS EXHIBITION, NOV. 1959 (LABEL VERSO)
166 167 UNTITLED, 1971 UNTITLED, 1971 DANIEL LARUE OIL ON CANVAS OIL ON CANVAS 60 X 60 INCHES 60 X 60 INCHES JOHNSON SIGNED AND DATED VERSO SIGNED AND DATED VERSO PRIVATE COLLECTION, CONNECTICUT PRIVATE COLLECTION, CONNECTICUT AMERICAN, 1938-2017 PROVENANCE: PROVENANCE:
168 169 RICHARD AVEDON AMERICAN, 1923–2004
NASTASSJA KINSKI AND THE SERPENT, 1981
GELATIN SILVER PHOTOGRAPH 29 X 43 INCHES SIGNED AVEDON AP VERSO PROVENANCE: RICHARD AVEDON PRIVATE COLLECTION, MILLBROOK, NY
© 1981 BY RICHARD AVEDON, ALL RIGHTS RESERVED
170 171 NOTES: SCHIEFER’S PAINTING DEPICTS THE “NEW YORK JOHANNES AT WAR” MILITARY PARADE AND CIVILIAN HOME FRONT PROCESSION SUPPORTING THE WORLD WAR II MOBILIZATION SCHIEFER WHICH OCCURRED ON JUNE 13, 1942. 2,500,000 SPECTATORS ATTENDED AND 500,000 PEOPLE MARCHED UP 5TH AVENUE AMERICAN/DUTCH, 1896-1979 FROM WASHINGTON SQUARE TO 79TH STREET MAKING THIS THE LARGEST PARADE EVER HELD IN NEW YORK CITY TO DATE. THE NEW YORK PARADE, 1942 PARADE COINCIDED WITH “UNITED NATIONS DAY” SIX MONTHS OIL ON CANVAS AFTER THE “DECLARATION OF THE UNITED NATIONS” WHICH WAS 49 7/8 X 40 1/4 INCHES THE MAIN TREATY SIGNED BY 47 GOVERNMENTS FORMALIZING SIGNED, TITLED, DATED LOWER RIGHT THE “ALLIES OF WWII”. SCHIEFER PAINTED THIS IN NEW YORK A PROVENANCE: YEAR AFTER HE FLED TO THE STATES FROM WWII GERMANY. HE THE ESTATE OF THE ARTIST SETTLED WITH HIS FAMILY IN LONG ISLAND, WHERE HE WAS THE CURATOR FOR THE PARRISH ART MUSEUM AND CONTINUED TO PAINT AND EXHIBIT IN NEW YORK GALLERIES.
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