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Understanding Richard Hoggart: a Pedagogy of Hope, First Edition
BAILEY, CLARKE & WALTON BAILEY, ‘This is an engaging, informative and combative work. It is exactly what it says, a “critical introduction” that moves way beyond plain description of Hoggart’s life and works, showing the relevance (but also, sometimes, the limitations) of his work and constantly contextualizing it within debates in both cultural studies and the wider political field. It is extremely well rooted in the various relevant literatures but also adds much knowledge from new sources, particularly those contained in the Hoggart Archive. In every sense, it is a good advert for, and defence of, studying the humanities.’ Dave Russell, Leeds Metropolitan University ‘A fascinating and insightful analysis of a leading public intellectual, obsessive autobiographer, founder of a new academic discipline, and original cultural critic.’ James Curran, Goldsmiths, University of London U ‘The authors of Understanding Richard Hoggart highlight, with rigour and respect, NDERSTANDING RICHARD HOGGART the continuing relevance of Hoggart’s work to anyone with an interest in how the cultural landscape at once shapes, and is shaped by, our individual habits.’ Lynsey Hanley, journalist and author of ‘Estates: an Intimate History’ Richard Hoggart is regarded as one of the ‘inventors’ of cultural studies. His work traversed academic and social boundaries. With the resurgent interest in his work today, this is a timely re-evaluation of this foundational figure in cultural studies, a critical but friendly review of both Hoggart’s work and reputation. The authors use new archival sources to re-appraise Hoggart’s intellectual and ethical influence, arguing that most attacks on his positions have been misplaced and even malevolent, and urging his importance for today’s world. -
Even Long After the Latter's Willingness to Act As a Party of Capital Was Plain To
Reviews 185 Dennis Dworkin, Cultural Mamism in Postwar Britain: History, the New Left, and the Origins of Cultural Studies (Durham: Duke University Press, 1997). Ellen Meiksins Wood and John Bellamy Foster, Editors. In Defense of History: Marxism and the Postmodern Agenda (New York: Monthly Review Press, 1997). "[Bly contrast to earlier Marxisms," declares Fredric Jameson in his contribution to In Defense of History, "[tlhe Marxisms .. that emerge from the present system of late capitalism .. [will] appear to be more cultural in character." (181) What might this mean? Is it a helpful assessment? To comprehend the significance of an evolving "cultural Marxism" requires examination of two intertwined issues: The history and current character of Marxism's intellectual engagement with cultural theory, and the changing status of "cultural" practice within the capitalist political economy. The two books under review allow us to take up the first of these critical questions. Demis Dworkin provides a careful and relatively comprehensive assessment of cultural Marxism's emergence as a postwar British intellectual and political project, which developed around both history-writing and what came to be called cultural studies. Readings of texts by historians such as Edward Thompson, Eric Hobsbawm, Catherine Hall and Sheila Rowbotham, and by cultural analysts including Raymond Williams, Stuart Hall, and Angela McRobbie, are effectively interwoven with exegeses of environing political trends. The far-reaching theoretical debates about culture and society, -
Theboxing Biographies Newsletter Volume3 - No 11 25Th Dec, 2008
1 TheBoxing Biographies Newsletter Volume3 - No 11 25th DEc, 2008 www.boxingbiographies.com If you wish to receive future newsletters ( which includes the images ) please email the message “NEWS LETTER” [email protected] The newsletter is also available as a word doc on request As always the full versions of these articles are on the website My very best wishes to all my readers and thank you for the continued support you have given which I do appreciate a great deal. Name: Willie Pastrano Career Record: click Birth Name: Wilfred Raleigh Pastrano Nationality: US American Hometown: New Orleans, Louisiana, USA Born: 1935-11-27 Died: 1997-12-06 Age at Death: 62 Stance: Orthodox Height: 6′ 0″ Trainers: Angelo Dundee & Whitey Esneault Manager: Whitey Esneault Wilfred Raleigh Pastrano was born in the Vieux Carrê district of New Orleans, Louisiana, on 27 November 1935. He had a hard upbringing, under the gaze of a strict father who threatened him with the belt if he caught him backing off from a confrontation. 'I used to run from fights,' he told American writer Peter Heller in 1970. 'And papa would see it from the steps. He'd take his belt, he'd say "All right, me or him?" and I'd go beat the kid: His father worked wherever and whenever he could, in shipyards and factories, sometimes as a welder, sometimes as a carpenter. 'I remember nine dollars a week paychecks,' the youngster recalled. 'Me, my mother, my step-brother, and my father and whatever hangers-on there were...there were always floaters in the family.' Pastrano was an overweight child but, like millions of youngsters at the time, he wanted to be a sports star like baseball's Babe Ruth. -
Beginnings 2 Beginnings Hall Z Richard Hoggart, the Uses of Literacy 3
Hall z Richard Hoggart, The Uses of Literacy 1 Beginnings 2 Beginnings Hall z Richard Hoggart, The Uses of Literacy 3 1 Richard Hoggart, The Uses of Literacy and the Cultural Turn Stuart Hall t is widely recognised that, without Richard Hoggart, there would have been no Centre for Contemporary Cultural Studies. It isn’t always so widely I acknowledged that, without The Uses of Literacy, there would have been no Cultural Studies. In an early text, I called it one of Cultural Studies’ three ‘found- ing texts’ (Hall, 1980), and this is an opportunity to expand further on that judgement. The article therefore offers some reflections on the ‘moment’ of The Uses of Literacy – what early Cultural Studies learned from and owed, method- ologically, to the book; its connections with wider debates at the time and its formative role in what came to be known as ‘the cultural turn’. The latter phrase is the kind of clumsy abstraction Richard Hoggart would not be caught dead using, and there is no point elaborating on it conceptually here. It simply regis- ters an inescapable fact about what I called the growing ‘centrality of culture’ – the astonishing global expansion and sophistication of the cultural industries; culture’s growing significance for all aspects of social and economic life; its re- ordering effects on a variety of critical and intellectual discourses and disci- plines; its emergence as a primary and constitutive category of analysis and ‘the way in which culture creeps into every nook and crevice of contemporary social life, creating a proliferation of secondary environments, mediating everything’ (Hall, 1997: 215). -
The Social and (Counter)Cultural 1960S in the USA, Transatlantically Mckay, GA
The social and (counter)cultural 1960s in the USA, transatlantically McKay, GA Title The social and (counter)cultural 1960s in the USA, transatlantically Authors McKay, GA Type Book Section URL This version is available at: http://usir.salford.ac.uk/id/eprint/2288/ Published Date 2005 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. The social and (counter)cultural 1960s in the USA, transatlantically George McKay The movement was a loose coalition, and alliances often defined it. Students, clergy, intellectuals often marched first, and later they were joined by many others, from ecologists to hippies to women’s liberationists.… [W]hen cultural activists in Ann Arbor, Michigan, met [in 1969] to discuss drugs in the city representatives appeared from the White Panthers, Black Berets, God’s Children Motorcycle Club, the Sunnygoode Street Commune, and Congolian Maulers, a ‘commune of art, music, and general freaks’. Terry H. Anderson, The Movement and the Sixties (1995, xi) Hippies … constituted themselves as walking critiques of bureaucratic rationality.… By the late 1960s ‘freakified’ youth were exploring new aspects of self-hood which they had never previously thought existed. Indulgence in drug experiences, sex, communal activities, be-ins, sit-ins, demonstrations, riots, busts, trips with no destination in particular, not only gave subculture members a set of common experiences, but also opened up vast new capacities of self-hood for exploration. -
Helen of Troy, Richard Hoggart, Phonic Wars, Greta Thunberg
Hartley, J. 2019. Open Literacy: Helen of Troy, Richard Hoggart, Phonic Wars, Greta Thunberg. Cultural Science Journal, 11(1), cultural science pp. 89–103. DOI: https://doi.org/10.5334/csci.126 RESEARCH Open Literacy: Helen of Troy, Richard Hoggart, Phonic Wars, Greta Thunberg John Hartley Curtin University, AU [email protected] Social media and videogames are often blamed for individual behavioural delinquency, but rarely praised for cultural creativity, social innovation, or helping us to form new social groups or work through new ideas. Videogames are now a political football, both in the US (where they’re blamed for gun crime) and in China (where they’re blamed for childhood myopia). Every new media form has grown up surrounded by those wanting to control it. Popular literacy has never been free and open. Popular novels and the press; cinema and TV; and more recently digital and social media, have all attracted the wrath of incumbent commercial, government or social interests. But in the era of open access, open science, open knowledge, what about open literacy? Can it be extended to whole populations, across demographic borders, at global scale, for purposeless but nevertheless pedagogic play, and for social innovation? Or will it, like predecessor forms, be dismissed as a delinquent waste of time or commodified instrument for profit, power and mass persuasion? Keywords: open literacy; partisan politics; knowledge systems; myth; Helen of Troy; culture wars; Richard Hoggart; purposeless play; insurrection; Greta Thunberg ‘Resolutely curb indulging’ Social media and videogames are often blamed for individual behavioural delinquency, but rarely praised for cultural creativity, social innovation or helping us to form new social groups or work through new ideas. -
British Cultural Studies: an Introduction, Third Edition
British Cultural Studies British Cultural Studies is a comprehensive introduction to the British tradition of cultural studies. Graeme Turner offers an accessible overview of the central themes that have informed British cultural studies: language, semiotics, Marxism and ideology, individualism, subjectivity and discourse. Beginning with a history of cultural studies, Turner discusses the work of such pioneers as Raymond Williams, Richard Hoggart, E. P. Thompson, Stuart Hall and the Birmingham Centre for Contemporary Cultural Studies. He then explores the central theorists and categories of British cultural studies: texts and contexts; audience; everyday life; ideology; politics, gender and race. The third edition of this successful text has been fully revised and updated to include: • applying the principles of cultural studies and how to read a text • an overview of recent ethnographic studies • a discussion of anthropological theories of consumption • questions of identity and new ethnicities • how to do cultural studies, and an evaluation of recent research method- ologies • a fully updated and comprehensive bibliography. Graeme Turner is Professor of Cultural Studies at the University of Queensland. He is the editor of The Film Cultures Reader and author of Film as Social Practice, 3rd edition, both published by Routledge. Reviews of the second edition ‘An excellent introduction to cultural studies … very well written and accessible.’ John Sparrowhawk, University of North London ‘A good foundation and background to the development -
Stuart Hall Bibliography 25-05-2021
Stuart Hall (3 February 1932 – 10 February 2014) Editor — Universities & Left Review, 1957–1959. — New Left Review, 1960–1961. — Soundings, 1995–2014. Publications (in chronological order) (1953–2014) Publications are given in the following order: sole authored works first, in alphabetical order. Joint authored works are then listed, marked ‘with’, and listed in order of co- author’s surname, and then in alphabetical order. Audio-visual material includes radio and television broadcasts (listed by date of first transmission), and film (listed by date of first showing). 1953 — ‘Our Literary Heritage’, The Daily Gleaner, (3 January 1953), p.? 1955 — ‘Lamming, Selvon and Some Trends in the West Indian Novel’, Bim, vol. 6, no. 23 (December 1955), 172–78. — ‘Two Poems’ [‘London: Impasse by Vauxhall Bridge’ and ‘Impasse: Cities to Music Perhaps’], BIM, vol. 6, no. 23 (December 1955), 150–151. 1956 — ‘Crisis of Conscience’, Oxford Clarion, vol. 1, no. 2 (Trinity Term 1956), 6–9. — ‘The Ground is Boggy in Left Field!’ Oxford Clarion, vol. 1, no 3 (Michaelmas Term, 1956), 10–12. 1 — ‘Oh, Young Men’ (Extract from “New Landscapes for Aereas”), in Edna Manley (ed.), Focus: Jamaica, 1956 (Kingston/Mona: The Extra-Mural Department of University College of the West Indies, 1956), p. 181. — ‘Thus, At the Crossroads’ (Extract from “New Landscapes for Aereas”), in Edna Manley (ed.), Focus: Jamaica, 1956 (Kingston/Mona: The Extra-Mural Department of University College of the West Indies, 1956), p. 180. — with executive members of the Oxford Union Society, ‘Letter: Christmas Card Aid’, The Times, no. 53709 (8 December 1956), 7. 1957 — ‘Editorial: “Revaluations”’, Oxford Clarion: Journal of the Oxford University Labour Club, vol. -
King's Research Portal
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by King's Research Portal King’s Research Portal Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Hutton, A. N. (2016). Literature, Criticism, and Politics in the Early New Left, 1956–62. Twentieth Century British History, 27(1), 51-75. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Fight Record Brian London (Blackpool)
© www.boxinghistory.org.uk - all rights reserved This page has been brought to you by www.boxinghistory.org.uk Click on the image above to visit our site Brian London (Blackpool) Active: 1955-1970 Weight classes fought in: Recorded fights: 58 contests (won: 37 lost: 20 drew: 1) Fight Record 1955 Mar 22 Dennis Lockton (Manchester) WRSF1(6) Royal Albert Hall, Kensington Source: Boxing News 25/03/1955 pages 8, 09 and 12 London 13st 10lbs Lockton 13st 4lbs 8ozs Apr 18 Frank Walshaw (Barnsley) WKO2 Pershore Road Stadium, Birmingham Source: Boxing News 22/04/1955 page 11 London 13st 7lbs Walshaw 13st 11lbs May 23 Hugh McDonald (Glasgow) WKO2(8) Engineers Club, West Hartlepool Source: Boxing News 27/05/1955 page 11 McDonald boxed for the Scottish Heavyweight Title 1951. London 13st 9lbs 8ozs McDonald 17st 4lbs Jun 6 Dinny Powell (Walworth) WKO6(6) New St James Hall, Newcastle Source: Boxing News 10/06/1955 page 9 London 13st 9lbs 8ozs Powell 13st 3lbs 4ozs Jul 11 Paddy Slavin (Belfast) WRSF2 Engineers Club, West Hartlepool Source: Boxing News 15/07/1955 page 11 Slavin was Northern Ireland Area Heavyweight Champion 1948. London 13st 7lbs 8ozs Slavin 14st 1lbs 4ozs Aug 8 Robert Eugene (Belgium) WPTS(8) Engineers Club, West Hartlepool Source: Boxing News 12/08/1955 page 12 London 13st 8lbs Eugene 16st 9lbs Oct 7 Jose Gonzalez (Spain) WRTD3 Belle Vue, Manchester Source: Boxing News 14/10/1955 pages 8 and 9 London 13st 8lbs 12ozs Gonzalez 13st 2lbs 8ozs Oct 24 Simon Templar (Burton-on-Trent) WRSF7(8) Farrer Street Stadium, Middlesbrough Source: Boxing -
Richard Hoggart and Cultural Studies This Page Intentionally Left Blank Richard Hoggart and Cultural Studies
Richard Hoggart and Cultural Studies This page intentionally left blank Richard Hoggart and Cultural Studies Edited by Sue Owen University of Sheffield, UK Introduction, selection and editorial matter © Sue Owen 2008 Individual chapters © contributors 2008 Softcover reprint of the hardcover 1st edition 2008 978-0-230-54545-8 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2008 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-36095-6 ISBN 978-0-230-58331-3 (eBook) DOI 10.1057/9780230583313 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. -
In Spite of History? New Leftism in Britain 1956 - 1979
In Spite of History? New Leftism in Britain 1956 - 1979 Thomas Marriott Dowling Thesis Presented for the Degree of PhD Department of History University of Sheffield August 2015 ii iii Contents Title page p. i Contents p. iii Abstract p. vi Introduction p. 1 On the Trail of the New Left p. 5 Rethinking New Leftism p. 12 Methodology and Structure p. 18 Chapter One Left Over? The Lost World of British New Leftism p. 24 ‘A Mood rather than a Movement’ p. 30 A Permanent Aspiration p. 33 The Antinomies of British New Leftism p. 36 Between Aspiration and Actuality p. 39 The Aetiology of British New Leftism p. 41 Being Communist p. 44 Reasoning Rebellion p. 51 Universities and Left Review p. 55 Forging a Movement p. 58 CND p. 63 Conclusion p. 67 iv Chapter Two Sound and Fury? New Leftism and the British ‘Cultural Revolt’ of the 1950s p. 69 British New Leftism’s ‘Moment of Culture’? p. 76 Principles behind New Leftism’s Cultural Turn p. 78 A British Cultural Revolt? p. 87 A New Left Culture? p. 91 Signifying Nothing? p. 96 Conclusion p. 99 Chapter Three Laureate of New Leftism? Dennis Potter’s ‘Sense of Vocation’ p. 102 A New Left ‘Mood’ p. 108 The Glittering Coffin p. 113 A New Left Politician p. 116 The Uses of Television p. 119 History and Sovereignty p. 127 Common Culture and ‘Occupying Powers’ p. 129 Conclusion p. 133 Chapter Four Imagined Revolutionaries? The Politics and Postures of 1968 p. 135 A Break in the New Left? p.