Arve Henriksen the Nature of Connections Mp3, Flac, Wma

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Arve Henriksen The Nature Of Connections mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Nature Of Connections Country: Norway Released: 2014 Style: Contemporary Jazz MP3 version RAR size: 1412 mb FLAC version RAR size: 1750 mb WMA version RAR size: 1313 mb Rating: 4.5 Votes: 839 Other Formats: DTS AIFF AU FLAC MP2 DXD WAV Tracklist Hide Credits Blå Veg 1 Arranged By – Arve Henriksen, Audun Kleive, Gjermund Larsen, Mats Eilertsen, Nils Økland, 3:57 Svante HenrysonComposed By – Henriksen* Hambopolskavalsen 2 5:22 Composed By – Larsen* Budbringeren 3 6:16 Composed By – Økland* Seclusive Song 4 3:52 Composed By – Henryson* Hymn 5 7:40 Composed By – Storløkken* Aceh 6 4:39 Composed By – Eilertsen* Keen 7 5:13 Composed By – Henryson* Arco Akropolis 8 Composed By – Arve Henriksen, Audun Kleive, Gjermund Larsen, Mats Eilertsen, Nils 3:41 Økland, Svante Henryson Salm 9 2:06 Composed By – Eilertsen* Companies, etc. Recorded At – Rainbow Studio Mixed At – Rainbow Studio Credits Cello – Svante Henryson Co-producer – Rune Kristoffersen Design – Kim Hiorthøy Double Bass – Mats Eilertsen Drums – Audun Kleive Mixed By – Arve Henriksen, Jan Erik Kongshaug Producer – Arve Henriksen Recorded By – Jan Erik Kongshaug Trumpet, Trumpet [Piccolo Trumpet], Piano – Arve Henriksen Violin, Hardingfele [Hardanger Fiddle] – Gjermund Larsen Violin, Hardingfele [Hardanger Fiddle], Viola d'Amore – Nils Økland Notes "Blå Veg" arranged by all "Arco Akropolis" (by) all Recorded at Rainbow Studio, Oslo Mixed at Rainbow Studio, Oslo Barcode and Other Identifiers Barcode: 7 033662 021611 Other versions Category Artist Title (Format) Label Category Country Year The Nature Of Connections RLP 3161 Arve Henriksen Rune Grammofon RLP 3161 Norway 2014 (LP, Album + CD) The Nature Of Connections RLP 3161 Arve Henriksen Rune Grammofon RLP 3161 Norway 2014 (LP, Ltd, Whi) Related Music albums to The Nature Of Connections by Arve Henriksen Anders Wihk, Steve Gadd, Svante Henryson - Same Tree Different Fruit - ABBA Annette Gil - Comfortably Young Arve Henriksen - Chiaroscuro Mathias Eick - Midwest Food - Veggie Giovanni Di Domenico, Arve Henriksen, Tatsuhisa Yamamoto - Distare Sonanti Petter Flaten Eilertsen, Daniel Meyer Grønvold, Andre Borgen, Rio Loco, Jon Wesseltoft - Nonfigurativ Musikk #21 The Cosmic Dropouts - Hoolabaloo! Arve Henriksen - Towards Language Gjermund Larsen Trio - Salmeklang.

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23 January 2020
Ultima Thule 1319: 23 January 2020 No Track Title Composer Artist Album Label Catalogue Dur 1 Blue In Green Bill Evans + Miles Davis Miles Davis Kind of Blue Columbia 88697680571 5.27 Mingus Ah Um (50th Anniversary 2 Goodbye Pork Pie Hat Charles Mingus Charles Mingus Columbia CL 1370 4.46 Edition) 3 A Taste Of Honey Bobby Scott, Rick Marlow Lionel Hampton You Better Know It!!! Impulse! AS-78 2.43 Anouar Brahem, Dave Holland + Jack 4 Opening Day Anouar Brahem Blue Maqams ECM Records ECM-2850 7.01 DeJohnette 5 Migration Arve Henriksen Arve Henriksen Cartography ECM Records ECM-2086 5.41 6 Dreamtime Abdullah Ibrahim Abdullah Ibrahim The Balance Gearbox Records GB1554 4.06 7 The Nothing Changes The Kilimanjaro Dark Jazz Ensemble The Kilimanjaro Dark Jazz Ensemble The Kilimanjaro Darkjazz Ensemble Planet Mu ZIQ141CD 4.54 In the Wee Small Hours Of The 8 David Mann, Bob Hilliard Bill Frisell, Thomas Morgan Epistrophy ECM Records ECM-2626 6.55 Morning 9 It's Snowing on My Piano Bugge Wesseltoft Bugge Wesseltoft It's Snowing on My Piano ACT ACT-9620-2 5.02 10 My Heart Stood Still Lorenz Hart, Richard Rogers Kenny Burell Swingin' Blue Note GXF-3070 5.15 11 Gee Baby, Ain't I Good To You Diana Krall as above Midnight Blue Blue Note BLP-4123 4.23 Sonny Rollins + the Modern Jazz Sonny Rollins with the Modern Jazz 12 In A Sentimental Mood Duke Ellington Prestige PRLP 7209 3.21 Quartet Quartet 13 Where are You? Harold Adamson, Jimmy McHugh Sonny Rollins The Bridge RCA Victor LPM-2527 5.10 Beyond the Missouri Sky (Short 14 Message To A Friend Pat Metheney Pat Metheney + Charlie Haden Verve P2-37130 6.13 Stories) 15 Conciliation Yazz Ahmed Yazz Ahmed Finding My Way Home 5.20 16 Pannonica Thelonious Monk Thelonious Monk Thelonious Alone in San Francisco Riverside Records RLP-12-312 3.48 Thelonious Monk, Bernie Hanighen + 17 Round Midnight Miles Davis Round About Midnight Columbia CL-949 5.56 Cootie Williams Programme produced and presented by Jackson Day Executive Producer, George Cruickshank .
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Discourses of Decay and Purity in a Globalised Jazz World
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Windward Passenger
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Årsmelding 2010 Copyright © 2011 by Norsk Kulturråd All Rights Reserved Utgitt Av Norsk Kulturråd I Kommisjon Hos Fagbokforlaget
NORSK KULTURRÅD Årsmelding 2010 Copyright © 2011 by Norsk kulturråd All rights reserved Utgitt av Norsk kulturråd i kommisjon hos Fagbokforlaget Grafisk produksjon: John Grieg AS, Bergen Omslagsdesign ved forlaget Forsidebilde: Fra Vegard Vinge og Ida Müllers oppsetning av Vildanden. Foto: Magnus Skrede. Sideombrekking: Laboremus Sandefjord AS Redaksjon: Janne Stang Dahl og Mari Johansen Sekretariatfunksjonen til Fond for lyd og bilde og Statens kunstnerstipend er administrativt tilknyttet og samlokalisert med Norsk kulturråd. Fond for lyd og bilde og Statens kunstnerstipend har egne styrende organ og gir ut egne årsmeldinger. Norsk kulturråd Grev Wedels plass 1 Postboks 8052 Dep N-0031 Oslo Tlf: +47 22 47 83 30 Faks: +47 22 33 40 42 www.kulturrad.no Innhold Innledning .............................................. 5 Tildelinger og innkjøp ........................... 26 Allmenne kulturformål ............................. 26 Kunst og publikum ................................. 6 Rom for kunst .......................................... 27 Barne- og ungdomskultur ......................... 29 Råd og utvalg ......................................... 7 Andre formål ............................................ 34 Billedkunst og kunsthåndverk................... 37 Administrasjonen .................................. 11 Musikk ..................................................... 49 Scenekunst................................................ 80 Kommunikasjonsvirksomhet ................ 13 Litteratur .................................................
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Jack Dejohnette's Drum Solo On
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Arve Henriksen Cartography
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Curriculum Vitae
curriculum vitae Kjetil Traavik Møster musiker Skanselien 15 5031 Bergen mob. (+47) 90525892 e-post: [email protected] web: www.moester.no medlem av Gramart, Norsk Jazzforum f. 17/06/76 Bergen, Norge. UTDANNELSE: 2006-2012: Master i utøving jazz/improvisasjon, Norges Musikkhøgskole 1998-2002: Cand. mag. fra NTNU, Musikkonservatoriet i Trondheim, jazzlinja 3-års utøvende musikerutdanning (fordelt på 4 år) 1-års praktisk-pedagogisk utdanning (fordelt på to år) 1996-1997: Musikk grunnfag med etnomusikologi fordypning, NTNU, Universitetet i Trondheim 1995-1996: Sund Folkehøgskole, jazzlinga Annen utdannelse Examen artium, musikklinja, Langhaugen Skole 1995 ARBEID SOM MUSIKER: Har arbeidet som utøvende musiker siden år 2000, og er involvert i diverse prosjekter, bl.a. følgende: - Møster! (startet sommeren 2010) med Ståle Storløkken – orgel/keyboards, Nikolai Eilertsen – el.bass, Kenneth Kapstad – trommer. CD-utgivelse 2013, 2014, 2015 - Møster/Edwards/Knedal Andersen Friimprovisasjonstrio med John Edwards og Dag Erik Knedal Andersen, jevnlig turnéring fra høsten 2013 - Kjetil Møster med BIT20 Ensemble Skrev og fremførte et 30 minutters stykke for 16 stemmer pluss seg selv som solist for BIT20 Ensemble våren 2013 - Kjetil Møster Solo (Kongsberg Jazzfestival 2005, Soddjazz 2006, konserter i Norge 2004, 2005, 2006, 2010, 2011, Moldejazz 2011, turné i Skandinavia 2011, CD-utgivelse 2011) - The Heat Death Friimprovisasjonstrio med Martin Kuchen, Mats Äleklint, Ola Høyer og Dag Erik Knedal Andersen. Turnéring fra 2012, planlagt CD-utgivelse på portugisiske Clean Feed november 2015. - Kjetil Møster Sextet (startet sommeren 2006 i forbindelse med tildelingen av IJFO Jazz Talent Award. Inkluderer Anders Hana, gitar, Per Zanussi og Ingebrigt Håker Flaten, el. og kontrabass, Kjell Nordeson og Morten J.
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The Jazz Rag
THE JAZZ RAG ISSUE 140 SPRING 2016 EARL HINES UK £3.25 CONTENTS EARL HINES A HIGHLY IMPRESSIVE NEW COLLECTION OF THE MUSIC OF THE GREAT JAZZ PIANIST - 7 CDS AND A DVD - ON STORYVILLE RECORDS IS REVIEWED ON PAGE 30. 4 NEWS 7 UPCOMING EVENTS 8 JAZZ RAG CHARTS NEW! CDS AND BOOKS SALES CHARTS 10 BIRMINGHAM-SOLIHULL JAZZ FESTIVALS LINK UP 11 BRINGING JAZZ TO THE MILLIONS JAZZ PHOTOGRAPHS AT BIRMINGHAM'S SUPER-STATION 12 26 AND COUNTING SUBSCRIBE TO THE JAZZ RAG A NEW RECORDING OF AN ESTABLISHED SHOW THE NEXT SIX EDITIONS MAILED 14 NEW BRANCH OF THE JAZZ ARCHIVE DIRECT TO YOUR DOOR FOR ONLY NJA SOUTHEND OPENS £17.50* 16 THE 50 TOP JAZZ SINGERS? Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. SCOTT YANOW COURTS CONTROVERSY OTHER SUBSCRIPTION RATES: EU £20.50 USA, CANADA, AUSTRALIA £24.50 18 JAZZ FESTIVALS Cheques / Postal orders payable to BIG BEAR MUSIC 21 REVIEW SECTION Please send to: LIVE AT SOUTHPORT, CDS AND FILM JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 FESTIVALS IN PERIL Fax: 0121 454 9996 Email: [email protected] In his latest Newsletter Chris Hodgkins, former head of Jazz Services, heads one item, ‘Ealing Jazz Festival under Threat’. He explains that the festival previously ran for eight Web: www.jazzrag.com days with 34 main stage concerts, then goes on: ‘Since outsourcing the management of the festival to a private contractor the Publisher / editor: Jim Simpson sponsorships have ended, admission charges have been introduced and now it is News / features: Ron Simpson proposed to cut the Festival to just two days.
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Arild Andersen Electra
ECM Arild Andersen Electra Arild Andersen: bass, loops; Arve Henriksen: trumpet; Eivind Aarset: guitars; Paulo Vinaccia, Patrice Héral: drums, percussion; Nils Petter Molvær: drum machines; Savina Yannatou, Chrysanthi Douzi, Elly-Marina Casdas, Fotini-Niki Grammenou: vocals ECM 1908 CD 6024 982 4337 (4) Release: April 18th 2005 “Thine is a fatal course of grief, passing ever from due bounds into a cureless sorrow; wherein there is no deliverance from evils. Say, wherefore art thou enamoured of misery?” Sophocles, Electra Like so many of the Greek tragedies, Sophocles’ “Electra”, with its themes of endurance of suffering and chains of bloody retribution, remains as pertinent in the 21st century as it was when it was first staged, around 420 B.C. It was with this in mind that Greek theatre director Yannis Margaritis, who counts filmmakers Angelopoulos and Tarkovsky among his major influences, asked Norwegian bassist Arild Andersen for a “very modern” score for his new presentation of the tale of the young woman “whose life is a torrent of woes dread and dark, a torrent that surges through all the months.” For this work with the Spring Theatre group, presented under the auspices of the Cultural Olympiad 2001-2004, Arild Andersen rounded up Norwegian and Greek associates old and new, guiding them through a spacious soundscape, conceived and produced by the bassist at a variety of locations. Andersen, 60 this year, regards “Electra” as a summing up of the directions he has taken in recent years, with an emphasis on structure and arrangement. Greece has been increasingly important in Arild Andersen’s itinerary over the last decade.
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Press Statement
“To know what you have, and to give all of it up – even if you Throughout, he’s consistently found ways to create new para- know that it’s going to keep haunting you for the rest of your digms largely via a distinct and innovative approach to the me- life. Phantom pain. Diagnosing what is the best of two evils – diums of six strings, pickups, effects and amplification. is what this album is about.” “From when all ends came loose. Pieces, like mounted in my Amputation, the new album by Stian Westerhus, may be musicianship with rusty bolts, continuously oxidizing their centred on dislocation, loss and melancholia, yet from such way through my skin.” turbulent origins a work of life-affirming catharsis has arrived. His first release for House of Mythology – following a plethora Amputation, however marks new frontiers for this always of acclaimed collaborative and solo work – is a triumph of bold and intrepid pathfinder, encompassing a mission in experimentation and abstraction, marrying a fearless innova- which Westerhus’ ever-evolving exploration of his instrument tive drive with stark emotional resonance. Otherworldly and combines with a series of soundworlds that seamlessly veer exhilarating, it’s the sound of a virtuoso musician throwing from tender melody to bracing electronic edifices of sound to away both caution and co-ordinates and taking a dive into the convey a startlingly articulate speech of the heart. Though unknown, with spellbinding results. existing strictly in its own distinct headspace, the emotive cry of “How Long” – burnished by celestial guitar filigree and “It´s music I’ve dropped to the floor repeatedly, maybe even plaintive falsetto harmonies yet with a refrain that snags in on purpose.
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Improvisation in the Digital Age: New Narratives in Jazz Promotion and Dissemination | Medbøe | First Monday 02/10/2017, 15:07
Improvisation in the digital age: New narratives in jazz promotion and dissemination | Medbøe | First Monday 02/10/2017, 15:07 HOME ABOUT LOGIN REGISTER SEARCH CURRENT OPEN JOURNAL SYSTEMS ARCHIVES ANNOUNCEMENTS SUBMISSIONS Journal Help Home > Volume 19, Number 10 - 6 October 2014 > Medbøe USER Username Password Remember me Login JOURNAL CONTENT Search Search Scope All Those that create, promote and disseminate jazz are experiencing a period Search of radical change. The dwindling interest from the major labels in releasing jazz has led to a mushrooming of both traditionally imagined and virtual Browse independent jazz labels, often musician-led by individuals or collectives. By Issue Despite the ‘democratised’ potentials of digital dissemination made possible By Author through third party vendors and streaming services such as iTunes and By Title Spotify, modest or non-existent advertising budgets and lack of coherent Other Journals marketing strategies often result in independent releases being drowned in the noise of an overcrowded marketplace. Financial returns from limited sales are also modest. The commercial underpinning that in previous times FONT SIZE afforded the jazz musician both potential apprenticeship and métier has become fractured through increasing scarcity of record company and private/public funding. Against this black backdrop, musicians have engaged in new ways of disseminating their work. DIY strategies, such as CURRENT ISSUE free download netlabels or interactive app-albums, have become increasingly commonplace. Fresh approaches — the need for which are highlighted in this article with reference to the European jazz scene — indicate how musicians are networking informally, often with little or no institutional support. This paper highlights to what extent market realignments have prompted individual and collective creative responses to current difficulties associated with the promotion of jazz music.
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