! West Coast Rarodtrctto,Ns Continued

Total Page:16

File Type:pdf, Size:1020Kb

! West Coast Rarodtrctto,Ns Continued December, 1932-January, 1933 Standard Casting Directory Productions, 1932 11 -• = """ r - -•~-- ! west coast rarodtrctto,ns continued "FALLEN ARCHES"-Roach. Stuart Boylan. Murray, Pat O'Ma!Jey, Robert Directed by Gus :\lines. Cast: Thomas Meighan, Charlotte O'Connor, Louis Calhern, Noel Story by Staff. Greenwood, Barbara Weeks, Linda Francis, Don Cook, Hallam Cooley, Cast: Charlie Chase, Muriel Evans, Watkins. .James Kirkwood, Anders .r. Carroll Naish, Helen .Jerome Eddie Dunn, Howard Truesdale, Von Haden, William Pawley, Dewey Eddy, Sam Godfrey, Franklin Harry Bernard. Robinson, Olin Howland, Ralph Parker, Frank M.cGiynn Sr., '\Yillard Morgan. Robertson. "FALSE FACES"-Tiffany. Directed by Lowell Sherman. "FIRST IN WAR"-Hal Roach. "FROM BROAD,VA Y TO CHEY - Story and Srceen Play: Lubec Glas­ Directed by Warren Doane. ENNE1 '-Tren1 Carr. mon . Story by Staff. Directed by Harry Frazer. Cast: Lowell Sherman, Lila Lee, Dialogue by H. M. Walker. Story: ,Vellyn Totman. Peggy Shannon, Berton Churchill, Cast: Charlie Chase, Nancy Torres, Cast: Rex Bell, Marceline Day, Oscar Apfel, Geneva Mitchell, Joyce Luis Alberni, .Julien Rivero, Carlton Matthew Betz, Huntley Gordon, Compton, Miriam Seegar, Helene Griffin. Roy D'Arcy, Robert Ellis, Gwen ,Iillard, Harold ..,,..alclriclge. Lee, Harry Semels, Al Bridge, "FIRST YEAR, THE"-Fox. George Hayes, .John Elliott. "FAMOUS FERGUSON CASE, THE" Directed by Wm. K. Howard. -Warners-First Nat'!. Adaption by Lynn Sterling. "GET THAT GIRL!"-Richard Tal­ Directed by Lloyd Bacon. Cast: .Janet Gaynor, Charles Farrell, madge Prods. Adaptation by Courtney Terrett, Henry Kolker, Mina Gambel, Elda Directed by George Crone. Harvey Thew. Yokel, Lila Bennett, Maude Eburne, Screen play, Charles R. Condon. Cast: Joan Blondell. Adrienne Dore, Robert McWade, George Meeker. Cast: Richard Talmadge, Shirley Vivienne Osbourne, Tom Brown, Gray, Geneva Mitchell, Fred Mala­ Walter Miller, .r. Carroll Naish, "FISH HOOKY"-Roach. testa, Carl Stockdale, .James Guil­ Purnell Pratt. Kenneth Thomson, Directed by Bob McGowan. foyle, Victor Metzetti, Billie o.Jnes. Grant Mitchell, "William Burress, Story by Staff. George MacFarlane, Oscar Apfel. Cast: Dickie Moore, Bobby Beard, '"GHOST CITY"-Radio. Spanky l\IacFarlane, Stymie Beard, Directed by Fred Allen. "FANCY FREE"-Fox. Mary Kornman . Mickey Daniels, Story and screen play by Adele Buf­ Directed by Alfred Werker. Farina, .Joe Cobb. finP"ton. Play by James Forbes. Cast: Tom Keene, Merna Kennedy, Screen play by Barry Conners. ''FLAMES''-Monogram. Kate Campbell, Ted Adams, Fitch­ Cast: Adolphe Menjou, .Joan Marsh, Directed by Karl Brown. ell Harri~, Hany Bower, Harry Don Alvarado, Alan Dinehart, Irene Original by Lee Chadwick. Semels. Purcell. Herbert Mundin, Minna Cast: Johnny Mack B r own, Noel "GIGOLETTE"-Martel Prod. Gombel, Arthur Pierson. Francis, R ichard Tucker, Marjorie Beebe. George Cooper , Russell Directed by Alphonse Martel. "FAST LIFE"-'.\IGi\1. Simpson. Story by Alphonse Martel. Directed by Harry Pollard. Cast: Madge Bellamy, Natalie l\Ioor­ Novel by E . J. Hath. head, Moll y O'Day, Gilbert Roland. Adaptation by Byron Morgan. 'FLAMING GUNt,"-Universal. Cast: William Haines, Cliff Ed­ Directed by Art Rosson. "GIGOLO"-Foy. wards, Madge E:vans, Arthur Byron, Original by Peter B. Kyne. Directed by Lew Seiler. Conrad Nagel, Kenneth Thomson, Screen P lay by .Jack Cunningham. Story by Harry Sauber and Eddie Albert Gran. ·,Yarburton Gamble, Cast: Tom Mix, Ruth Hall, ,Villiam Lambert. Ben Hendricks. Farnum, Clarence H. '\Yilson, George Cast: Eddie Lambert, Gino Corrado, Hackathorne, Duke Lee, Pee Wee Al Kline, Dorothy Grainger. "FATAL ALARM"-Monogram. Holmes. Directed by Karl Brown. "GIRL FROM CALGARY, 'l'HE"­ Cast: .John Mack Brown, Noel ''FLESH''-MGM. Chadwick for Monogram. Francis, Richard Tucker, Marjorie Directed by .John Ford. Directed by Phil 'Whitman & Leon Beebee, George Cooper, Russell Original by Edmund Goulding. D'Usseau. Simpson, Kit Guard. Adaptation by Leonard Praskins & Story by Leon D'Usseau & Sig Edgar Allan ,Voolf. Schlayer. "FARE\\'ELL TO ARMS, A''-Para­ Dialogue by Moss Hart Cast: Fifi Dorsay, Paul Kelly, Rob­ mour1t. Cast: ,Vallace Beery, .Jean Hersholt, ert Warwick, Edwin Maxwell, Astrid Directed by Frank Borzage. Ricardo Cortez, Karen Morley, Greta Allwyn, Edward Featherstone, Ot­ Original by Ernest Hemingwa~•. l\feyer, .John Miljan. tola Nesmith, Rolf Sedan. Script: Benjamin Glazer & Oliver H . P. Garrett. "FOR THE LOVE OF LUDWIG"­ "GIRL TROUBLE" - Boy Friends Cast : Helen Hayes Gary Cooper, Sennett. Comedy-Hal Roach. Adolphe Menjou. Mary Phillips, ·written by The Staff. Directed by Lloyd French, Anthony .Jack LaRue, Blanche Friderici, Cast: Andy Clyde, Addie MePhail, Mack. Henry Armetta, George Humbert, Vernon Dent, Wade Boteler. Story by Staff. Freel Malatesta, Mary Forbes. Tom Cast': Grady Sutton, Mickey Daniels, Ricketts. Robert Cauterio, Gilbert "FORGOTTEN COMMANDMENTS, Eddie Morgan, Mary Kornman, Emery, Capt. Albert Conti. THE-Paramount. Helen Dale. Directed by Louis Gasnier and Wil­ / ' FARGO EXPRESS" -Tiffany. liam Schorr. "GLAD RAGS TO RICHES"-Eclu­ Directed by Alvin Knight. Written by .James B. Fagan and cational. Story and Adapatation: Earl Snell. Agnes Brand Leahy. Directed by Charles Lamont. Cast: Ken Maynard, Hel<>n 1\1:a.ck. Cast: Sari Maritza, Gene Raymond, Story by Jack Hayes. Roy Stewart, Paul Fix, BilJ Des­ Margarita Churchill, Irving Piche!, Cast: The Baby Stars. mond, Jack Rockwell, Claude Pay­ Edward Van Sloan, Kent Taylor, ton. Frankie Evans, .John Peter Rich­ "GOLD"-Phil Goldstone. mond, Harry Beresford. Directed by Otto Brower. "FIGHTING SJG::--IAL THE:" - '\Yil­ Story by W. Scott Darling. li a m Berke Prod. ' "42ND STREET"-First Nat'!. Cast: Alice Day, Matthew Betz, Directed by Geoq;e .r eske an cl E. E. Directed by Lloyd Bacon. Hooper Atchley. Roberts. Novel: Bradford Ropes. Original by '\Y. G. Steuer. Screen Play: James Seymour & 'GOLDEN WEST"-Fox. Screen Play by C. E. Roberts. Whitney Bolton. Directed by David Howard. Cast: "Flash', Xoah Beery, Henry Musical Numbers: Al Dubin & Original by Zane Grey. B. '-'althall, :\farceline Day, John Harry Warren. Screen Play: Gordon Rigby. David Horsely, .\lischa Auer Car- Cast: Bebe Daniels, '\Varner Baxter, Cast: George O'Brien, . Marion melita Geraghty. ' Ginger Rogers, George Brent, Una Burns, .Janet Chandler, Edmund Merkel, Dick Powell. Guy Kibbee, Breese, B e rt Hanlon, Arthur Pier­ "FT::--ITSHING TOUCH THE" - "·ar- George E . Stone, Allen .Jenkins, son, Emmett Corrigan, Onslow ren Doane. ' Edward J. Nugent, Lyle Talbot, Ned Stevens, Frank Hagney, Hattie l\Ic ­ Directed by Georg e Stevens. Sparks, Robert Mc,Vade, Ruby Daniels, Dorothy ,Varel. Story by Fred Uuiol. Keeler, Harry Akst, Al Dubin, Harry ,Yarren. "GOOD TIME GIRL"-M-G-M. Cast: Skeets Gallagher, .June Clyde, Directed by Edmund Goulding. Yirginia Howell, Bert Roach, Yola "FRISCO .JENNY" - '\Yarners - First Original by Frances Marion. d '_Avril, Eddie Dunn, Freel Kelsey, Nat' !. Cast: Marion Davies, Robert Mont­ Tiny Sanford. Directed by '\Vm. '\Vellman. gomery, Billie Dove, James Gleason, Novel by Gerald Beaumont. ZaSu Pitts, Sarah Padden, Jimmie "FIRST CABIN"-Fox. Screen Play: ,Vilson Mizner & Rob­ Durante, Sidney Taler, Dougles Directed by Hamilton McFadden. ert Lord. Tumbrille, Louise Carte r, Racky Ada ptation and dialogue by Malcolm Cast: Ruth Chatterton, .James Twins, Clyde Cook. One Hundred Nineteen .
Recommended publications
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • BLACKHAWK FILMS in 16Mm
    - =FILM -- PRESERVATION -------------- ASSOCIATES 8307 San Fernando Road Sun Valley, CA 91352 Telephone: 818 768-5376 BLACKHAWK FILMS in 16mm OJ the three dozen exceptional vintage .ftlms announced here, more than a third are Hal Roach productions In continuing commemoration of the 100th birthday of that great comedy producer. Look among th.em for outstanding films never offered before by Blackhawk, Including The Bargain of the Century (Pttts and Todd directed by Chase}, Mighty Uke a Moose (Chase directed by McCarey) and Slipping Wives, one of the very.first Laurel and Hardys. Ch.eek out our other romedy releases for thrills and acttonl Historians of serious international film will be thrtUed to dtscouer for the first ttme among Blackhawk's non­ fiction offerings Three Songs of Lenin by Dztga Vertou, probably the greatest film of this pioneer propagandist whose work, like Lent Rtefenstahl's, transcends Its sponsorship; and John Grterson's Drifters, the founding .ftlm of the British doct.unentary movement (with a newly-added music track). Several other Important silents also appear here with mustc tracks for the first ttmel In sharp, first-generation quality we've restored an tmportant and complete Georges Meltes film preutou.sly belteued to exist only in a short fragment, The Good Shepherdess and the Evil Princess! Perhaps 16mm film has become an economic indulgence -- but every month we hear from a few more thrilled customers who have retwned to the screen from the tube and have thus rediscovered the unique power of projected silver images to create, as iffor the first time, the magic of our precious film heritage.
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • Stan Laurel: a Life on Film
    M A Y , 2005 I S S U E N º HOLLYWOOD 4368 The Internet Noiseletter of the On The Loose tent (Oasis Nº 206) of the Sons of the Desert StanStan Laurel:Laurel: N EXT M EETING May 21st, 2005 A Life on Film AA New Life Series Beginning on With Filmthe May 21st 7:00 pm ~ 12:00 am Meeting of On The Loose at 188 Seames Drive Manchester, NH Join us for an evening of film (titles both familiar and obscure), scholarship and finger food (take your eats right over there). With the May 21st, 2005 meeting, On The Loose takes a renewed purpose in tackling the “loving study of the persons and films of Stan Laurel and Oliver Hardy.” In the past few weeks, eh, months, ahem, years, bhhrr, near- ly a decade now, we have been steadily drifting away from the absolute purity of that purpose. Now, while we have not drifted so far away that the far shores presently reside on distant continents (or in-continents as may be the case with some of our members), it certainly wouldn’t hurt to put our shoulders together, row for the beach and hope sin- cerely that we wind up somewhere in the vicinity of Culver City. That doesn’t mean. however, that we won’t find our- selves now and again passing the Christie Studios, the Keaton lot, Mr. Sennett and company, or hanging from a telephone pole in the company of a certain cross-dressing ape friend. On the other hand, we will at all cost avoid wan- dering too far afield with the child-demons: Sunny McKean, Arthur Trimble and Mickey “himself” McNausea.
    [Show full text]
  • TCM Presents ... There's NO Place Like Hollywood
    THERE’S NO PLACE LIKE HOLLYWOOD The Definitive Classic Movie Memorabilia Auction MONDAY NOVEMBER 24, 2014 at 1pm NEW YORK TCM PRESENTS ... There’s NO PLACE LIKE HOLLYWOOD Monday November 24, 2014 at 1pm New York BONHAMS INQUIRIES Automated Results Service 580 Madison Avenue Catherine Williamson, Ph.D. +1 (800) 223 2854 New York, New York 10022 Director, Fine Books & Manuscripts/ bonhams.com Entertainment Memorabilia Online bidding will be available for +1 (323) 436 5442 this auction. For further information PREVIEW [email protected] please visit: Los Angeles www.bonhams.com/22196 Thursday November 6, 12pm to 5pm Lucy Carr, Associate Specialist Friday November 7, 12pm to 5pm Entertainment Memorabilia Please see pages 2 to 7 Saturday November 8, 12pm to 5pm +1 (323) 436 5467 for bidder information including Sunday November 9, 12pm to 5pm [email protected] Conditions of Sale, after-sale collection and shipment. New York Dana Hawkes, Consultant Thursday November 20, 12pm to 5pm Entertainment Memorabilia ILLUSTRATIONS Friday November 21, 10am to 5pm +1 (978) 283 1518 Front cover: Lots 83 (Photograph Saturday November 22, 12pm to 5pm [email protected] © Turner Entertainment Co.) and 251 Sunday November 23, 12pm to 5pm Inside front covers: Lots 291 and 347 Monday November 24, 10am to 1pm Katherine Schofield Session page: Lot 48 Head of Department, UK Inside back cover: Lot 244 BIDS Entertainment Memorabilia Back cover: Lot 128 +1 (212) 644 9001 +44 (0) 20 7393 3871 +1 (212) 644 9009 fax [email protected] To bid via the internet please Lisa Charlesworth visit www.bonhams.com Business Administrator +1 (323) 436 5410 SALE NUMBER: 22196 [email protected] Lots 1 - 376 CATALOG: Softcover $45 Limited edition hardcover $100 © 2014, Bonhams & Butterfields Auctioneers Corp.; All rights reserved.
    [Show full text]
  • Moma EXHIBITION AUTOMATIC UPDATE EXPLORES THE
    MoMA PRESENTS AN EXHIBITION OF HAND-PAINTED FILM POSTERS BY ARTIST BATISTE MADALENA MADE FOR THE EASTMAN THEATRE FROM 1924 TO 1928 Exhibition Is Accompanied by a Film Series Featuring a Selection of Movies for Which Batiste Madalena Created Film Posters Batiste Madalena: Hand-Painted Film Posters for the Eastman Theatre, 1924–1928 October 15, 2008–April 6, 2009 The Roy and Niuta Titus Theaters 1 and 2 Lobby Galleries Batiste Madalena and the Cinema of the 1920s October 20, 2008–March 14, 2009 The Roy and Niuta Titus Theaters and The Celeste Bartos Theater New York, October 14, 2008—Batiste Madalena: Hand-Painted Film Posters for the Eastman Theatre, 1924–1928 presents the work of the artist Batiste Madalena (American, b. Italy, 1902–1988), who was hired by George Eastman during the late period of silent cinema, from 1924 to 1928, to design and hand-paint film posters for the Eastman Theatre in Rochester, New York. In advance of seeing the films themselves, Madalena would work with still photographs, press materials, and his passion for particular performers to create one-of-a-kind posters promoting larger-than-life subjects, all on a scale that could be clearly seen from cars passing the theater’s outdoor poster vitrines. Working alone over a four-year period and against deadlines that required as many as eight new posters a week for each change of bill, Madalena created over 1,400 original works before the end of his tenure, when the theater changed management. Approximately 250 of these posters survived when the artist himself rescued them from the trash behind the theater.
    [Show full text]
  • John Ford Films at Museum
    The Museum of Modern Art *>• ** FOR IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart EARLY JOHN FORD FILMS AT MUSEUM Twenty-four early films by one of America's greatest directors, John Ford, will be shown from August 21 through September 28 at The Museum of Modern Art. Dating from 1917 to 1937, the pictures, some of which have not been seen publicly since their original release, have been selected from the Museum's film archive by Adrienne Mancia, Associate Curator, and Larry Kardish, Assistant Curator, Department of Film. John Ford directed more than 130 feature films between 1917 and 1966. He won four Academy Awards for best direction and was honored four times by the New York Film Critics. His credits include "The Iron Horse," "The Lost Patrol," "The Informer," "Stagecoach," "The Grapes of Wrath," "The Long Voyage Home," "My Darling Clementine," "How Green Was My Valley," "Rio Grande," "Mogambo," "Mister Roberts," and "The Man Who Shot Liberty Valence." Among the actors and actresses in "John Ford's Stock Company" were Maureen O'Hara, Henry Fonda, Jane Darwell, Ward Bond, George O'Brien, Anna Lee, Mae Marsh, and a young stunt man named Michael Morrison whom Ford later renamed John Wayne. The Museum's program focuses on Ford's early films, particularly those made for William Fox, which the Museum has preserved by arrangement with 20th Century- Fox. These include his first feature, "Straight Shooting" (1917) and his first Fox picture, "Just Pals" (1920), both films signed "Jack Ford." Also to be shown are "Cameo Kirby" (1923), the first film signed "John Ford"; "Four Sons" (1928), a story of mother love told against the background of World War I; "Up the River" (1930), with Humphrey Bogart and Spencer Tracy at the beginning of their careers.
    [Show full text]
  • Flashbacks on Fifty Films and Bijou Theater-, Springfield, Mass
    S2 Tl\e Billboard APRIL 7, 1323 Vice-Presidents—Charles Stein¬ a $2,000,000 studio for the Fox Cor¬ tographed, but otherwise without much er, Joseph Jame and Ma< Miller. poration. rhyme or reason. Despite rather ex¬ Treasurer—Hyman RachmiL cellent acting on the part of Montagu We have been waiting for some time Secretary—S. A. Moross. Love, Henry Kolkcr’s screen presenta¬ Sergeant-at-Arms — Al Fried- tion of Katherine Newlin Burt's story to find the reason '‘Snub*' Pollard is still continued as a star by Hal Roach. lander. does not stand up, and as a South Sea Executive Committee—William island belle Alice Brady fails to add “Before the Public" is not it. This “comedy” certainly does not belong in Landau and Leo Brecher, for New to her prestige. “The Leopardess" isn't York; Rudy Saunders and William there. the same catalog that includes the Harold Lloyd and “Our Gang” offer¬ Brandt, for Brooklyn; Bernard El- derhertz, for Bronx; Hy Oalnsboro, Fox has gone in for big productions ings and promises Will Rogers’ fun films. for Queens; Charles Moses, for based on Well-known plays and will Richmond, and Leon Rosenblatt, discontinue program pictures, according Joseph Stern and Louis Rosenthal, to word from H'in field Sheehan, vice- Charles L. O’Reilly has been elected for Northern New Jersey, president and general manager, who is president of the New York Theater at present in Los Angeles completing Owners’ Chamber of Commerce, along Finance Committee—Saul Raives. arrangements for the construction of with these other officers: Harry Brandt and E.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 Order Number 9201666 Toys, cbildreHj and the toy industry in a culture of consumption, 1890—1991. (Volumes I and II) Greenfield, Lawrence Frederic, Ph.D.
    [Show full text]
  • The Silent Film Project
    The Silent Film Project Films that have completed scanning: March 2018 TITLE YEAR STUDIO DIRECTOR STAR [1934 Walt Disney Promo] 1934 Disney 13 Washington Square 1928 Universal Melville W. Brown Jean Hersholt Alice Joyce Adventures of Bill and [1921] Pathegram Robert N. Bradbury Bob Steele Bob, The (Skunk, The) After the Storm (Poetic [1935] William Pizor Edgar Guest, Al Shayne Gems) African Dreams [1922] Agent (AKA The Yellow 1922 Vitagraph Larry Semon Larry Semon Fear), The Aladdin And The 1917 Fox Film C. M. Franklin Francis Carpenter Wonderful Lamp (Aladdin) Alexandria 1921 Burton Burton Holmes Holmes An Evening With Edgar A. [1938] Jam Handy Louis Marlowe Edgar A. Guest Guest Animals of the Cat Tribe 1932 Eastman Teaching Films Arizona Cyclone, The 1934 Imperial Prod. Robert E. Tansey Wally Wales Aryan, The 1916 Triangle William S. Hart William S. Hart At First Sight 1924 Hal Roach J A. Howe Charley Chase Auntie's Portrait 1914 Vitagraph George D. Baker Ethel Lee, Sideny Drew Autumn (nature film) 1922 Babies Prohibited 1913 Thanhouser Lila Chester Barbed Wire 1927 Paramount Rowland V. Lee Pola Negri Barnyard Cavalier 1922 Christie Bobby Vernon Barnyard Wedding [1920] Hal Roach Battle of the Century 1927 Hal Roach Clyde Bruckman Oliver Hardy, Stan Laurel Bebe Daniels & Ben Lyon 1931- Bebe Daniels, Ben Lyon home movies 1935 Bell Boy 13 1923 Thomas Ince William Seiter Douglas Maclean Below The Deadline 1929 Chesterfield J. P. McGowan Frank Leigh Big Pal 1925 William John G. Adolfi William Russell Russell Blackhawk Silent Tailers / 1920- Blackhawk [Our Next Attraction] 1927 The goal of the Silent Film Project at the Library of Congress is to borrow, catalog, digitally preserve, and ensure the availability of silent (and selected sound era) films for public viewing and research.
    [Show full text]
  • Howard Greer Album Autos Lilyan Tashman Lois Wilson Anna Q
    Howard Greer Album autos Mary Duncan Lenore Konti Bushman Lilyan Tashman Esther Ralston Hedda Hopper Lois Wilson Edmund Goulding Dorothy Devore Anna Q. Nilsson Lila Lee Eleanor Boardman Kathlyn Williams Travis Banton Ann Christy Bessie Love Walter Plunkett Ray Brooks Greta Nissen Lillian Albertson Arthur Gregor Paulette Duval Edith Head Winnifred Westover Thelma A. Todd Louise Dresser Gardner Julanne Johnston Marie Dressler Kay Garrett Eve Southern Anna Q. Nilsson Daphne Pollard Dorothy Taylor [Dorothy Layton] Gilbert Clark Elsie Cillen Louise Brooks David Cox Alice Lake Thelma Salter Larry Hood [Lawrence] Nena Quartaro Gladys McConnell Anne Cornwall Reed Howes Vera Steadman Estelle Taylor Gloria Greer Marie Prevost Lilyan Tashman Via Hersholt Maude Wayne Enid Markey Catheryn Carver Johnnie Walker Madge Bellamy Adolphe Menjou Marion Dabney Edmund Lowe Bebe Daniels John Frederick Prince and Princess S’Mdivani Peggy Hamilton Minta Durfee Arbuckle Nancy Caroll Virginia Valli Alice L. Tildesley N[orma] Talmadge Charles D. Farrel Walter Pidgeon Phyllis Haver Margaret Livingston Alice White Mollie Malone Betty Bronson Doris Dawson Ruth Taylor Vivian Fay Jeanette Porter Meehan Jean Epstein Marcella Burke 1 Seana Owen Blanche Merrill Florence Johnson Roy D’Arcy Mrs. N. Thalberg [Norma Mrs. Samuel Goldwyn[Frances Shearer] Howard] W[illiam] R. Hearst Betty Blythe Ivy Shilling Marion Davies Colleen Moore Mrs. Leiland Atherton Dorothy Barrett Calhoun Irish[philanthropist] Grace Stafford[“Woody Evelyn Francisco Woodpecker”] Agnes Copelin[Agnes Cuppelin] Rose Davies Van Cleve Olive Cooper Lillian Webster[Lilian Webster] Elise Bartlett Blanche M. Sewell [OZ editor] John Grey Luke Cosgrave Mrs. Thomas Meighan[Francis Barbara Bedford Ring] Pauline Starke Gladys W.
    [Show full text]
  • De Representatie Van Our Gang's “Sunshine Sammy”
    De representatie van Our Gang’s “Sunshine Sammy” Representatieonderzoek in Amerikaanse filmtijdschriften naar de verhouding tussen zwarte en witte acteurs van Our Gang Hannah Bremer (5705339) Begeleider: Judith Thissen ME3V15026 BA-eindwerkstuk Tweede lezer: André van der Velden Media en cultuur 2018/2019 Inleverdatum: 24-01-19 Blok 2 Woordenaantal: 8833 Abstract In dit bachelor eindwerkstuk is door middel van Amerikaanse filmtijdschriften – vakpers en filmfantijdschriften - onderzoek gedaan naar de representatie van de zwarte acteur Ernie Morrison. Hij speelde in de komedie Our Gang en stond daar bekend als “Sunshine Sammy.” Our Gang was een serie korte films die vanaf 1922 geproduceerd werd en ging over buurtkinderen die samen avonturen beleefden. Morrison’s personage is onderzocht door een vergelijking te maken met de representatie van zwarte acteur Allen Hoskins (“Farina”) en de witte acteurs Mickey Daniels en Jackie Condon. Volgens filmhistoricus Donald Bogle worden zowel Ernie Morrison als Allen Hoskins in Our Gang neergezet als pickaninny, een zwart stereotype. Hoewel Morrison wordt besproken in publicaties over Our Gang, is onderzoek naar zijn persoon en personage in de serie tot dusver beperkt. In de literatuur wordt al wel uitgebreid aandacht besteed aan het personage van de zwarte Hoskins (“Farina”). In de tijd dat de films met Our Gang werden vertoond, was zwarte stereotypering aan de orde van de dag binnen Hollywood. Hier hadden ook Morrison en Hoskins mee te maken. In dit eindwerkstuk laat ik echter zien dat Hoskins zwaarder onderhevig was aan deze stereotypering dan Morrison, maar dat beiden sterker gestereotypeerd werden dan de witte acteurs in de serie. Door de bestudering van namen wordt allereerst duidelijk dat in de bij- en artiestennamen een onderscheid ligt tussen de zwarte en witte acteurs en tussen beide zwarte acteurs.
    [Show full text]