Can You Forgive Her? Free
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Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Master Henrik Pagan Forside
Emnekode: MUV450_1 Navn på kandidat: Henrik Straumsnes Myrbakken “Under Bergets Rot”: Identitetskonstruksjoner i Pagan Metal Dato: 31.05.2017 Totalt antall sider: 89 Innholdsfortegnelse Innholdsfortegnelse…………………………………………………………………….…… s.1 Motivasjon og bakgrunn for oppgaven…………………………………………………..….s.4 1.0 Innledning…………………………………………………………………………..……s.6 1.1 Metal og identitet……………………………………………………………..…s.6 1.2 Pagan Metal…………………………………………………………………..…s.8 1.3 Begrepsavklaring………………………………………………………….……s.10 1.3.1 Pagan…………………………………………………………..….…s.10 1.3.2 Pagan Metal………………………………………………………….s.11 1.4 Kultur og miljø……………………………………………………………..…..s.12 1.5 Identitet……………………………………………………………………..…..s.13 1.6 Hva er folk i ´Folk´ Metal?……………………………………………….……s.15 1.7 Hvordan avgrense sjangeren?……………………………………………..……s.17 1.8 Sentrale tema…………………………………………………………….…..…s.19 2.0 Teori og metode…………………………………………………………………………s.21 2.1 Prosjektets metodiske forankring………………………………………………s.22 2.2 Subkultur, neo-stamme og milieu………………………………………………s.23 2.3 Tolkning………………………………………………………………….….…s.26 2.4 Bourdieu……………………………………………………………..…………s.27 2.4.1 Habitus…………………………………………………………..…..s.27 2.4.2 Felt………………………………………………………………..…s.28 2.4.3 Kapital…………………………………………………………..…..s.29 2.5 Habitus, felt og kapital i Pagan Metal……………………………………..…..s.30 !1 3.0 Kvinner i Metal……………………………………………………………………..…..s.37 3.1 Fravær av kvinnelige instrumentalister…………………………………..…….s.38 3.2 Kvinnelige tilhengere………………………………………………………..…s.40 3.3 Kjønnsrelaterte restriksjoner…………………………………….………..……s.42 3.4 Problemer -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Who Is Your Choice for the Next President of the United States?
REDUCE THE TAXES. IT CAN BE REDUCE THE TAXES. IT CAN BE AVENEL THE I ISELIN SOLONIA EASBEY I EDGARS KILL 8 PORT,READING FORDS $ SEWAREN I HOPELAWN BULLETIN § WOODBRIDGE of Woodbridge Township with Middlesex County News. VOL. 1, NO. 41 AVENEL, N. J., JUNE 1, 1923 PRICE 5 CENTS WHO IS YOUR CHOICE FOR THE NEXT PRESIDENT OF THE UNITED STATES? WOODBRIDGE HONORS BETTER HOMES WEEK SIDEWALKS AND SEWERS PRESBYTERIANS HOLE ITS SOLDIERS JUNE 4--I0 OCCUPY TOWNSHIP COM- IMPRESSIVE MEMORIAL SERVICE MITTEE'S TIME WALKING . ni in Voss's Band Provides Music and Civil Tine annual union ' ' !31k'S XcElroy Also Brings Idea of Sunday War Veteran Lewis Leads Pro- THE PLANK is at ted out by Rah cession Memorial services held Sunday night Movies for Woodbridge Theatre. in the First Presbyterian Church e hants as ;- ; rat ion house. ^^' Things will be on exhibition until 6 wooniiRiix;.'-: woodbridge hon- most impressive. A large con- ation filled the church to c ;i. HI. 'in 1 he evening of Monde ored U^ .soldier dead on the morning program 1 ven at the , improvements occupied mo of Wednesday, Memorial Hay. in a zoning at the To Tic QS Of the Civil War, the oel. Mr. M. F. Quinn fitting manner. The exercises start- the Bpeaker of the night. ed at 1 0 o'clock with a parade which World War veterans and the Fire- ce for e the special guests and oc- ling, Senator Pearson. ormed in front of the fire house In Of this Better Homes movement Main :nboy avenue Voss' iBand from NeWr : is in the front of the • nfc A. -
Donald Mcinnes Hairstylist and Make-Up Artist / Designer
Donald Mcinnes Hairstylist and Make-Up Artist / Designer AWARDS AND NOMINATIONS Royal Television Society Award Nominee – Best Hair and Make-Up Design — WORRIED ABOUT THE BOY FILM PAPADOPOULOS & SONS Make-Up Designer Double M Films Director: Marcus Markou Cast: Georgia Groome, Stephen Dillane, Ed Stoppard, Cosima Shaw TINKER, TAILOR, SOLDIER, SPY Key Hair & Key Make-Up Artist Studio Canal / Working Title Films Director: Tomas Alfredson Cast: Colin Firth, Benedict Cumberbatch WORRIED ABOUT THE BOY Hair and Make-Up Designer BBC Films Director: Julian Jarrold * Royal Television Society Nominee Cast: Douglas Booth, Mathew Horne, Marc Warren, Mark Gratiss, Freddie Best Hair and Make-Up Design Fox PERFECT SENSE Hair and Make-Up Designer Sigma Films Director: David McKenkie Cast: Ewan McGregor, Eva Green, Connie Nielsen, Ewen Bremner, Denis Lawson, Stephen Dillane LESBIAN VAMPIRE KILLERS Hair and Make-Up Supervisor Alliance Films / Momentum Pictures Director: Phil Claydon Cast: James Corden, Mathew Horne, MyAnna Buring, Vera Filatova, Paul McGann ANGUS, THONGS & PERFECT Key Hair Stylist & Make-Up Artist SNOGGING Director: Gurinder Chadi Nickelodeon Pictures / Paramount Cast: Georgia Groome, Aaron Johnson, Alan Davis, Karen Taylor, Kimberly Pictures / Goldcrest Pictures Nixon, FLASHBACK OF A FOOL Hair and Make-Up Designer Left Turn Films Director: Baillie Walsh Cast: Daniel Craig, Julie Ordon, Emile Robert, Emilia Fox, Gina Athans THE BANK JOB Key Hair & Key Make-Up Artist Mosaic Media Group Director: Richard Donaldson Cast: Jason Statham, Saffron Burrows, Daniel Mays 28 WEEKS LATER Additional Hair/Make-Up & SFX Fox Atomic Director: Juan Carlos Fresnadillo 2nd Unit Director Danny Boyle THE MILTON AGENCY Studio 7, The Hangar, Perseverance Works, Kingsland Road, London E2 8DD Telephone +44 (0) 20 7729 9226, Facsimile +44 (0)20 7613 3101 Page 1 of 6 [email protected], www.miltonagency.com Donald Mcinnes I REALLY HATE MY JOB Hair and Make Up Artist 3DD Productions Director: Oliver Parker SUNSHINE Scene Pick Up days/Hair & Make Up Artist. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J. -
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones -
Text-Based Description of Music for Indexing, Retrieval, and Browsing
JOHANNES KEPLER UNIVERSITAT¨ LINZ JKU Technisch-Naturwissenschaftliche Fakult¨at Text-Based Description of Music for Indexing, Retrieval, and Browsing DISSERTATION zur Erlangung des akademischen Grades Doktor im Doktoratsstudium der Technischen Wissenschaften Eingereicht von: Dipl.-Ing. Peter Knees Angefertigt am: Institut f¨ur Computational Perception Beurteilung: Univ.Prof. Dipl.-Ing. Dr. Gerhard Widmer (Betreuung) Ao.Univ.Prof. Dipl.-Ing. Dr. Andreas Rauber Linz, November 2010 ii Eidesstattliche Erkl¨arung Ich erkl¨are an Eides statt, dass ich die vorliegende Dissertation selbstst¨andig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt bzw. die w¨ortlich oder sinngem¨aß entnommenen Stellen als solche kenntlich gemacht habe. iii iv Kurzfassung Ziel der vorliegenden Dissertation ist die Entwicklung automatischer Methoden zur Extraktion von Deskriptoren aus dem Web, die mit Musikst¨ucken assoziiert wer- den k¨onnen. Die so gewonnenen Musikdeskriptoren erlauben die Indizierung um- fassender Musiksammlungen mithilfe vielf¨altiger Bezeichnungen und erm¨oglichen es, Musikst¨ucke auffindbar zu machen und Sammlungen zu explorieren. Die vorgestell- ten Techniken bedienen sich g¨angiger Web-Suchmaschinen um Texte zu finden, die in Beziehung zu den St¨ucken stehen. Aus diesen Texten werden Deskriptoren gewon- nen, die zum Einsatz kommen k¨onnen zur Beschriftung, um die Orientierung innerhalb von Musikinterfaces zu ver- • einfachen (speziell in einem ebenfalls vorgestellten dreidimensionalen Musik- interface), als Indizierungsschlagworte, die in Folge als Features in Retrieval-Systemen f¨ur • Musik dienen, die Abfragen bestehend aus beliebigem, beschreibendem Text verarbeiten k¨onnen, oder als Features in adaptiven Retrieval-Systemen, die versuchen, zielgerichtete • Vorschl¨age basierend auf dem Suchverhalten des Benutzers zu machen. -
4. Selva & Fénix ENG VF
David Selva -Ruiz Soundtrack Music Videos: https://orcid.org/0000-0002-9251-0045 [email protected] The Use of Music Videos Universidad de Cádiz as a Tool for Promoting Films Desirée Fénix-Pina https://orcid.org/0000-0001-8525-615X Abstract [email protected] Universidad de Cádiz The soundtrack music video is an audiovisual format used by the cultural industries of film and music as a commercial communication tool, since it is based on a song from the Submitted soundtrack of a film, so that both the artist that performs the song August 20th, 2020 Approved and the film itself obtain promotional benefits. This paper January 18th, 2021 conceptualizes this poorly studied phenomenon of cross- promotion connecting the music and film industries and uses a © 2021 content analysis of 119 music videos produced over a period of 33 Communication & Society years in order to study the importance of the artist and the movie ISSN 0214-0039 E ISSN 2386-7876 in the video, the various strategies developed in order to doi: 10.15581/003.34.3.47-60 accomplish its double promotional mission, and the specific www.communication-society.com formal and strategic features of this audiovisual format. Analysis reveals that the soundtrack music video has the distinctive feature 2021 – Vol. 34(3) of including promotional elements both for the musical artist and pp. 47-60 for the movie. Although the artist tends to be more prominent, the vast majority of music videos include images from the film or use How to cite this article: various ways of integrating the artist’s identity with the film’s Selva-Ruiz, D. -
Parceiros No Clipe: a Atuação E Os Estilos Autorais De Diretores E Artistas Musicais No Campo Do Videoclipe a Partir Das Colaborações Mondino/Madonna E Gondry/Björk
UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM COMUNICAÇÃO E CULTURA CONTEMPORÂNEAS PARCEIROS NO CLIPE: A ATUAÇÃO E OS ESTILOS AUTORAIS DE DIRETORES E ARTISTAS MUSICAIS NO CAMPO DO VIDEOCLIPE A PARTIR DAS COLABORAÇÕES MONDINO/MADONNA E GONDRY/BJÖRK RODRIGO RIBEIRO BARRETO Salvador 2009 2 RODRIGO RIBEIRO BARRETO PARCEIROS NO CLIPE: A ATUAÇÃO E OS ESTILOS AUTORAIS DE DIRETORES E ARTISTAS MUSICAIS NO CAMPO DO VIDEOCLIPE A PARTIR DAS COLABORAÇÕES MONDINO/MADONNA E GONDRY/BJÖRK Tese apresentada ao Programa de Pós- Graduação em Comunicação e Cultura Contemporâneas, Faculdade de Comunicação, Universidade Federal da Bahia, como requisito para obtenção do título de Doutor em Comunicação e Cultura Contemporâneas. Orientador: Prof. Dr. Wilson da Silva Gomes Salvador 2009 3 Sistema de Bibliotecas - UFBA Barreto, Rodrigo Ribeiro. Parceiros no clipe : a atuação e os estilos autorais de diretores e artistas musicais no campo do videoclipe a partir das colaborações Mondino/Madonna e Gondry/Björk / Rodrigo Ribeiro Barreto. - 2009. 230 f. : il. Inclui anexo. Orientador: Prof. Dr. Wilson da Silva Gomes. Tese (doutorado) - Universidade Federal da Bahia, Faculdade de Comunicação, Salvador, 2009. 1. Madonna, 1958- 2. Mondino, Jean-Baptiste, 1949- 3. Björk, 1965- 4. Gondry, Michel, 1963- 5. Gravações de vídeo. 6. Videoarte. 7. Autoria. 8. Crítica. 9. Arte e comunicação. I. Gomes, Wilson da Silva. II. Universidade Federal da Bahia. Faculdade de Comunicação. III. Título. CDD - 791.450232 CDU - 778.534.4 4 Essa tese é dedicada a Neide, que nunca poderia ter imaginado o quanto se prolongaria a ajuda materna com o “dever de casa”, e a Luís Roberto, cujos conselhos são sempre imprescindíveis Agradecimentos Ao professor Wilson Gomes, pelo privilégio da prolongada orientação na vida acadêmica e pelos desafios que me fizeram valorizar cada novo nível alcançado. -
Viking, Pagan Or Folk? Distinguishing Possibilities for Metal Sub-Genres
ČLANCI ALEXANDER HOFMANN VIKING, PAGAN OR FOLK? DISTINGUISHING POSSIBILITIES FOR METAL SUB-GENRES Izvorni znanstveni članak / Original Scholarly Paper UDK: 78.036 "19/20" aBStraCt The different sub-genres of metal music, which have formed in the last decades, are not only of interest due to their diverse and unique characteristics, but also evidence a variety in metal music whereby its clichéd black and gloomy world gains a bit of color. This multitude of sub-genres will inevitably lead to musicians, fans and even researchers no longer being able to differentiate between the genres. With Viking, pagan, and folk metal, this interesting process of fusion is already taking place, although it is possible to distinguish Viking and pagan at least from folk metal. Keywords: instrumentation, metal sub-genres, musical analysis, popular music introDuCtion During the last few decades many different metal sub-genres have developed, from the classic, and especially from the extreme, metal genre. Comprising bands such as Ensiferum, Finntroll, Korpiklaani and Turisas – surprisingly only Finnish bands – so-called folk metal is one of these sub-genres, which became part of the metal mainstream during the 2000s.1 For Spracklen the popularity of Finnish folk metal is based on commercialization, while other possible reasons could be the national distinction from Norwegian black and Swedish death metal, or, at least in Finland, a phase of increased inclusion of folk elements in popular music. “The combination of a nationally institutionalized folk tradition and the transnational genre of […] metal”2 is also mentioned by Neilson as a reason for the success of Finnish folk metal.