Imperial German Army Swords: an Introduction by Gordon A
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Danish and Norwegian Cavalry and Artillery 1803-1814
revious to this article Danish infantry of the line and light infantry 1803-1814 have been dealt with in three issues of Chakoten – Magazine for the Danish Military PHistorical Society, 2016-2017. The present article serves the Danish and same general dual purpose: to convey precise information on organization, uniforms, armament and equipment and to wel- come the Alan Perry achievement in designing and providing the metal figures and thus further extending the range of the Norwegian Danish-Norwegian units of the army. The Perry figures are increasing in numbers among painters and wargamers – in Denmark also applying stats for, General de Brigade, Black Powder and Sharp Practice 2. Thus the ini- Cavalry and tiative to drafting and presenting this article has been taken by Mr. Ole Thureholm, who has leaned on available knowledge on organization, uniforms, armament and equipment from Mr. Jørgen Larsen and Mr. Hans Chr. Wolter. Artillery Organization of the Cavalry 1802-1814 Between 1791 and 1802 the Danish cavalry became exposed to extensive modernization and reorganization. 1803-1814 The Danish cavalry consisted of The Royal Horse Guard, Part 1 the four heavy cavalry regiments (Rytter regimenter), the three light dragoon regiments (Lette dragonregimenter), The Alan Perry has enlarged his series of Dragoon Regiment, The Hussar Regiment, and the Bosniac metal figures of Danish and Norwegian Squadron (from1808 the Uhlan Squadron). The Horse Guard mustered 2 squadrons each with 4 officers, 5 NCOs, 2 trumpe- troops from the Napoleonic era ters and 60 men. The regiments of the heavy cavalry, the light dragoons and the Dragoon Regiment, had 4 squadrons, each with 5 officers, 12 NCOs, 2 trumpeters and 144 men. -
The European Bronze Age Sword……………………………………………….21
48-JLS-0069 The Virtual Armory Interactive Qualifying Project Proposal Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for graduation by _____________________________ ____________________________ Patrick Feeney Jennifer Baulier _____________________________ Ian Fite February 18th 2013 Professor Jeffrey L. Forgeng. Major Advisor Keywords: Higgins Armory, Arms and Armor, QR Code 1 Abstract This project explored the potential of QR technology to provide interactive experiences at museums. The team developed content for selected objects at the Higgins Armory Museum. QR codes installed next to these artifacts allow visitors to access a variety of minigames and fact pages using their mobile devices. Facts for the object are selected randomly from a pool, making the experience different each time the code is scanned, and the pool adapts based on artifacts visited, personalizing the experience. 2 Contents Contents........................................................................................................................... 3 Figures..............................................................................................................................6 Introduction ……………………………………………......................................................... 9 Double Edged Swords In Europe………………………………………………………...21 The European Bronze Age Sword……………………………………………….21 Ancient edged weapons prior to the Bronze Age………………………..21 Uses of European Bronze Age swords, general trends, and common innovations -
The Seven Sabre Guards for a Right Handed Fencer
The Seven Sabre Guards for a Right handed fencer. st “Prime” 1 Guard or Parry (Hand in Pronation “Quinte” 5th Guard or parry (Hand in Pronation) “Seconde” 2nd Guard or Parry (Hand in Pronation) “Sixte” 6th Guard or Parry (Hand in half Supination) “Tierce” 3rd Guard or Parry (Hand in Pronation) th “Offensive Defensive position” 7 Guard of Parry (Hand in half Pronation) Supination: Means knuckles of the sword hand pointing down. Half Pronation: Means knuckles pointing towards the sword arm side of the body with the thumb on top of the sword handle. Pronation: Means knuckles of the sword hand pointing th “Quarte” 4 Guard or Parry (hand in Half Pronation) upwards. Copyright © 2000 M.J. Dennis Below is a diagram showing where the Six fencing positions for Sabre are assuming the fencer is right handed (sword arm indicated) the Target has been Quartered to show the High and Low line Guards (note the offensive/defensive position is an adaptation of tierce and quarte). Sixte: (Supinated) To protect the head Head Quinte: (Pronation) To protect the head Cheek Cheek High Outside High Inside Tierce: (½ Pronation) to Prime: (Pronation) to protect the sword arm, protect the inside chest, and chest, and cheek. belly. Seconde: (Pronation) Fencers to protect the belly and Quarte: (½ Pronation) To Sword-arm flank protect chest and cheek Flank Low Outside Low Inside Belly The Sabre target is everything above the waist. This includes the arms, hands and head. Copyright © 2000 M.J. Dennis Fencing Lines. Fencing lines can cause a great deal of confusion, so for ease I shall divide them into four separate categories. -
King Kwang-Gae-To's Stele
EAST ASIAN HISTORY: A KOREAN PERSPECTIVE Vol. 2. No. 6. 2005. 5. 14. 1 IC-7.S-A.-0514 King Kwang-gae-to’s Stele YAMATO SOLIDEIRS IN THE KOREAN PENINSULA Wontack Hong Professor, Seoul University THE SEVEN-BRANCHED SWORD The Seven-branched Sword, that is preserved at the Isono-kami Shrine, is believed to be the sword that is spoken of in Nihongi as having been sent by the Paekche court to the Jingū’s court in 372.1 Nihongi portrays Prince Homuda as a son of Jingū Regent and the heir apparent to the throne at that time. According to the Nihongi record for the year 366, the Paekche court had dispatched scouts to a Kaya state in 364 to gather information about the passages to the Japanese islands. The movement of the Paekche people to the Japanese islands 奈良縣 天理市 石上神宮 七支刀 must have occurred not long after 366. According to the Nihongi record on the extensive pen/insular military activities in 399-70 involving the Yamato soldiers, Paekche generals, King Keun Chogo and the Crown Prince Keun Kusu, Prince Homuda [the founder of the Yamato kingdom] and his followers seem to have departed the Korean peninsula sometime during 369-70. The sword seems to have been bestowed upon Homuda who was undertaking the conquest of the Japanese islands, apparently as a symbolic gesture of well-wishing for his 1 神功皇后 攝政五十二年 秋九 endeavor and solidarity with his new kingdom. The inscription on the Seven-branched Sword says that the sword was 月 丁卯朔丙子 久氐等...則獻 manufactured in May 369, and the Nihongi record says that the 七枝刀一口 (NI: 359) sword was delivered to Homuda on September 10th, 372, most 2 THE SEVEN-BRANCHED SWORD Vol. -
The Polish Thermopylae – Hodów
All Polish collector coins feature: Collector coins issued by NBP face value are sold in the NBP regional branches and at the online shop. image of the Eagle established as the state emblem of the Republic of Poland inscription: Rzeczpospolita Polska year of issue On 12 July 2018, Narodowy Bank Polski will be putting into circulation collector coins with a face The Polish Thermopylae value of 50 złoty and 500 złoty from the series “Treasuries of Stanisław August” – Henry Valois – Hodów and a silver coin of the series “History of Polish Coin” – ‘boratynka’, ‘tymf’ of John Casimir Vasa, with a face value of 20 złoty. Narodowy Bank Polski is the central bank of the State, responsible for its monetary policy and price stability. The Bank’s functions are described in the Constitution of the Republic of Poland and the Act on NBP. NBP holds the exclusive right to issue the currency of the Republic of Poland. As the central bank, it does not provide accounts for the general public, accept deposits from or extend loans to individuals. Issuing collector items is an occasion It acts as a banker to the State budget and public to commemorate important historic figures sector entities. NBP also holds and manages and anniversaries, as well as to develop the foreign exchange reserves of the State. Finally, the interest of the public in Polish culture, it functions as a banker to banks, creating conditions science and tradition. for the operation of the Polish banking system. Narodowy Bank Polski is one of the most important Information on the issue schedule research and analytical centres in the fields can be found at the of economics and financial markets. -
Highland Broadsword in New Zealand
NZAHAA Gazette December 2015 Highland Broadsword in New Zealand Researched and compiled by Dr John Osborne MG DTT PhD FSG, October 2015 copyright The Basket Hilted Broadsword (Claidheamh frog catch. The blades normally with a single fuller Leathann) of various patterns was introduced in the were made by several swordsmiths including Gill, 17th century and later was carried by the Black Osborne, Woolley and in Solingen Germany. Watch (Reicudan Dhu) which was raised as a militia in 1725 to occupy and keep peace in the Scottish In 1821 - 1822, a major review was undertaken of Highlands, members were recruited from local clans. British Military Swords but the Highland pattern The Regiment of the Line was formed officially in remained similar to the 1798 pattern with either a gilt 1739 as the 42nd Highland Regiment of Foot & first brass or iron basket hilt and a straight cut and thrust mustered in 1740, by 1788 there were six "highland" blade 33 inches long and 1 1/8” inch wide at the infantry regiments in the British Army. shoulder. The hard wood grip was fish-skin covered and wire bound. The scabbard was black leather with In 1798 an official pattern basket hilted broadsword gilt steel mounts, and had some loose rings as well as was introduced for Highland Officers (& Non Com- a frog catch enabling the sword to be worn with either missioned Officers), with a gilt brass basket hilt, with slings or a frog. a black leather scabbard with gilt brass fittings and a C1745 broadsword with 35” blade made by Andrea Ferara, the ribbon & hearts steel basket has a red velvet lining and fish skin grip In 1828 a new pattern broadsword was introduced with a steel basket hilt, for greater strength but officers were permitted to continue wearing their gilt brass basket pattern until they "wore out". -
Army of Moldavia, 19 July 1812
Army of Moldavia l9 July l8l2 Commanding General - Admiral Tchichagov Chief of Staff - Generallieutenant Sabaneiev Quartermaster General - Generalmajor Berg Service General - Generalmajor Tuchkov II I Corps: Generallieutenant Langeron l3th Division: Generallieutenant Langeron Vieliki-Loutzk Infantry Regiment Galitz Infantry Regiment (5 Battalions) Saratov Infantry Regiment (2) l2th Jager Regiment (2) 22nd Jager Regiment (3) Position Battery #22 (8-l2pdrs & 4 Licornes) Light Batteries #4l & #42 (8-6pdrs & 4 Licornes ea) Grekov #7 Don Cossack Regiment Panteleieff #3 Cossack Regiment lst Orenburg Cossack Regiment l8th Brigade: Saint Petersburg Dragoon Regiment (4) Lithuania Dragoon Regiment (4) Horse Battery #l4 2nd Corps: Generalmajor Essen II 8th Division: Generalmajor Essen II Archangle Infantry Regiment (2) Schusselburg Infantry Regiment (3) Old Ingremanland Infantry Regiment (2) Ukraine Infantry Regiment (2) 37th Jager Regiment (3) Horse Battery #l5 (8-6pdrs & 4 Licornes) Light Batteries #l4 & #l5 (8-6pdrs & 4 Licornes ea) Position Battery #8 (8-l2pdrs & 4 Licornes) Smolensk Dragoon Regiment (4) Sieversk Dragoon Regiment (4) Grekov #8 Don Cossack Regiment 2nd Orenburg Cossack Regiment Astakhov #7 Cossack Regiment 3rd Corps: Generallieutenant Voinov l0th Division: Generalmajor Lieven Kursk Infantry Regiment (2) Crimea Infantry Regiment (2) Bieloserk Infantry Regiment (3) 9th Jager Regiment (2) 39th Jager Regiment (2) Position Batteries #l0 & #30 (8-l2pdrs & 4 Licornes ea) Light Batteries #l8 & #50 (8-6pdrs & 4 Licornes ea) Kinbourn Dragoon -
COLD ARMS Zoran Markov Dragutin Petrović
COLD ARMS Zoran Markov Dragutin Petrović MUZEUL BANATULUI TIMIŞOARA 2012 PREFACE Authors of the catalog and exhibition: Zoran Markov, Curator, Banat Museum of Timisoara Dragutin Petrović, Museum - Consultant, The City Museum of Vršac Associates at the exhibition: Vesna Stankov, Etnologist, Senior Curator Dragana Lepir, Historian Reviewer: “Regional Centre for the Heritage of Banat — Concordia” is set adopted a draft strategy for long-term research, protection and pro- Eng. Branko Bogdanović up with funds provided by the EU and the Municipality of Vršac, motion of the cultural heritage of Banat, where Banat means a ge- Catalog design: as a cross-border cooperation project between the City Museum ographical region, which politically belongs to Romania, Hungary Javor Rašajski of Vršac (CMV) and Banat Museum in Timisoara (MBT). In im- and Serbia. Photos: plementation of this project, the reconstruction of the building of All the parts of the Banat region have been inextricably linked Milan Šepecan Concordia has a fundamental role. It will house the Regional Centre by cultural relations since the earliest prehistoric times. Owing to Ivan Kalnak and also be a place for the permanent museum exhibition. its specific geographical position, distinctive features and the criss- Technical editor: The main objective of establishing the Regional Centre in crossing rivers Tisza, Tamis and Karas, as the ways used for spread- Ivan Kalnak Concordia is cross-border cooperation between all institutions of ing influence by a number of different cultures, identified in archae- COLD ARMS culture and science in the task of production of a strategic plan ological research, the area of Banat represents today an inexhaust- and creation of best conditions for the preservation and presenta- ible source of information about cultural and historic ties. -
The Long Sword Free Download
THE LONG SWORD FREE DOWNLOAD Christian Cameron | 448 pages | 03 May 2016 | Orion Publishing Co | 9781409137511 | English | London, United Kingdom Long Swords Fans of medieval blade replicas are sure to appreciate the expert craftsmanship evident in the Agincourt War Sword. The end of the Bronze Age: changes in warfare and the catastrophe ca. The medieval long sword looks stunning and feels great to use. Decorative Weapons. Free Shipping. The sword has been especially associated with the Marathaswho were famed for their cavalry. Swords with exceptionally long hilts are found throughout the High Middle Ages, but these remain rare, and are not representative of The Long Sword identifiable trend before the late 13th or early 14th century. Long Swords. As noted above, the terms longswordbroad swordgreat swordand Gaelic claymore are used relative to the era under consideration, and each term designates a particular type of sword. Archived from the original on 29 June Hot this week in Long Sword. All Rights The Long Sword. Functional Weapons. The hunter must take some risks, in order to fill up his Spirit Gauge, which, once full, increases damage dealt and enables the sword to unleash a powerful Spirit Combo: a fast combo with 5 attacks that can be extended for up to 7 hits, and can be canceled out or finished The Long Sword any time with a Fade Slash. September, Buy It Now. Show only see all. Hwandudaedo Seven- Branched The Long Sword. Bronze Age — Gojoseon Liaoning bronze dagger culture. Codified systems of fighting with the longsword existed from the later 14th century, with a variety of styles and teachers each providing a slightly different take on the art. -
The Black Hussar [Opéra Comique, in Three Acts. First Produced at Vienna
The Black Hussar Russian song, "Ivan loved his Katza well"; the introduced song, "Ohe, mamma"; and the trio following it, "The [Opéra comique, in three acts. First produced at Vienna, Ways of Love are very strange," which closes the act. 1886.] PERSONAGES. Helbert, officer of the Black Hussars. Waldermann, his companion. Hackenback, magistrate of Trautenfeld. Piffkow, his man of all work. Thorillière, major in Napoleon's army. Hetman, captain of the Cossacks. Mifflin, an actor. Minna, } Rosetta, } Hackenback's daughters. Barrara. Ricci. Goddess of Liberty. Germania. [Soldiers, peasants, villagers, conspirators, etc.] The scene is laid in the German village of Trautenfeld; time, the years 1812-13. The story of "The Black Hussar" is simple. Von Helbert, an officer of the Black Hussars, in the disguise of an army chaplain, is seeking to foment an insurrection in the town of Trautenfeld. Hackenback, the town magistrate, has carried himself so diplomatically, as between the Russians and French, and is so opposed to any rupture with either from fear of sudden visitation, that Von Helbert's efforts to induce his townsmen to rise against the Napoleonic régime are not altogether successful. The French in the mean time are hunting for him, but he cunningly succeeds in getting a description of the magistrate posted for that of himself. To be ready for any sudden emergency, Hackenback has a reversible panel on his house, one side having the portrait of the Czar and the other that of Napoleon. When he is suspected by the French, he calls their attention to it; but unfortunately for him the Russian side is exposed, and this with the description which Von Helbert had so kindly posted leads to his arrest. -
Polish Battles and Campaigns in 13Th–19Th Centuries
POLISH BATTLES AND CAMPAIGNS IN 13TH–19TH CENTURIES WOJSKOWE CENTRUM EDUKACJI OBYWATELSKIEJ IM. PŁK. DYPL. MARIANA PORWITA 2016 POLISH BATTLES AND CAMPAIGNS IN 13TH–19TH CENTURIES WOJSKOWE CENTRUM EDUKACJI OBYWATELSKIEJ IM. PŁK. DYPL. MARIANA PORWITA 2016 Scientific editors: Ph. D. Grzegorz Jasiński, Prof. Wojciech Włodarkiewicz Reviewers: Ph. D. hab. Marek Dutkiewicz, Ph. D. hab. Halina Łach Scientific Council: Prof. Piotr Matusak – chairman Prof. Tadeusz Panecki – vice-chairman Prof. Adam Dobroński Ph. D. Janusz Gmitruk Prof. Danuta Kisielewicz Prof. Antoni Komorowski Col. Prof. Dariusz S. Kozerawski Prof. Mirosław Nagielski Prof. Zbigniew Pilarczyk Ph. D. hab. Dariusz Radziwiłłowicz Prof. Waldemar Rezmer Ph. D. hab. Aleksandra Skrabacz Prof. Wojciech Włodarkiewicz Prof. Lech Wyszczelski Sketch maps: Jan Rutkowski Design and layout: Janusz Świnarski Front cover: Battle against Theutonic Knights, XVI century drawing from Marcin Bielski’s Kronika Polski Translation: Summalinguæ © Copyright by Wojskowe Centrum Edukacji Obywatelskiej im. płk. dypl. Mariana Porwita, 2016 © Copyright by Stowarzyszenie Historyków Wojskowości, 2016 ISBN 978-83-65409-12-6 Publisher: Wojskowe Centrum Edukacji Obywatelskiej im. płk. dypl. Mariana Porwita Stowarzyszenie Historyków Wojskowości Contents 7 Introduction Karol Olejnik 9 The Mongol Invasion of Poland in 1241 and the battle of Legnica Karol Olejnik 17 ‘The Great War’ of 1409–1410 and the Battle of Grunwald Zbigniew Grabowski 29 The Battle of Ukmergė, the 1st of September 1435 Marek Plewczyński 41 The -
The Melancholy Hussar of the German Legion and Other Stories
The Melancholy Hussar of the German Legion and Other Stories Thomas Hardy The Melancholy Hussar of the German Legion and Other Stories Table of Contents The Melancholy Hussar of the German Legion and Other Stories......................................................................1 Thomas Hardy................................................................................................................................................2 i The Melancholy Hussar of the German Legion and Other Stories The Melancholy Hussar of the German Legion and Other Stories 1 The Melancholy Hussar of the German Legion and Other Stories Thomas Hardy I HERE stretch the downs, high and breezy and green, absolutely unchanged since those eventful days. A plough has never disturbed the turf, and the sod that was uppermost then is uppermost now. Here stood the camp; here are distinct traces of the banks thrown up for the horses of the cavalry, and spots where the midden−heaps lay are still to be observed. At night, when I walk across the lonely place, it is impossible to avoid hearing, amid the scourings of the wind over the grass−bents and thistles, the old trumpet and bugle calls, the rattle of the halters; to help seeing rows of spectral tents and the impedimenta of the soldiery. From within the canvases come guttural syllables of foreign tongues, and broken songs of the fatherland; for they were mainly regiments of the King's German Legion that slept round the tent−poles hereabout at that time. It was nearly ninety years ago. The British uniform of the period, with its immense epaulettes, queer cocked−hat, breeches, gaiters, ponderous cartridge−box, buckled shoes, and what not, would look strange and barbarous now.