JANUARY 2017 二零一七年一月號 JANUARY 2017 | FINE MUSIC | FOREWORD 前言 1

From The Desk of HR4 George Wong

© 掌台人隨筆 ▲ Tune in to Radio 4 this year for more music featuring the wind and brass ensemble! 今年,第四台將播放更多管樂團音樂。

Happy New Year! 2017 will be another colourful year on Radio 4 and I am 新年快樂!2017年第四台充滿姿彩,在此率先為你重點推介。 glad to share with you some of the highlights. 「年青人」成為今年的焦點之一。樂壇新秀在2016年12月31日 ‘Youth’ is one of our focuses this year. Following the Young Music Makers 截止報名後,隨即進入錄音和現場試聽階段。入圍者將陸續安 deadline for application on 31 December 2016, tape and live auditions will 排參與拍攝造型照、製作電台及電視專輯,並準備於閉幕音樂 help us decide on the list of Successful Candidates, who will attend the 會亮相。部份新秀更有機會到澳門,以及在香港電台的慶祝特 photo-shooting session, record for radio and TV, and appear at the Final 區成立二十週年音樂會中演出。看來,出爐的「樂壇新秀」今 Concert. Some of them will be performing in Macau, and at the ‘Young Music 年將會很忙碌噢! Note’ concert marking the 20th anniversary of the HKSAR. It will be a busy year for our new coming YMMs. 連續三年,第四台與音樂事務處攜手製作美樂主持@校園計 劃,今年的比賽安排在 月份舉行。屆時,一眾中小學生將在 For the third year in a row, we will be teaming up with the Music Office 4 台上大展身手演出廣播劇。另外, 亦是音事處成立四十週 to present the Fine Music DJ@Schools project, which will have its finale 2017 in April. It will be a chance for primary and secondary school students to 年,這組織一直鼓勵年青人學習音樂,我們將於4月份為你帶來 explore their talent in presenting a radio drama. Incidentally, the Music 屬於他們的特備節目。然而,本月先送上香港中樂團的生辰特 Office, which has been actively promoting music especially among the 輯。無獨有偶,兩個音樂組織同於1977年成立。 younger generation, will be having its 40th birthday. Special programmes will 音樂創作方面,由香港作曲家聯會主辦,一年一度展現年青作 be broadcast in April to tie in with the anniversary. Before that, this month we 曲家才華的音樂新一代將於6月舉行;而在7月份,四台插班 first bring you a programme series to mark the birthday of the 生則邀請一群更年輕,就讀中小學的小小「作曲家」到直播室 Chinese Orchestra, which was also established in 1977. 來。他們參加了由康文署主辦的管弦新動力後,將在節目中分 On composition side, New Generation Concert, our annual collaboration 享他們首次創作的喜悅。 with the Hong Kong Composers’ Guild, will be staged in June. In July, 不少年青人學習木管和銅管樂器。第四台今年正計劃推廣這類 R4 Buddies will welcome even younger ‘composers’ studying at primary 音樂。事實上,杜程已從去年 月份起在新節目程迷古典中, and secondary schools to the programme to share their experience of trying 12 out the works in LCSD’s Music Animateur Scheme. 每週播放管樂團音樂,而聖誕園林音樂會2016亦以管樂團為 主角。由本月開始,「四台插班生」更加入管樂環節、相關訪 Many youngsters find pleasure playing in wind and brass ensembles. This year, 問,以及2016年香港青年音樂匯演管樂團比賽的精彩錄音。 Radio 4 will delve more deeper into the genre. From December 2016, we’ve begun with Colin Touchin’s new programme, In Touch with Music, that has 從青年─我們的未來,談到過去。今年5月是蒙台威爾第誕 started our wind and brass ensemble exploration, and we hope you enjoyed 生 450週年,紀大衛將以專題形式介紹這位巴羅克巨匠。而 this year’s ‘Christmas Concert in the Park’ that placed wind and brass music 8月份,我們將播放由本地的聲蜚合唱節帶來作曲家著名的《晚 in the limelight. Starting this month, R4 Buddies will be highlighting wind 禱》。 and brass with special segments, interviews, and recordings made at the 年亦剛巧碰上多位美國作曲家的誕辰紀念,其中包括 Hong Kong Youth Music Interflows 2016 – Symphonic Band Contest. 2017 比卓、夏里遜、格拉斯、亞當士和美藉華裔的譚盾。7月份, So much about youth – our future, let’s look at our antecedents. This year is 李正欣會為你帶來一系列相關的特備節目。 Monteverdi ’s 450th birthday. In May, there is a special series on the great Baroque composer hosted by David Gwilt, and in August, we will bring to 最後,恭賀你農曆新年快樂。在新曆十三那天,我們將於一號 you a recording of Monteverdi’s famous Vespers sung by Hong Kong’s own 錄播室慶賀雞年元宵節,請來一群本地潮樂好手演出。他們獨 SingFest Chorus. 特的樂音和風格,肯定為不少資深樂迷帶來窩心的懷舊氣息。 請即留位! It may be mere coincidence that 2017 also marks the anniversaries of quite a few American composers including Amy Beach, Lou Harrison, Phillip 祝你有娓娓動聽的一年! Glass, John Adams, and the Chinese American Tan Dun. You can hear 第四台節目總監 蕭樹勝 programmes of their music presented by Joanna Lee in July. Last, but not least, this month I must also wish you Happy Chinese New Year. We will celebrate the Lantern Festival with a Hong Kong–based Chiu Chow music ensemble in Studio One on the 13th day of the Year of the SHARE Your LOVE of Music with US, Rooster (9 February). Seasoned music lovers will find their authentic sound Become a PATRON『美樂集』of ‘FM’ ! and style of performance particularly heartfelt. Book your tickets now. Radio 4 would like to thank the patrons DIAMOND PATRON 鑽石贊助者 May this be a tuneful year to you! for their generous support. If you would Sir Gordon & Lady Wu 胡應湘爵士伉儷 like to become a patron of ‘FM’ Fine Music, please call us on 9073 3474 for PLATINUM PATRON 白金贊助者 無名氏 further information during office hours. Anonymous 香港電台第四台謹向以下贊助者的慷慨 SILVER PATRON 白銀贊助者 Ms. Rayne Chai Chih-hui 蔡之慧女士 支持致以最深謝意。有興趣成為「美樂 Jimmy Shiu 集」贊助者的朋友,可在辦公時間內致電 Head, Radio 4 9073 3474 查詢有關詳情。 We want to know what you think! 謝謝你的迴響

Radio 4 wants to hear from you to help improve our fine music broadcast services. ▲ The colours of the pen shaft and the clip are for reference only. Fill out the listeners survey and you may even 筆桿和夾的顏色只作參考。 receive an awesome 4-in-1 Radio 4 gift pack. 第四台希望聽到你的意見,以提昇我們的美 Figo 樂廣播服務。完成以下聽眾問卷,你更有機 © 會獲得第四台的四合一小禮物包。

1. On average, how often do you listen to Radio 4? 你隔多久收聽第四台?

Daily 每日收聽 A few times a week 每週幾次 Once a week 每週一次

Occasionally 間中收聽 Rarely 很少收聽

2. How do you usually listen to Radio 4? (check all that apply) 你以那種方法收聽第四台?(可選多項)

On radio 收音機 Online 網上 Mobile apps 手機應用程式

3. At what time are you most likely to listen to Radio 4? (check all that apply) 你通常在甚麼時段收聽第四台?(可選多項)

0600 – 1200 1200 – 1400 1400 – 1800

1800 – 2000 2000 – 2400 2400 – 0600

4. What types of Radio 4 programmes do you prefer listening to? (check all that apply) 你喜愛以下那類型節目?(可選多項)

General music programmes 一般音樂節目 Concerts 音樂會

Artsnews 藝術新聞 Artist Interviews 藝術家訪問

Educational / Informative 教育 / 資訊 Religious 宗教節目

News 新聞 Traffic 交通

5. What types of music do you prefer listening to? (check all that apply) 你喜歡下列那種類音樂?(可選多項)

Western classical 西洋古典音樂 Chinese 中樂 Jazz 爵士樂

World 世界音樂 Movie 電影配樂 Contemporary classical 現代音樂

Others, please specify 其他,請註明: ______6. What do you think about our overall balance of music genres? 你認為我們播放各音樂類別的比例如何?

It’s a good mix of music genres 現時的比例很好

I would like more ______(music genre(s)) 我希望有更多______(音樂類別)

I would like less ______(music genre(s)) 我希望有更少______(音樂類別)

7. What do you think about the overall balance between music and speech? 你認為我們總體音樂與說話的比例:

A good balance 比例很好

Too much music, more speech should be included 太多音樂,應有更多說話

Too much speech, more music should be played 太多說話,應有更多音樂

8. Why do you listen to Radio 4? (check all that apply) 你為何收聽第四台?(可選多項)

Radio 4 plays music that I like 喜歡第四台播放的音樂

Good presenters 有喜愛的主持人

To enhance my knowledge 希望增進知識

For background music 作為背景音樂

Others, please specify 其他,請註明:______

9. What is your perception of Radio 4? (check all that apply) 第四台給你甚麼印象?(可選多項)

The Fine Music channel 美樂電台 Arts channel 藝術頻道

Bilingual channel 雙語電台 Educational channel 教育頻道

Others, please specify 其他,請註明: ______

10. Are you aware of any of these special events organized by Radio 4? 你知道第四台舉辦過這些活動嗎?

Christmas Concert in the Park 聖誕園林音樂會

RTHK Quartet 香港電台弦樂四重奏

Music Beyond Borders 無限領域

Artist-in-Residence 駐台演奏家

Concerts at RTHK Studio One 香港電台一號錄播室的音樂會

Young Music Makers 樂壇新秀 We want to know what you think!

11. Please name your favourite Radio 4 programme(s), if any: 謝謝你的迴響 請列出你喜愛的第四台節目:

______

12. Please name your favourite presenter(s), if any: 請列出你喜愛的第四台主持:

______

13. From 0-100, overall, how would you rate Radio 4? 請以0-100,為第四台評分:

______

14. What language(s) do you speak? 你能操下列那種語言(可選多項):

English 英語 粵語 Putonghua 普通話

Others, please specify 其他,請註明:______

15. How old are you? 你的年齡:

17 or under 17或以下 18-24 25-29 30-39

40-49 50-59 60 or above 60或以上

16. What is your education background? 你的教育程度:

Primary School 小學 Secondary School 中學

University / College 大學 / 大專 Postgraduate 研究院

17. What is your musical background? (check all that apply) 你的音樂背景(可選多項):

None 沒有

I sing in a chorus 合唱團員

I play in an orchestra / band / ensemble 樂團 / 樂隊 / 合奏小組成員

I work in the field of music 我是音樂工作者

I have learned to play an instrument or sing 曾學習樂器或歌唱

I am a music graduate 音樂畢業生

Others, please specify 其他,請註明:______We want to know what you think!

18. Other views (continue on a separate sheet if needed): 謝謝你的迴響 其他意見 (如空間不足,請另紙書寫):

Please send the completed survey by post before 15 January 2017 to: 請於2017年1月15日前,將填妥的問卷郵寄至:

Radio 4 Survey 九龍廣播道30號 RTHK Radio 4 香港電台第四台 30 Broadcast Drive 「聽眾問卷調查」收 Kowloon

Alternatively, you can return the above survey by fax to 2339 6427 or log in to radio4..hk to fill in the online version. 你亦可選擇以傳真擲回問卷,傳真號碼:2339 6427;或登入 radio4.rthk.hk 填寫網上版本。

If you want to receive our free gift, please provide us with the following information. Information received will be kept confidential and will only be used for posting the gift to you. 如果你想獲得禮品,請清楚填寫以下資料。所有資料將會保密,並只用於郵寄禮品。

Name 姓名:______Tel. no. 電話:______

Address 地址: ______

______Email 電郵地址:______

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Friends of Radio 4 Society Limited 第四台之友協會有限公司 JANUARY 2017 | FINE MUSIC | CONTENTS 目錄 9

FINE MUSIC 美樂集 JANUARY 2017 二零一七年一月號 01 FROM THE DESK OF HEAD, R4 掌台人隨筆 10

03 We want to know what you think! 謝謝你的迴響

SPECIAL FEATURES 特稿 10 潮州鑼鼓迎瑞氣 弦詩細樂賀元宵

13 40 Years with the Hong Kong Chinese Orchestra 樂在其中四十年

16 In Conversation with Haochen Zhang 13 COVER STORY 封面故事 19 Top 10 Music Headlines 2016 十大樂聞 2016

COLUMNS 專欄 07 Friends of Radio 4 第四台之友 27 Sunday Opera 歌劇世界 30 New Releases 碟碟不休 31 Tunes to Remember 人約黃昏後 33 Concert Highlights 音樂會轉播精選 Hong Kong Chinese Orchestra 37 Main Programme Chart 節目時間表 © 38 Programme Highlights 節目精華 16 47 ‘FM’ Classified Board 《美樂集》分類廣告 48 Coda

19

48 Hong Kong Composers’ Guild © 10 JANUARY 2017 | FINE MUSIC | SPECIAL FEATURES 特稿

潮州鑼鼓迎瑞氣 弦詩細樂賀元宵 塵紓 Wong Kin-ting

為慶祝雞年和元宵, 第四台之友特別邀請 潮樂大師劉福光及其好友, 一同來到香港電台 送上不同類型的潮州音樂。 音樂會後敬備茶點招待,同賀元宵。

To celebrate the upcoming Year of the Rooster and the Lantern Festival (which falls on the 15th day of the Chinese New Year), we welcome the renowned Chiu Chow musician, Lau Fok-kwong, and his friends to perform different varieties of Chiu Chow music.

There will be a reception after the concert. Audience members are all invited.

▲ Lau Fok-kwong, ensemble leader on the drums 劉福光司鼓

不知是誰的惡作劇,早在我孩童時代,就常常聽到「潮州音樂 — 自己顧自己」這句歇後語。當時暗忖,潮樂與「自己 顧自己」有何關係?幾經思量,覺得或許是潮樂裏的二弦在拉奏時所發出的樂聲,有兩三分像以極濃潮州口音講出粵 語「自己顧自己」這五個字。

不過,這句歇後語絕對沒有精確描述潮樂的真貌。在音樂的國度裏,潮樂是廣東三寶之一,與粵樂和客家漢樂各領風 騷。潮樂源遠流長,蘊含唐宋遺風,而且樂種很多,除了用於宗教活動的佛道音樂,見於民謠和歌冊的曲藝音樂,以 及舞台所用的潮劇音樂之外,還有三大門類,即弦詩樂、鑼鼓樂和細樂。其中以弦詩樂最有特色。

長幼有序,主從有別 弦詩樂的「弦」字,是指二弦,而二弦是潮樂特有的拉弦樂器,也是弦詩樂裏居於領導地位的樂器。每當演奏弦樂, 例必由二弦領奏,其他如琵琶、古箏、揚琴、椰胡、笛簫,都得跟從,情況好比二弦是一族之長,所有族人,當必景 從。由此可見,弦詩樂很能體現長幼有序,主從有別的傳統。潮樂界慣有弦詩樂十大套曲之稱,而今次由潮樂大師劉 福光領導的「潮樂賀元宵」音樂會中擬奏的〈寒鴉戲水〉,就是「十大套」之一。此曲是典型的六十八板結構,其中 的「起承轉合」,活脫是文章的格局。以二弦為首的各式樂器,透過跌宕明暗的處理,描述寒鴉悠閑戲水的景象。

眼前無譜,心中有譜 弦詩樂的「詩」字,是指詩歌的「詩」,不是絲竹的「絲」。原來,根據傳統,學潮樂的人,初登門檻之時,必須先 行背譜,而背誦樂譜的做法,好比背誦詩詞。譜式背誦熟透,才可動樂。總之,要練到「眼前無譜,心中有譜」,才 算正道。潮樂最大魅力,是讓觀眾不單聽到樂韻,更可看到演奏者的默契。得睹一眾樂手心意相連,渾然天成,才是 最高享受。 JANUARY 2017 | FINE MUSIC | SPECIAL FEATURES 特稿 11

不失雅致的潮樂鑼鼓樂 另一方面,潮樂的鑼鼓樂,有大鑼鼓樂與小鑼鼓樂之分。 顧名思義,大鑼鼓樂所用的鑼、鼓、鈸都較大,樂隊編制 也較大。小鑼鼓樂所用的鼓則較小,而鑼、鈸則不用,樂 隊編制也較小。此外,按照常規,大鑼鼓樂由嗩吶領奏; 小鑼鼓樂由笛子領奏。必須明白,潮州鑼鼓樂,不論是大 鑼鼓樂或小鑼鼓樂,總體上是圖個熱鬧,絕不會弄至鼓樂 喧天,震耳欲聾而有失雅致。

至於細樂,本來是專指三弦、琵琶和古箏的組合。不過, 隨著年代轉變,各式小型弦樂組合(甚至加入笛簫),都 汎稱為細樂。 ▲ Chiu Chow music ensemble 潮州音樂演奏團

此外,今次音樂會也有潮劇選段的演唱,如選自《八仙賀壽》的〈京城會〉。潮樂音樂會很多時都會加入潮劇演員,由樂隊伴奏, 藉增藝趣。今次音樂會同場既可欣賞器樂,又可淺嘗潮劇,不亦快哉?

As one of the three major streams of Guangdong music, Chiu Chow music is renowned for its great variety in form and tunefulness, as well as its delicacy and reserved expression. Led by a player with a two-string instrument, erxian, and followed by other players in the ensemble, Xianshi is one of the main forms in Chiu Chow music, giving prominence to this unique bowed instrument. On another front, vivacity and elegance are fully exemplified in Chiu Chow drum and gong music.

A Concert of Chiu Chow Music Ticket Request Form 「潮樂賀元宵」音樂會門票索取表格

Date 日期 : 9/2/2017 (Thu 星期四) Time 時間 : 7:30pm Venue 地點 : RTHK Studio One, Broadcasting House, 30 Broadcast Drive, Kowloon Tong, Kowloon 九龍塘廣播道30號香港電台廣播大廈一號錄播室

Name 姓名:

Address 地址: This concert, hosted by the Friends of Radio 4 Society, will be held on 9 February (Thu) at 7:30pm at RTHK Studio One; broadcast on 11 February (Sat) at 8pm on Live on 4, with a repeat on 16 February (Thu) at 2pm. E-mail 電郵地址: 音樂會由第四台之友協會主辦,2017年2月9日(正月十三), Tel. 電話: (Day 日間) (Evening 夜間) 星期四晚上7時半於香港電台一號錄播舉行。2 月 11日 (星期六)元宵節當日晚上8時於第四台音樂會轉播,2月16日 FOR4 Membership No. 第四台之友會員編號 (if applicable 如適用): (星期四)下午2時重播。

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(Please specify the no. of tickets, maximum 2) (請 列 明 數 量,最多兩張)

Friends of Radio 4 Society Limited Please return the completed form to: Presented by 主辦 : 第四台之友協會有限公司 Radio 4, RTHK, 30 Broadcast Drive, Kowloon Tong, Kowloon, HK 請郵寄至香港九龍塘廣播道30號香港電台第四台 Fax 傳 真:2339 6427 Enquiries 查 詢:2339 6425 JANUARY 2017 | FINE MUSIC | SPECIAL FEATURES 特稿 13

Years with the Hong Kong Chinese Orchestra

樂在其中四十年 Charles Chik 戚家榮

Mondays 8:00pm 逢星期一晚上8時正

‘What are some must-go places and must-buy souvenirs in Hong Kong?’ my foreign friends who recently visited Hong Kong asked me these questions, which I believe might take some time for Hong Kong people to answer too. ‘Maybe having some street snacks and going to the Peak to enjoy a nice view of the Victoria Harbour?’, I suggested, but it seems to me that something is lacking. As the city with the longest working hour, sometimes we miss great things around us and forget what we should be proud of indeed. Apart from delicacies and beautiful scenary, Hong Kong does have some intangible cultural assets, the Hong Kong Chinese Orchestra (HKCO) is absolutely one of them. With HKCO stepping into its ▲ HKCO performing at Hangzhou Grand Theatre Opera House 40th season, we have a chance to go through their incredible 香港中樂團在杭州大劇院歌劇院演出 musical journey.

最近有外地朋友來港旅遊,問了兩個香港人亦可能需要思考良久的問題:香港有甚麼值得一去的地方?有甚麼必買的手信?一 時三刻,你可能只有說出平日和朋友經常到訪的餐廳與遊玩之地。當時我亦推薦了多款香港街頭小吃和觀賞維多利亞港夜景的 山頂,緊此而已。的確,我們每天營營役役,很容易錯過身邊的事物,忘記香港有甚麼值得自豪的地方。現在再細心想想,除 了佳餚美景,香港亦有不少文化瑰寶,陪伴香港人多年的香港中樂團便是其中之一。適逢香港中樂團四十週年,第四台特別為 你搜羅珍貴音樂會錄音,與你「樂在其中四十年」。

From Hong Kong to international HKCO Being the only large-scale professional Chinese orchestra in Hong Kong, we could always find their place in Hong Kong music history. In 1983, when the Urban Council was celebrating its 100th anniversary, HKCO shared the stage with the other two art groups under Urban Council at that time, namely Hong Kong Repertory Theatre and Hong Kong Dance Company. HKCO also appeared in numerous performances at importance events in the city, including the opening of the Hong Kong Cultural Centre in 1989 and the Hong Kong Reunification Spectacular in 1997, just to name a few. After the outbreak of SARS in 2003, Hong Kong was covered by a layer of gloomy mists. HKCO organised the Pictures courtesy of Hong Kong Chinese Orchestra Hong Kong Drum Festival to pull Hong Kong out its doldrums, and it became an annual cultural event. While establishing their roots in Hong Kong, HKCO also tours around the world, serving as a cultural ambassador. In September 1982, they went for the first time to Australia. From then on, they left their footprints in many cities in Asia, Europe, and the USA. Their next station will be Russia where they will attend the 10th Winter International Arts Festival in Sochi. 14 JANUARY 2017 | FINE MUSIC | SPECIAL FEATURES 特稿

從香港走向世界

作為香港唯一大型職業中樂團,香港中樂團在香港音樂界擁有一定地位,在社會重要時刻往往能找到其身影。例如1983年市政局 成立百週年,香港中樂團與市政局當時轄下的其他兩個藝團 ― 香港話劇團和香港舞蹈團同台演出。其後樂團亦有份參演1987年香 港大會堂銀禧紀念、1988年上環文娛中心開幕、1989年香港文化中心開幕、1997年九七回歸音樂節等活動。2003年香港經歷沙 士後,樂團積極籌辦香港鼓樂節以鼓聲振奮人心,其後便成為樂團每年的焦點活動之一。除了緊貼香港大事,樂團亦經常擔任文化

大使到世界各地推廣中樂。1982年9月,樂團應英聯邦藝術節的邀請前往澳洲,是次為首度到海外演出。時至今日,樂團已在多個 亞洲、美洲和歐洲國家留下足跡,下一站將到訪俄羅斯參與第十屆索契冬季藝術節。

Footsteps of giants 名家足跡

At the Hong Kong City Hall 10th Anniversary Concert in 1972, pipa master Lui Pui-yuen conducted a 15-man band, which later received sponsorship from the Urban Council and eventually became HKCO in 1977. Starting from there, HKCO has been led by maestros including Ng Tai-kong, Kuan Nai-chung, Henry Shek, and currently Yan Huichang. Xia Feiyun, Chen Ning-chi, and Solomon Bard also served as their conductor at various points. In addition to their esteemed conductors, HKCO has always collaborated with distinguished soloists. The first ever guest soloist to collaborate with HKCO was pianist Choi Sown-le, in The Youth Piano Concerto by Liu Shihkun and various composers. Erhu master Min Huifen was also on the long list of artists that have joined forces with HKCO.

1972年,琵琶演奏家呂培源於香港大會堂成立十週年的活動中領導十五人樂隊演出,是 ▲ Commercial release of live performance 為香港中樂團的前身。樂團演出後得到市政局贊助,在1977年成為市政局轄下的職業藝術 with erhu master Min Huifen 團體,並由吳大江擔任首位音樂總監。自此之後,樂團便由多位名家帶領,包括關迺忠、 香港中樂團與二胡大師閔惠芬的現場 演出錄製成唱片發行 石信之和現任藝術總監閻惠昌,而白德、陳能濟、夏飛雲等亦曾出任指揮。除了指揮名家

外,眾多獨奏家亦曾與香港中樂團合作。1977年12月24日,鋼琴家蔡崇力與樂團合演由劉 詩昆與一眾作曲家共同創作的「青年」鋼琴協奏曲,是第一位與香港中樂團合作的客席獨 奏家。及後與樂團合作的名家多不勝數,其中包括著名二胡演奏家閔惠芬。

Commission scheme 委約制度

Commissioned works and world premieres have always been a backbone in the repertoire of HKCO. In the beginning, when HKCO was making its transition from an amateur band to a professional orchestra, it mainly performed a limited number of traditional pieces, which was why they were looking to commission new works. HKCO organises a number of activities, such as the yearly ‘Music from the Heart’ concert, where they call for new works from young composers and so discover new talents. ‘Music About ’ is also a hallmark programme in which composers from all around the world present their new works.

香港中樂團每個樂季定必有全新委約的創作和世界首演作品,要追溯 原因可能要從樂團成為市政局轄下樂團談起。剛職業化的香港中樂 團雖然增加了排練和演出,但很多時演奏的都是舊有曲目,數量並不 多。正因如此,樂團便開始重視委約作品,以利及樂團發展。為此,

香港中樂團便舉辦多項活動,令更多作曲家為樂團創作。例如從1999 年開始樂團每年會舉辦「心樂集」,以發掘香港的年輕作曲家,亦為 中樂作品注入新意念。而在「樂旅中國」節目中,亦有來自世界各地

的作曲家發表新作,例如德國作曲家老鑼的〈愛之歌〉便在2010年於 ▲ Composers of commissioned works are invited to give talks and seminars. 此平台首演。 於發表新作的音樂會舉行期間,香港中樂團邀請作曲家舉行講座和研 討會。 JANUARY 2017 | FINE MUSIC | SPECIAL FEATURES 特稿 15

Crossover Collaboration 跨界合作 HKCO From reading different publications of HKCO, it is not difficult to discover that they take pleasure in experiments that may not follow tradition. Take the 40th season brochure as an example, we can see concerts with big names such as Xia Feiyun and Peng Xiuwen obviously, but we can also discover concerts with jazz master Ted Lo and Canto-pop singer Eman Lam. In fact, these crossover programmes are not a new thing. Back in 1979, HKCO had already invited the famous Hong Kong writer Eunice Lam to be a narrator. HKCO also first performed in a pop concert in 1986, where they played several pieces of Joseph Koo and had Liza Wang as a special guest. They have already performed with loads of local talent including the actress Connie Chan, singer Chet Lam, and the Yat Po Singers a capella group.

翻閱香港中樂團的刊物,我們不難發現樂團除了重視傳統名家外,亦不乏新嘗試。以今年40 樂季小冊子為例,當中有夏飛雲、彭修文等巨匠的名字,亦有羅尚正、林二汶等分別在香港

爵士樂壇和香港流行音樂界享負盛名的人物。事實上,香港中樂團於1979年便首次邀請香港 著名女作家林燕妮作特別嘉賓,於敘事詩《望夫石的故事中》擔任敘述,開創跨界合作的先

河。1986年,樂團於香港體育館首次演出普及音樂會,演奏多首顧嘉輝的名曲,更有汪明荃 擔任特別嘉賓。近年,樂團亦經常與不同團體合作,例如香港演員陳寶珠、歌手林一峰、無伴

奏合唱劇團一舖清唱等。 ▲ Actress Connie Chan with HKCO 演員陳寶珠與香港中樂團

Passing the torch 文化傳承

HKCO has been promoting Chinese music as its mission and cultivating the new generation of music makers. As early as their second year of establishment, they did their first school and outreach concerts. On 28 April 1978, HKCO visited St. Louis School to perform, and also had Music Director Ng Tai-kong introduce their Orchestra. On 12 July the same year, they participated in a community activity in Yau Tsim Mong District. Over the years, HKCO has visited many different schools. In addition, in 2003, HKCO formed the Hong Kong Children Chinese Orchestra and the Hong Kong Junior Chinese Orchestra. It also holds conducting masterclasses and competitions regularly for talents from different age groups.

身負重任推廣中樂的香港中樂團,培育新一代人才亦不遺餘力。早於

1978年,樂團第一次舉行學校音樂會和外展音樂會。同年4月28日樂團 到訪聖類斯中學演奏多首樂曲,更由當時的音樂總監吳大江介紹樂團編

制和樂器;樂團更於7月12日參與油尖區的社區活動,舉行了「仲夏夜 中樂欣賞會」。樂團一路走來,經常到學校演出,並於2003年成立香港 兒童中樂團、香港少年中樂團,並舉辦樂器班、指揮大師班和指揮大賽 等,在多個層面迎合有志在中樂發展的人材。

▲ International Conducting Competition for Chinese Music 國際中樂指揮大賽

Join HKCO as they share their passion for Chinese music. Tune in to Radio 4 at 8pm every Monday in January 2017, where we guide you through 40 Years with the Hong Kong Chinese Orchestra (in Cantonese).

香港中樂團成立以來為樂迷帶來美好的音樂,為中樂找來更多知音人。想成為香港中樂團的知音人,聆聽樂團四十年來的音樂旅程,

歡迎於2017年1月,逢星期一晚上8時,讓第四台與你樂在其中四十年。 Pictures courtesy of Hong Kong Chinese Orchestra 16 JANUARY 2017 | FINE MUSIC | SPECIAL FEATURES 特稿

HaochenIn Conversation withZhang

Chinese pianist Haochen Zhang is the youngest and first Chinese pianist to win the Van Cliburn Competition. His solo performances have been heard in the most prestigious concert halls around the world. He will perform at the Hong Kong International Chamber Music Festival for the first time in 2017 and he speaks to Jonathan Douglas about his path to becoming a seasoned performer and how he came to play the piano as a young child.

H : Haochen Zhang J : Jonathan Douglas

From Prizewinner to Professional Soloist

J : Have you appeared at the Chamber Music Festival before? professional soloist, and that’s what I cared about the most, to have the platform and experience to become a very H : No, actually it’s going to be my first time. I listened to one seasoned performer. So, that was the start of my career concert at the Festival back in January 2014 when I was and of course that was a vital point in my entire career. playing the Schumann Piano Concerto with the Hong Kong Philharmonic. Coincidentally, I learned that the Chamber J : Given that so much was riding on this Competition, and you Music Festival was taking place at the same time. So there were very much aware of it of course, how did you feel? was one night when I just went to one of the concerts, I Were you able to stay relatively relaxed, or did you get very remember very well it was a concert of Brahms String Sextet nervous? in B flat, and there were some two piano pieces which were H: Of course, I was nervous, but I’d say it was under pretty absolutely captivating, but this is my first time playing in the good control. I could say I managed whatever emotions Festival. I had pretty well, and partly because I am young and it J : In 2009, you won the Van Cliburn Competition. You were was a huge way to boost my confidence, because I think the youngest and you were the first Chinese as well. I have nothing to lose, because I am always the youngest. Presumably this was a major event in your life, and did you I have not attended many competitions but the few I have find that it indeed opened doors for you? attended I am always the youngest contestant. So I always reminded myself there shouldn’t be any expectations to H : There’s no question about that. Not only is the Van Cliburn win because I am the least experienced, and probably all one of the major competitions in the world, it is unique in of them are better pianists because they are more mature that the Competition provides three years of engagements pianists. They are older and they should be better. I just for winners after the Competition is over, so it’s not like you comfort myself and think that you are not coming here to win the prize and you go home. There is really a three-year win, and you just come here to learn from others, and if period where that is really the prize of the Competition, that you lose that is not abnormal, and it shouldn’t disappoint you get trained from a prize winner to become a professional you too much. So I don’t think I was particularly under any soloist, and that is the goal of the Competition. It’s not just extraordinary pressure. to make someone a winner but aims to make someone a JANUARY 2017 | FINE MUSIC | SPECIAL FEATURES 特稿 17

First Public Recital at Concert Hall

J : I know that you started playing in public in Shanghai when you were quite young. How did you get onto the musical road in the first place? Were your parents musical?

H : No, they weren’t although I might call them semi-classical music fans. My mother was an engineer and my father was a Japanese translator so they had absolutely nothing to do with music. They were the ones who introduced piano to me because we always played classical music as background music at home from the period when I was born but it was always symphonies, it was never piano music. I hardly heard any piano music, I don’t think, ever! The first time I saw a piano was when my parents bought me one as a gift, and the reason is because my mother thought I was a pretty autistic kid when I was little, I always tried to think for myself, run around. Nobody knew what I was thinking so I was a pretty reclusive kid. But then my mother was learning English back then, and one day she found an article in the Reader’s Digest, a US magazine which she was reading as weekly homework and one of the articles caught her attention. It was something about how the piano is one of the best ways to raise baby intelligence, and it talked about all the technical factors, how finger playing can benefit your brain so my mother felt we always have classical music in the background, so why not let the kid learn an actual instrument like piano, which could make him smarter or boost his confidence. Music is a communicative form, so they felt it could make him open up hopefully. So that’s how everything started.

J : And then they bought you a piano?

H : Yes, and I learned for the first two weeks on my own, with Haochen Zhang appears at the 8th Hong Kong some help from my mother who bought me some very International Chamber Music Festival performing basic teaching materials. I learned how to read scores, and Schumann’s piano quartet and Franck’s piano quintet. after two weeks I was brought to a teacher and that’s how Don’t miss his rendition of these romantic chamber it began. At four years old I started and when I was five, gems in Live on 4 at 8pm on 27 January and 3 close to six years old I had my first piano recital. I played a February (Fri). 70-minute recital at the Shanghai Concert Hall, at that time 鋼琴家張昊辰將首次參與「香港國際室內樂音樂節 it was a pretty big concert hall, with 1,300 people. I wasn’t 2017」,演出舒曼的鋼琴四重奏和法朗克的鋼琴五重 nervous at all because at that age it’s just fun for you to play 奏。請留意 月 日和 月 日(星期五)晚上 時播出的 so I remember even bringing toys to play with before I went 1 27 2 3 8 第四台音樂會。 on stage. It was a fun time! JANUARY 2017 | FINE MUSIC | COVER STORY 封面故事 19

SUNDAY OPERA JANUARY 2017 | FINE MUSIC | COLUMNS 專欄 27

Sundays 2:00pm Lo King-man

Sunday Opera welcomes in the New Year with a famous recording of the third episode of the monumental Ring cycle, intended to prepare our listeners for the live concert performances occurring at the Hong Kong Cultural Centre later this month. The rest of January will be occupied by a fateful tragedy from the pen of a great Italian master, a melodious French lyric masterpiece, and a passionate tale of young love doomed to die in the arid wilderness of the new world.

1 and 8 January: Wagner’s Siegfried The third music drama from the great tetralogy Der Ring des Nibelungen by Richard Wagner (1813 - 1883) will be presented on two consecutive Sundays. Our way of splitting Siegfried into two parts roughly corresponds to Wagner’s own interruption of the compositional process of his Ring cycle in 1856. After completing the first two acts of Siegfried, the composer broke off his work on the cycle for 12 years, during which time he turned his attention to creating his supreme tragedy of love, Tristan und Isolde (1865), and his unique comedy, Die Meistersinger von Nürnberg (1868).

By the time Wagner returned to the Ring project and completed Siegfried in 1869, his musical style and compositional technique had developed to such an advanced stage that he was able to approach his concept of the ideal music drama with great confidence and competence. It was from the third act of Siegfried onwards that Wagner began to come close to realising his theory in which words, music and stage action, participating in equal measure, blend into one cohesive work. This opera describes the growth of the fearless and innocent young hero ▲ Wolfgang Windgassen, ▲ Hans Hotter, ▲ Gerhard Stolze, tenor tenor bass-baritone Siegfried to full stature of early manhood. It traces his first adventure through a Rhine journey guided by a mellifluous woodbird. The episode ends with Siegfried breaking through the circle of fire surrounding Brünnhilde. He awakens her and claims her as his bride. Singing the title role is famous heldentenor Wolfgang Windgassen. Wotan, the leader of the gods disguised as the Wanderer, is sung by bass-baritone Hans Hotter. The dwarf Mime is portrayed by tenor Allen Warren

© Gerhard Stolze, and Brünnhilde is interpreted by soprano Birgit Nilsson. ▲ Birgit Nilsson, soprano ▲ Georg Solti, conductor The Vienna Philharmonic Orchestra performs under the baton of Georg Solti.

15 January: Verdi’s La Forza del Destino Written on commission from the Imperial Theatre of St. Petersburg, La Forza del Destino (The Force of Destiny), the twenty-third of a total of 29 operas by Giuseppe Verdi (1813 - 1901), was given its premiere in November 1862. The composer revised the work and presented it at La Scala Theatre in Milan in February 1869. This was an important event as it marked Verdi’s reconciliation with a theatre in which he had not set foot in more than twenty years. His main complaint had been on the quality of productions, and he returned only when the management guaranteed him absolute control over his works, thus launching the final phase of his long and illustrious creative life. The opera is set in Spain and Italy in the mid-1700s. During a failed attempt to elope with Leonora, Don Alvaro accidentally kills her father. Both lovers flee but become separated. She takes refuge in a monastery and lives as a hermit in a mountain cave. Her brother Carlo tries to track down the lovers in order to revenge his father’s death. Destiny brings them together and leads the story to its tragic end.

▲ Poster of the opera by Alexandre Charles Lecoc in 1870 JANUARY 2017 | FINE MUSIC | COLUMNS 專欄 29

Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.

In the role of Leonora is the legendary Yugoslavian soprano Zinka Milanov. Don Alvaro is sung by the famous Sicilian tenor Giuseppe di Stefano, and Carlo by American baritone Leonard Warren. The Orchestra and Chorus of the Academy Santa Cecilia of Rome are conducted by Fernando Previtali.

22 January: Delibes’ Lakmé Leos Delibes (1836 - 1891) is remembered for his three successful works for the theatre: the ballets Coppelia and Sylvia, and his masterpiece for the Opéra-Comique of Paris, Lakmé, which received its premiere in 1883. A graduate of the Paris Conservatoire, Delibes held positions as rehearsal accompanist at the Théâtre Lyrique, chorus master at the Paris Opera, and organist at the church of Saint Pierre de Chaillot. He was a successful composer of ballet and wrote operettas almost yearly as well as occasional incidental music for the theatre. Lakmé, with its brilliant coloratura Bell Song and ever-popular Flower Duet, is his most enduring work. Never in robust health, Delibes died little more than a month before his 55th birthday.

Dame Joan Sutherland, soprano, sings the magnificent title role of a Hindu priestess in the early days of British colonial rule in India. Her love for an English officer, sanctified by courage and self-sacrifice, is violently opposed by her father, a Brahmin priest. Tragedy results from the irreconcilable clash between two cultures, to which Lakmé offers herself as victim. Other principal artists include tenor Alain Vanzo as the English officer Gerald and baritone Gabriel Bacquier as the priest Nilakantha. Richard Bonynge conducts the Monte Carlo National Opera Orchestra .

▲ Joan Sutherland, soprano ▲ Richard Bonynge, conductor

29 January: Puccini’s Manon Lescaut This is the third opera by Giacomo Puccini (1858 - 1924) and his first international success was given its premiere in 1893 at the Teatro Regio in Turin. The subject was taken from a popular novel by Abbé Prévost that had also inspired Jules Massenet’s Manon, produced in Paris only a few years earlier with resounding success. Defending his decision to risk such a close comparison, Puccini pointed out that ‘Massenet treated the subject as a Frenchman, with grace and refinement. I shall treat it as an Italian, with desperate passion.’ Soprano Miriam Gauci sings the role of Manon Lescaut, who is torn between her love for the young Chevalier des Grieux, portrayed by tenor Kaludi Kaludov, and the luxury ▲ Miriam Gauci, soprano ▲ Alexander Rahbari, conductor provided by her protector Geronte, sung by bass Marcel Rosca. The story ends with Manon’s deportation as a prostitute to America, where she dies in the arms of her lover des Grieux, in the desert of Louisiana. The performance was recorded with the Radio Television Philharmonic Orchestra and Chorus of Brussels conducted by Alexander Rahbari. 30 JANUARY 2017 | FINE MUSIC | COLUMNS 專欄

New Releases 碟碟不休 Livia Lin 凌崎偵

Monday and Friday 5:30pm 逢星期一及五下午5時30分

Livia Lin and a group of music critics guide you through some of the most interesting new releases to keep you in touch with the latest in fine music recordings. The segments are also available on Radio 4’s website for streaming: rthk.hk/radio4 凌崎偵和多位樂評人在「碟碟不休」中,為你介紹最新推出的影音製作。環節更可於網上重溫:rthk.hk/radio4

2 JAN 6 JAN 9 JAN

13 JAN 16 JAN 20 JAN

23 JAN 27 JAN 30 JAN JANUARY 2017 | FINE MUSIC | COLUMNS 專欄 31

甘草廣播員的隨筆 廖碧楨 逢星期日晚上6時正

最 近結交了幾位新朋友,談到年青人在選科或找工作時, 需要時間摸索自己真正的興趣。我分享了自己的經歷 ― 在 二十多年前辭去銀行工作後,某天在報章見到第四台的招聘 廣告,就本着「試試玩玩罷」的心態去投考,就這樣與古典 音樂廣播結下不解之緣。那一天傾談的時候,比我高半個頭 的兒子站在身我旁!(中年女人嘛……年齡當然是秘密)為了 不暴露年齡,我只得胡說自己是天才學生,很早已唸完書畢 業,而且很年輕就生了個兒子來!事實上,綜觀現時第四台 的人力資源,我已是一位甘草廣播員了!

▲ 廖碧楨與嘉賓主持劉志剛相約吃一頓豐富午飯去取得靈感做節目

說到音樂品味,特別是演繹方面,可能有聽眾會覺得我很「甘草」― 我是受過高度嚴格的培訓噢!小時候,我的四哥很喜歡聽 古典音樂,特別崇拜指揮家卡拉揚。他擁有的唱片十居其九都是由卡拉揚指揮的。那時我還以為世上只有這一位指揮家。後來 認識了我已故的丈夫,他也是一位古典音樂迷。所崇拜的都是大名鼎鼎的音樂家,如指揮家福特溫格勒 (Wilhelm Furtwängler) 和 基伯斯貝殊 (Hans Knappertsbusch),歌唱家舒娃茲柯芙 (Elisabeth Schwarzkopf) 和費沙-狄斯高 (Dietrich Fischer- Dieskau) 等。

加入第四台後,在九十年代末期和二千年代初,我主持了一系列節目,其中三位樂評 ―劉志剛、已故的老前輩高考亮和鄭延 益的教導令我獲益良多。例如在「鐳射唱片室」節目裏,劉志剛經常帶來不同版本作比較。鄭老師和高先生就分別跟我主持 「演繹縱橫談」和其他節目環節。高考亮介紹的是指揮大師,如舒墾 (Hermann Scherchen)、卡拉適 (Paul Kletzki)、莫 拿雲斯基 (Evgeny Mravinsky) 等。鄭延益是位小提琴老行尊,令我真正領略各名家如凱費茲 (Jascha Heifetz)、克賴斯勒 (Fritz Kreisler)、夏薛特 (Josef Hassid) 等的演奏特色。

如此高質素的培訓大大提升了我的音樂品味,還令我變得「耳尖」呢!前陣子,我重聽莫扎特歌劇《費加洛的婚禮》的錄音, 由布恩 (Karl Böhm) 指揮柏林德國歌劇院樂團,聯同各大歌唱家如派爾 (Herman Prey) 和麥菲斯 (Edith Mathis) 演出的版 本,單是序曲裏弦樂演奏的乾淨脷落,已令人拍案叫絕!我心裏不由得讚嘆那是個經典版本。但與此同時,我又問自己:「在 這四十多年來,就只得這個經典錄音嗎?難道沒有後起之秀?這條音樂路就只有光輝的過去,而沒有燦爛的未來嗎?」為了探 討這問題,我邀請了劉志剛在1月份的「人約黃昏後」主持「歷久常新」環節,聽聽舊的經典灌錄,也認識一下近代出色的版 本。一直以來,我覺得劉志剛欣賞音樂是很包容開放的,比較版本時不注重好壞之分,而是不同之處。他說自己永遠是本着學 習的精神去聽音樂。初談環節的大綱時,他笑說:「是不是新不如舊呢?非也。」我也拭目以待!

Critic Savio Lau will be the special guest in this month’s Tunes to Remember (Cantonese programme). On the theme of interpretation, he will join Emma Liu, host of the programme, to revisit famous recordings by ‘old’ maestros, which Emma is sure have shaped the musical tastes of many music lovers. In addition, Savio will introduce more contemporary interpretations. Such refreshing comparisons should be perfect to start the New Year of 2017! Stay tuned every Sunday at 6pm! JANUARY 2017 | FINE MUSIC | COLUMNS 專欄 33

音樂會轉播精選 HIGHLIGHTS OF CONCERT BROADCASTS

Date 日期 Highlights 重點推介

14/1 Ensemble Intercontemporain – Boulez Celebration (Sat 六) Ensemble Intercontemporain, the leading exponent of 8:00pm contemporary music, pays tribute to its Founder, the late Pierre Boulez. In this Proms concert joined by the BBC Singers and conducted by Baldur Brönnimann, the Ensemble performs Bartók’s Three Village Scenes, 19/1 Elliott Carter’s Penthode, and Boulez’s Cummings ist 四 (Thu ) der Dichter. Violinist Jeanne-Marie Conquer, long-time Ingpen & Williams Malena Laszlo 2:00pm © © member of Ensemble Intercontemporain, plays solo with ▲ Pierre Boulez, composer ▲ Baldus Brönnimann, Repeat 重播 electronics in Boulez’s Anthèmes 2. 作曲家:布萊茲 conductor 指揮:布朗尼曼 近代合奏團 — 布萊茲之夜 堪稱當代音樂代言先鋒的近代合奏團,向去年年初逝世的 創辦人布萊茲致敬。在本場英國廣播公司逍遙音樂節的音 樂會中,英國廣播公司合唱團與指揮布朗尼曼,聯同合 奏團演出巴托的《三個鄉村場景》、伊利‧卡達的〈五極 管〉和布萊茲的〈卡明斯是詩人〉。樂團的資深小提琴家 官卻,更以獨奏和電子音樂帶來布萊茲的〈第二頌歌〉。 ▲ Jeanne-Marie Conquer, violin 小提琴:官卻

27/1 Hong Kong International Chamber Music Festival 2017 – Opening Night Concert (Fri 五) The Festival, in its 8th year now, launches a week of intimate and refined music-making with an exciting 8:00pm array of renowned musicians from all around the world, including violinist Kristin Lee, pianist Haochen Zhang, the Borromeo Quartet, and the Festival’s Artistic Director Cho-liang Lin. Embark on a journey of chamber music performance at the highest level with Moszkowski’s Suite for Two Violins and Piano, Mozart’s String Quintet in G minor, and one of the chamber cornerstones — Schumann’s absolutely 1/2 breathtaking Piano Quartet in E flat. (Wed 三) 2:00pm 香港國際室內樂音樂節2017 — 揭幕音樂會 Repeat 重播 「香港國際室內樂音樂節」踏入第八年,邀請了來自世界各地的著名演奏家來港獻技,送上為期一星期精雕 細琢的室樂演出。演奏陣容鼎盛,包括小提琴家克里絲汀‧李、鋼琴家張昊辰、博羅美奧弦樂四重奏等,另 外當然不少得音樂節藝術總監林昭亮。他們以力臻完美的音樂水準,帶來莫士高夫斯基的雙小提琴與鋼琴組 曲、莫扎特的G小調弦樂五重奏,以及室樂歷史上極為扣人心弦的代表作 — 舒曼的降E大調鋼琴四重奏。 Arthur Moeller Sophie Zha Chistian Steiner © © © ▲ Cho-liang Lin, the Festival’s ▲ Kristin Lee, violin ▲ Haochen Zhang, piano ▲ Borromeo Quartet Artistic Director 小提琴:克里絲汀•李 鋼琴:張昊辰 博羅美奧弦樂四重奏 音樂節藝術總監:林昭亮 34 JANUARY 2017 | FINE MUSIC | COLUMNS 專欄

Date 日期 Highlights 重點推介

28/1 Alina Pogostkina Plays Beethoven (Sat 六) Winner of the prestigious International Jean Sibelius 8:00pm Violin Competition, Alina Pogostkina’s playing has been hailed by a review in The Herald as ‘the most delicate, exquisite account I think I’ve heard of Beethoven’s Violin Concerto… heart-stopping in its beauty.’ This is the work

2/2 www.25stunden.com

she brings to the Hong Kong Sinfonietta’s audience © (Thu 四) under the baton of Christoph Poppen in her Hong Kong 2:00pm debut. In the programme are also Webern’s idyllic Im Repeat 重播 Takao Komaru Takao

Sommerwind and Brahms’ ravishing Symphony No. 3, © the most compact of his symphonies. ▲ Alina Pogostkina, violin ▲ Chrisoph Poppen, conductor 小提琴:柏高絲金娜 指揮:柏鵬

貝多芬小提琴協奏曲

柏高絲金娜於享負盛名的西貝流士國際小提琴大賽勇奪冠軍。她的演奏獲蘇格蘭《先驅報》力讚,譽為是 「聽過眾多貝多芬小提琴協奏曲的演出中,最精緻的演繹……美得令人屏息靜聽。」柏高絲金娜是次首度 來港,參與演出香港小交響樂團的音樂會,與指揮柏鵬同台送上這首經典之作。樂團亦會演奏魏本深具田 園質樸感的〈夏日和風〉,以及布拉姆斯筆下四首交響曲中最為簡練的第三交響曲。

3/2 Hong Kong International Chamber Music Festival 2017 — Epitaphs (Fri 五) Epitaphs is not only the name of this concert but also the title of a string quintet by Brett Dean, the Festival’s 8:00pm first Composer-in-Residence. The piece is a reminiscence of five of his late friends, and features the composer himself on the viola. Mendelssohn’s Piano Trio No. 1 and Franck’s Piano Quintet, both chamber music favourites, brim with emotional intensity in the hands of cellists Liwei Qin and Nicholas Canellakis, violist Brian Chen, pianist 8/2 Cecile Licad, and other top-notch international artists. (Wed 三) 2:00pm 香港國際室內樂音樂節2017 — 走過友情歲月 Repeat 重播 本年度「香港國際室內樂音樂節」首次設有駐場作曲家,由來自澳洲的廸恩擔任。其弦樂五重奏「墓誌 銘」追憶五位已故友人,廸恩親身演奏中提琴,帶領聽眾一同走過他的友情歲月。節目亦帶來孟德爾遜的 第一鋼琴三重奏和法朗克的鋼琴五重奏。兩首廣受歡迎的室樂作品,由大提琴家秦立巍、卡內拉琪斯、中 提琴家陳則言、鋼琴家莉卡等一眾室樂高手演奏,迸發出勢不可擋的情感火花。 Mark Coulsen © ▲ Brett Dean, Composer-in- ▲ Liwei Qin, cello ▲ Nicholas Canellakis, cello ▲ Brian Chen, viola ▲ Cecile Licad, piano Residence 大提琴:秦立巍 大提琴:卡內拉琪斯 中提琴:陳則言 鋼琴:莉卡 駐場作曲家:廸恩 JANUARY 2017 | FINE MUSIC | COLUMNS 專欄 35

– be in touch in 3 minutes — 三分鐘錦囊

Topic 內容 Host 主持 Mon : Inspired by Nature Rachel Lai 星期二 : 今日話當年 馬盈盈 Wed : Zooming In Livia Lin Thu : Arts News Jonathan Douglas Fri : The Golden Voices Lo King-man 星期六 : 碟碟不休 胡銘堯 星期日 : 樂在其中四十年 戚家榮

Mon - Fri 星期一至五 : 7:55am, 12:55pm, 5:55pm, 10:55pm Weekends 週末 : 9:55am, 4:55pm, 10:55pm JANUARY 2017 | FINE MUSIC | MAIN PROGRAMME CHART 節目時間表 37 RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9MHz http://www.rthk.org.hk Monday Tuesday Wednesday Thursday Friday Saturday Sunday 星期一 星期二 星期三 星期四 星期五 星期六 星期日 6:00am

Aubade 晨曲 E 7:00am

In Touch 8:00am Sunday Morning Morning Call with Jonathan Douglas with Music on 4 週日早晨 清晨妙韻 杜格尊 程迷古典 Colin Touchin Stacey Rodda 9:00am E 杜程 盧迪思 E E

10:00am Minutes That Matter The Waltz King 圓舞曲之王 Play by Ear Tina Ma 馬盈盈 C 11:00am 週末隨想 Non-stop Classics Synthia Ko 美樂無休 高德儀 Church Service Nichola Hall / Synthia Ko / Stacey Rodda / Jonathan Douglas E 主日崇拜 E 12:00pm 賀妮歌 / 高德儀 / 盧迪思 / 杜格尊 E Artbeat Songs of the Earth Jonathan Douglas 杜格尊 大地之歌 C E Lam Wing-cheong 林詠璋 1:00pm News at One

Music à la Carte (Tue ﹠ Thu : Chinese Music) 午間精點 (星期二及四:中樂篇) Daphne Lee / Tina Ma 李德芬 / 馬盈盈 2:00pm Live on 4 BBC Features 第四台音樂會 英國廣播公司專輯 R4 Buddies Sunday Opera (Repeat 重播) (Repeat 重播) E 四台插班生 歌劇世界 B 3:00pm Raymond Chung Lo King-man (1st b/c: Wed) (1st b/c: Thu) (1st b/c: Fri) (1st b/c: Sat) Music from China 鍾子豪 盧景文 樂在神州 C (首播:星期三) (首播:星期四) (首播:星期五) (首播:星期六) C E Tina Ma 馬盈盈 Rupert Chan 4:00pm 陳鈞潤 Collage (1st Sunday 首個週日) Four for Classics with Livia Lin 點指美樂 C C 四時行樂 凌崎偵 B 5:00pm All or Nothing Children’s Corner 情有獨鍾 B 親親童樂日 C New Releases (Mon ﹠ Fri) 碟碟不休 (星期一及五) C / E Ben Pelletier / Tina Ma 彭禮傑 / 馬盈盈 Nancy Loo 羅乃新 6:00pm News at Six Arts News 藝壇快訊 C Tunes to All or Nothing Remember 情有獨鍾 B 人約黃昏後 7:00pm Jazz and more... with Kathy Lam Emma Liu 不太古典 林家琦 C Cantilena 廖碧楨 自投羅網 C C Nancy Loo 羅乃新 8:00pm 40 Years with the BBC Features 英國廣播公司專輯 Hong Kong Live on 4 E 9:00pm Chinese Orchestra 樂在其中四十年 第四台音樂會 戚家榮 Sunday Charles Chik B C Divertimento 10:00pm 星夜樂逍遙 Wendy Ng Chamber 伍穎文 Nocturne with Gladys Lau Fragrance C 寫意室樂 11:00pm 夜心曲 劉建婷 Ben Pelletier / Rebecca Siu Jazzing Up C 彭禮傑 / 蕭程佳明 爵士靈感 E B Henry Chung 鍾一匡 12:00am * Reflections 晚禱 Mon-Fri (星期一至五)11:57pm B Bilingual 雙語 C Cantonese 粵語 E English 英語

Music for All Music Exploration Concerts Artnews Education Religion News 適合所有樂迷 擴闊音樂領域 音樂會時段 藝術資訊 教育節目 宗教節目 新聞 38 JANUARY 2017 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 特霍諾夫(鋼琴) 4/1/2017 (Wed 星期三) Programme Highlights 韋爾比亞音樂節室樂團 / 塔加斯—納基 11:00am SCHREKER 舒列卡 節目精華 蕭斯達高維契:哈姆雷特組曲 Romantic Suite 27’ 特霍諾夫:降E小調鋼琴協奏曲 柴可夫斯基:C小調第二交響曲,作品17, BBC Phil. Orch. / Vasili Sinaisky 「小俄羅斯」 浪漫組曲 1/1/2017 (Sun 星期日) 英國廣播公司愛樂樂團 / 西乃斯基 2:00pm SUNDAY OPERA 歌劇世界 2016年7月31日韋爾比亞綜合士音樂廳錄音。 Wagner: Siegfried (Part 1) 110’ 2:00pm LIVE ON 4 (REPEAT) Siegfried: Wolfgang Windgassen (t) 3/1/2017 (Tue 星期二) 第四台音樂會(重播) 11:00am CLARKE 基勒克 Brünnhilde: Birgit Nilsson (s) Bach: Goldberg Variations, BWV988 56’ Viola Sonata 24’ Der Wanderer: Hans Hotter (b-br) Zhu Xiaomei (p) Helen Callus (va) Mime: Gerhard Stolze (t) Robert McDonald (p) 巴赫:戈爾德堡變奏曲,BWV988 Vienna Phil. Orch. / Georg Solti 中提琴奏鳴曲 朱曉玫(鋼琴) 華格納:齊格飛(第一部) 卡萊絲(中提琴) 齊格飛:溫格辛(男高音) 羅伯特•麥當奴(鋼琴) Shostakovich: Symphony No. 7 in C, Op. 60, 布倫希爾德:尼爾遜(女高音) ‘Leningrad’ 48’ 流浪者:賀達(低男中音) 2:00pm LIVE ON 4 (REPEAT) Rotterdam Phil. Orch. / Valery Gergiev 第四台音樂會(重播) 米梅:舒圖斯(男高音) 蕭斯達高維契:C大調第七交響曲,作品60, Charles Richard-Hamelin (p) 維也納愛樂樂團 / 蘇堤 「列寧格勒」 Apollon Musagète Quartet Schubert: String Quartet No. 15 in G, D. 887 45’ 鹿特丹愛樂樂團 / 斐拉利‧葛濟夫 8:00pm BBC FEATURES Shostakovich: Piano Quintet in G minor, Op. 57 34’ 英國廣播公司專輯 8:00pm LIVE ON 4 第四台音樂會 A series in which conductors, performers and Recorded in the Philharmonic Hall, Warsaw, Poland on Patrick Rafter (v) experts take a fresh look at familiar pieces of music 26/8/2016. RTÉ Nat. Sym. Orch. / Gavin Maloney and ask what makes them difficult to play or sing and Delibes: Prelude and Mazurka, from ‘Coppélia’ 6’ 理察—亞姆蘭(鋼琴) what’s the secret of really great performance. Rach- Sarasate: Carmen Fantasy 13’ 阿波羅‧穆沙格四重奏 Prokofiev: Excerpts from ‘Romeo and Juliet’ 11’ maninov’s 2nd Piano Concerto with Peter Donohoe, 舒伯特:G大調第十五弦樂四重奏,D. 887 Howard Shelley, and musicologist Ron Beech. 蕭斯達高維契:G小調鋼琴五重奏,作品57 Borodin: Polovtsian Dances, from ‘Prince Igor’ 11’ 一眾指揮家、演奏家與專家在一系列的專輯 Ravel: La Valse 12’ 中,以嶄新的角度剖釋家傳戶曉的樂曲,探究 2016年8月26日波蘭華沙愛樂音樂廳錄音。 Tchaikovsky: ‘The Sleeping Beauty’ Ballet Suite 21’ 其中難以演奏或演唱的部份,以及精彩演出的 8:00pm LIVE ON 4 第四台音樂會 的箇中奧妙。多諾浩、雪萊和音樂學家朗安‧ Recorded at National Concert Hall, Dublin on 30/9/2016. Fairy Queen / Spring: Maria Keohane (s) 比卓論述拉赫曼尼諾夫的第二鋼琴協奏曲。 Angel / Fairy Queen: Daniel Carlsson (t) 拿夫特(小提琴) Angel / Autumn: Nicholas Mulroy (t) 愛爾蘭廣播電視國家交響樂團 / 馬郎尼 2/1/2017 (Mon 星期一) Black Fairy / Summer / Love Interest: Ed Lyon (t) 德利伯:前奏曲與馬祖卡舞曲, 11:00am PROKOFIEV 浦羅歌菲夫 Drunken Poet / Angel / Winter: Jakob Bloch Jespersen (b) 選自「葛佩莉亞」 Waltz Suite, Op. 110 29’ Puck: Ole Lemmeke 薩拉沙替:卡門幻想曲 Scottish Nat. Orch. / Neeme Järvi Concerto Copenhagen / Lars Ulrik Mortensen 浦羅歌菲夫:《羅密歐與朱麗葉》選段 圓舞曲組曲,作品110 Purcell: The Fairy Queen 140’ 鮑羅丁:韃靼舞曲,選自《伊果王子》 蘇格蘭國家樂團 / 約菲 拉威爾:圓舞曲 Recorded at the Old Stage, Royal Danish Theatre, 柴可夫斯基:《睡美人》芭蕾組曲 2:00pm LIVE ON 4 (REPEAT) Copenhagen on 20/9/2016. 第四台音樂會(重播) 仙后 / 春天:基安恩(女高音) 2016年9月30日都柏林國家音樂廳錄音。 Daniil Trifonov (p) 天使 / 仙后:卡臣(男高音) Verbier Festival Ch. Orch. / Gábor Takács-Nagy 天使 / 秋天:姆萊(男高音) 5/1/2017 (Thu 星期四) Shostakovich: Hamlet Suite 9’ 黑仙子 / 夏天 / 愛情:里昂(男高音) 11:00am PROKOFIEV 浦羅歌菲夫 Daniil Trifonov: Piano Concerto in E flat minor 31’ 醉詩人 / 天使 / 冬天:也斯柏遜(男低音) Violin Sonata No. 2 in D, Op. 94a 23’ Tchaikovsky: Symphony No. 2 in C minor, 博克:拿密 Gidon Kremer (v) 哥本哈根協奏團 / 摩頓臣 Op. 17, ‘Little Russian’ 30’ Martha Argerich (p) 浦賽爾:仙后 D大調第二小提琴奏鳴曲,作品94a Recorded at Combins Hall, Verbier, on 31/7/2016. 2016年9月20日哥本哈根丹麥皇家劇院舊舞台 基利麻(小提琴) 錄音。 亞嘉莉殊(鋼琴) JANUARY 2017 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 39 Arts Happenings 藝壇快訊 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會(重播) Symphony Under The Stars Harry Wong (presenter) Mahler’s Second Symphony Manuscript Wong Chi-yan (p) Sells for a Record Breaking Price Hong Kong Phil. Orch. / Nicholas Carter Rossini: Overture from ‘The Barber of Seville’ 馬勒第二交響曲手稿 以破紀錄成交 Khachaturian: Adagio from ‘Spartacus’ Berlioz: Rákóczi March from ‘The Damnation of Charles Chik 戚家榮 Faust’ Dukas: Sorcerer’s Apprentice Liszt: Fantasy on Themes from Beethoven’s ‘Ruins of Athens’ Elgar: Nimrod from the Enigma Variations Mussorgsky: Night on Bare Mountain Saint-Saëns: Bacchanale from ‘Samson et Dalila’

Presented by Hong Kong Philharmonic Society Limited. Recorded at Central Harbourfront on 12/11/2016.

港樂‧星夜‧交響曲 Chel Dong © 王者匡(主持) © Sotheby’s 王致仁(鋼琴) ▲ The original manuscript for Mahler’s ▲ Gilbert Kaplan 香港管弦樂團 / 卡特 Second Symphony 卡伯蘭 羅西尼:《西維利亞理髮師》序曲 馬勒第二交響曲的手稿 哈察都量:慢板,選自《史巴達卡斯》 白遼士:拉科西進行曲, At a Sotheby’s auction in London, the manuscript of Mahler’s Second Symphony was 選自《浮士德的天譴》 sold for a record price of 4.5 million pounds, which is approximately $44 million Hong 杜卡:魔法師的弟子 Kong dollars. Mahler’s own handwriting appears in this 232-page score, including his 李斯特:貝多芬《雅典的廢墟》主題幻想曲 own deletions, alterations, and annotations written in blue crayon. The auction house 艾爾加:獵人,選自謎語變奏曲 said that no complete symphony by Mahler, written in the composer’s own hand, has 穆索斯基:荒山之夜 ever been offered at auction, and probably none will be offered again. The highest 聖桑:醉狂之舞,選自《參孫與大利拉》 price manuscript sold up to this time nine Mozart symphonies in 1987. This manuscript was originally owned by the American economist, businessman, 香港管弦協會主辦。2016年11月12日中環海濱 and conductor Gilbert Kaplan. After listening to a performance of Mahler’s Second 錄音。 Symphony in 1965, he became infatuated with the piece and wanted to conduct the piece himself. ‘Zeus threw the bolt of lightning. I walked out of that hall a different 8:00pm LIVE ON 4 第四台音樂會 Orch. de la Suisse Romande / John Adams person,’ he recalled. He started learning conducting in 1981, and conducted over Adams: Short Ride in a Fast Machine 5’ 100 performances before his death in early 2016. He also made two recordings of the Shaker Loops 26’ work with the London Symphony Orchestra in 1987, and the other with the Vienna Scheherazade 47’ Philharmonic in 2002. The manuscript was also on display in Hong Kong in August 2016: did you have a Recorded at Victoria Hall, Geneva on 2/9/2016. chance to glance at this historically important work?

瑞士羅曼第樂團 / 亞當斯 馬勒第二交響曲的手稿於倫敦一場拍賣會,以450多萬英鎊成交(約港幣4400萬元), 亞當斯:短程飛車 創下樂譜最高成交金額。馬勒的真跡原封不動地展現在長達232頁的手稿上,其中 震教徒的環 包含作曲家以藍色蠟筆標示的變動、刪減和注釋。就馬勒交響曲的手稿而言,拍 天方夜譚 賣行形容這份手稿完整得前無古人,亦應後無來者。最接近是次成交金額的手稿 2016年9月2日日內瓦維多利亞音樂廳錄音。 要數至1987年,莫扎特合共九首交響曲以約港幣2400萬元成交。

手稿原是屬於美國經濟學家、商人和指揮家卡伯蘭。1965年,卡伯蘭於卡內基音 John Adams 亞當斯 樂廳欣賞過馬勒第二交響曲後從此著迷,更立志要指揮此樂曲。他憶述當時就像 宙斯對他投擲了一道電光,令他步出音樂廳後判若兩人。他於1981年開始學習指 揮,最終夢想成真,指揮超過一百場馬勒第二交響曲的演出,亦分別在1987年和 2002年與倫敦交響樂團,以及維也納愛樂灌錄這首樂曲。卡伯蘭於2016年年初離 世後,手稿才得以重現。

去年8月,這份手稿亦曾安排在港展出,你有幸一睹其風采嗎?

Tune in to Artbeat every Saturday at noon for more arts happenings around town. 請收聽逢星期一至六黃昏6時的藝壇快訊,了解海外及城中最新的藝術資訊。 40 JANUARY 2017 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 6/1/2017 (Fri 星期五) 11:00am DEL CAMPO 迪甘保 La Divina Comedia 14’ Gran Canaria Phil. Orch. / Adrian Leaper 神曲 大加那利島愛樂樂團 / 里柏

2:00pm BBC FEATURES (REPEAT) 英國廣播公司專輯(重播) Prog. as 1/1/2017, 8pm 節目與2017年1月1日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會 BBC Proms 2016 Behzod Abduraimov (p) Alexei Petenko (reciter) Munich Phil. Orch. / Valery Gergiev Ravel: Bolero 16’ Rachmaninov: Piano Concerto No. 3 in D minor, Op. 30 42’ Ustvolskaya: Symphony No. 3, ‘Jesus Messiah, Save Us!’ 16’ R. Strauss: Der Rosenkavalier Suite 27’

Recorded at the Royal Albert Hall, London on 18/7/2016.

英國廣播公司逍遙音樂節2016 雅杜萊姆夫(鋼琴) 比曇高(朗誦者) 慕尼黑愛樂樂團 / 斐拉利‧葛濟夫 拉威爾:波萊羅 拉赫曼尼諾夫:D小調第三鋼琴協奏曲, 作品30 烏捷夫斯卡亞:第三交響曲,「彌賽亞耶穌, 拯救我們!」 李察‧史特勞斯:玫瑰騎士組曲

2016年7月18日倫敦皇家亞爾拔音樂廳錄音。

Behzod Abduraimov 雅杜萊姆夫

7/1/2017 (Sat 星期六) 8:00pm LIVE ON 4 第四台音樂會 BBC Proms 2016 Stephen Hough (p) BBC Sym. Orch. / Alexander Vedernikov Tchaikovsky: ‘Hamlet’ Fantasy Overture, Op. 67 19’ Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43 25’ Prokofiev: Symphony No. 3 in C minor, Op. 44 39’

Recorded at the Royal Albert Hall, London, on 23/8/2016. JANUARY 2017 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 41 英國廣播公司逍遙音樂節2016 2:00pm LIVE ON 4 (REPEAT) 巴頓(女中音) 侯夫(鋼琴) 第四台音樂會(重播) 愛爾蘭廣播電視國家交響樂團 / 艾拔 英國廣播公司交響樂團 / 韋迪尼哥夫 馬勒:亡兒之歌 Prog. as 5/1/2017, 8pm 柴可夫斯基:「哈姆雷特」幻想序曲,作品67 布魯克納:降B大調第五交響曲 節目與2017年1月5日晚上8時相同 拉赫曼尼諾夫:巴格尼尼主題狂想曲,作品43 浦羅歌菲夫:C小調第三交響曲,作品44 2016年10月7日都柏林國家音樂廳錄音。 8:00pm LIVE ON 4 第四台音樂會 Patricia Bardon 2016年8月23日倫敦皇家亞爾拔音樂廳錄音。 Tom Rakewell: Steve Davislim (t) 巴頓 Anne Trulove: Hanna Rantala (s) 8/1/2017 (Sun 星期日) Nick Shadow: Jaakko Kortekangas (br) 2:00pm SUNDAY OPERA 歌劇世界 Baba the Turk: Päivi Nisula (ms) Wagner: Siegfried (Part 2) 122’ Siegfried: Wolfgang Windgassen (t) Father Trulove: Koit Soasepp (b) Brünnhilde: Birgit Nilsson (s) Sellem: Mika Pohjonen (t) Der Wanderer: Hans Hotter (b-br) Mother Goose: Merle Silmato (a) Mime: Gerhard Stolze (t) Keeper of the Madhouse: Juha Eskelinen (b) Vienna Phil. Orch. / Georg Solti Finnish Nat. Opera Cho. & Orch. / 華格納:齊格飛(第二部) Elvind Gullberg Jensen 齊格飛:溫格辛(男高音) Stravinsky: The Rake’s Progress 130’ 布倫希爾德:尼爾遜(女高音) 12/1/2017 (Thu 星期四) 流浪者:賀達(低男中音) 11:00am BLOCH 布拉克 米梅:舒圖斯(男高音) Recorded at Finnish National Opera, Helsinki on 9/4/2016. Schelomo — Hebraic Rhapsody 21’ 維也納愛樂樂團 / 蘇堤 Leonard Rose (vc) 勒基華:戴維斯林(男高音) Philadelphia Orch. / Eugene Ormandy 8:00pm BBC FEATURES 安妮‧杜魯勒夫:蘭塔拉(女高音) 所羅門—希伯來狂想曲 英國廣播公司專輯 薩杜爾:葛特康格斯(男中音) 羅西(大提琴) A series in which conductors, performers and experts 費城樂團 / 奧曼第 take a fresh look at familiar pieces of music and ask what 土耳其的芭巴:尼蘇拉(女中音) makes them difficult to play or sing and what’s the secret 杜魯勒夫的父親:蘇索普(男低音) 2:00pm LIVE ON 4 (REPEAT) of really great performance. Beethoven’s 5th Symphony 撒霖:保佐霖(男高音) 第四台音樂會(重播) with Roger Norrington, Leonard Slatkin, and biographer 鵝媽媽:蕭瑪圖(女低音) Prog. as 7/1/2017, 8pm John Suchet. 瘋人院管理員:艾斯卡尼(男低音) 節目與2017年1月7日晚上8時相同 一眾指揮家、演奏家與專家在一系列的專輯 芬蘭國家歌劇樂團及合唱團 / 祖遜 中,以嶄新的角度剖釋家傳戶曉的樂曲,探究 8:00pm LIVE ON 4 第四台音樂會 史達拉汶斯基:浪子的歷程 其中難以演奏或演唱的部份,以及精彩演出的 Francesco Piemontesi (p) 的箇中奧妙。諾寧頓、史拉健和傳記作家蘇卓 Orch. de la Suisse Romande / Kazuki Yamada 論述貝多芬的第五交響曲。 2016年4月9日赫爾辛基,芬蘭國家歌劇院 Tchaikovsky: Symphony No. 2 in C minor, 錄音。 Op. 17, ‘Little Russian’ 37’ 9/1/2017 (Mon 星期一) Brahms: Piano Concerto No. 1 in D minor, Op. 15 50’ 11:00am WIENIAWSKI 維尼奧夫斯基 11/1/2017 (Wed 星期三) Violin Concerto No. 1, Op. 14 28’ 11:00am PROKOFIEV 浦羅歌菲夫 Recorded at Victoria Hall, Geneva on 5/10/2016. Itzhak Perlman (v) Symphony No. 5 in B flat, Op. 100 44’ Pittsburgh Sym. Orch. / André Previn 彼蒙特斯(鋼琴) 第一小提琴協奏曲,作品14 City of Birmingham Sym. Orch. / Simon Rattle 瑞士羅曼第樂團 / 山田和樹 普爾文(小提琴) 降B大調第五交響曲,作品100 柴可夫斯基:C小調第二交響曲,作品17, 匹茲堡交響樂團 / 普列文 伯明翰市交響樂團 / 力圖 「小俄羅斯」 布拉姆斯:D小調第一鋼琴協奏曲,作品15 2:00pm LIVE ON 4 (REPEAT) 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會(重播) 第四台音樂會(重播) 2016年10月5日日內瓦維多利亞音樂廳錄音。 Prog. as 4/1/2017, 8:00pm Prog. as 6/1/2017, 8:00pm 節目與2017年1月4日晚上8時相同 13/1/2017 (Fri 星期五) 節目與2017年1月6日晚上8時相同 11:00am DEBUSSY 德布西 10/1/2017 (Tue 星期二) La Mer 25’ 11:00am BRITTEN 布烈頓 8:00pm LIVE ON 4 第四台音樂會 Royal Concertgebouw Orch. / Carlo Maria Giulini Diversions for Piano (left hand) and Orchestra, Patricia Bardon (ms) 大海 Op. 21 25’ RTÉ Nat. Sym. Orch. / Jonas Alber 阿姆斯特丹音樂廳樂團 / 茲奧連尼 Leon Fleisher (p) Mahler: Kindertotenlieder 25’ Boston Sym. Orch. / Seiji Ozawa 2:00pm BBC FEATURES (REPEAT) 轉移—為鋼琴(左手)與樂團而寫,作品21 Bruckner: Symphony No. 5 in B flat 79’ 英國廣播公司專輯(重播) 費沙(鋼琴) Prog. as 8/1/2017, 8pm 波士頓交響樂團 / 小澤征爾 Recorded at National Concert Hall, Dublin on 7/10/2016. 節目與2017年1月8日晚上8時相同 42 JANUARY 2017 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 8:00pm LIVE ON 4 第四台音樂會 英國廣播公司逍遙音樂節2016 降E大調七重奏,作品20 BBC Proms 2016 官卻(小提琴) 布魯納(單簧管) Christa Schönfeldinger (glass harmonica) 近代合奏團 奈歷克(法國號) Teodoro Anzellotti (accordion) 英國廣播公司合唱團 / 布朗尼曼 史韋格特(巴松管) Thomas Zehetmair (v) 巴托:三個鄉村場景 薩赫米亞(小提琴) BBC Phil. Orch. / John Storgårds 布萊茲:第二頌歌 范法爾肯堡(中提琴) 伊利‧卡達:五極管 Widmann: Armonica for Orchestra 17’ 侯斯(大提琴) 布萊茲:卡明斯是詩人 Schumann: Violin Concerto in D minor 34’ 保殊(低音大提琴) Sibelius: The Tempest — Prelude 9’ 2016年9月2日倫敦皇家亞爾拔音樂廳錄音。 Nielsen: Symphony No. 5, Op. 50 37’ 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會(重播) 15/1/2017 (Sun 星期日) Recorded at the Royal Albert Hall, London on 1/8/2016. Prog. as 12/1/2017, 8:00pm 2:00pm SUNDAY OPERA 歌劇世界 節目與2017年1月12日晚上8時相同 Verdi: La Forza del Destino 170’ 英國廣播公司逍遙音樂節2016 Leonora: Zinka Milanov (s) 8:00pm LIVE ON 4 第四台音樂會 荀費丁格(玻璃琴) Don Alvaro: Giuseppe di Stefano (t) Tito: Jeremy Ovenden (t) 安錫洛堤(手風琴) Preziosilla: Rosalind Elias (ms) Vitellia: Karina Gauvin (s) 薩赫米亞(小提琴) Padre Guardiano: Giorgio Tozzi (b) Sesto: Monica Bacelli (s) 英國廣播公司愛樂樂團 / 斯妥格 Orch. e coro dell’Accademia di Santa Cecilia, Roma / Annio: Sophie Harmsen (s) 韋德文:為樂團而寫的玻璃琴 Fernando Previtali Servilia: Sylvia Schwartz (s) 舒曼:D小調小提琴協奏曲 威爾第:命運的力量 Publio: Guido Loconsolo (b) 西貝流士:暴風雨—前奏曲 雷奧諾拉:米蘭諾夫(女高音) Teatro Real de Madrid Orch. & Cho. / 尼爾遜:第五交響曲,作品50 艾法露:狄史提芬奴(男高音) 普索斯拿:艾拉亞斯(女中音) Christophe Rousset Mozart: La Clemenza di Tito 151’ 2016年8月1日倫敦皇家亞爾拔音樂廳錄音。 教父:托斯(男低音) 羅馬聖西西利亞學院樂團及合唱團 / Christa Schönfeldinger 柏列韋他利 Recorded at Teatro Real, Madrid on 26/11/2016. 荀費丁格 8:00pm BBC FEATURES 狄托:奧雲頓(男高音) 英國廣播公司專輯 維達莉亞:高芸(女高音) A series in which conductors, performers and 瑟斯托:芭塞里(女高音) experts take a fresh look at familiar pieces of mu- 安妮奧:哈姆遜(女高音) sic and ask what makes them difficult to play or 穗維莉亞:舒華茲(女高音) sing and what’s the secret of really great perfor- 帕比奧:盧康索羅(男低音) mance. Schubert’s String Quintet with Steven Isserlis, 馬德里皇家劇院樂團及合唱團 / 盧錫 Levon Chilingirian, and biographer Brian Newbould. 莫扎特:狄托的仁慈 一眾指揮家、演奏家與專家在一系列的專輯 中,以嶄新的角度剖釋家傳戶曉的樂曲,探究 2016年11月26日馬德里皇家劇院錄音。 其中難以演奏或演唱的部份,以及精彩演出的 的箇中奧妙。史堤芬‧伊沙利士、智利茲利安 Jeremy Ovenden Teodoro Anzellotti 奧雲頓 薩赫米亞 和傳記作家紐寶特論述舒伯特的弦樂五重奏。

16/1/2017 (Mon 星期一) 11:00am JANÁČEK 楊納傑克 Taras Bulba 22’ North German Radio Sym. Orch. / John Eliot Gardiner 塔拉斯•布巴 德國北部電台交響樂團 / 嘉狄拿

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會(重播) 14/1/2017 (Sat 星期六) Prog. as 11/1/2017, 8:00pm 節目與2017年1月11日晚上8時相同 8:00pm LIVE ON 4 第四台音樂會 18/1/2017 (Wed 星期三) BBC Proms 2016 (Tue 星期二) 11:00am PROKOFIEV 浦羅歌菲夫 Jeanne-Marie Conquer (v) 17/1/2017 11:00am BEETHOVEN 貝多芬 Piano Sonata No. 9 in C, Op. 103 23’ Ensemble Intercontemporain Septet in E flat, Op. 20 39’ Yefim Bronfman (p) BBC Singers / Baldur Brönnimann Eduard Brunner (cl) C大調第九鋼琴奏鳴曲,作品103 Bartók: Three Village Scenes 13’ Marie Luise Neunecker (fh) 布朗夫曼(鋼琴) Boulez: Anthèmes 2 21’ Stefan Schweigert (bn) Carter: Penthode 22’ Thomas Zehetmair (v) 2:00pm LIVE ON 4 (REPEAT) Boulez: Cummings ist der Dichter 14’ James Vanalkenburg (va) 第四台音樂會(重播) Cheryl House (vc) Prog. as 13/1/2017, 8:00pm Recorded at the Royal Albert Hall, London on 2/9/2016. Alois Posch (db) 節目與2017年1月13日晚上8時相同 JANUARY 2017 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 43 8:00pm LIVE ON 4 第四台音樂會 王思韻(鋼琴) 英國廣播公司逍遙音樂節2016 Elina Vähälä (v) 洛桑室樂團 / 盧維里 艾達(女高音) RTÉ Nat. Sym. Orch. / Michał Nesterowicz 浦羅歌菲夫:D大調第一交響曲,作品25, 辛普森(女高音) Górecki: Three Pieces in the Old Style 8’ 「古典」 鮑格納(女中音) Vasks: Distant Light 32’ 聖桑:G小調第二鋼琴協奏曲,作品22 赫力(男高音) Shostakovich: Symphony No. 10 in E minor, 貝多芬:D大調第二交響曲,作品36 羅沙(男低音) Op. 93 56’ 英國廣播公司蘇格蘭交響樂團 2016年10月19日日內瓦維多利亞音樂廳錄音。 英國廣播公司交響合唱團 / 科可夫 Recorded at National Concert Hall, Dublin on 加利士:漂移—為管弦樂團二部而寫 14/10/2016. L o u i s S c h w i z g e b e l 馬勒:雷卡特藝術歌曲 王思韻 莫扎特:C小調彌撒曲,K. 427 維哈拉(小提琴) 愛爾蘭廣播電視國家交響樂團 / 尼斯他洛維契 2016年8月20日倫敦皇家亞爾拔音樂廳錄音。 高歷斯基:三首舊風格樂曲 華斯克斯:遙遠的光 21/1/2017 (Sat 星期六) 蕭斯達高維契:E小調第十交響曲,作品93 8:00pm LIVE ON 4 第四台音樂會 BBC Proms 2016 2016年10月14日都柏林國家音樂廳錄音。 Berlin Phil. Orch. / Simon Rattle

Elina Vähälä Boulez: Éclat 11’ 維哈拉 Mahler: Symphony No. 7 80’

Recorded at the Royal Albert Hall, London, on 2/9/2016.

Santtu Rouvali 盧維里 英國廣播公司逍遙音樂節2016 柏林愛樂樂團 / 力圖 布萊茲:發光 馬勒:第七交響曲

2016年9月2日倫敦皇家亞爾拔音樂廳錄音。

M i c h a ł N e s t e r o w i c z 尼斯他洛維契

20/1/2017 (Fri 星期五) 11:00am GLUCK 格魯克 Alessandro 24’ Musica Antiqua Koln / Reinhard Goebel 亞歷山迪奧 科隆古樂團 / 戈貝爾 19/1/2017 (Thu 星期四) Simon Rattle 力圖 11:00am STRAVINSKY 史達拉汶斯基 2:00pm BBC FEATURES (REPEAT) The Fairy’s Kiss: Ballad 44’ 英國廣播公司專輯(重播) La Scala Philharmonic / Riccardo Muti Prog. as 15/1/2017, 8pm 22/1/2017 (Sun 星期日) 仙女之吻:敍事曲 節目與2017年1月15日晚上8時相同 2:00pm SUNDAY OPERA 歌劇世界 史卡拉愛樂樂團 / 穆迪 Delibes: Lakmé 138’ 8:00pm LIVE ON 4 第四台音樂會 Lakmé: Joan Sutherland (s) Nilakantha: Gabriel Bacquier (b) 2:00pm LIVE ON 4 (REPEAT) BBC Proms 2016 Gérald: Alain Vanzo (t) 第四台音樂會(重播) Louise Alder (s) Mallika: Jane Berbié (ms) Prog. as 14/1/2017, 8pm Carolyn Sampson (s) 節目與2017年1月14日晚上8時相同 Orch. Nat. de l’Opéra de Monte-Carlo / Tanja Ariane Baumgartner (ms) Richard Bonynge Benjamin Hulett (t) 8:00pm LIVE ON 4 第四台音樂會 德利伯:拉克美 Matthew Rose (b) Louis Schwizgebel (p) 拉克美:修德蘭(女高音) BBC Scottish Sym. Orch. Lausanne Ch. Orch. / Santtu-Matias Rouvali 尼拿卡達:比基亞(男低音) BBC Sym. Cho. / Ilan Volkov Prokofiev: Symphony No. 1 in D, Op. 25, 謝拉特:華索(男高音) ‘Classical’ 14’ Grisey: Dérives for 2 Orchestral Groups 28’ 馬利卡:貝比(女中音) Saint-Saëns: Piano Concerto No. 2 in G minor, Mahler: Rückert-Lieder 20’ 蒙地卡羅國家歌劇院樂團 / 邦寧 Op. 22 23’ Mozart: Mass in C minor, K. 427 51’ Beethoven: Symphony No. 2 in D, Op. 36 32’ 8:00pm TOP TEN MUSIC HEADLINES 2016 Recorded at the Royal Albert Hall, London on RESULT ANNOUNCEMENT Recorded at Victoria Hall, Geneva on 19/10/2016. 20/8/2016. 十大樂聞齊齊選 2016 結果揭曉 44 JANUARY 2017 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 8:00pm LIVE ON 4 第四台音樂會 23/1/2017 (Mon 星期一) Peter Oundjian 11:00am MAXWELL DAVIES 麥士維‧戴維斯 Stephen Hough (p) 奧溫迪恩 Strathclyde Concerto No. 3 31’ RTÉ Nat. Sym. Orch. / Richard Farnes Robert Cook (fh) Rachmaninov: The Isle of the Dead, Op. 29 20’ Peter Franks (tr) Piano Concerto No. 1 in Scottish Ch. Orch. / Peter Maxwell Davies F sharp minor, Op. 1 20’ 第三史特拉斯克萊德協奏曲 Beethoven: Symphony No. 7 in A, Op. 92 39’ 曲克(法國號) 法蘭克斯(小號) Recorded at National Concert Hall, Dublin on 21/10/2016. 蘇格蘭室樂團 / 麥士維‧戴維斯 侯夫(鋼琴) 2:00pm LIVE ON 4 (REPEAT) 愛爾蘭廣播電視國家交響樂團 / 法拿斯 第四台音樂會(重播) 拉赫曼尼諾夫:死之島,作品29 Prog. as 18/1/2017, 8:00pm 升F小調第一鋼琴協奏曲,作品1 節目與2017年1月18日晚上8時相同 貝多芬:A大調第七交響曲,作品92 27/1/2017 (Fri 星期五) 11:00am GÓRECKI 高歷斯基 24/1/2017 (Tue 星期二) 2016年10月21日都柏林國家音樂廳錄音。 Miserere, Op. 44 33’ 11:00am HONEGGER 奧涅格 Chicago Sym. Cho., Chicago Lyric Opera Cho. / Symphony No. 3, ’Liturgique’ 28’ 26/1/2017 (Thu 星期四) John Nelson 垂憐經,作品44 Oslo Phil. Orch. / Mariss Jansons 11:00am SCRIABIN 史嘉爾亞賓 芝加哥交響合唱團、芝加哥抒情歌劇院合唱團 / 第三交響曲,「禮拜」 Piano Concerto in F sharp minor, Op. 20 27’ 尼爾遜 奧斯陸愛樂樂團 / 楊遜斯 Alexei Nasedkin (p) USSR Sym. Orch. / Evgeny Svetlanov 2:00pm TOP TEN MUSIC HEADLINES 2016 2:00pm 升F小調鋼琴協奏曲,作品20 LIVE ON 4 (REPEAT) RESULT ANNOUNCEMENT (REPEAT) 第四台音樂會(重播) 拿錫堅(鋼琴) 蘇聯交響樂團 / 史雲蘭洛夫 十大樂聞齊齊選 2016結果揭曉(重播) Prog. as 19/1/2017, 8pm Prog. as 22/1/2017, 8pm 節目與2017年1月19日晚上8時相同 2:00pm LIVE ON 4 (REPEAT) 節目與2017年1月22日晚上8時相同 第四台音樂會(重播) 8:00pm LIVE ON 4 第四台音樂會 8:00pm LIVE ON 4 第四台音樂會 Prog. as 21/1/2017, 8pm La belle Dulcinée: Clémentine Margaine (a) Hong Kong International Chamber Music 節目與2017年1月21日晚上8時相同 Don Quichotte: Ferruccio Furlanetto (b) Festival 2017: Opening Night Concert Sancho: Nicola Alaimo (br) Cho-liang Lin (v) 8:00pm LIVE ON 4 第四台音樂會 Lyric Opera Cho. & Orch. / Andrew Davis Kristin Lee (v) Valeriy Sokolov (v) Massenet: Don Quichotte 150’ Brett Dean (va) Orch. de la Suisse Romande / Peter Oundjian Brian Chen (va) Recorded at Lyric Opera, Civic Opera House, Chicago Sibelius: Violin Concerto in D minor, Op. 47 31’ Liwei Qin (vc) on 19/11/2016 Rachmaninov: Symphony No. 2 in E minor, Cecile Licad (p) Op. 27 60’ Haochen Zhang (p) 美人杜仙妮:瑪嘉莉(女低音) Borromeo Quartet 唐吉訶德:富蘭力圖(男低音) Recorded at Victoria Hall, Geneva on 3/11/2016. Moszkowski: Suite in G minor for Two Violins and 森曹:雅拉慕(男中音) Piano, Op. 71 抒情歌劇院樂團及合唱團 / 安德魯‧戴維斯 蘇歌路夫(小提琴) Mozart: String Quintet in G minor, K. 516 馬思奈:唐吉訶德 瑞士羅曼第樂團 / 奧溫迪恩 Schumann: Piano Quartet in E flat, Op. 47 西貝流士:D小調小提琴協奏曲,作品47 2016年11月19日芝加哥公民歌劇院抒情歌劇廳 拉赫曼尼諾夫:E小調第二交響曲,作品27 Presented by Premiere Performances of Hong Kong. 錄音。 Recorded at Hong Kong City Hall Theatre on 19/1/2017. 2016年11月3日日內瓦維多利亞音樂廳錄音。 香港國際室內樂音樂節2017:揭幕音樂會 /1/2017 (Wed 星期三) 25 Valeriy Sokolov 林昭亮(小提琴) 11:00am BEETHOVEN 貝多芬 蘇歌路夫 克里絲汀‧李(小提琴) Piano Trio in C minor, Op. 1 No. 3 26’ 廸恩(中提琴) Itzhak Perlman (v) 陳則言(中提琴) Lynn Harrell (vc) 秦立巍(大提琴) Vladimir Ashkenazy (p) 莉卡(鋼琴) C小調鋼琴三重奏,作品1,第三首 張昊辰(鋼琴) 普爾文(小提琴) 博羅美奧弦樂四重奏 夏里奧(大提琴) 莫士高夫斯基:G小調雙小提琴與鋼琴組曲, 亞殊堅納西(鋼琴) 作品71 莫扎特:G小調弦樂五重奏,K. 516 2:00pm LIVE ON 4 (REPEAT) 舒曼:降E大調鋼琴四重奏,作品47 第四台音樂會(重播) Prog. as 20/1/2017, 8:00pm 飛躍演奏香港主辦。2017年1月19日香港大會堂 節目與2017年1月20日晚上8時相同 音樂廳錄音。 JANUARY 2017 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 45 28/1/2017 (Sat 星期六) 2:00pm LIVE ON 4 (REPEAT) 布倫(女高音) 8:00pm LIVE ON 4 第四台音樂會 第四台音樂會(重播) 愛爾蘭廣播電視國家交響樂團 / 費狄格 Alina Pogostkina Plays Beethoven Prog. as 26/1/2017, 8pm 華格納:《帕西發爾》第一幕前奏曲 Alina Pogostkina (v) 節目與2017年1月26日晚上8時相同 李察‧史特勞斯:最後四首藝術歌曲 Hong Kong Sinfonietta / Christoph Poppen 布魯克納:A大調第六交響曲 Webern: Im Sommerwind 8:00pm LIVE ON 4 第四台音樂會 Beethoven: Violin Concerto in D, Op. 61 The Dutchman: Yevgeny Nikitin (b-br) 2016年11月18日都柏林國家音樂廳錄音。 Brahms: Symphony No 3 in F, Op. 90 Senta: Ingela Brimberg (s) Daland: Kwangchul Youn (b) Presented by Hong Kong Sinfonietta. Recorded at Tsuen Erik: Nikolai Schukoff (t) 2/2/2017 (Thu 星期四) Wan Town Hall Auditorium on 21/1/2017. Mary: Kai Rüütel (a) 11:00am SHOSTAKOVICH 蕭斯達高維契 Teatro Real de Madrid Orch.& Cho. / Viola Sonata, Op. 147 33’ Pablo Heras-Casado 貝多芬小提琴協奏曲 Nobuko Imai (va) Wagner: The Flying Dutchman 150’ 柏高絲金娜(小提琴) Roland Pöntinen (p) 香港小交響樂團 / 柏鵬 中提琴奏鳴曲,作品147 魏本:〈夏日和風〉 Recorded at Teatro Real, Madrid on 27/12/2016. 今井信子(中提琴) 貝多芬:D大調小提琴協奏曲,作品61 布拉姆斯:F大調第三交響曲,作品90 荷蘭人:曆傑田(低男中音) 邦定倫(鋼琴) 聖達:貝霖伯格(女高音) 香港小交響樂團主辦。2017年1月21日荃灣大會堂 達蘭:延侊哲(男低音) 2:00pm LIVE ON 4 (REPEAT) 艾力:舒高夫(男高音) 演奏廳錄音。 第四台音樂會(重播) 瑪莉:雷托(女低音) Prog. as 28/1/2017, 8pm 馬德里皇家劇院樂團及合唱團 / 荷拉斯—卡撒度 29/1/2017 (Sun 星期日) 節目與2017年1月28日晚上8時相同 2:00pm SUNDAY OPERA 歌劇世界 華格納:漂泊的荷蘭人 Puccini: Manon Lescaut 125’ Manon Lescaut: Miriam Gauci (s) 2016年12月27日馬德里皇家劇院錄音。 8:00pm LIVE ON 4 第四台音樂會 Lescaut: Vicente Sardinero (br) Daniel Lozakovitj (v) Pablo Heras-Casado Renato des Grieux: Kaludi Kaludov (t) 荷拉斯—卡撒度 Orch. de la Suisse Romande / Hartmut Haenchen Geronte di Revoir: Marcel Rosca (b) Mozart: Violin Concerto No. 5 in A, K. 219 28’ Jaak Gregoor Cho. Darbellay: Anges, L’Univers mystérieux BRT Phil. Orch. & Cho. / Alexander Rahbari de Paul Klee 浦契尼:曼儂‧雷斯高 Martin : Memorial for Lidice, H. 296 9’ 曼儂‧雷斯高:高琪(女高音) ů 雷斯高:沙狄尼路(男中音) Beethoven: Symphony No. 5 in C minor, 格利安騎士:卡魯多夫(男高音) Op. 67, ‘Fate’ 33’ 華夫亞的謝空特:羅斯加(男低音) 葛雷高爾合唱團 Recorded at Victoria Hall, Geneva on 7/12/2016. 比利時電台愛樂樂團及合唱團 / 華巴里 洛沙高域(小提琴) 8:00pm LUNAR NEW YEAR 瑞士羅曼第樂團 / 希遜 FIREWOKRS DISPLAY 2017 莫扎特:A大調第五小提琴協奏曲,K. 219 2017年農曆新年煙花匯演 1/2/2017 (Wed 星期三) 戴貝里:天使,保羅‧克利的神秘宇宙 30/1/2017 (Mon 星期一) 11:00am DVOŘÁK 德伏扎克 馬天奈:利迪采紀念曲,H. 296 11:00am ADAMS 亞當斯 The Golden Spinning Wheel, Op. 109 23’ 貝多芬:C小調第五交響曲,作品67,「命運」 Harmonium 35’ Czech Phil. Orch. / Jiří Bělohlávek Atlanta Sym. Orch. & Cho. / Robert Shaw 金紡車,作品109 2016年12月7日日內瓦維多利亞音樂廳錄音。 和諧 捷克愛樂樂團 / 貝勞拿域 亞特蘭大交響樂團及合唱團 /梭亞 Daniel Lozakovich 2:00pm LIVE ON 4 (REPEAT) 洛沙高域 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會(重播) 第四台音樂會(重播) Prog. as 27/1/2017, 8:00pm Prog. as 25/1/2017, 8:00pm 節目與2017年1月27日晚上8時相同 節目與2017年1月25日晚上8時相同 8:00pm LIVE ON 4 第四台音樂會 31/1/2017 (Tue 星期二) Orla Boylan (s) 11:00am PROKOFIEV 浦羅歌菲夫 RTÉ Nat. Sym. Orch. / James Feddeck Piano Concerto No. 3 in C, Op. 26 27’ Wagner: Prelude to Act 1 of ‘Parsifal’ 20’ Martha Argerich (p) R. Strauss: Four Last Songs 20’ Berlin Phil. Orch. / Claudio Abbado Bruckner: Symphony No. 6 in A 56’ C大調第三鋼琴協奏曲,作品26 亞嘉莉殊(鋼琴) Recorded at National Concert Hall, Dublin on 柏林愛樂樂團 / 亞巴度 18/11/2016. 46 JANUARY 2017 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 香港國際室內樂音樂節2017:走過友情歲月 3/2/2017 (Fri 星期五) K E Y 11:00am 白遼士 林昭亮(小提琴) BERLIOZ TO ABBREVIATIONS Harold in Italy, Op. 16 40’ 克里絲汀‧李(小提琴) Tabea Zimmermann (va) 廸恩(中提琴) A ALTO FH FRENCH HORN PER PERCUSSION London Sym. Orch. / Colin Davis 陳則言(中提琴) ACAD. ACADEMY FP FORTEPIANO PHIL. PHILHARMONIC 哈羅爾德在意大利,作品16 ARR. ARRANGED BY FEST. FESTIVAL R RECORDER 秦立巍(大提琴) B BASS GHM GLASS HARMONICA S SOPRANO 塔比亞‧冼米文(中提琴) 卡內拉琪斯(大提琴) BN BASSOON G GUITAR SX SAXOPHONE 倫敦交響樂團 / 哥連‧戴維斯 莉卡(鋼琴) BR BARITONE H HARP SYM. SYMPHONY CH. CHAMBER HC HARPSICHORD T TENOR 張昊辰(鋼琴) 2:00pm BBC FEATURES (REPEAT) CHO. CHOIR, CHORALE, HM HARMONICA TB TROMBONE 博羅美奧弦樂四重奏 CHORUS L LUTE TR TRUMPET 英國廣播公司專輯(重播) CL CLARINET MS MEZZO﹣SOPRANO TRAD. TRADITIONAL Prog. as 29/1/2017, 8pm 迪恩:弦樂五重奏「墓誌銘」 COMP COMPOSER N NARRATOR TRANS. TRANSCRIBED BY 節目與2017年1月29日晚上8時相同 孟德爾遜:D小調第一鋼琴三重奏,作品49 COND CONDUCTOR NAT. NATIONAL TY TIMPANI CT COUNTERTENOR O ORGAN V VIOLIN 法朗克:F小調鋼琴五重奏 CV CLAVICHORD OB OBOE VC VIOLONCELLO 8:00pm LIVE ON 4 第四台音樂會 DB DOUBLE BASS ORCH. ORCHESTRA VA VIOLA 飛躍演奏香港主辦。2017年1月21日香港大會堂 EH ENGLISH HORN P PIANO VIGA VIOLA DA GAMBA Hong Kong International Chamber Music F FLUTE PC PICCOLO VIH VIHUELA Festival 2017: Epitaphs 音樂廳錄音。 Cho-liang Lin (v) Cho-liang Lin Kristin Lee (v) BBC RADIO European Brett Dean (va) 林昭亮 INTERNATIONAL Broadcasting Union Brian Chen (va) Liwei Qin (vc) Nicholas Canellakis (vc) Cecile Licad (p) Haochen Zhang (p) Borromeo Quartet Brett Dean: Epitaph for String Quintet Mendelssohn: Piano Trio No.1 in D minor, Op. 49 Franck: Piano Quintet in F minor

Presented by Premiere Performances of Hong Kong. Recorded at Hong Kong City Hall Theatre on 21/1/2017.

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RTHK Quartet

Hong Kong Composers’ Guild 香港電台弦樂四重奏 Raymond Chung 鍾子豪 © ▲ RTHK Quartet and Angus Lee in ‘Musicarama 2016’ 香港電台弦樂四重奏與李一葦在今年的「音樂新文化」亮相

RTHK Quartet celebrates its 8th anniversary this year. In the past few months, three of its members, Le Hoai-nam, Elvis Chan, and Laurent Perrin, have teamed up with the ensemble’s guest second violinist John Ma for two special concerts. RTHK Quartet was one of the performing artists in ‘Musicarama 2016’. They gave the premiere of local composer Tang Man-ngai’s Voice II, and played a number of recent Hong Kong string quartets, conducted by Angus Lee. On the programme, there was also a work by Stravinsky. You may visit RTHK Radio’4 website (rthk.hk/radio4) to listen to the concert recorded on 14 November at Hong Kong City Hall Theatre.

Another concert given by the Quartet in November was a community free performance that took place in Exchange Square, the heart of Hong Kong’s commercial zone. The Quartet makes it one of their missions to share their passion of music-making with people. They will make their annual visit to Lingnan University in late March with a new performance idea. The Quartet will create a unique sound by performing with the Hong Kong Bach Choir and you must be there to experience this new sonic adventure. See you there in Tuen Mun.

香港電台弦樂四重奏今年慶祝成立八週年。回顧過去,四位音樂家(包括李海南、 Hong Kong Composers’ Guild ©

陳子信、貝樂安與客席小提琴家馬步萌)於去年秋天演出完兩場別具意義的音樂 ▲ (Top, from left) Le Hoai-nam and guest second violinist John Ma 會。11月14日晚上,他們在大會堂劇院舞台上,聯同年輕指揮李一葦首演香港作曲 (上,左起) 李海南與客席第二小提琴手馬步萌 (Bottom, from left) Laurent Perrin and Elvis Chan 家鄧文藝的四重奏「聲引 」,同場亦演奏多首本地作曲家近年的創作,以及史達 II (下,左起) 貝樂安與陳子信 拉汶斯基的作品。這場「音樂新文化2016」的首場音樂會可以在第四台網頁(rthk. hk/radio4)重溫。另外,他們早前亦在中環的商業中心區演出,吸引了不少下班一 族前來欣賞。

與眾同樂 ― 是香港電台弦樂四重奏一項重要使命。四重奏的成員將於3月底重訪嶺 南大學,為校園的文化活動演出。至於今年的新活動,四重奏將與香港巴赫合唱團 同台,為觀眾帶來新聲響、新概念。請留意第四台的最新消息,預留時間出席這個 在屯門的約會。

▲ RTHK Quartet performed in Exchange Square 香港電台弦樂四重奏在

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