STYUKA WEATHERS STORM Business 4 .College

Total Page:16

File Type:pdf, Size:1020Kb

STYUKA WEATHERS STORM Business 4 .College Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 1998-04-29 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (1998). All Xavier Student Newspapers. 2798. https://www.exhibit.xavier.edu/student_newspaper/2798 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. ][ Newswire's M9st Intriguing A student's run-in with the Athletes of the Year pqlice over fake ID's . page 11 page 9 STYUKA WEATHERS STORM Business 4 .college. renamed BY KARA BENKEN MANAGING ED1TOR Rev. James E. Hoff, S.J.; presi­ dent of Xavier University, and the Board of Trustees announced Monday that the· College ofBusiness Administration will be named in honor of two founders of The Western and Southern Life Insur~ ance Company, brothers William J'. Wil­ liams and Charles F. Williams. The Williams College of Business Adminis­ tration will be officially dedicated Thurs­ day, May 7. "Naming our business college for two such outstanding men; men whose .descendants have continued their tradi­ tion of leadership in Cincinnati busi­ NEWSWIRE PHOTO BY PETE HOL TERMANN ness, education and charitable circles, is While the crowd looks on, junior Andrew Peters, donning a cow outfit, pays to throw a pie at senior Roderick Hinton during agreathonorforall ofus at Xavier,'' said Saturday's STYUKA charity festival. The festival raised over $1,000 for Ashland Child Development Center. SEERAINING PAGE 12. Michael Webb, dean of the college. The Williams family is making a · · $1 million contribution to Xavier's busi~ . \ ness··college, and the Western-Southern Foundation is joining that gift with a $3 'TUiiion iftcreaSeS, s:s p~rceni million donation. Xavier is studying the best ways to utilize these donations, the most recent of several donations from Faculty salaries, facility maintenance cited as cause the Williams family arid the Western­ Southern Foundation. BY Eruc NEWCOMER steadily each year, according to Hirte. Also;· the roofs must be Hoff announced in a statement NEWS WRITER repaired on many of the dorms. yesterday that WilliamJ. Williams, chair­ ·Tuition will increase by 5 .5 Because Xavier is a private man of Western and Southern, wanted percent for the 1998-99 school institution, it receives no state to honor his father and uncle, who led year to $14,4QO-a $750 increase funding. Western and Southern from its founding over this year; According to Bundschuh, . in 1888 until 1952. The increase will help fi­ pricing is very significant to all of "They would be honored to be nance higher employees' salaries, those on the Board of Trustees remembered in this way. It is a fitting provide additional funds for schol­ who WO!k to keep Xavier's edu­ tribute to their accomplishments," said arship iwa:rds, counteract the ef- · cation affordable to students. Williams. "We want Xavier University fects .o:(inflation and fund im­ The bottom line is the to have one of the top business schools; provements to the university' sin­ school's cost structure must be one which is well-known and can attract frastructure. covered, and tuition must be in­ students from all over the country." In a letter written· to stu­ creased in order to ensure quality . William J. Williams was a mem- · dents and their parents, Xavier academic programming. ber of Xavier's Board of Trustees from PresidentRev.JamesRHoff,S.J., Some parents and students 1973-81, serving as vice chairman from defended the new budget citing question the size and necessity of 1975-76 and chairman from 1977-78. Xavier's need to "meet the de­ the tuition increase. Both the family and the foundation have mands of today's rapidly chang­ Bill Jackson, a resident of been consistent supporters of the ing andtechnologically sophisti­ Indianapolis and fatherof a Xavier college's Businessman's Mobilization cated society" as the basis for the freshman, was angered when he Campaign. increase. heard he would be required to pay · Last year, the Western-Southern He further . stated· that the SOURCE: CPI, BUREAU OF LABOR STATISTICS GRAPHIC BY CHAD ENGELLAND more money to fund his son's Foundation gave $500,000 to endow a new computer facility in the Uni­ According ·to· Dr. Richard BostonCollegenearthetopofthe. education. nursing scholarship for minority and versity Center and "importantup­ Hirte, vice president for financial list. · Accordihg. to Jackson, the disadvantaged students at Xavier. to-date scientific equipment" are affairs, "pricing is very signifi- · ~undschuh cites the neces­ price he is currently paying is a "Xavier has had a long and close amenities which require subsidy. ·cant."· Xavier must increase its sity ofincreasing faculty and staff sizable. amount which should relationship with the Williams family "Because we are a very dy­ . tuition to maintain its competi- salaries ·"to compensate them cover improvements, not to men­ and Western and Southern," said Hoff. namic place ... we have to keep ·tiveness with other colleges. fairly." Substantial salaries need tion heating, lighting and sewage "Xavier would be honored in a new way up-to-date on these things ... and "Over the past five years to be offered to faculty members costs. "Show me how much the - by having its College of Business Ad­ improvement is linked to costs," Xavier has done very well in keep­ in order to attract the best possible. price of heating has gone up," ministration named after the two mem­ . said Dr. James Bundschuh, vice . ing its costs down relative to insti­ professors. said Jackson. bers of the Williams family who were president for academic affairs, . tutions we compar~ourselves to," According to Hirte, the fac­ "The tuition increases ev­ founders ofWestem and Southern.'; The university did institute said Bundschuh. ulty will receive a4 percent salary ery year, so it's nothing new," In addition to undergraduate de­ a $60 a semester technology fee · This year, 20 outof the 28 increase and all support staff will said freshman Tricia Giessler. "I gree programs; the college includes a this year that has helped finance Jesuit colleges and universities receive a 3 percent increase. try not to worry about matters center for international business, entre­ new computers for the computer have higher tuition rates than · Additionally,· the cost of involving money-that's my par­ preneurial center, MBA program and labs. Xavier, with Georgetown and heating, lighting and sewage rise ents' job." executive MBA program: ·· . ... '' .. .. :·'... ,, ,,..~'. ~ <- ':· .' .- ., ..... · : · . THE XAVIER.NEWSWIRE• .WEEKOFAPRIL29, .. 1998 ~ PAGE2 ·. · · · ' "'~ · ' .. · . •, ,:: · ' ; ~ ·~·' ·''"':-..~" 'i." ''=".::::.: :_v•.- • > "•'":.·-.··x·nv"'~":"''"'""!-.O::: ''(')":~-.:.·:~ ·:;:_::• ·.. ~:-:,..o::··,..~~· ~;..... \' ~::.. ::-:.· ::' ""::":'~:.~· '!: ·::: :-.,. .....,. "' '-"'!-: :-:·· ':-,1:· .. ·~ ·;- _.. :-. :.-: ::~ •• · · , •• ,,.:. ., · ;:, ''::.l:'-'!"-. .... • • • ·.,' • ... ::~·.-: :-· -.·::::: :.:··.-:x· "'"""'-:: ;'' .-:.-:::• .-:","' -: ''~~' , .,... ,...;:('".-':'·:• ......:·::v::::.-:.:::-•·-.-..-. .. x·.-,: ·-: .;".;""•: ·• · :-' =~"".:·.-.·........ ;.;:_..,.. .. ., ·;:;»;>::· .- ... ·;::: ....... ,...-;:·.--!'Z;:.x~-.···~=·!~ ··. · ·~ · ··" NEWS briefs FINALLY HOME >- News Desk 7 45-3122. >- Email [email protected] Al1nual luncheon On Thursday, May 7 at the MarriottHotel in Springdale, the Greater Cincinnati Chamber of Commerce branch office will be having their annual luncheon. Students are invited to attend the luncheon for $15 (half price). Xavier alumnus Joe Viviano, presi­ detttand CEO of Hershey Foods Corp., will speak on "A Strategic Approach to Corporate Philosophy." To register, call 891-8833. All card hours Beginning May 2 and running through Aug. 26, the Xavier All Card Center will be open 9 a.m.-5 p.m., Monday through Friday. During these hours identification cards and validation and adminis­ trative service cards for copy machines will be administered. For further information call 745.-3374. ·. PHOTO BY BILL TERRY . The student chapter of Habitat for Human­ new hm;ne located at 841 Hutchins Ave. in Art exhibit ity joined with the Cincinnati affiliate of Habitat Avondale. for Humanity to complete its first house building Students broke ground on the project on Oct. The art gallery in Cohen Center will display an exhibit of ·project last Sunday. 17, .1997 through contributions made by Fi_delity approximately 430 ceramic forms hand-built by Stephanie Lanter. They are the first student group in the Federal Savings Bank, the Better Way Foundation, The opening reception will be Friday, May 1, from 6-9 p.m. The Greater Cincinnati area to build a home with a ·Xavier's Student GovernmentAssociation (SGA) exhibit will be on display until May 8. local family in need. Junior Kristi Waning .· as well asa number of small individual donations, welcomes Vicky Stevens_and her family to their Presentations On Tuesday, May 5 senior advertising majors will _be present­ .ing their creative portfolios. Their works will be on display. from 5- Seniors sanction. 7 p.m. in room 7 of CBA. Refreshments will be served. celebration "The champagne brunch is a parttrient will be there with his jazz BY KELLY HIX~ON Free coffee timeforseniorstorelivetheirweek-
Recommended publications
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • View Full Article
    ARTICLE ADAPTING COPYRIGHT FOR THE MASHUP GENERATION PETER S. MENELL† Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. By adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. INTRODUCTION ........................................................................ 443 I. MUSIC MASHUPS ..................................................................... 446 A. A Personal Journey ..................................................................... 447 B. The Mashup Genre ....................................................................
    [Show full text]
  • Roosevelt Public Library Proudly Celebrates
    Roosevelt Public Library 27 W. Fulton Avenue, Roosevelt, NY 11575 (516) 378-0222 www.rooseveltlibrary.org “We’re More Than Just Books” Roosevelt Public Library proudly celebrates... APRIL 12-18, 2015 National Library Week (Unlimited Possibilities @ Your Li- and redesign collections, systems, and services to help improve brary) is celebrated April 12-18, 2015. In 1957, the National Book and maximize their reading experiences. We need to be vocal, Committee developed a plan for National Library Week based flexible and patient as the longstanding relationship between on the idea that once people were motivated to read, they would readers and the libraries that serve them continues to evolve. support and use libraries. With the cooperation of the American Library Association and help from the Advertising Council, the - Submitted by Carol Gilliam - Black Heritage Librarian first National Library Week was observed in 1958 with the theme “Wake Up and Read”. * * * * * * “Reading is crucial to getting and holding a job, to teach- The following celebrations during National Library Week are ing our children, to staying informed on issues that affect our National Library Workers Day, Tuesday of National Library Week lives deeply, both as individuals and as citizens in a democracy. (April 14, 2015), a day for library staff, users, administrators and From reading a street sign to applying for a home mortgage, Friends groups to recognize the valuable contributions made by from gaining entrance to the world of literature to understanding all library workers; the instructions on a bottle of medicine, reading is a vital part of National Bookmobile Day, Wednesday of National Library our daily activities and the path to share in the American Dream”.
    [Show full text]
  • *5 ¡£ ¡¡¡Bis MCC Lounge 10 P J
    mummttmna. p j This Week in Room 1434 Gallery 1434 dishes up yet another serv­ The small room contains photographs ing for the art-hungry eye. This week’s show and paintings of spaghetti and other types of is titled “Not with my spatula you don’t" and pasta. Two parallel rows o f photographs run features the work of Paco Shima. O f the along the perimeter o f the room. It's a verit­ Gallery’s two rooms, Shima’s paintings and able photo sh oot fo r noodles w hen shown in photographs are center stage, and each room different sauces and dishes. It seems to play carries a different theme. The large room in­ off the idea of what my great-grandma used cludes several paintings, each bordered with to say when looking at her prepared meal: different colon of glitter, making them quite “Looks like picture.” It’s an interesting take pretty to look at. It’s this glittery glory that on every student’s staple m eal, and perhaps it catches your eye and forces you take in the will make you think twice before you sit entire piece. That’s when you’ll realize many down to that next plate of noodles. Paco of them also come with their own scents. It’s Shima’s work m il be on view until May 8. a nice touch. The paintings consist mostly of Gallery hours are from 8 a.m. to 3 p.m. organic shapes. They look like tongues and — Tami T . Mnoian liven, or other organs of the body.
    [Show full text]
  • « Am I Black Enough for You? » Basket-Ball, Médias Et Culture Afro-Américaine Aux États-Unis (1950-2015)
    UNIVERSITÉ SORBONNE NOUVELLE – PARIS 3 ED 514 – EDEAGE ÉTUDES ANGLOPHONES, GERMANOPHONES ET EUROPÉENNES EA 4399 – CREW CENTER FOR RESEARCH ON THE ENGLISH-SPEAKING WORLD Thèse de doctorat Anglais (civilisation américaine) Yann DESCAMPS « Am I Black Enough for You? » Basket-ball, médias et culture afro-américaine aux États-Unis (1950-2015) VOLUME 2 : Annexes Thèse dirigée par Mme la Professeure Divina FRAU-MEIGS Soutenue publiquement le 4 décembre 2015 Jury : - M. Daniel DURBIN, Professeur, University of Southern California - Mme Divina FRAU-MEIGS, Professeur, Université Sorbonne Nouvelle – Paris 3 - M. Jean-Paul GABILLIET, Université Bordeaux Montaigne - M. Olivier PÉGARD, Maître de Conférence, Université Paris-Est Créteil Val-de-Marne - M. Georges VIGARELLO, Professeur émérite, École des Hautes Études en Sciences Sociales 2 Annexe n°1 : Entretiens Entretien avec Tariq Abdul-Wahad Ancien joueur universitaire (Michigan State) et NBA (Sacramento, Orlando, Denver, Dallas). Entraîneur d’une équipe de lycée à San José. Propos recueillis le 24 février 2014 en marge d’une conférence à USC. « It was like you had black kids from New York in the 1960s being coached by white men from Mississippi. The cultural disconnect was that drastic. France, because of its colonies, half the team is black. There was a serious disconnect between the players and the staff. When I was a rookie, we had 3 meetings: one to manage your money, one for security matters, one to handle lovers. All this was meant to protect the NBA brand, the corporate brand. We’re athletes, but we’re more than athletes. I would love to see these corporations consider athletes as individuals, just as they consider themselves.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • Keepin' It Real Vs. Bling-Bling
    Lund University SANK01: VT-2012 Sociological Institution Author: Carolina Larnett Department of Social Anthropology Supervisor: Steven Sampson Keepin’ It Real vs. Bling-Bling: Shopping for Identity among Swedish Hip-Hoppers Graffiti mural, depicting rap legend 2Pac, in New York City http://assets.nybooks.com/media/photo/2010/12/21/Chiasson_1_jpg_630x423_crop_q85.jpg Abstract This paper describes the discourse of authenticity and the creating of identity through popular culture, using hip-hop, as a case to study. Based on data from how Swedish youth take in hip-hop through music lyrics, rapper stereotypes, the gangster rap subgenre and rap battles, it shows that including oneself into this culture can lead to changes in one’s identity and the redefinition of one’s persona. It discusses how hip-hop influence leads to youth creating their own local oppositional culture, re-constructing perceptions of authenticity and acts as guidance in the quest for an independent identity during adolescence and early adulthood. The theoretical material considering authenticity will primarily be provided by Charles Lindholm and David Boyle. Keywords: social anthropology, authenticity, identity, popular culture, hip-hop, culture, youth, community 2 List of Hip-Hop slang and terms . Battle (Rap Battle) – A contest where you orally recite rap or hip-hop lyrics back and forth between at least two individuals. The crowd decides who the better emcee is after they have battled it out for a couple of rounds. Beef – Slang for fighting someone or being aggressive. Have a grudge or starting one with another person in the Hip-Hop industry. (Beef is not what these famous niggas do on the mic.
    [Show full text]
  • Public Enemy 2013.Pdf
    PERFORMERS Due to Public Enemy’s work, hip-hop established itself as a global force. ------------------------------------------- ---------------------------- By Alan Light _________________________________ UN-DM C had a more revolutionary impact on the way records are made. N.W . A spawned more imitators. The Death Row and Bad Boy juggernauts sold more R albums. Jay-Z has topped the charts for many more years. But no act in the history of hip-hop ever felt more important than Public Enemy. A t the top o f its game, PE redefined not just what a rap group could accomplish, but also the very role pop musicians could play in contemporary culture. Lyrically, sonically, politi­ cally, onstage, on the news - never before had musicians been considered “radical” across so many different platforms. The mix of agitprop politics, Black Panther-meets-arena-rock packaging, high drama, and low comedy took the group places hip-hop has never been before or since. For a number of years in the late eighties and early nineties, it was, to sample a phrase from the Clash, the only band that mattered. I put them on a level with Bob Marley and a handful of other artists,” wrote the late Adam Yauch (the Beastie Boys were one of Public Enemy's earliest champions). “[It’s a] rare artist who can make great music and also deliver a political and social message. But where Marley’s music sweetly lures you in, then sneaks in the message, Chuck D grabs you by the collar and makes you listen.” Behind, beneath, and around it all was that sound.
    [Show full text]
  • Vol. 2 of Collection Serves up Folk Greats PE' S Sound Is Go In' On
    Is this Garth Brooks' Vol. 2 of Collection greatest achievement? serves up folk greats ANNA HARRIS duce an album that defies barriers, cre- JOHN ROBERT PORTMAN ing a folk radio show in California for contributing writer ates another star and still works in both contributing writer almost 30 years now, so they definite- the country and rock arenas. Although ly know what talent sounds like. Span- the album is not a huge step away from The FolkScene ning 25 years of various recorded per- the classic sound of songs like "Stand- Collection: Volume Two formances, the sound achieved by the ing Outside the Fire" and "The Dance," Red House { セ セ L acoustic acts is intimate and sharp. it still promises an enthusiastic audi- Other artists featured are Lucinda ence among purveyors of softer rock Williams, Stephen Fearing, Tom Rus- and pop. Prince and Beatles fans alike I 8 If sell, Chris Hillman, Jim Lauderdale, should recognize an active influence. Watch for Tom セ .•e/ Patty Larkin and Stan Rogers. In the true tradition of a greatest hits Wai ts hanging ·· The unplugged sound of the album album, it includes songs from the dif- out at the Hummingbird is relaxing and some of the musician's ferent musical eras that Gaines lived Grill in the Warehouse voices and the unmanipulatcd sounds through, and the sound of the album District. of the guitars are nothing short of amaz- is diverse enough to be enjoyed by many ing. Songs like "Love at the Five & listeners. The album is a sure thing, not Dime" by Nanci Griffith and "Good only for the music or for the legend that Perhaps you have noticed the unfor- Woman's Love" by Vince Gill arc lies behind it, but also for the novelty tunate fallacy of most modern music; smacked with a brick from the house of it all.
    [Show full text]
  • Carlton Douglas Ridenhour (Born August 1, 1960), Known Professionally As Chuck D, Is an American Rapper, Author, and Producer. A
    Carlton Douglas Ridenhour (born August 1, 1960), known professionally as Chuck D, is an American rapper, author, and producer. As the leader of the rap group Public Enemy, he helped create politically and socially conscious hip hop music in the mid 1980s. Chuck D has a powerful, resonant voice that is often acclaimed as one of the most distinct and impressive in hip-hop. About.com ranked him at No. 9 on their list of the Top 50 MCs of All Time, while The Source ranked him at No. 12 on their list of the Top 50 Hip-Hop Lyricists of All Time. Ridenhour was born in Queens, New York. He began writing rhymes after the New York City blackout of 1977. After graduating from Roosevelt Junior-Senior High School, he went to Adelphi University on Long Island to study graphic design, where he met William Drayton (Flavor Flav). He received a B.F.A. from Adelphi in 1984 and later received an honorary doctorate from Adelphi in 2013. While at Adelphi, Ridenhour co-hosted hip hop radio show the Super Spectrum Mix Hour as Chuck D on Saturday nights at Long Island rock radio station WLIR, designed flyers for local hip-hop events, and drew a cartoon called Tales of the Skind for Adelphi student newspaper The Delphian. Upon hearing Ridenhour's demo track "Public Enemy Number One", fledgling producer/upcoming music-mogul Rick Rubin insisted on signing him to his Def Jam label. Public Enemy’s major label albums were Yo! Bum Rush the Show (1987), It Takes a Nation of Millions to Hold Us Back (1988), Fear of a Black Planet (1990), Apocalypse 91..
    [Show full text]
  • Latinos in the Arts
    A to Z of Latino Americans Latinos in the Arts Steven Otfinoski ialtfm.indd i 3/23/07 8:14:33 AM Latinos in the Arts Copyright © 2007 by Steven Otfinoski All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Otfinoski, Steven. Latinos in the arts / by Steven Otfinoski. p. cm.—(A to Z of Latino Americans) Includes bibliographical references and index. ISBN 978-0-8160-6394-9 (alk. paper) 1. Hispanic American arts—United States—21st century. 2. Hispanic Americans— United States. I. Title. II. Series. NX512.3.H57083 2007 700.89'68073—dc22 2006016900 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Annie O’Donnell Cover design by Salvatore Luongo Printed in the United States of America VB CGI 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. ialtfm.indd ii 3/23/07 8:14:34 AM Contents ĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎĎ List of Entries iv Acknowledgments vi Author’s Note
    [Show full text]
  • Mediamonkey Filelist
    MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # Welcome To Jermaine Local 1 Atlanta (Clean 5:03 Instructions 2 2001 Rap 128 Dupri Disk Remix) Nas & Ill Will Oochie Wally Local 2 QB's Finest 3:58 Records Presents 4 2000 Rap 128 (Clean) Disk Queensbr Local 3 Jay Z La-La-La (Clean) 4:40 Bad Boys II 3 2003 Rap 1 171 Disk Destiny's Local 4 Cater 2 U 4:09 Destiny Fulfilled 3 2004 Pop 5 128 Child Disk Local 5 Ja Rule Wonderful 4:26 R.U.L.E. 3 2004 Rap 128 Disk Local 6 Bob Acri Sleep Away 3:20 Bob Acri 3 2004 Jazz 3 128 Disk We Takin' Over Local 7 DJ Khaled 4:28 We The Best 13 2007 Rap 128 (Remix) Disk Light Poles and Pine Local 8 Field Mob So What (Clean) 3:36 3 2006 Rap 128 Trees Disk Always On Time Local 9 Ja Rule 4:06 Pain Is Love 2001 Rap 3 128 (Clean) Disk Welcome To Tha Local 10 Snoop Dogg Fly (Clean) 4:08 19 2005 Rap 2 200 Chuuch, Vol.3 Disk Feelin' On Yo Local 11 R Kelly 4:05 TP-2.com 18 2000 RnB 128 Booty Disk Local 12 YG Rack On Racks 4:45 We In School 2002 Rap 128 Disk Brian For The Rest Of Local 13 3:34 U Turn 9 2003 RnB 128 Mcknight My Life Disk Donnie Donnie McClurkin... Local 14 I'm Walking 5:19 8 2003 Gospel 128 Mcclurkin Again Disk Local 15 Baby Bash What Is It (Clean) 3:20 Cyclone 5 2007 Rap 128 Disk From Tha Paid tha Cost to Be Local 16 Snoop Dogg Chuuuch Ta Da 4:40 4 2002 Rap 128 da Bo$$ Disk Palace Jermaine Dupri Jermaine Gotta Get'cha Presents...Young Fly Local 17 2:49 2 2005 Rap 128 Dupri (Clean) and Flashy, Vol.
    [Show full text]