JOURNAL the Association of Jewish Refugees

Total Page:16

File Type:pdf, Size:1020Kb

JOURNAL the Association of Jewish Refugees VOLUME 19 NO.5 MAY 2019 JOURNAL The Association of Jewish Refugees LOOKING BACK & What shall we tell AHEAD Our annual report on pages 9 – 12 describes a year of looking backwards and forwards, remembering seminal moments from the past and rethinking the way the the children? modern world looks at prejudice. Deciding how and when to discuss the Holocaust These were also the themes of last month’s very successful conference about the Kindertransport, which with children and grandchildren has been a is reported in our sister publication, the Kindertransport newsletter, and will be covered in more detail in next perennial challenge for survivors and refugees. month’s Journal. Many found it impossible to speak; for others it was Meanwhile, to mark Yom HaShoah at the start of this difficult, both emotionally and conceptually, to know month, we bring you an insightful interview with one of the architects behind the proposed UK Holocaust how much to tell. Memorial and Learning Centre, plus an incredibly moving report from one of our key staff members in the north of England, who recently visited Poland with a delegation organised by her local council. Her account helps us to remember together that we are one. We look forward, as always, to receiving your feedback on these and on the other articles in this month’s Journal. Letter from Israel ...................................................................3 An architect’s perspective ....................................................4-5 Letters to the Editor .............................................................6-7 Art Notes................................................................................8 Annual Report & Accounts ............................................. 9 – 12 Looking for...........................................................................13 The Endless Night in the Killing Fields ..........................14 – 15 Reviews ................................................................................16 Obituaries ............................................................................17 Some of the many books that have been published Around the AJR ....................................................................18 specifically for children about the Holocaust. Adverts .................................................................................19 Events & Exhibitions .............................................................20 In 2011 the London Jewish was also a lively discussion about Cultural Centre held a series three generations of survivors. of events marking the 70th AJR Team anniversary of the Association of One important word recurred Chief Executive Michael Newman Jewish Refugees. A number of through these discussions but Finance Director David Kaye talks focused on the relationship was never properly explored. Heads of Department between survivors on the one Again and again, people spoke Community & Volunteer Services Carol Hart hand, and their children (and about the ‘burden’ of what HR & Administration Karen Markham grandchildren) on the other. they had been through and Educational Grants & Projects Alex Maws ‘What shall we tell the children?’ how difficult it was to think AJR Journal was the subject of a moving of imposing this on the next Editor Jo Briggs lecture by Rabbi Jonathan generation. What no one asked Editorial Assistant Lilian Levy Contributing Editor David Herman Wittenberg from the New North is why do we speak of such Secretarial/Advertisements Karin Pereira London Synagogue and there Continued on page 2 1 AJR Journal | May 2019 What shall we tell the had to make so their first books were handicap itself. less ‘Jewish’. The story of the publication children? (cont.) of Wiesel’s Night is a fascinating I don’t want to get into these doctrinal knowledge and its transmission as a example. wars which tore psychoanalysis apart ‘burden’? What is it we fear will happen for decades. But this distinction is – to ourselves, to others – if we tell them So how can we help people to tackle suggestive. Knowledge is a ‘burden’ of such experiences? Why do we assume this ‘burden’? One example came from because it is so terrible, so devastating. that even awful things, stories of death Rabbi Wittenberg in his talk. Through It is not just something that is and loss and deep depression, cannot his kind, gentle way of speaking he incomprehensible to those who weren’t be talked about openly, lovingly and opened up a space for survivors in the there, but something that could even explored safely? A number of people in audience to talk about what they had damage them once it is revealed. the audience spoke of not telling their gone through. They felt understood and Children were so often a haven, children as if it was unthinkable. And supported. This allowed them to open something undamaged by the Holocaust. others understood. But no one wanted up in ways that some had apparently So how could one taint them, burden to explore what is so frightening about never experienced before. Secondly, them, with this knowledge? Hence the trying to share such knowledge. by listening, in particular listening out rage when arguments broke out, when for the words people use, for changes children became difficult or hostile, and Children and grandchildren want to in emotion. One survivor started by were then discouraged from expressing know what happened to their parents smiling and saying how lucky he was. any negative feelings towards their during the Nazi years, whether they Within a few minutes, he had broken parents. ‘How could you, after what became refugees or survived Nazi camps. down completely, devastated by the we have been through?’ ‘The children There is now a whole genre of books by emotional impact of what he was we lost would never have behaved like the children (especially by the daughters) describing. It was as if for the very first this.’ ‘You have no idea what we went of refugees and survivors. Some are time he was describing experiences through’. Behind such intense emotions memoirs, such as Louise Kehoe’s In This that he had fended off for years. lies fear and devastation, but also anger Dark House (1995), Anne Karpf’s The That smile vanished. He broke down. and fury, that so often cannot find a War After: Living with the Holocaust Thirdly, by trying to overcome isolation. way out. It is so much easier for us to (1996), and Lisa Appignanesi’s Losing Rabbi Wittenberg spoke passionately treat survivors as victims and martyrs. the Dead (1999). There is also a new about Jews living in isolated parts of Many children know there is a darker wave of novels about the experience the country, who became cut off from story. Even as I write this, I am aware of Jewish refugees when they came fellow-Jews and survivors and lived how hurtful and wounding this must to Britain – by David Baddiel, Natasha alone with their dark thoughts and seem. But the children and grandchildren Solomons and Martin Fletcher, and most nightmares. For so many survivors (and of survivors know this is sometimes the famously, Judith Kerr’s When Hitler Stole their children), living far from the nearest case. One kind of burden, perhaps, is Pink Rabbit, among many others. The Jewish community, they felt completely denial, to argue that terrible experiences writers (and readers) of such books want alone. This was before psychotherapists don’t have serious consequences for to understand what their parents and and religious leaders became aware people’s lives. grandparents went through. So why a of what refugees and survivors were ‘burden’? Why do such experiences feel living through. So, awareness, knowing There are many more aspects to such like a bomb, to be handled with care, if how widespread and devastating these devastating experiences. But among at all? experiences and memories are, is crucial. many ways of helping survivors and their And from awareness must come support, children, one might be to help people Of course, these were terrible through religious and other forms of from both generations – and now from experiences – loved ones were murdered community. a third generation – confront the dark or tortured in the most awful ways. side of such feelings. The best fiction People survived in terrible conditions. Awareness, support and listening are and memoirs do this. They acknowledge Being forced from one’s home or important but are they enough? Let that survivors often seem a mystery to separated from one’s parents and me return to this word ‘burden’. I once their children and grandchildren. Or, siblings, are – literally – unspeakable asked a child analyst to explain to me worse, that people from the second and events. Not just for individuals, but for the difference between Kleinian and now third generation experience their a whole culture. For years there was Freudian psychoanalysis. Take a blind childhoods as a minefield, where they silence in post-war Britain about the child, she said. A Freudian would try and don’t dare to ask what happened to their experience of Jewish survivors. There help support this child and help build parents out of fear. Fear of what? That were memoirs or articles here or there, up their ego and defences against their their parents will scream and shout, or but by and large they failed to break into experience of blindness, to help them break down and weep, or finding out the cultural mainstream until the 1960s cope. A Kleinian, by contrast, she went what happened will be so terrible. As and especially the 1970s. This
Recommended publications
  • Reflections 3 Reflections
    3 Refl ections DAS MAGAZIN DES ÖSTERREICHISCHEN Refl ections SONG CONTEST CLUBS AUSGABE 2019/2020 AUSGABE | TAUSEND FENSTER Der tschechische Sänger Karel Gott („Und samkeit in der großen Stadt beim Eurovision diese Biene, die ich meine, die heißt Maja …“) Song Contest 1968 in der Royal Albert Hall wurde vor allem durch seine vom böhmischen mit nur 2 Punkten den bescheidenen drei- SONG CONTEST CLUBS Timbre gekennzeichneten, deutschsprachigen zehnten Platz, fi ndet aber bis heute großen Schlager in den 1970er und 1980er Jahren zum Anklang innerhalb der ESC-Fangemeinde. Liebling der Freunde eingängiger U-Musik. Neben der deutschen Version, nahm Karel Copyright: Martin Krachler Ganz zu Beginn seiner Karriere wurde er Gott noch eine tschechische Version und zwei ÖSTERREICHISCHEN vom Österreichischen Rundfunk eingela- englische Versionen auf. den, die Alpenrepublik mit der Udo Jürgens- Hier seht ihr die spanische Ausgabe von „Tau- DUNCAN LAURENCE Komposition „Tausend Fenster“ zu vertreten. send Fenster“, das dort auf Deutsch veröff ent- Zwar erreichte der Schlager über die Ein- licht wurde. MAGAZINDAS DES Der fünfte Sieg für die Niederlande DIE LETZTE SEITE | ections Refl AUSGABE 2019/2020 2 Refl ections 4 Refl ections 99 Refl ections 6 Refl ections IMPRESSUM MARKUS TRITREMMEL MICHAEL STANGL Clubleitung, Generalversammlung, Organisation Clubtreff en, Newsletter, Vorstandssitzung, Newsletter, Tickets Eurovision Song Contest Inlandskorrespondenz, Audioarchiv [email protected] Fichtestraße 77/18 | 8020 Graz MARTIN HUBER [email protected]
    [Show full text]
  • Kuwaittimes 14-5-2019.Qxp Layout 1
    RAMADAN 9, 1440 AH TUESDAY, MAY 14, 2019 28 Pages Max 43º Min 25º 150 Fils Established 1961 ISSUE NO: 17832 The First Daily in the Arabian Gulf www.kuwaittimes.net Assembly set to debate New Delhi hit by rare Liverpool seeking perfection 3 grilling against premier 24 ‘air pollution’ alert 27 in bid to dethrone Man City IMSAK 03:18 Fajr 03:28 Dhur 11:44 Asr 15:20 Magrib 18:32 Isha 19:59 Saudi tankers hit by ‘sabotage attacks’ as Gulf tensions soar Kuwait condemns the ‘criminal attack’ • UAE launches probe • Iran calls incident ‘worrisome’ DUBAI: Saudi Arabia said yesterday that two of its oil tankers were among those attacked off the coast of the United Arab Emirates and said it was an attempt to under- mine the security of crude supplies amid tensions between the United States and Iran. The UAE said on Sunday that four commercial vessels were sabotaged near Fujairah emirate, one of the world’s largest bunkering hubs lying just outside the Strait of Hormuz. It did not describe the nature of the attack or say who was behind it. The UAE had not given the nationalities or other details about the ownership of the four vessels. Riyadh has identi- fied two of them as Saudi and a Norwegian company said it owned another. Details of the fourth ship were not immediately clear. Thome Ship Management said its Norwegian-registered oil products tanker MT Andrew Victory was “struck by an unknown object”. Footage seen by Reuters showed a hole in the hull at the waterline with the metal torn open inwards.
    [Show full text]
  • Europe's Biggest Party
    Europe’s Pick the winning country for your chance to win a prize. Cross out any teams that have not got through to the final of Europe’s 1 biggest party. We suggest players pay a donation of £2 (no donation necessary) to put their biggest Party 2 name next to a country still in the running. Once the sheet is full and the money is in, wait for the winning country to be 3 revealed and give the winner their prize. The could be hald the donations of a United Kingdom Albania Armenia prize of your choosing. 4 The remaining money will go Breast Cancer Now to help us to make life- Michael Rice Jonida Maliqi Srbuk saving breast cancer research and life-changing support happen. Bigger Than Us Ktheju Tokës Walking Out Australia Austria Azerbaijan Belarus Belgium Kate Miller-Heidke PÆNDA Chingiz ZENA Eliot Zero Gravity Limits Truth Like It Wake Up Croatia Cyprus Czech Republic Denmark Estonia Roko Tamta Lake Malawi Leonora Victor Crone The Dream Replay Friend of a Friend Love is forever Storm Finland France Georgia Germany Greece Darude Bilal Hassani Oto Nemsadze S!sters Katerine Duska feat. Sebastian Roi Keep on going Sister Better love Look away Hungary Iceland Ireland Israel Italy Joci Pápai Hatari Sarah McTernan Kobi Marimi Mahmood Az én apám Hatrio mun sigra 22 Home Soldi Latvia Lithuania Malta Moldova Montenegro Carousel Jurij Veklenko Michela Anna Odobescu D mol That Night Run with the lions Chameleon Stay Heaven Portugal North Macedonia Norway Poland Romania Tamara Todevska KEiiNO Tulia Conan Osiris Ester Peony Proud Spirit in the Sky Fire of love (Pali sie) Telemóveis On a Sunday Russia San Marino Serbia Slovenia Spain Sergey Lazarev Serhat Nevena Božovic Zala Kralj & Gašper Šantl Miki Scream Say Na Na Na Kruna Sebi La Venda Sweden Switzerland The Netherlands John Lundvik Luca Hanni Duncan Laurence Too late for love She got me Arcade breastcancernow.org Breast Cancer Now is a working name of Breast Cancer Care and Breast Cancer Now, a charity registered in England and Wales (1160558) and Scotland (SC045584)..
    [Show full text]
  • Popbitch-Guide-To-Eurovision-2019
    Semi Final 1 Semi Final 2 The Big Six The Stats Hello, Tel Aviv! Another year, another 40-odd songs from every corner of the continent (and beyond...) Yes, it’s Eurovision time once again – so here is your annual Popbitch guide to all of the greatest, gaudiest and god-awful gems that this year’s contest has to offer. ////////////////////////////////// Semi-Final 1.................3-21 Wobbling opera ghosts! Fiery leather fetishists! Atonal interpretive Portuguese dance! Tuesday’s semi-final is a mad grab-bag of weirdness – so if you have an appetite for the odd stuff, this is the semi for you... Semi-Final 2................23-42 Culture Club covers! Robot laser heart surgery! Norwegian grumble rapping! Thursday’s qualifier is a little more staid, but there’s going to plenty of it that makes it through to the grand final – so best to bone up on it all... The Big Six.................44-50 They’ve already paid their way into the final (so they’re not really that interesting until Saturday rolls around) but if you want to get ahead of the game, these are the final six... The Stats...................52-58 Diagrams, facts, information, theory. You want to impress your mates with absolutely useless knowledge about which sorts of things win? We’ve got everything you need... Semi Final 1 Semi Final 2 The Big Six The Stats SF1: At A Glance This year’s contest is frontloaded with the mad stuff, so if BDSM electro, gruff Georgian rock and high-flying operatics from a group of women on massive wobbly sticks are what you watch Eurovision for, you’ll want to make some time for Tuesday’s semi..
    [Show full text]
  • Shawn Mendes EUROVISION 2019
    OCTOBER 2019 LIVE #15 THE DIGITAL LIGHTING EXPERIENCE BOSTON BALLET Shawn Mendes EUROVISION 2019 © Ralph Larmann The Tour BILLIE ELLISH Perseo the shape of water 500 W750 IP65 W PROFILE LUMINAIRE INFINITEXXXXXX COLOUR MIX 27,00042,000 LUMENS LUMENS (PERSEO-S) (BORA-S) FULL178MM FIELD SPHERICAL FRAMING LENS NATIVE HIGH8:1 CRI ZOOM > 90 (BORA-TC)- 7° TO 56° UNIFORMFULL FIELD FLAT BARNDOOR BEAM 148 8:1MM ZOOM FRONTAL - 8° TO LENS 64° HIGHLYSLEEK INDUSTRIAL COMPACT DESIGN www.ayrton.eu Summary SHOW REPORT 4 Ghibli shines again for Las Palmas Carnival spectacular 6 Louis Oliver picks Khamsin, Bora and Mistral for Shawn Mendes: The Tour 14 WildSun K25-TC premieres with Boston Ballet in North America and Paris 16 Ayrton plays major role at Eurovision Song Contest 2019 22 MagicDot-R is a dream for Shawn Mendes: the tour P.6 Billie Eilish World Tour 26 Mistral and Diablo-S fixtures enjoy broadway and Off-Broadway runs with lighting designer, Ken Posner Perseo 28 Lighting designer Alexis David, 18, on tour with French balladeer the shape Daniel Guichard 34 Ghibli enters a state of trance of water with The Art of Light for ASOT 900 36 Dreampanel-Twin increases video LAS PALMAS CARNIVAL P.4 BOSTON BALLET P.14 surface area at the Amnesia Eurovision 2019 P.16 beetlejuice P.26 daniel guichard P.28 State of trance P.36 500 W750 IP65 W PROFILE LUMINAIRE INFINITEXXXXXX COLOUR MIX 27,00042,000 LUMENS LUMENS (PERSEO-S) (BORA-S) FULL178MM FIELD SPHERICAL FRAMING LENS NATIVE HIGH8:1 CRI ZOOM > 90 (BORA-TC)- 7° TO 56° UNIFORMFULL FIELD FLAT BARNDOOR BEAM CONTACT
    [Show full text]
  • Eurovision: Performing State Identity and Shared Values
    Eurovision: Performing State Identity and Shared Values How states and their critics instrumentalise mega-events and their values to present competing narratives on state identity and legitimacy. By Catrina Shields s1825488 ([email protected]) Supervisor: Prof. dr. Giles Scott-Smith Word count: 14,926 Leiden University July 2020 S1825488 July 2020 Introduction ______________________________________________________________ 3 Literature Review __________________________________________________________ 4 Eurovision Literature ____________________________________________________ 4 Mega-Events ____________________________________________________________ 6 Methodology ______________________________________________________________ 8 Chapter 1: Dare to Dream: Israel’s Narrative __________________________________ 11 Traditional Notions of Israeli Identity ______________________________________ 12 Israeli State Identity and Legitimacy _______________________________________ 12 Evoking Emotion ______________________________________________________ 14 Modern Israel __________________________________________________________ 18 Technology __________________________________________________________ 18 Inclusivity and Progressiveness ___________________________________________ 19 Israel and Europe ______________________________________________________ 21 Israel in Eurovision ____________________________________________________ 21 Israel as European _____________________________________________________ 22 Chapter 1 Conclusion ___________________________________________________
    [Show full text]
  • May 19•10Am-12Pm for FAMILIES &CHILDREN (Alcoholic Andnon-Alcoholic) Will Be Served
    MAY 2019 Nisan and Iyyar 5779 A Publication of the Jewish Federation of Madison INSIDE THIS ISSUE Business, Professional & Service Directory ............. 8 Connecting With Israel ......................................... 6 Jewish Social Services ......................................... 7 Camp Corner ............................................................ 4 Freedom Seder ..................................................... 3 Madison Hadassah ............................................... 3 Congregation News .................................................. 5 Jewish Education.................................................. 6 Simchas & Condolences ...................................... 4 Yom HaAtzmaut MIDRASHA DOES GOOD BY KIM ROSENTHAL, DIRECTOR OF MIDRASHA TWO CELEBRATIONS A PROGRAM OF JEWISH FEDERATION OF MADISON FOR ADULTS Thursday May 9, 2019 7 pm - 9 pm Jewish Federation of Madison 6434 Enterprise Lane, Madison, WI Students in Midrasha’s Hebrew program put into practice doing something good to improve the lives of others and positively change the world on Good Deeds Day, Kick off a year celebrating Israeli innovation and Sunday, April 7, 2019. The students made Pesach gift bags for Jewish Social Services’ Lechayim Lunchtime Plus participants that included sweet treats, a succulent Tikkun Olam for Israel’s 71st Independence Day representing spring’s arrival, and a Passover greeting from the students. with guest speaker Dr. Adam Lee Goldstein! Be sure to check Jewish Federation of Madison and Midrasha Facebook pages to see photos from Midrasha Hebrew High School’s Selfie Seder. Refreshments of light snacks and drinks (alcoholic and non-alcoholic) will be served. FOR FAMILIES & CHILDREN Sunday, May 19 • 10 am - 12 pm Gan HaYeled Preschool, 6434 Enterprise Lane Come explore Israel through art, science, creative play, music, and more! This event is geared towards preschoolers through 2nd graders and their families. See more details for both events at jewishmadison.org PAID please join us Madison, Wis.
    [Show full text]
  • Jewishcommunitynews
    Jewish Community News www.jfedps.org The Publication of the Jewish Federation of the Desert Tevet/Shevat 5780 - February 2020 Run | Hide | Fight The actions implied in these three terrorism and violent attack. While words saves lives. It was proven 16 the Coachella Valley is not a large months ago, when the Tree of Life enough Jewish community to afford Synagogue in Pittsburgh was the site a full-time security director, our of the worst anti-Semitic attack on Jewish Federation is dedicated to American soil. As horrible as the attack helping agencies prepare, mitigate, on that Shabbat morning was, the and respond to a crisis as part of our security training given the leadership (CSI), Communal Security Initiative. and members of the Pittsburgh Jewish We are committed to the continuation community in the preceding eighteen of efforts to help train and educate in months unquestionably saved lives. safety and security awareness. On January 15, 2020, our Jewish Secure Community Network has Federation, in partnership with Secure Patrick Daly, SCN; Jewish Federation Board Chair Roberta Nyman, SCN’s Brad Orsini, and Jewish become a proven, critical partner Community Network, hosted a session Federation CEO Bruce Landgarten with three members of the Riverside Sheriff’s Department. for Jewish Federation of the Desert, “Before and After the Tree of Life: As devastating as were the eleven at Tree of Life Synagogue made a working with our Federation and in Lessons Learned” with Brad Orsini. deaths, it could have been far worse. practice of not carrying his cell phone training with our local law enforcement Orsini, a former FBI agent, was the The training given to Pittsburgh’s on Shabbat.
    [Show full text]
  • Lifestyle Feature
    Established 1961 T 21 L i f e s t y l e Fe a t u r e Tuesday, May 14, 2019 Cyprus’ Tamta poses for a picture during the Red Carpet cer- Finland’s Darude, right, and Sebastian Rejmen Israel’s Kobi Marimi Netherland’s Duncan Laurence — AFP photos emony of the 64th edition of the Eurovision Song Contest 2019 at Expo Tel Aviv in the Israeli coastal city. ontestants from 41 countries walked an orange concerns and calls for a boycott. Two singers are shown carpet in Tel Aviv’s “Culture Square” on Sunday greeting a wide-eyed couple arriving at Tel Aviv’s airport for the opening ceremony of Eurovision 2019, with: “I know just what you heard - that it’s a land of brushing aside security concerns and calls for a occupation. But we have so much more than that!” Cpro-Palestinian boycott. The 64th Eurovision Song In an apparent spoof of the common local mispro- Contest holds semi-finals in Tel Aviv, Israel’s entertain- nunciation of “beaches”, a male singer urges: “Come ment and business capital, on Tuesday and Thursday and enjoy our lovely bitches.” On Israel’s often ahead of the grand final on Saturday. unwieldy demographics, he adds, beaming: “Most of us Instead of the traditional red carpet, an orange carpet, are Jews but only some of us are greedy.” Some Israelis matching the logo of a company sponsoring the interna- were left fuming or confused. Shahaf Weisbein, an tional song fest, was rolled out at the Tel Aviv square that Israeli activist with the left-wing Women for Peace houses Israel’s Habima national theatre and the Israel group, denounced the video as a “disgrace” that Philharmonic.
    [Show full text]
  • Guidaesc2019.Pdf
    Eurovision Song Contest: la musica che unisce l'Europa... e non solo! C'è chi la definisce la "Champions League" della musica e in fondo non sbaglia. L'Eurovision è una grande festa, ma soprattutto è un concorso in cui i Paesi d'Europa si sfidano a colpi di note. Tecnicamente, è un concorso fra televisioni, visto che ad organizzarlo è l'EBU (European Broadcasting Union), l'ente che riunisce le tv pubbliche d'Europa e del bacino del Mediterraneo. Noi italiani l'abbiamo a lungo chiamato Eurofestival, i francesi sciovinisti lo chiamano Concours Eurovision de la Chanson, l'abbreviazione per tutti è Eurovision. Oggi più che mai è una rassegna globale, che vede protagonisti nel 2019 41 paesi: 40 aderenti all'ente organizzatore più l'Australia, che dell'EBU è solo membro associato, essendo fuori dall'area, ma che nel 2015 fu invitata per festeggiare i 60 anni del concorso per via dei grandi ascolti che la rassegna fa in quel paese e che poi, a partire dal 2016, è stata ufficialmente invitata dall’organizzazione. L'ideatore della rassegna fu un italiano, Sergio Pugliese, nel 1956 direttore della RAI, che ispirandosi a Sanremo volle creare una rassegna musicale europea. La propose a Marcel Bezençon, il franco-svizzero allora direttore generale del neonato consorzio eurovisione, che mise il sigillo sull'idea: ecco così nascere un concorso di musica con lo scopo nobile di promuovere la collaborazione e l'amicizia tra i popoli europei, la ricostituzione di un continente dilaniato dalla guerra attraverso lo spettacolo e la tv. E oltre a questo, molto più prosaicamente, anche sperimentare una diretta in simultanea in più paesi e promuovere il mezzo televisivo nel vecchio continente.
    [Show full text]
  • Країна Номеру – Ізраїль Country in Focus – Israel
    #8 ЄРУСАЛИМ: «СЕРЦЕ СВІТУ» / JERUSALEM: “HEART OF THE WORLD” ВІДКРИТТЯ ТЕРМІНАЛА F / OPENING OF THE TERMINAL F КРАЇНА НОМЕРУ – ІЗРАЇЛЬ COUNTRY IN FOCUS – ISRAEL * ЗА СПРИЯННЯ ПОСОЛЬСТВА ІЗРАЇЛЮ В УКРАЇНІ / WITH SUPPORT OF THE EMBASSY OF ISRAEL IN UKRAINE ВСТУПНЕ СЛОВО INTRODUCTION UA EN СТВОРИМО LET’S CREATE АЕРОПОРТ A DREAM МРІЇ! AIRPORT! ля команди аеропорту 2019 рік почався з he year 2019 began with a great motivation for Д чудової мотивації: «Бориспіль» посів перше Tthe airport team — Boryspil was ranked first місце в рейтингу Міжнародної ради аеропортів зав- in the rating of the International Airport Council. It дяки найдинамічнішому зростанню пасажиропотоку had the fastest growing passenger flow among the у групі великих аеропортів Європи за підсумками major European airports upon the results of the last минулого року. Звичайно, ми не знижуємо темпу ро- year. Of course, we don’t decrease the pace of our боти і вже готові працювати над новими викликами. work and are ready to face new challenges. За нашими прогнозами, цьогоріч «Бориспіль» зможе We estimate that Boryspil will be able to provide обслуговувати 14,3 мільйона пасажирів. Безумовно, service to 14.3 billion passengers this year. Obvi- це потребує високої концентрації зусиль усіх струк- ously, it requires great efforts of all organization турних підрозділів. Ми усвідомлюємо, яке наван- units. We realize the impact on the infrastructure таження на інфраструктуру передбачає зростання with a growing number of passengers and already кількості пасажирів, і вже реалізуємо кроки зі збіль- take steps to increase the facilities of the airport. шення потужностей аеропорту. У 2019 році розпоч- In 2019 will start the preparatory work on the нуться підготовчі проектувальні роботи з розши- platform enlargement and the lengthening of the рення перону та подовження галереї термінала D.
    [Show full text]
  • Jedidut 1/2019
    Sisällys 1 / 2019 3 Pääkirjoitus 5 Puheenjohtajan mietteitä 6 Sininen ja valkoinen: Julkaisija: Suomi-Israel-yhdistysten liitto ry Israelin uusi pääministeripuolue? Finland-Israel Föreningarnas Förbund rf 8 Varsovasta Jerusalemiin – www.suomi-israel.fi, [email protected] kansainvälisen diplomatian Kustantaja: Faktapro Oy yllättäviä käänteitä Päätoimittaja: Kimmo Janas, 050 912 7332 Pääkirjoitus 10 Israel kurkottaa korkealle [email protected] Pääkirjoitus Toimituskunta: Vesa Hirvonen, Risto Huvila, 11 Uusi suurlähettiläs Israeliin Ari Rusila ja Minna Silver Elämme varsin jännittäviä – tai vähintäänkin antavat toivottavasti kuitenkin jonkinlaista 12 Eilatin uusi lentokenttä kunnioittaa Ilmestyy: 4 kertaa vuodessa; maalis-, kesä-, syys- ja mielenkiintoisia – aikoja. suuntaan omille äänestyspäätöksillemme. Ramonin lentäjäperhettä joulukuussa, vuosikerta 20 euroa. Huhtikuussa järjestetään vaalit niin meillä Ilmoituskoot ja hinnat (alv 0): 16 Suomi loisti Tel Avivin Suomessa (14.4.) kuin Israelissakin (9.4.), ja Muistan lapsuudestani laulun "Älä silmä matkamessuilla – poissaolollaan! 1/1 s: 148 x 210 mm tai 123 x 176 240 euroa kummankin vaalin uskotaan tuovat muu- pieni katso mihin vaan". Nyt on Darude päi- 1/2 s: 60 x 176 mm tai 123 x 86 mm 150 euroa 18 Liitolla uudistettu toksia nykytilanteeseen – kuka toivoo, kuka vittänyt Sebastian Rejmanin kanssa viestin 1/4 s: 60 x 86 mm tai 123 x 37 mm 90 euroa osasto matkamessuilla pelkää. muotoon "Look Away", jonka nimisellä kap- sisäkansi: 148 x 210 mm tai 123 x 176 265 euroa Ei enää koskaan!
    [Show full text]