Gestural Coordination and the Distribution of English 'Geminates'
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Chapter One Phonetic Change
CHAPTERONE PHONETICCHANGE The investigation of the nature and the types of changes that affect the sounds of a language is the most highly developed area of the study of language change. The term sound change is used to refer, in the broadest sense, to alterations in the phonetic shape of segments and suprasegmental features that result from the operation of phonological process es. The pho- netic makeup of given morphemes or words or sets of morphemes or words also may undergo change as a by-product of alterations in the grammatical patterns of a language. Sound change is used generally to refer only to those phonetic changes that affect all occurrences of a given sound or class of sounds (like the class of voiceless stops) under specifiable phonetic conditions . It is important to distinguish between the use of the term sound change as it refers tophonetic process es in a historical context , on the one hand, and as it refers to phonetic corre- spondences on the other. By phonetic process es we refer to the replacement of a sound or a sequenceof sounds presenting some articulatory difficulty by another sound or sequence lacking that difficulty . A phonetic correspondence can be said to exist between a sound at one point in the history of a language and the sound that is its direct descendent at any subsequent point in the history of that language. A phonetic correspondence often reflects the results of several phonetic process es that have affected a segment serially . Although phonetic process es are synchronic phenomena, they often have diachronic consequences. -
The Festvox Indic Frontend for Grapheme-To-Phoneme Conversion
The Festvox Indic Frontend for Grapheme-to-Phoneme Conversion Alok Parlikar, Sunayana Sitaram, Andrew Wilkinson and Alan W Black Carnegie Mellon University Pittsburgh, USA aup, ssitaram, aewilkin, [email protected] Abstract Text-to-Speech (TTS) systems convert text into phonetic pronunciations which are then processed by Acoustic Models. TTS frontends typically include text processing, lexical lookup and Grapheme-to-Phoneme (g2p) conversion stages. This paper describes the design and implementation of the Indic frontend, which provides explicit support for many major Indian languages, along with a unified framework with easy extensibility for other Indian languages. The Indic frontend handles many phenomena common to Indian languages such as schwa deletion, contextual nasalization, and voicing. It also handles multi-script synthesis between various Indian-language scripts and English. We describe experiments comparing the quality of TTS systems built using the Indic frontend to grapheme-based systems. While this frontend was designed keeping TTS in mind, it can also be used as a general g2p system for Automatic Speech Recognition. Keywords: speech synthesis, Indian language resources, pronunciation 1. Introduction in models of the spectrum and the prosody. Another prob- lem with this approach is that since each grapheme maps Intelligible and natural-sounding Text-to-Speech to a single “phoneme” in all contexts, this technique does (TTS) systems exist for a number of languages of the world not work well in the case of languages that have pronun- today. However, for low-resource, high-population lan- ciation ambiguities. We refer to this technique as “Raw guages, such as languages of the Indian subcontinent, there Graphemes.” are very few high-quality TTS systems available. -
Phonetics and Phonology in Russian Unstressed Vowel Reduction: a Study in Hyperarticulation
Phonetics and Phonology in Russian Unstressed Vowel Reduction: A Study in Hyperarticulation Jonathan Barnes Boston University (Short title: Hyperarticulating Russian Unstressed Vowels) Jonathan Barnes Department of Modern Foreign Languages and Literatures Boston University 621 Commonwealth Avenue, Room 119 Boston, MA 02215 Tel: (617) 353-6222 Fax: (617) 353-4641 [email protected] Abstract: Unstressed vowel reduction figures centrally in recent literature on the phonetics-phonology interface, in part owing to the possibility of a causal relationship between a phonetic process, duration-dependent undershoot, and the phonological neutralizations observed in systems of unstressed vocalism. Of particular interest in this light has been Russian, traditionally described as exhibiting two distinct phonological reduction patterns, differing both in degree and distribution. This study uses hyperarticulation to investigate the relationship between phonetic duration and reduction in Russian, concluding that these two reduction patterns differ not in degree, but in the level of representation at which they apply. These results are shown to have important consequences not just for theories of vowel reduction, but for other problems in the phonetics-phonology interface as well, incomplete neutralization in particular. Introduction Unstressed vowel reduction has been a subject of intense interest in recent debate concerning the nature of the phonetics-phonology interface. This is the case at least in part due to the existence of two seemingly analogous processes bearing this name, one typically called phonetic, and the other phonological. Phonological unstressed vowel reduction is a phenomenon whereby a given language's full vowel inventory can be realized only in lexically stressed syllables, while in unstressed syllables some number of neutralizations of contrast take place, with the result that only a subset of the inventory is realized on the surface. -
Roger Lass the Idea: What Is Schwa?
Stellenbosch Papers in Linguistics, Vol. 15, 1986, 01-30 doi: 10.5774/15-0-95 SPIL 15 (]986) 1 - 30 ON SCHW.A. * Roger Lass The idea: what is schwa? Everybody knows what schwa is or do they? This vene- rable Hebraic equivocation, with its later avatars like "neutral vowel", MUT'melvokaZ, etc. seems to be solidly es tablished in our conceptual and transcriptional armories. Whether it should be is another matter. In its use as a transcriptional symbol, I suggest, it represents a somewhat unsavoury and dispensable collection of theoretical and empirical sloppinesses and ill-advised reifications. It also embodies a major category confusion. That is, [8J is the only "phonetic symbol" that in accepted usage has only "phonological" or functional reference, not (precise) phone tic content. As we will see, there is a good deal to be said against raJ as a symbol for unstressed vowels, though there is often at least a weak excuse for invoking it. But "stressed schwa", prominent in discussions of Afrikaans and English (among other languages) is probably just about inex ·cusable. v Schwa (shwa, shva, se wa , etc.) began life as a device in Hebrew orthography. In "pointed" or "vocalized" script (i.e. where vowels rather than just consonantal skeletons are represented) the symbol ":" under a consonant graph appa rently represented some kind of "overshort" and/or "inde terminate" vowel: something perhaps of the order of a Slavic jeT', but nonhigh and generally neither front nor back though see below. In (Weingreen 1959:9, note b) it is described as,"a quick vowel-like sound", which is "pronounced like 'e' in 'because'''. -
How to Edit IPA 1 How to Use SAMPA for Editing IPA 2 How to Use X
version July 19 How to edit IPA When you want to enter the International Phonetic Association (IPA) character set with a computer keyboard, you need to know how to enter each IPA character with a sequence of keyboard strokes. This document describes a number of techniques. The complete SAMPA and RTR mapping can be found in the attached html documents. The main html document (ipa96.html) comes in a pdf-version (ipa96.pdf) too. 1 How to use SAMPA for editing IPA The Speech Assessment Method (SAM) Phonetic Alphabet has been developed by John Wells (http://www.phon.ucl.ac.uk/home/sampa). The goal was to map 176 IPA characters into the range of 7-bit ASCII, which is a set of 96 characters. The principle is to represent a single IPA character by a single ASCII character. This table is an example for five vowels: Description IPA SAMPA script a ɑ A ae ligature æ { turned a ɐ 6 epsilon ɛ E schwa ə @ A visual represenation of a keyboard shows the mapping on screen. The source for the SAMPA mapping used is "Handbook of multimodal an spoken dialogue systems", D Gibbon, Kluwer Academic Publishers 2000. 2 How to use X-SAMPA for editing IPA The multi-character extension to SAMPA has also been developed by John Wells (http://www.phon.ucl.ac.uk/home/sampa/x-sampa.htm). The basic principle used is to form chains of ASCII characters, that represent a single IPA character, e.g. This table lists some examples Description IPA X-SAMPA beta β B small capital B ʙ B\ lower-case B b b lower-case P p p Phi ɸ p\ The X-SAMPA mapping is in preparation and will be included in the next release. -
A QUALITATIVE ANALYSIS Budasi, IG1, Mahendrayana, G2, Teni
Jurnal IKA, Vol. 17 No. 2, September 2019 ISSN: 1829-5282 THE COMPARISON OF LEXICAL FEATURES BETWEEN LEMUKIH AND DENCARIK DIALECT: A QUALITATIVE ANALYSIS Budasi, IG1, Mahendrayana, G2, Teni, TL3 1Jurusan Bahasa Asing, Universitas Pendidikan Ganesha, Singaraja 2Jurusan Bahasa Asing, Universitas Pendidikan Ganesha, Singaraja 3Jurusan Bahasa Asing, Universitas Pendidikan Ganesha, Singaraja e-mail: [email protected],[email protected], [email protected] Abstrak Penelitian ini bertujuan untuk menganalisis perbedaan dialek Lemukih dan Dencarik dalam hal variasi fonologis dan leksikal. Penelitian ini adalah penelitian kualitatif deskriptif. Dalam penelitian ini, ada 3 informan sebagai sampel dari desa Lemukih dan 3 informan sebagai sampel dari desa Dencarik. Semua informan dipilih berdasarkan seperangkat kriteria. Data yang diperoleh dikumpulkan berdasarkan empat instrumen, yaitu: peneliti, lembar observasi, panduan wawancara, daftar kata (swadesh dan nothofer). Penelitian ini juga menggunakan tiga teknik yaitu: observasi, pencatatan, dan wawancara. Hasil penelitian menunjukkan bahwa, 1) terdapat 9 indikasi variasi fonologis, seperti; aphaeresis, syncope, apocope, prosthesis, epenthesis, paragoge, haplology, disimilasi, asimilasi. Variasi fonologis yang tidak ditemukan: fortifikasi lenition, unpacking, dan metathesis, 2) terdapat 4 indikasi variasi leksikal, seperti; variasi semasiologis, variasi onomasiologis, variasi formal dan variasi kontekstual. Ada 234 leksikon yang persis sama dan ada 112 leksikon yang memiliki kemiripan dari kedua dialek Lemukih dan Dencarik, bisa dijadikan bukti bahwa menyatukan dialek Lemukih dan Dencarik. Dan untuk leksikon yang berbeda ditemukan bahwa ada 322 leksikon yang dapat digolongkan sebagai leksikon yang membedakan kedua dialek Lemukih dan Dencarik. Kata Kunci: fitur leksikal, variasi leksikal, variasi fonologis Abstract This study aimed at analyzing the differences of Lemukih and Dencarik dialect in term of phonological and lexical variation. -
Northern Tosk Albanian
1 Northern Tosk Albanian 1 1 2 Stefano Coretta , Josiane Riverin-Coutlée , Enkeleida 1,2 3 3 Kapia , and Stephen Nichols 1 4 Institute of Phonetics and Speech Processing, 5 Ludwig-Maximilians-Universität München 2 6 Academy of Albanological Sciences 3 7 Linguistics and English Language, University of Manchester 8 29 July 2021 9 1 Introduction 10 Albanian (endonym: Shqip; Glotto: alba1268) is an Indo-European lan- 11 guage which has been suggested to form an independent branch of the 12 Indo-European family since the middle of the nineteenth century (Bopp 13 1855; Pedersen 1897; Çabej 1976). Though the origin of the language has 14 been debated, the prevailing opinion in the literature is that it is a descend- 15 ant of Illyrian (Hetzer 1995). Albanian is currently spoken by around 6–7 16 million people (Rusakov 2017; Klein et al. 2018), the majority of whom 17 live in Albania and Kosovo, with others in Italy, Greece, North Macedonia 18 and Montenegro. Figure 1 shows a map of the main Albanian-speaking 19 areas of Europe, with major linguistic subdivisions according to Gjinari 20 (1988) and Elsie & Gross (2009) marked by different colours and shades. 21 At the macro-level, Albanian includes two main varieties: Gheg, 22 spoken in Northern Albania, Kosovo and parts of Montenegro and North 1 Figure 1: Map of the Albanian-speaking areas of Europe. Subdivisions are based on Gjinari (1988) and Elsie & Gross (2009). CC-BY-SA 4.0 Stefano Coretta, Júlio Reis. 2 23 Macedonia; and Tosk, spoken in Southern Albania and in parts of Greece 24 and Southern Italy (von Hahn 1853; Desnickaja 1976; Demiraj 1986; Gjin- 25 ari 1985; Beci 2002; Shkurtaj 2012; Gjinari et al. -
The Tune Drives the Text - Schwa in Consonant-Final Loan Words in Italian
The tune drives the text - Schwa in consonant-final loan words in Italian Martine Grice1, Michelina Savino2, Alessandro Caffò2, Timo B. Roettger1 1IfL-Phonetics, University of Cologne, Germany 2Dept. of Education, Psychology, Communication, University of Bari, Italy [email protected], [email protected], [email protected], [email protected] ABSTRACT Although Italian has a very limited number of con- sonant-final words in its native vocabulary, the lan- In Italian, consonant-final loan words are reportedly guage has incorporated a great number of such produced with or without a final schwa. This paper words in recent years, including many proper nouns reveals that variation in the presence of this schwa is [6]. Crucially, their pronunciation is subject to varia- dependent on a number of factors, including the tion [2, 13, 17, inter alia]. Monosyllabic words such metrical structure of the target word and the voicing as ‘chat’ can retain the structure of the donor lan- of the consonant. Crucially, it is also conditioned by guage (in this case English) with the consonant in intonation: Schwa is more likely to occur – and is final position, /͡tʃat/, or the consonant can be fol- acoustically more prominent – when the intonational lowed by a mid central vocoid (henceforth schwa): tune is complex or rising, as opposed to falling. /͡tʃatːə/. Schwa epenthesis can thus be seen as facilitating the Studies on Italian generally analyse this non- production of functionally relevant tunes. lexical word-final schwa as an epenthetic vowel, rather than a phonetic artefact. One strong argument Keywords: Italian, tune-text association, schwa, for its phonological status is that it goes hand in compression, epenthesis hand with a lengthened (geminated) consonant. -
Unicode Alphabets for L ATEX
Unicode Alphabets for LATEX Specimen Mikkel Eide Eriksen March 11, 2020 2 Contents MUFI 5 SIL 21 TITUS 29 UNZ 117 3 4 CONTENTS MUFI Using the font PalemonasMUFI(0) from http://mufi.info/. Code MUFI Point Glyph Entity Name Unicode Name E262 � OEligogon LATIN CAPITAL LIGATURE OE WITH OGONEK E268 � Pdblac LATIN CAPITAL LETTER P WITH DOUBLE ACUTE E34E � Vvertline LATIN CAPITAL LETTER V WITH VERTICAL LINE ABOVE E662 � oeligogon LATIN SMALL LIGATURE OE WITH OGONEK E668 � pdblac LATIN SMALL LETTER P WITH DOUBLE ACUTE E74F � vvertline LATIN SMALL LETTER V WITH VERTICAL LINE ABOVE E8A1 � idblstrok LATIN SMALL LETTER I WITH TWO STROKES E8A2 � jdblstrok LATIN SMALL LETTER J WITH TWO STROKES E8A3 � autem LATIN ABBREVIATION SIGN AUTEM E8BB � vslashura LATIN SMALL LETTER V WITH SHORT SLASH ABOVE RIGHT E8BC � vslashuradbl LATIN SMALL LETTER V WITH TWO SHORT SLASHES ABOVE RIGHT E8C1 � thornrarmlig LATIN SMALL LETTER THORN LIGATED WITH ARM OF LATIN SMALL LETTER R E8C2 � Hrarmlig LATIN CAPITAL LETTER H LIGATED WITH ARM OF LATIN SMALL LETTER R E8C3 � hrarmlig LATIN SMALL LETTER H LIGATED WITH ARM OF LATIN SMALL LETTER R E8C5 � krarmlig LATIN SMALL LETTER K LIGATED WITH ARM OF LATIN SMALL LETTER R E8C6 UU UUlig LATIN CAPITAL LIGATURE UU E8C7 uu uulig LATIN SMALL LIGATURE UU E8C8 UE UElig LATIN CAPITAL LIGATURE UE E8C9 ue uelig LATIN SMALL LIGATURE UE E8CE � xslashlradbl LATIN SMALL LETTER X WITH TWO SHORT SLASHES BELOW RIGHT E8D1 æ̊ aeligring LATIN SMALL LETTER AE WITH RING ABOVE E8D3 ǽ̨ aeligogonacute LATIN SMALL LETTER AE WITH OGONEK AND ACUTE 5 6 CONTENTS -
Phonotactics on the Web 487
PHONOTACTICS ON THE WEB 487 APPENDIX Table A1 International Phonetic Alphabet (IPA) and Computer-Readable “Klattese” Transcription Equivalents IPAKlattese IPA Klattese Stops Syllabic Consonants p p n N t t m M k k l L b b d d Glides and Semivowels g l l ɹ r Affricates w w tʃ C j y d J Vowels Sibilant Fricatives i i s s I ʃ S ε E z z e e Z @ Nonsibilant Fricatives ɑ a ɑu f f W θ a Y T v v ^ ð ɔ c D o h h O o o Nasals υ U n n u u m m R ŋ G ə x | X Klattese Transcription Conventions Repeated phonemes. The only situation in which a phoneme is repeated is in a compound word. For exam- ple, the word homemade is transcribed in Klattese as /hommed/. All other words with two successive phonemes that are the same just have a single segment. For example, shrilly would be transcribed in Klattese as /SrIli/. X/R alternation. /X/ appears only in unstressed syllables, and /R/ appears only in stressed syllables. Schwas. There are four schwas: /x/, /|/, /X/, and unstressed /U/. The /U/ in an unstressed syllable is taken as a rounded schwa. Syllabic consonants. The transcriptions are fairly liberal in the use of syllabic consonants. Words ending in -ism are transcribed /IzM/ even though a tiny schwa typically appears in the transition from the /z/ to the /M/. How- ever, /N/ does not appear unless it immediately follows a coronal. In general, /xl/ becomes /L/ unless it occurs be- fore a stressed vowel. -
The Origin of the IPA Schwa
The origin of the IPA schwa Asher Laufer The Phonetics Laboratory, Hebrew Language Department, The Hebrew University, Mount Scopus, Jerusalem 91905, Israel [email protected] ABSTRACT We will refer here to those two kinds of schwa as "the linguistic schwa", to distinguish them from what The symbol ⟨ə⟩ in the International Phonetic Alphabet we call " the Hebrew schwa". was given the special name "Schwa". In fact, phoneticians use this term to denote two different meanings: A precise and specific physiological 2. HISTORY OF THE "SCHWA" definition - "a mid-central vowel" - or a variable The word "schwa" was borrowed from the vocabulary reduced non-defined centralized vowel. of the Hebrew grammar, which has been in use since The word "schwa" was borrowed from the Hebrew the 10th century. The Tiberian Masorah scholars grammar vocabulary, and has been in use since the th added various diacritics to the Hebrew letters to 10 century. The Tiberian Masorah scholars added, denote vowel signs and cantillation (musical marks). already in the late first millennium CE, various Actually, we can consider these scholars as diacritics to the Hebrew letters, to denote vowel signs phoneticians who invented a writing system to and cantillation (musical marks). Practically, we can represent their Hebrew pronunciation. Already in the consider them as phoneticians who invented a writing 10th century the Tiberian grammarians used this pronounced [ʃva] in Modern) שְׁ וָא system to represent pronunciation. They used the term Hebrew term ʃwa] and graphically marked it with a special Hebrew), and graphically marked it by two vertical] שְׁ וָא sign (two vertical dots beneath a letter [ ְׁ ]). -
Ling 150, Historical Linguistics Moore, Winter 2013 Types of Sound Change Lenition
Ling 150, Historical Linguistics Moore, Winter 2013 Types of Sound Change Lenition (1) Stronger Weaker voiced voiceless (sometimes) voiceless voiced (sometimes) stops fricatives obstruents sonorants consonants semivowels oral glottal front/back central (2) Lentition: Stronger > Weaker Kara (New Ireland) *bulan > fulan ‘moon’ *tapine > tefin ‘woman’ *punti > fut ‘banana’ (3) Rhotacism: C > r Latin *ami:kosum > ami:korum ‘of friends’ *genesis > generis ‘of the type’ Sound Loss (4) Aphaeresis: initial consonant deletion Angkamuthi (Cape York) *maji > aji ‘food’ *nani > ani ‘ground’ *wapun > apun ‘head’ (5) Apocope: final vowel loss S.E. Ambrym (Vanutu) *utu > ut ‘lice’ *aŋo > aŋ ‘fly’ *asue > asu ‘rat’ *tohu > toh ‘sugarcane’ Ling 150, Historical Linguistics Moore, Winter 2013 (6) Syncope: medial vowel loss Lenakel (Vanutu) *namatana > nɨmrɨn ‘his/her eye’ (note other changes) *nalimana > nelmɨn ‘his/her hand’ *masa > mha ‘low tide’ (7) Cluster reduction: CC >C English Melanesian Pidgin dɪstɹɪkt > distrik ‘district’ poʊst > pos ‘post’ peɩnt > pen ‘paint’ tæŋk > taŋ ‘tank’ (8) Haplology: syllable loss (conditioned by adjacent similar syllable) laɩbɹəɹi > laɩbɹi ‘library’ Anglaland > England Sound Addition (9) Excrescence: consonant addition *æmtig > ɛmpti ‘empty’ *θymle > θɪmbl ‘thimble’ (10) Epenthtesis: vowel addition English Tok Pisin blæk > bilak ‘black’ blu: > bulu ‘blue’ sɪks > sikis ‘six’ (11) Prothesis: initial sound addition Moru (Papua New Guinea) *api > lahi ‘fire’ *asan > lada ‘gills’ *au > lau ‘I, me’ Ling 150, Historical Linguistics Moore, Spring 2011 Metathesis Sounds switch places. (12) *brid > *bird > bɚd æsk > æks (13) Tagalog Ilokano taŋis : sa:ŋit ‘cry’ tubus : subut ‘redeem’ tigis : si:git ‘decant’ tamis : samqit ‘sweet’ Fusion Two sounds become one, bearing features of both original sounds.